Archive

Tag Archives: multichannel

ValuePublishing Mike Hilton Packaging.002.jpeg

Photos: Heidelberger Druckmaschinen, KBA. | Composing: Andreas Weber, Mainz/Germany.

Graphic Repro On-line News to Friday 20 May 2016

Welcome to another roundup of 29 news highlights for the past week together with Laurel Brunner’s Verdigris Blog on Friday, which this week looks at climate scientists and carbon accountants, and is well worth reading. It reveals some new approaches and initiatives which, as Laurel states, are actually quite inspiring.

You’ll find two new additions in Online Features Chapter 05 from Xeikon and Scodix and their respective customers revealing what the technologies have done and are doing for them and their businesses and customers. There’s also a mini white paper from Asahi which addresses its more sustainable water washout developments in flexographic platemaking.

With just 8 more days to go to the big one opens its doors in Dusseldorf a week tomorrow, we have another 28 new articles from drupa Exhibitors, bringing the total thus far to 214; as well as four from organisers Messe Dusseldorf, two each in English and German highlighting the drupa innovation park; and the city of Dusseldorf as it becomes drupacity, bringing their total to 61.

We then have the ninth article in the drupa ante portas series of interviews and articles from Andreas Weber in Mainz. This latest focuses firmly on packaging, asmore than half of all packaging volume worldwide is attributed to printed packaging, and the trend is rising. Lastly, there are ten Expert Articles – each with a specific focus – from ten of the world’s leading graphic arts editors and journalists – all in our own drupa Newsroom, if you care to pay a visit and scroll down through the combined total of 294 articles to date. You do need to scroll down though, in order to reach each of the Chapters or Sections.

News leaders this week not related to drupa began with KP Services on Monday, with its official opening in Jersey in the Channel Islands, as Kodak and the Guiton Group launched the world’s newest inkjet printing plant, creating a new digital approach in newspaper printing. On Tuesday, Wednesday and Thursday, we had Muller Martini, X-Rite, and Kodak respectively, which were all drupa-related and also appear in the drupa Newsroom. On Friday, the KBA Group reported on its AGM held in Wurzburg last Thursday, with its shareholders well satisfied with the company’s development and the positive results achieved through the Group’s Fit@All programme. Also from KBA, news that Mittelrhein-Verlag in Koblenz has ordered an additional 6/2 KBA Commander CT web press for its flagship Rhein-Zeitung, one of Germany’s largest regional titles.

Other sales and installation successes this week began on Monday with Fujifilm and a UK first at Emmerson Press, as its new sheetfed Jet Press 720S began production. From Heidelberg UK at Dataprint with its first Linoprint CV digital press; this was followed by Delta Packaging as it targets growth in Central Europe with an investment in a high spec large-format KBA Rapida 145 six-colour press with double coater for its Gliwice plant in Poland. Lastly from Manroland Web and The Times of India as they announce the expansion and upgrade of the Manroland Regioman web press systems in both Chennai and Pune.

Tuesday saw eDOC in the U.S. add a new Suprasetter 106 DCL for its recently installed Heidelberg Speedmaster CD 102 X-Package press. Wednesday saw Eversfrank with Xeikon; then Moo Print in London adding its second Polar cutter in 18 months; and Manroland Web with a Uniset refit at the Pueblo Chieftain in Colorado, in the U.S.; while on Thursday, Brailsford Printers in Rotherham, UK, added two Horizon collators and a Horizon perfect binder to its already substantial Horizon lineup, to create efficient end-to-end processing; while Donitz in Germany chose to add an Esko Kongsberg XN22 cutter for prototypes and small-series production.

On Friday, we’ve already mentioned the KBA web press order above. This was followed by Pondres as it partners with Ricoh to boost production inkjet quality with a new Ricoh Pro VC60000 continuous feed inkjet platform. Kingsbury Press is adding a Linoprint CV from Heidelberg at its Doncaster plant this month; Sealed Air has embraced Esko Equinox in Europe; and lastly, Italy’s Palladio Group has added a Manroland 700 HiPrint six-colour press to its plant in Serbia;

That’s all until next time, which will only be after drupa when things will eventually get back to normal again. I hope you find more of interest among the links below.

With my best regards, 

Mike Hilton 

Canon UnleashPrint drupa 2016.png
Canon covers all drupa 2016 High-light Topics: 3D Printing, Print, Green Printing, Functional Printing, Multichannel and Packaging.

Our e-News comprises:  Headline News – Online Feature Articles – the Verdigris initiative from Digital Dots. Our Drupa and FESPA Newsrooms can be accessed from the Index on our Home Page, as well as News in Review, which provides a weekly overview and listing of all news added to the site. 



Headline News
Over 28,000 news items have now gone online since we launched our Website in September 2001. News for the past 24 months can still be accessed via the Home Page and its continuation news pages

Mon 16 May…   
KP Services opens in Jersey, Channel Islands
Kodak and Guiton Group launch the world’s newest inkjet printing plant, creating a new digital approach in newspaper printing…

UPM launches ‘New Future’ brand of office papers
UPM has launched its first Responsible Fibre Trademark product: The New Future office paper range…

First sheets roll off the UK’s first Fujifilm Jet Press 720
Last week saw the inaugural print run of Emmerson Press’s new Jet Press 720S after a seamless installation process…

Screen appoints MCA PRO in Austria for Truepress Jet
Company to provide sales and service support for full range of inkjet web, label and wide-format printers and PlateRite CTP devices…

Dataprint looks to offer digital print with a difference
Dataprint in Alton identifies the fightback by litho as the key reason for buying a Linoprint CV from Heidelberg…

Delta to add drupa spec Rapida 145 6-colour with coater
Delta Packaging targets growth in Central Europe with investment in high spec KBA Rapida 145 6 LTTL for Gliwice plant in Poland…

Reconfiguration of Regiomans at Times of India
Times of India invests in the reconfiguration and expansion of its Regioman web press systems in Chennai and Pune…

Tue 17 May…   
Muller Martini at drupa: The Future Is Now
Using nine fully connected systems, Muller Martini will showcase the key topic of Finishing 4.0 live at its stand at drupa in Hall 2…

Kurz: Allrounders and specialists for any case
Leonhard Kurz to present its latest stamping foil developments at drupa in Hall 3, at the dip in Hall 7, and for packaging in Hall 12…

Agfa Eversify complements print publishing strategy
Agfa Graphics’ Eversify mobile publishing solution demos can be scheduled in advance at stand B62, in Hall 8a…

BPIF appoints new Public Affairs Consultant
The BPIF announces the appointment of Carys Davis as Public Affairs Advisor following Andrew Brown’s retirement…

Edale AIIR: Transforming print accuracy
Edale launches AIIR system controlled by AVT, to take flexographic print automation to new heights…

Platinum opts for Technotrans peripherals
Platinum Print adds temperature control and ink.line cartridge system to its Komori LS 529 five-colour B2 press…

eDOC Communications adds CD 102 and Suprasetter 106
eDOC extends successful strategic partnership with Heidelberg Speedmaster CD 102 X-Package and Suprasetter 106 DCL…

Wed 18 May…   
X-Rite announces IntelliTrax2 in drupa line-up
Automated Color Management provides printers and converters with M1 measurement support for optically brightened substrates…

UPM Digi papers, there’s always a perfect match
Whether it be books, photo books, covers or mailings using toner or inkjet printing, UPM’s product portfolio has the perfect solution…

Meet the OE-A and Printed Electronics Industry at drupa
Attend OE-A’s sessions on printed electronics and visit its stand in the dip in Hall 7 and seminars in the drupa cube…

Hybrid Software invites visitors to run live jobs
Hybrid to prove confidence it has in its products by inviting visitors to bring live production jobs to its stand to run on its software…

Eversfrank and Xeikon explore new avenues
Emphasis on one-to-one marketing with customised, long run printed communications: Xeikon plays a key role in the concept…

Moo Print adds second Polar 92 N Plus in 18 months
The London Web to print producer concentrates its cutting on to Polar equipment with second buy in 18 months…

Manroland Web Systems Uniset controls retrofit
of Control System and upgrades makes The Pueblo Chieftain’s Uniset press Fit for The Future…

Thu 19 May…   
Kodak Prosper 6000: Inkjet Book Printing at drupa 2016
Kodak to usher in next adopters of inkjet for book printing at drupa 2016, at the Kodak Quarter in Hall 5…

Global Graphics to unveil Inkjet ‘Fundamentals’ at drupa
A new software and engineering services package for inkjet press manufacturers that will help them get to market quicker…

Inca forms sales division for new SpyderX hybrid UV
Company to build global reseller network for 3.2m wide, UV flat-bed and roll-fed SpyderX printer it manufactures in Cambridge, UK…

X-Rite announces InkFormulation Software Version 6.3
Provides a more robust ink formulation data exchange across the workflow, faster run-up to colour on press; on show at drupa…

GMG: Consistent colours for packaging professionals
At drupa, the software company is emphasising what really counts: reliable partners and real know-how – even faster…

Brailsford re-evaluates production with Horizon
Horizon SPF-200/FC-200A and Horizon BQ-270V create efficient end-to-end process for Brailsford Printers in Rotherham…

Dönitz chooses Esko to boost quality for displays
Benefits from efficiency, flexibility of Kongsberg XN22 cutter system for prototypes and small-series production…

Fri 20 May…   
Koenig & Bauer AG’s 91st AGM held in Würzburg
Shareholders satisfied with company’s development following the positive results achieved through the Fit@All programme…

Rhein-Zeitung to receive further compact KBA web press
Commitment to the printed newspaper: Mittelrhein-Verlag in Koblenz orders an additional 6/2 KBA Commander CT web press…

Pondres invests in Ricoh Pro VC60000 production inkjet
Pondres partners with Ricoh to boost production inkjet quality with a Ricoh Pro VC60000 continuous feed inkjet platform…

Kingsbury Press makes its debut in digital with Linoprint
Kingsbury Press is ‘putting a toe in the water’ with digital printing, with a Linoprint CV from Heidelberg at its Doncaster plant this month…

Sealed Air embraces Esko Equinox to improve efficiencies
Fixed colour palette production and ink optimisation deliver cost-effective quality results to speciality packaging…

Palladio Group adds Roland 700 HiPrint in Serbia
Thorough research leads Palladio East right back to Manroland…

Siegwerk presents new range of sustainable flexo inks
Ink meets wood: As Siegwerk unveils a new ink range, incorporating renewable, forest bio-mass for water-based flexo inks…

Last lead articles from previous update…  

Last Friday’s leads…
BPIF Printing Outlook Report for Q2 2016
UK printing industry has a case of the wobbles in Q1 – confidence and trade expected to recover in Q2…

Agfa Graphics launches PrintSphere in the cloud
Agfa Graphics launches PrintSphere, a cloud-based data exchange service for print service providers…

GraphicRepro.Net e-News  (ISSN 1814-2923) is sponsored and made possible by:

Heidelberger Druckmaschinen AG  (Heidelberg), The world’s largest printing press manufacturer for the industry worldwide. Heidelberg customers enjoy the most comprehensive and extensive sales and service network in the industry for JDF compliant workflow, computer-to-plate, sheetfed offset, Web-to-print, digital printing, digital inkjet for labels and packaging, packaging and finishing, all with complementary consumables. Heidelberg has offices in around 170 countries. Visit the Heidelberg Website for more information.

drupa 2016 (drupa), the international flagship fair of the printing and media industry, responds to the challenges of the changing market and provides pioneering solutions for the future. This is highlighted by the new marketing and communication strategy where drupa claims its position as ‘No.1 for Print & Crossmedia Solutions’ with the slogan ‘touch the future’. The issues of ‘package printing’, ‘multichannel’, ‘green printing’, ‘3D printing’, and ‘functional printing’ will become increasingly important to the overall communication strategy. To find out more, visit the drupa 2016 Website.

Online Feature articles 2014 – 2016
There were again well over 70 last year, 90 in 2014, and 92 articles in 2013 which can still be accessed via the Index on the Home Page, with prior years’ via Search Archives (option 2).

Technology-related Chapter 02

Asahi mini-white paper: Water- vs Solvent-washable
Making flexographic printing more sustainable and efficient with water-washable flexo plates as compared to conventional solvent-washable plates…

Previous…   
Sappi extends an invitation to innovate flexible packaging
With integrated barriers and heat sealing properties this new Sappi paper is suitable for flexible packaging applications…

Online Features May/Jun Chapter 05

Eversfrank and Xeikon explore new avenues in customer communications
Emphasis on one-to-one marketing with customised, long run printed communications: Xeikon plays a key role in the successful concept…

Micro Lynx adds Scodix Foil Station to its workflow
Micro Lynx in Rennes, France democratises high-end finishing with its latest Scodix Foil investment…

Previous…     
The Biofore Tea House at ‘Moi Helsinki’ event in Beijing, China
UPM and Tongji University combine Chinese tea culture with innovative biomaterials for the Biofore Tea House, from 13 – 15 May…

BPIF’s Printing Outlook for the Second Quarter 2016
The UK printing industry has a case of the wobbles in Q1 – confidence and trade expected to recover in Q2…

SF Taylor improves efficiencies and reduces waste with KBA
The Stockport, UK company has doubled its press output by investing in a KBA Rapida 75 4-colour with perfecting…

Online Features Mar/Apr Chapter 04

Previous…   
Traderplus South Africa expands with further IIJ investment
Traderplus South Africa secures a major advantage with additional Industrial Inkjet (IIJ) technology, to be added in July…

Verdigris – Environmental Initiative

Laurel Brunner’s weekly Verdigris Blogs 2016

Climate scientists and carbon accountants
The weekly Verdigris blog by Laurel Brunner – Fri 20 May

Previous…   
Paper Chains
The weekly Verdigris blog by Laurel Brunner – Fri 13 May

Drupa Newsroom
Our Drupa Newsroom with news from Messe Düsseldorf and for Drupa 2016 can be found in the Index, as well as via the special Newsroom button on the right of the Home Page near the top. It is divided into the following Chapters for your convenience and ease of use… but you must scroll down to view each Chapter when you visit the Newsroom…

drupa ante portas Blogs 2016

The ninth in this series from Andreas Weber in Mainz, Germany on the lead-up to drupa…

Focus Packaging: Selling is everything!
drupa ante portas: More than half of all packaging volume worldwide is attributed to printed packaging – and the trend is rising. By Andreas Weber, Mainz/German…

Previous…   
Objectif Lune: Innovative solutions for interactive communications
drupa ante portas: Simply clever – OL turns data into personalised cross-media solutions! By Andreas Weber, Mainz/Germany

drupa 2016 News from Exhibitors
Latest additions can now be accessed in our drupa Newsroom.

Heidelberg’s Service portfolio at drupa 2016
Smart Services: Both in its entirety and in combination, Heidelberg’s portfolio of ‘Technical Services’ and ‘Performance Services’ is unique in the industry…

Gandy Digital large-format inkjet live at drupa
Gandy Digital to provide first live demonstrations of its latest high resolution five-metre UV roll-to-roll Fascin8tor printer at drupa… 

drupa innovation park 2016:
Smart Business Models in Focus: As around 130 exhibitors will be presenting their innovations in six theme parks…

European football programme will be produced at the show
Screen showing personalised publication printing with on-stand demonstrations at drupa 2016…

Global Graphics to unveil Inkjet ‘Fundamentals’ at drupa
A new software and engineering services package for inkjet press manufacturers that will help them get to market quicker…

Muller Martini at drupa: The Future Is Now
Using nine fully connected systems, Muller Martini will showcase the key topic of Finishing 4.0 live at its stand in Hall 2…

Kurz: Allrounders and specialists for any case
Leonhard Kurz to present its latest stamping foil developments at drupa in Hall 3, at the dip in Hall 7, and for packaging in Hall 12…

Kodak: Inkjet Book Printing at drupa 2016
Kodak to usher in next adopters of inkjet for book printing at drupa 2016, at the Kodak Quarter in Hall 5..

X-Rite announces InkFormulation Software Version 6.3
Provides a more robust ink formulation data exchange across the workflow, faster run-up to colour on press; to be demonstrated at drupa…

Industry first: Eagle Systems Cold Foil on uncoated paper
Sheetfed Cold Foiling is an industry first due to the complex characteristics of uncoated stocks, and made possible by the sophistication of Eagle’s system…

Meet the OE-A and the Printed Electronics Industry at drupa
Attend OE-A’s sessions on printed electronics and visit its stand in the dip in Hall 7 and seminars in the drupa cube…

Hybrid invites visitors to run live jobs at drupa 2016
Hybrid Software to prove the complete confidence it has in its products by inviting drupa visitors to bring live production jobs to its stand to be run on its software…

DuPont to launch Cyrel FAST 2000TD
DuPont Advanced Printing introduces next generation plate processor Cyrel FAST 2000TD offering improved plate quality and machine performance…

Techkon’s new products on show in Hall 9
Techkon continues its success with the SpectroDens and SpectroDrive devices, with new generation models set to debut at drupa…

Leibinger: Double monitoring during numbering at drupa
Paul Leibinger to feature numbering machines, camera verification systems and industrial inkjet printers at drupa in Hall 3…

X-Rite announces IntelliTrax2 in drupa lineup
Automated Color Management provides printers and converters with M1 measurement support for optically brightened substrates…

UPM Digi papers, there’s always a perfect match
Whether it’s books, photo books, covers or mailings using toner or inkjet printing, UPM’s product portfolio has the perfect solution…

Agfa Eversify complements print publishing strategy
Agfa Graphics’ Eversify mobile publishing solution demos can be scheduled in advance at stand B62, in Hall 8a…

GMG: Consistent colours for packaging professionals
At drupa, the software company is emphasising what really counts: reliable partners and real know-how – even faster…

Domino: A new B2 digital sheetfed printing solution
Domino partners with Gremser to launch new B2 sheetfed inkjet digital printing solution at drupa 2016 in Hall 5…

Caldera celebrates its quarter-century at drupa
No half-measures for Caldera at drupa 2016 in Hall 6, stand C23,
with partnerships and previews…

DuPont Advanced Printing announces new Artistri inks
New DuPont Artistri inks feature improved performance to meet growing needs of the textile industry…

Flint Group Flexographic Products showcases at drupa
Visitors can catch up on comprehensive product and new service offerings and solutions in Hall 08b, stand D/12…

System Brunner Colour Control at drupa 2016
System Brunner, the No.1 in colour control technology, will show its new or enhanced system solutions on its own stand in Hall 16…

Packaging without a Barcode – See it at drupa!
The European Article Number (EAN) symbol has served the packaging industry well since 1977 when it was first used commercially. But times have changed…

Delphax elan 500 adopts BDT’s Deep Pile Feeder
The BDT TPF-550 Feeder extends media range and improves of the Delphax elan 500 digital colour printer, to be demonstrated at drupa in Hall 5…

Trelleborg announces major launches at drupa 2016
Trelleborg’s printing solutions operation will use drupa 2016 to launch several offset blankets and digital products…

Onyx Graphics at drupa in Hall 5, Hall 8a and Hall 17
Onyx Graphics showcasing the power of its large-format workflow software in premier partner stands at drupa…

Previous…   
KBA at drupa: A strong focus on packaging producers
The press manufacturer is the market leader in several packaging segments and generates 70% of its revenue in the packaging market…

Hybrid Software to debut PACKZ RoundTrip
Hybrid Software provides missing link between package design in Adobe Illustrator format and production…

The Smart Print Shop for everyone: thanks to Prinect
With the new Prinect Production Manager, print shops of all sizes can completely automate their production processes precisely in line with requirements…

Heidelberg non-stop printing plate production at drupa
Smart print shop: Heidelberg showcasing a fully automatic production line for CTP plate imaging at drupa…

Durst to unveil single-pass inkjet for corrugated and labels
Durst to unveil its new corrugated packaging & display printing segment with single-pass and multi-pass technologies, along with its successful Tau 330 portfolio for label production…

Tecnau show debut for the Libra 800 at drupa
Tecnau to exhibit the Libra 800 automated and variable book finishing line for first time at an industry event at drupa 2016…

Agfa launches Advantage N Essentials CTP series @drupa
Agfa Graphics now offers a series of low-cost engines that take CTP technology for newspaper prepress back to its essence…

Kurz: Print finishing that will make people look twice
New Kurz stamping foil changes colour at different viewing angles…

CHILI publish highlights Asian expansion at drupa
Move supports increased demand for the production of personalized, shorter runs of marketing materials in the APAC region…

Domino to showcase its K630i high-speed inkjet in Hall 5
Domino to launch a high speed variable-pagination digital booklet printing solution with Kern and IBIS at drupa 2016…

Fujifilm to debut new Acuity LED 3200R at drupa
Fujifilm announces new wide-format Acuity LED 3200R UV inkjet printer at drupa 2016 in Hall 8b…

Alwan to showcase ccmplete CxF/X-4 solution at drupa in Hall 7
Alwan to showcase its complete CxF/X-4 solution for brand owners and designers to accurately define, predict and reproduce their spot colours…

Alwan to demonstrate inline profiling at drupa in Hall 7
Alwan Color Expertise enables printers to automatically calibrate and profile their print devices without any dedicated resources or print sessions…

Tichawa Vision CIS innovation at drupa in Hall 3
100% print inspection: Tichawa to present a multicolor Contact Image Sensor (CIS) offering adaptable resolution with minimum space requirements…

drupa 2016 Expert Article Series and more
Can be found in our Drupa Newsroom via the Index on the Home Page.

Final article in the series…   
Digital versus traditional packaging print
Touch the future. Drupa Expert Article No 8 by Michael Seidl, publisher and editor-in-chief of various specialist publications in Central and Eastern Europe including Print & Publishing, Packaging and Visual Communication….

drupa 2016 News from Messe Düsseldorf

drupa innovation park 2016:
Smart Business Models in Focus: Around 130 exhibitors will be presenting their innovations in six theme parks…

drupa innovation park 2016:
Smarte Geschäftsmodelle stehen im Fokus: Rund 130 Aussteller präsentieren im drupa innovation park in sechs Themenparks…

Düsseldorf becomes drupacity:
Numerous Activities Bring drupa Highlights to the City…

Düsseldorf wird zur drupacity:
Zahlreiche Aktionen bringen die drupa-Highlights in die Stadt…

Previous…   
touchpoint 3D fab + print:
Visionary ideas, best cases and hands-on state of the art…

touchpoint 3D fab + print:
Visionäre Ideen, Best Cases & State-of-the-Art zum Anfassen…

drupa cube 2016: With full programme PDF to download
Inspiration and innovation in some 60 keynotes, panel discussions and presentations from international experts…

drupa cube 2016: Mit komplette Programm PDF zum download
Inspiration und Innovation in rund 60 Keynotes, Panel-Discussions und Präsentationen internationaler Experten…

FESPA Newsroom
The dedicated FESPA Newsroom can be found via the Index on our Home Page.

FESPA Federation News in 2016

Seek new horizons in print at FESPA Mexico 2016
Event to be the largest dedicated Mexico show to date for digital and screen wide-format, garments decoration and signage…

Previous…   
FESPA’s Regional events in 2016
FESPA’S worldwide regional events reinforce the central Profit For Purpose philosophy which drives FESPA…

The Graphic Repro On-line Website is supported and sponsored by: 

Antalis South Africa, Canon SA,  Screen Europe,  Drupa 2016,  Esko,  FESPA.  Heidelberger Druckmaschinen AG,  HP Graphic Solutions,  Kemtek Imaging Systems,  Krause-Biagosch,  Leonhard Kurz Stiftung,   Manroland Web Systems GmbH,  Muller Martini AG,  Ricoh Europe,  Sappi Limited, Thunderbolt Solutions, and UPM-Kymmene.

If you would like to send news for consideration for the Graphic Repro On-line Website (ISSN 1814-2915) or to submit comments, please e-mail Mike Hilton at: graphicrepro.za@gmail.com.

Our Website urls are:

http://www.graphicrepro.co.za
http://www.graphicrepro.net

GraphicRepro.Net e-News (ISSN 1814-2923)  provides weekly updates from the Graphic Repro On-line Website and is  compiled and published by Mike Hilton, graphicrepro.net, PO Box 10 Peterburgskoe Shosse 13/1, 196605 Pushkin 5, St. Petersburg,  Russia.  e-mail graphicrepro.za@gmail.com

ValuePublishing Big Data Visuals.001

Digital technologies impact the entire cosmos of print media and complete workflow, too.

By Andreas Weber

 

Note: The latest market trend analysis by Andreas Weber is the extended version of an article which will be published by the leading technology newspaper VDI-nachrichten. VDI-nachrichten addresses a premium reader target group of more than 310,000 technical and innovation experts in German industry.  — See as well market trend analysis “Focus Packaging”.

 

The internet is the enemy of print. That had long been the perception in the print media branch. A blind eye was turned to the fact that technologically for decades, digital high-performance networks and data transfer have been indispensable for print technology development. 

This occurs on various levels, whereby online, a system architecture is freely available that automatically generates print data and transfers it by internet to selected service providers / printing systems. The simplest form is prints of any data via smartphone or tablet. The first were Apple with AirPrint and Google with CloudPrint; print system manufacturers such as Canon and HP followed with proprietary e-print solutions. On the other hand, data from Wiki platforms such as PediaPress technologies, are transformed into books based on Wikipedia articles selected by the user online. Furthermore, social media users can transform their chronicles on Twitter, Instagram or Facebook into publications at the push of a button to automatically create, for instance, printed posters of Facebook/Instagram friends, canvas prints or diary chronicles in book form from Twitter and Facebook (see mySocialBook, Twenty20 or boomf with the printing of Instagram photos on edible marshmallows).

 

A few samples how Social Media became already the source for new print applications (driven by innovative suppliers).

 

These services are used for promotional purposes by both consumers and companies who include such projects in their digital marketing concepts. For pure business applications, marketing and IT data are automatically merged without media disruption to create cross-media customer campaigns that couple a company offer such as an insurance contract extension with feedback from tens of thousands customers, which is then exported to the company’s IT and CRM systems for keeping customer profiles up-to-date and even documenting individual transactions. All documents are then available in both digital and printed form. The customer chooses which form he prefers.

Background
The internet protocol TCP/IP got its breakthrough by enabling large amounts of data to be transferred quickly and reliably, especially for publishing and print applications. The user interface/mouse and particularly PostScript as a page description language revolutionised the generation of print data and print media production already in the 1980s. The sheer unlimited and ubiquitously available storage options through the internet for large amounts of data stemming from all areas of life and industry gave rise to the big data “phenomenon” — with the lure of evaluating unstructured or semi-structured data in relational databases for analyses of any type. 

 

digitalisation_gestion_conges nereo

Digitalisation sets the pace

Two aspects were the logical result for the print media branch: 

  • first, all production workflow has to be “digitally” optimised;
  • and secondly, much more data is easily available through the internet that can be printed without media disruption.

The Internet becomes tool and marketplace in one. Accordingly, the online printing sector has grown dynamically: new specialised firms led by CIMPRESS/Vistaprint, Flyeralarm, Onlineprinters/diedruckerei.de or United Printers have accounted since 2009 in Germany alone for a trebling of volume that will most likely surpass the 3+ billion Euro mark in 2016. Popular applications/products are photo books, posters, flyers/mailings, brochures and more.

Key to success for online printing are the principles that characterise the 2016 motto “Touch the future” of drupa, the world’s leading print trade fair: automation, flexibilisation, digitalisation form the basis of “Print 4.0” — a new term borrowed from “Industry 4.0”, the highly commended industry standard from the Hannover Messe 2016. The rudiments of “4.0” have already been established in the printing branch for more than 10 years. The basis: JDF. The digital “Job Definition Format” allows made-to-order production to be taken care of automatically. Added to that is the complete cross-linking of production workflow and production machines including online remote services.

 

Heideldruck Press event 2 18022016.001

 

The print technology manufacturers have readied themselves for that. Heidelberger Druckmaschinen has developed a new digital strategy integrating all print technologies and is going one step further at drupa 2016: The “Heidelberg Cloud” moves into focus with its smart print-shop concept. That is a new, extended approach that cross-links fully automated production with business aspects for the transparent and efficient operation of a printing business — incl. engagement with the customers/print buyers who are informed of the status of their orders online or per mobile. Even the automatic ordering of consumables and printing paper is integrated. In the digital printing sector, HP is doing likewise with its “PrintOS” platform that is to be launched at the end of May 2016 and cross-links the proprietary HP systems/technologies used by its customers.

 

Background:

HP PrintOS wants to enable the processing as simply as possible of any number of print orders from order acceptance to mailing, to work efficiently with partners and colleagues and exploit new growth potential. On a cloud-based, and according to HP open and absolutely secure platform, users have access at any time – no matter where they happen to be. However, PrintOS can only be used by those who have HP printing solutions (HP Indigo digital presses, HP PageWide web presses, HP Scitex presses and HP Latex printers). https://youtu.be/Rd2x2hRnikE

 

Internet as tool and marketplace in one

The internet, including the online and mobile worlds, is thus becoming an integral part of any type of print media production. Even imaging specialist Canon, the only exhibitor that can cover all drupa highlight themes, backs digital cross-linked transformation and synchronisation of all production, communication and business processes. The social media-conforming Canon motto #UnleashPrint particularly substantiates the drupa 2016 aspiration.

From 3D applications to printing products “cross-linked” through augmented reality, application scenarios that pool all of Canon’s expertise will be shown at drupa 2016. The driver in the “background” is Canon’s solutions skill for accelerating digital transformation through customised software and the merging of proprietary and third-party (such as Microsoft, Oracle, etc.) solutions. Canon gave a taste of what was to come at its future show “Canon Expo” in October 2015 in Paris: It was demonstrated live and explained in presentations how a (fictive) brand of mountain bikes can be staged in media and communications right from the start, from the photo shoot to marketing materials up to e-commerce with a web shop. Everything cast from the same mould, everything seamlessly interwoven. And this, too, at the point-of-sales, for example, where the quality of digitally printed packaging is determining the way forward. Equally impressive was the “creative” zone which showed what a consumer experience is like when everything that one imagines can become reality: From the perception of the world “out there” to one’s own home — everything is supported by Canon in multimedia, by image/photo, video, printed photo book, iPad app, etc.

 

The Art of Print – Rembrandts revival!

Causing a sensation worldwide recently was “The Next Rembrandt” project: On the initiative of art experts at the Het Rembrandthuis Museum in Amsterdam and scientists from the Delft University of Technology with the support of technology partner Microsoft, all available data and information left behind by Rembrandt was evaluated – some 15 terabytes of data in total. “The Next Rembrandt” was to be made up of 168,263 Rembrandt painting components derived from 3D scans that resulted from a laborious, digital 3D composition in a synthesised new painting. However, no 3D printer was used as reported by the media, but a digital printing system. It is not public yet what kind of digital printing system they used. But: Mid of March 2016 at the Canon Business Days in Venlo, The Netherlands a printed copy of the „The Next Rembrandt“ was shown. It could be produced by advanced Océ VariaDot Imaging-Technologies which are already used to reproduce image motifs in relief, based preferably on 3D scans, such as for the reproduction of old fabric wall coverings formerly created by artists. [See the exclusive ValuePublishing story „Rembrandt verleiht Print postum eine ganz neue Bedeutung“ (in german language)]. 

ValuePublishing Canon Stories.001

 

Print 4.0 needs Communication 4.0

“In dealing with digitalisation, the print media branch focussed a long time on increasing production efficiency. Accordingly, any type of print media product always followed digital processes. That is a good thing. But, the effectiveness of print as a cross-linkable medium in the digital age was given short shrift and now has top priority,” stated Didier Gombert, founder and CEO of technology developer Objectif Lune (OL). For more than 20 years, the visionary entrepreneur has been a pioneer of a new “digital” philosophy that integrates print media topically in the communications mix.

For Gombert, the foundation is the “connect” principle. From one “digital” building block of various solutions, a scalable solution scenario develops that helps both beginners and pros to optimally use print in business and customer communications and always cross-links easily and affordably with digital communication processes. His success proves him right: With 240 employees and 3 development centres in North America, Europe and Australia, OL serves more than 20,000 companies around the world and is supported by a network of qualified partners. For Gombert, theme highlights at drupa 2016 are new communications tasks that are “beyond technology” so to say, such as “customer experience” and “customer journey”. This is understood to (further) develop 100% market and customer-oriented products and solutions in a dialogue with the customer. In focus: optimal interfaces between man-machine — machine-machine — machine-man.

 

ValuePublishing Big Data Visuals.002

 

From Pipelines to Platforms

Up to now, print production processes have followed a rigid, linear workflow scenario: Data are edited digitally, formatted with expert tools and then prepared unalterably for print. People tell the machine, so to say, what to do. An innovative approach, therefore, is to dissolve this rigid process, whereby data from various sources can be processed online or offline, from analogue to digital and vice-versa — quasi as an iterative process – seamlessly transformed and automatically enriched with customised and “on-demand” output per digital printing. Seen from a technical workflow angle, a pipeline process is transferred to a cross-linked interactive platform concept that offers new forms of connectivity.

Interesting stimuli are also coming in this context from post-press processing and paper technology. For automation, paper technology specialist BW Papersystems banks on a new type of online remote service such as its ExpertOnline. Originally conceived as a technical services support, it soon became apparent that masses of machine data from giant paper production plants could be exported and intelligently analysed. From this, production workflows and techniques could be optimised.

On the other hand, BW Papersystems is the first specialised technology manufacturer to rely on dialogue throughout the entire value chain in print production – that is, from pre-media, print, paper and processing technology and application specialists – to enable continuous, fully-automated processes. No continuity in print production can be ensured otherwise. This type of automation is important, especially for online printing and particularly for the latest digital print productions as print production facilities become more efficient in their output and vast amounts of data are accrued. At Onlineprinters/diedruckerei.de, for example, 500,000 customers are served, with up to 4,000 orders carried out per day on an annual average and 1.25 million deliveries per annum.

 

Conclusion

The handling of “big data” in print production has several dimensions: From the web and social media world or via cloud services, the amount of data is exploding that is being transferred from the virtual world to print; content can be automatically compiled on the basis of intelligent algorithms for masses of customised, needs-oriented print products. On the other hand, huge data streams have to be handled intelligently in production management to be able to produce and deliver efficiently, with quality, without media disruption and as quickly as possible, that is, within the deadline of a day.

 

Tip for drupa visit

  1. Exhibitors such as Objectif Lune in Hall 7a/E23 and BW Papersystems, Hall 10/D20 on automation through digitalisation from pre-media to post-press processing

  2. In the drupa innovation parc, Hall 7, new digital innovative solutions are grouped, which are also explained in technical presentations

  3. Different to all other drupa exhibitors Canon covers all drupa high-light topics in once. The motto #UnleashPrint comes to life. Hall 8a/B50.

ValuePublishing Canon Stories.001

By Andreas Weber

Note: This market trend analysis by Andreas Weber appeared in modified form in the drupa run-up special by VDI-nachrichten dated May 13, 2016. VDI-nachrichten addresses a premium reader target group of more than 310,000 technical and innovation experts in German industry.  

More than half of all packaging volume worldwide is attributed to printed packaging – and the trend is rising. Packaging printing is thus becoming the most important market of the future for the printing press. This is reflected at the upcoming world’s leading trade fair of the industry, drupa (Dusseldorf, May 31-June 10, 2016). The packaging industry has been booming for years. In 2012, proceeds worldwide were around €600 billion, in 2018 it should be a rich €758 billion. At least, that is what the British market research company Smithers Pira predicts.

The reasons for this are first, the increasing need for packaging in the developing and emerging countries due to rising prosperity and growing populations. China is at the top. Secondly, the packaging sector in the western industrial countries is benefiting from increasing variety and more competition in trade. And thirdly, the volume itself of packaging is growing, as noted here in Germany by the consumer consultancy of North Rhine-Westphalia. For 40% of the packaging contained air.

package printing 1c_1100x290

 

Boom-market packaging unleashes new printing techniques 

That makes it clear why the printing and paper branches are heavily banking on innovation owing to the eye-catching differentiation of packaging. To date, these have been mostly unusual finishing options such as varnish or metallic colours and non-standard configurations of machines and media specially designed for packaging printing.

Up to now, packaging has primarily been printed and finished using flexo, offset, gravure and screen printing processes. These are able to accommodate the high volume as well as quality and cost demands. Together, flexo and offset printing currently cover around two-thirds of the world market for packaging printing. According to Smithers Pira, it had a volume of $415 billion in 2015.

At less than 10%, the proportion of digital printing is still relatively small and thus presents room for growth. This should change though in the midterm with progress being made in digital print technology, because even in packaging the numbers are sinking. And then there is the trend to customisation.

Printed and varnished cardboard and metal sheets should remain the domain of sheet-fed offset printing for the time being. Yet, digital printing is gradually feeling its way into this market. For flexible packaging, flexo printing is dominant in Europe and America; in Asia, it is gravure. The latter is losing ground, however, due to its expense.

For corrugated board and labels, flexo printing is likewise the process most used, although in labels, digital printing is gaining strength. Screen printing was previously used mostly for signs, displays and hollow articles. There, too, digital inkjet printing is gaining importance. Experts assume that the corrugated board wrapping commonly used in e-commerce today will become increasingly more colourful.

gundlach-logo header_bottom_sub_4

Photo: Gundlach Group

 

German printing press manufacturers are searching for cooperation partners in digital printing

In particular, the German printing press manufacturers Koenig & Bauer (KBA) and Heidelberger Druckmaschinen have been focussing on packaging printing for years. Now it is industrial digital printing that should benefit from global collaborations: KBA cooperated with HP Inc. to harness inkjet printing for itself through HP’s own PageWide printing technology.

Heidelberg and Japanese Fujifilm with its expertise in inkjet printing technology jointly developed a new technology platform within 15 months. The first machine based on this, called Primefire, targets premium quality packaging printing with the inkjet printing of sheets in large format (70cm x 100cm).

Event tip: During drupa 2016, a trade day devoted to packaging and printed electronics will take place on June 2 in the drupa cube in Hall 5. Register at www.drupa.de.

Many new players who have developed additional processes are entering the game owing to the trend to packaging printing, particularly from Israel. These include new digital printing technologies such as the one from Landa Nanography. Scodix has developed digital finishing machines and Highcon relies on laser-based high-speed presses for folding carton. Pure digital printing technology experts such as Canon and Xerox also want to leverage the potential of print applications in packaging including label printing. In printed electronics this includes the integration of Near Field Communication (NFC) that can be processed in inkjet printing.

KBA boss Claus Bolza-Schünemann, in his position as president of the world’s leading trade fair drupa, strikes a blow for packaging printing. For its content, printed packaging serves a protective, preservative, promotional and increasingly also a communicative function. Here the topic of consumer protection comes to mind with respective notices on packaging. What’s more, packaging cannot be replaced by flat screens or smartphones. Unlike with printed newspapers or catalogues, it is not affected by changing media behaviour, but rather benefits from it. More single households with a preference for convenience foods and the booming online mail-order trade are likewise growth drivers.

What can be easily overlooked in the classic printing sector is the interplay of multichannel solutions in marketing, “augmented reality” and personalised advertising. This combination can make any type of packaging become the starting point of new contact and dialogue opportunities with the buyer through “augmented reality” and therefore represents enormous potential for brand-name companies.

To realise this, digital printing is vital. Only with it can the printed image be varied ad hoc. New multichannel software solutions such as those from Xerox subsidiary XMPie enable packaging to be personalised and thus become a part of a measurable marketing campaign.

01_mymuesli

Photo: Heideldruck

 

Multi-coloured muesli containers are the market of the future

But there are also some obstacles: Fogra, the Munich-based graphic technology research association has found out that the print image quality of inkjet printing can easily result in a very “ragged” print image. This cannot be seen with the naked eye, but causes problems particularly with barcodes. The highly sensitive barcode readers then generate error messages. Any printer that has produced high print-runs with poorly printed barcodes that then cause reader errors has a huge problem.

One of the most exciting packaging printing projects was realised by Heidelberg in tandem with online start-up mymuesli.com at the beginning of the year. Mymuesli.com is a mail-order company for customised muesli. After initial success, the online company opened shops and online print expert Bernd Zipper came up with the idea that people buying muesli on-site could print their own muesli packaging – and not just a label – using an iPad.

That was made possible thanks to a printing technology from Heidelberg called 4D in which the object to be printed is fixed inside the cabin of the printing press and is then printed by movable inkjet print heads. The online editing and process management stems from Longo, Augsburg. The result is a muesli container with personalised text, self-designed and produced in real-time. The customers love it and it is now to go into production.

KBA F2_Kosmetik_g

Photo: KBA

 

ValuePublishing Facts:
drupa president Bolza-Schünemann listed the following reasons for the strong, sustained growth of packaging:

  1. Printed packaging serves a protective, preservative, and advertising function for its contents and, increasingly, a communication function, too. Just think of consumer protection with appropriate references on the packaging.
  2. Packaging cannot be replaced by flatscreens or smartphones. Unlike printed newspapers or catalogs, it remains unaffected by the changed media behavior and actually tends to benefit from this.
  3. The global population is rising and international prosperity is increasing. The middle class with disposable income is growing in emerging markets such as China, India, and Brazil. Growing prosperity goes hand in hand with higher consumption and that in turn means more packaging and printing, all the more since shopping malls are springing up everywhere in emerging markets, too.
  4. Packaging is becoming increasingly classy and sophisticated – the only way to attract the necessary attention at the point of sale. This trend results in greater added value for the printing industry and machines with more elaborate configurations for the supply industry.
  5. More single-person households with a preference for ready meals and the booming online mail-order business are also driving growth.

ValuePublishing Canon Stories.001

Von Andreas Weber

Hinweis: Der Fachartikel erschien in abgewandelter Form im Auftakt-drupa-Special von VDI-nachrichten, Ausgabe vom 13. Mai 2016. VDI-nachrichten spricht als Premium-Leserzielgruppe über 310.000 Technik- und Innovations-Experten der deutschen Wirtschaft an.  

Mehr als die Hälfte aller Verpackungsumsätze weltweit entfällt auf bedruckte Verpackungen – Tendenz steigend. Der Verpackungsdruck wird somit zum wichtigsten Zukunftsmarkt des Druckmaschinenbaus. Dies spiegelt sich wider auf der kommenden Weltleitmesse der Branche, der Drupa (Düsseldorf, 31. 05.2016 bis 10. 06.2016). Die Verpackungsindustrie boomt seit Jahren. 2012 erlöste sie weltweit rund 600 Mrd. €, 2018 sollen es satte 758 Mrd. € sein. Das jedenfalls prognostiziert das britischen Marktforschungsunternehmen Smithers Pira.

Die Gründe hierfür sind zum Ersten der steigende Bedarf an Verpackungen in den Entwicklungs- und Schwellenländern aufgrund zunehmenden Wohlstands und wachsender Bevölkerungen. China liegt an der Spitze. Zum Zweiten profitiert die Verpackungssparte in den westlichen Industrieländern von zunehmender Sortenvielfalt und mehr Wettbewerb im Handel. Und drittens nimmt das Volumen von Verpackungen zu, wie hierzulande die Verbraucherberatung NRW feststellte. Denn 40 % der Verpackungen enthielten Luft.

 

package printing 1c_1100x290

 

Boom-Markt Verpackung entfesselt neue Print-Techniken 

Damit wird deutlich, warum die Druck- und Papierbranche mit großer Wucht auf die Innovation durch die aufmerksamkeitsstarke Differenzierung von Verpackungen setzt. Bis dato waren dies vor allem außergewöhnliche Veredelungsmöglichkeiten wie Lacke sowie Metallfarben und speziell für den Verpackungsdruck konzipierte Sonderkonfigurationen von Maschinen und Medien.

Bedruckt und veredelt werden Verpackungen bisher vor allem im Flexo-, Offset-, Tief- und Siebdruckverfahren. Dies trägt der hohen Auflagen sowie Qualitäts- und Kostenanforderungen Rechnung. Gemeinsam decken Flexo- und Offsetdruck aktuell rund zwei Drittel des Weltmarkts für Verpackungsdruck ab. Laut Smithers Pira hatte er 2015 ein Volumen von 415 Mrd. $.

Der Anteil des Digitaldrucks ist mit weniger als 10 % noch relativ klein, bietet also genug Raum für Wachstum. Dies dürfte sich aber mittelfristig durch die Fortschritte bei digitalen Drucktechniken ändern, denn auch bei den Verpackungen sinken die Auflagen. Hinzu kommt der Trend zur Individualisierung.

Bedruckte und lackierte Kartonagen sowie Blechtafeln dürften vorerst eine Domäne des Bogen-Offsetdrucks bleiben. Der Digitaldruck tastet sich aber allmählich in diesen Markt hinein. Bei flexiblen Verpackungen dominiert in Europa und Amerika der Flexodruck, in Asien der Tiefdruck. Letzterer verliert aber aufgrund der teuren Druckform an Boden.

Bei Wellpappe und Etiketten ist der Flexodruck ebenfalls noch der am meisten genutzte Prozess, obwohl bei den Labels der Digitaldruck stark im Kommen ist. Der Siebdruck wurde bisher vor allem bei Schildern, Displays und Hohlkörpern eingesetzt. Auch dort gewinnt das digitale Inkjet-Druckverfahren an Bedeutung. Experten gehen davon aus, dass die heute im E-Commerce üblichen braunen Umverpackungen aus Wellpappe zunehmend farbiger werden.

gundlach-logo header_bottom_sub_4.jpg

Foto: Gundlach Group.

Deutsche Druckmaschinenbauer suchen im Digitaldruck Kooperationspartner

Besonders die deutschen Druckmaschinenbauer Koenig & Bauer (KBA) und Heidelberger Druckmaschinen setzen hier seit Jahren ihren Schwerpunkt auf den Verpackungsdruck. Nunmehr liegt er im industriellen Digitaldruck, der von globalen Kooperationen profitieren soll: KBA kooperiert mit HP Inc., um den Inkjetdruck für sich über HPs eigene Pagewide-Drucktechnologie nutzbar zu machen.

Heidelberg entwickelte mit der japanischen Fujifilm und dessen Expertise in der Tintenstrahldrucktechnik binnen 15 Monaten eine neue Technologieplattform. Die erste darauf basierende Maschine, Primefire genannt, zielt mit Inkjetdruck für Bögen im Großformat (70 cm x 100 cm) auf Verpackungsdruck in Premiumqualität.

Event-Tipp: Im drupa cube findet auf der drupa 2016 in Halle 5 am 2. Juni ein Fachtag zu Packaging und Printed Electronics statt. Anmeldungen über www.drupa.de.

Viele neue Player, die zusätzliche Verfahren entwickelten, kommen durch den Trend zum Verpackungsdruck ins Spiel, vor allem aus Israel. Dazu gehören neue Digitaldrucktechnologien wie die von Landa Nanography. Scodix entwickelt digitale Veredelungsmaschinen und Highcon setzt auf laserbasierte Hochgeschwindigkeitsmaschinen für die Faltschachtelherstellung. Auch reine Digitaldrucktechnikexperten wie Canon oder Xerox wollen bei Print-Anwendungen die Potenziale bei Verpackungen inklusive des Etikettendrucks heben. Dies schließt über printed electronics die Integration von Near Field Communication (NFC) ein, die beim Inkjetdruck mitverarbeitet werden kann.

KBA-Chef Claus Bolza-Schünemann bricht in seiner Funktion als Präsident der Weltleitmesse Drupa daher eine Lanze für den Verpackungsdruck. Bedruckte Verpackungen habe für ihren Inhalt eine Schutz-, Konservierungs-, Werbe- und zunehmend auch eine Kommunikationsfunktion. Man denke hier nur an das Thema Verbraucherschutz mit entsprechenden Hinweisen auf der Verpackung. Zudem könnten Verpackungen nicht durch Flatscreens oder Smartphones ersetzt werden. Anders als gedruckte Zeitungen oder Kataloge seien sie nicht vom veränderten Medienverhalten betroffen, sondern profitierten eher davon. Mehr Single-Haushalte mit einer Vorliebe für Fertiggerichte und der boomende Onlineversandhandel seien ebenfalls Wachstumstreiber.

Was im klassischen Drucksektor leicht übersehen wird, ist das Zusammenspiel von Multichannel-Lösungen beim Marketing, „Augmented Reality“ und individualisierter Werbung. Diese Kombination kann jede Art von Verpackung über die „Augmented Reality“ zum Startpunkt neuer Kontakt- und Dialogmöglichkeiten mit dem Käufer machen und stellt daher ein ungeheures Potenzial für Markenunternehmen dar.

Um dies zu realisieren, ist der Digitaldruck unerlässlich. Nur durch ihn kann das Druckbild ad hoc variiert werden. So ermöglichen neuartige Multichannel-Softwarelösungen wie die von der Xerox-Tochter XMPie, Verpackungen zu individualisieren und sie zu einem Teil von messbaren Marketingkampagnen werden zu lassen.

01_mymuesli

Foto: Heideldruck.

Kunterbunte Müslidosen sind der Zukunftsmarkt

Doch gibt es auch Hemmnisse: Die Münchner Forschungsgemeinschaft Druck (Fogra) hat herausgefunden, dass die Druckbildqualität per Inkjetdruck leicht ein zu sehr „ausgefranstes“ Druckbild ergeben kann. Das ist mit dem bloßen Auge nicht erkennbar, bereitet aber vor allem bei Barcodes Probleme. Die hochsensiblen Barcode-Lesegeräte erzeugen dann Fehlermeldungen. Wer als Druckerei hohe Auflagen mit schlecht gedruckten Barcodes erzeugt hat, die dann Lesefehler verursachen, hat ein Riesenproblem.

Eines der derzeit spannendsten Verpackungsdruckprojekte hat Heidelberg im Team mit dem Online-Start-up mymuesli.com bereits zur Jahreswende realisiert. Mymuesli.com ist ein Versandhandel für individuell konfigurierte Müslis. Nach ersten Erfolgen eröffnete die Onlinefirma Ladengeschäfte und es entstand durch den Online-Printexperten Bernd Zipper die Idee, dass der Müslikäufer vor Ort per iPad seine Müsliverpackung – und nicht nur ein Etikett – selbst bedruckten kann.

Möglich macht das eine Drucktechnik von Heidelberg, genannt 4D, die in der Kabine der Druckmaschine den zu bedruckenden Gegenstand im Raum fixiert und dann mit beweglichen Tintenstahldruckköpfen bedruckt. Das Online-Editier- und Prozessmanagement stammt von Longo, Augsburg. Heraus kommt die Müslidose mit individuellem Text, selbst gestaltet und in Echtzeit produziert. Das kommt bei Kunden bestens an und soll nun in Serie gehen.

KBA F2_Kosmetik_g.jpg

Foto: KBA.

 

ValuePublishing–Facts

KBA-Chef Claus Bolza-Schünemann bricht in seiner Funktion als drupa-2016-Präsident eine Lanze für den Verpackungsdruck. Seine Argumente für das starke, nachhaltige Wachstum bei Verpackungen:

  1. Bedruckte Verpackungen haben für ihren Inhalt eine Schutz-, Konservierungs-, Werbe- und zunehmend auch eine Kommunikationsfunktion. Man denke hier nur an das Thema Verbraucherschutz mit entsprechenden Hinweisen auf der Verpackung.
  2. Verpackungen können nicht durch Flatscreens oder Smartphones ersetzt werden. Anders als gedruckte Zeitungen oder Kataloge sind sie nicht vom veränderten Medienverhalten betroffen, sondern profitieren eher davon.
  3. Die Weltbevölkerung und der internationale Wohlstand wachsen. In Schwellenländern wie China, Indien oder Brasilien wächst die kaufkräftige Mittelschicht. Mit dem Wohlstand wächst der Konsum und wo mehr konsumiert wird, wird mehr verpackt und bedruckt, zumal auch in Schwellenländern Shopping Malls aus dem Boden schießen.
  4. Verpackungen werden immer raffinierter und edler. Nur so finden sie am Point of Sale die nötige Aufmerksamkeit. Dieser Trend bringt mehr Wertschöpfung für die Druckbranche und aufwendiger ausgestattete Maschinen für die Lieferindustrie.
  5. Mehr Single-Haushalte mit einer Vorliebe für Fertiggerichte und der boomende Online-Versandhandel sind ebenfalls Wachstumstreiber.

Graphic Repro On-line News Review to Friday 13 May 2016

Welcome to another roundup of 29 news highlights for the past week together with Laurel Brunner’s Verdigris Blog on Friday, which this week discusses the World Economic Forum and its Project Mainstream’s most recent white paper, which deals with paper.

We also have three new additions in Online Features Chapter 05, highlighting UPM Biofore in Beijing with a unique project which has little to do with printing or paper, but is just too beautiful and stunning to ignore; then we have the BPIF’s Printing Outlook for Q2; and then SF Taylor in the UK with its new KBA Rapida 75.

You will also find a new drupa ante portas Blog article featuring Objectif Lune, by Andreas Weber, as well as another 14 new additions in our drupa Newsroom from Exhibitors. These are led by KBA Digital, Hybrid Software, Heidelberg Workflow, Heidelberg CTP, Durst Inkjet, Tecnau, Agfa Graphics CTP, Leonhard KURZ with a new foil; Chili Publish, Domino with high-speed Inkjet; Fujifilm wide-format Inkjet, Alwan Color Expertise, and Techawa, and these latest additions now bring the total of pre-show announcements to 188, with just two weeks to go before the show opens its doors a fortnight tomorrow on Tuesday 31 May.

Major news leads with week came from Sappi on Monday with its Q2 and half-year 2016 results which were excellent; then on Tuesday from Heidelberg with its preliminary figures for 2015/2016 and also very positive and correspond to a Euro 100 million turnaround. On Wednesday, KBA announced its new Website for the Group; and on Thursday we had KBA’s interim Q1 report for 2016. Friday saw the BPIF’s Printing Outlook for Q2 take the lead.

This week has seen a few nice sales and installations successes, and also some new kit which is non-drupa related, specifically from Agfa Graphics with PrintSphere, a cloud-based data exchange service for PSPs, and from Quark on Friday. You’ll also find a couple of software upgrades.

Recent sales and installations kicked off on Monday with IFS and Horizon at Windsor Print; Tuesday saw Bertelsmann Printing Group’s direct mail and document solutions division, Campaign, opts for Screen’s Truepress Jet 520ZZ inkjet system for direct marketing; also ProImage with OnColor in the USA. On Wednesday, Muller Martini highlighted 13 Presto and Presto Digital saddle stitcher installations in the UK and Ireland over the past year, this was followed by Xeikon at DOCUsystem in Frankfurt, Germany. Thursday saw Portuguese fashion printer Blur extend its direct-to-garment business with Kornit Digital‘s Allegro and a Zund cut solution. To round off the week on Friday, Cheadle, UK-based Cestrian Imaging announced a UK first with its EFI Reggiani PRO 340 digital textile inkjet printer purchase; and lastly Manroland Sheetfed highlighted its latest eight-colour Roland 700 press installation in China.

The tailender this week goes to the Ghent Workgroup, which welcomed two new members on board: Ricoh and CHILI Publish, in the headlines on Wednesday. 

That’s it until next time. I hope you find more of interest among the links below.
With my best regards, 
Mike Hilton 

 

Heidelberg Figures 2015:2016.png

Our e-News comprises:  Headline News – Online Feature Articles – the Verdigris initiative from Digital Dots. Our Drupa and FESPA Newsrooms can be accessed from the Index on our Home Page, as well as News in Review, which provides a weekly overview and listing of all news added to the site. 



Headline News
Over 28,000 news items have now gone online since we launched our Website in September 2001. News for the past 24 months can still be accessed via the Home Page and its continuation news pages

Mon 09 May…   
Sappi Second Quarter and Half Year Results 2016
Sappi profits double for second quarter and half-year ended March 2016, with repositioning well on track…

Hybrid Software and Cerm create new partnership
provides significant opportunities for label printers to improve efficiency and profitability…

Alwan to showcase complete CxF/X-4 solution at drupa
Alwan to showcase CxF/X-4 solution for brand owners and designers to accurately define, predict and reproduce their spot colours…

Alwan to demonstrate inline profiling at drupa in Hall 7
Alwan enables printers to automatically calibrate and profile print devices without any dedicated resources or print sessions…

Windsor Print creates new finishing production landscape
Horizon bookletmaker and Foliant spend with IFS brings greater control, cuts costs and reduces outsourcing…

Tue 10 May…   
Heidelberg announces preliminary figures for 2015/2016
Heidelberg grows and records significant annual net profit for FY 2015 / 2016 that corresponds to a Euro 100 million turnaround…

Campaign chooses Screen Truepress Jet520ZZ for Gütersloh
Bertelsmann Printing Group’s direct mail and document solutions division opts for Screen inkjet for direct marketing…

Goss and DG press announce partnership for packaging
Goss International acquires the Thallo press system as part of the agreement, enhancing Goss’ portfolio of packaging solutions…

Kurz: Print finishing that will make people look twice
The new stamping foil changes colour at different viewing angles. KURZ will be at drupa 2016 in Hall 3, in dip in Hall 7, and in Hall 12…

Fujifilm to debut new Acuity LED 3200R at drupa
Fujifilm announces new wide-format Acuity LED 3200R UV inkjet printer at drupa 2016 in Hall 8b…

OnColor ECO Ink Optimization for The Sun Chronicle
The Sun Chronicle taps into ProImage OnColor ECO Ink Optimization Software to reduce ink consumption and cost…

Wed 11 May…   
New Internet Website for the KBA Group
Printing press manufacturer Koenig & Bauer AG has completely redesigned and modernised its Internet Website…

Durst single-pass inkjet for corrugated and labels at drupa
Durst to unveil new corrugated packaging & display printing segment with single-pass and multi-pass technologies, and more…

Agfa to launch Advantage N Essentials CTP series at drupa
Agfa Graphics now offers a series of low-cost engines that take CTP technology for newspaper prepress back to its essence…

Ricoh and CHILI Publish join the Ghent Workgroup
The Ghent Workgroup (GWG) is pleased to welcome two new members on board: Ricoh and CHILI Publish…

Muller Martini Presto: 817 job changes in nine days
In one year, 13 UK and Ireland companies have invested in a Presto II or Presto II Digital Saddle Stitcher from Muller Martini…

Xeikon helps DOCUsystem open new market opportunities
Flyers, invoices, photo wallpapers and more: Rödermark-based DOCUsystem leverages the Xeikon 8500 for expansion…

Thu 12 May…   
Koenig & Bauer Group interim Q1 report for 2016
A positive start for the KBA Group with revenue in the first quarter up 46 per cent and EBT up ?18m year-on-year…

Hybrid Software to debut PACKZ RoundTrip at drupa
Hybrid Software provides missing link between package design in Adobe Illustrator format and production…

CHILI publish to highlight Asian expansion at drupa 2016
Move supports increased demand for the production of personalised, shorter runs of marketing materials in the APAC region…

The Smart Print Shop for everyone: thanks to Prinect
With the new Prinect Production Manager, print shops of all sizes can completely automate their production processes…

GMG announces release of OpenColor 2.0.4
OpenColor 2.0.4 offers separation profiles for GMG ColorServer, packaging editors, and Adobe Photoshop…

New Kornit Allegro joins Barcelos-based Blur’s press fleet
Portuguese fashion printer Blur, extends direct-to-garment business with Kornit Digital’s Allegro and Zund Cut solution…

Fri 13 May…   
BPIF Printing Outlook Report Q2 2016
UK printing industry has a case of the wobbles in Q1 – confidence and trade expected to recover in Q2…

Agfa Graphics launches PrintSphere in the cloud
Agfa Graphics launches PrintSphere, a cloud-based data exchange service for print service providers…

QuarkXPress 2016 to ship on 24 May
Limited time left to take advantage of special offers on upgrades and pre-order promotions…

Heidelberg non-stop plate production at drupa 2016
Smart print shop: Heidelberg to showcase a fully automatic production line for CTP plate imaging at drupa…

Cestrian first in UK with EFI Reggiani PRO 340 for textiles
Cheadle, UK-based Cestrian Imaging drives growth with EFI Reggiani PRO 340 digital textile inkjet printer…

Ruicheng Yang Sen Packaging adds first Roland 700
Pharmaceutical packaging printer Shanxi Ruicheng Yang Sen Packaging: a professional service all round…

Last lead articles from previous update…  

Last Friday’s leads…
KURZ: Innovative die technologies for hot stamping
Hinderer + Mühlich presenting novel die designs and setup aids at drupa as a co-exhibitor with the stamping foil manufacturer…

Industrial Inkjet on customer-finding mission at drupa 2016
IIJ targeting 200 new OEM customers for Konica Minolta at drupa on Konica Minolta’s stand in Hall 8b…

GraphicRepro.Net e-News  (ISSN 1814-2923) is sponsored and made possible by:

Heidelberger Druckmaschinen AG  (Heidelberg), The world’s largest printing press manufacturer for the industry worldwide. Heidelberg customers enjoy the most comprehensive and extensive sales and service network in the industry for JDF compliant workflow, computer-to-plate, sheetfed offset, Web-to-print, digital printing, digital inkjet for labels and packaging, packaging and finishing, all with complementary consumables. Heidelberg has offices in around 170 countries. Visit the Heidelberg Website for more information.

drupa 2016 (drupa), the international flagship fair of the printing and media industry, responds to the challenges of the changing market and provides pioneering solutions for the future. This is highlighted by the new marketing and communication strategy where drupa claims its position as ‘No.1 for Print & Crossmedia Solutions’ with the slogan ‘touch the future’. The issues of ‘package printing’, ‘multichannel’, ‘green printing’, ‘3D printing’, and ‘functional printing’ will become increasingly important to the overall communication strategy. To find out more, visit the drupa 2016 Website.

Online Feature articles 2014 – 2016
There were again well over 70 last year, 90 in 2014, and 92 articles in 2013 which can still be accessed via the Index on the Home Page, with prior years’ via Search Archives (option 2).

Technology-related Chapter 02

Previous…   
Sappi extends an invitation to innovate flexible packaging
With integrated barriers and heat sealing properties this new Sappi paper is suitable for flexible packaging applications…

Online Features May/Jun Chapter 05

NEW…   
The Biofore Tea House at ‘Moi Helsinki’ event in Beijing, China
UPM and Tongji University combine Chinese tea culture with innovative biomaterials for the Biofore Tea House, from 13 – 15 May…

BPIF’s Printing Outlook for the Second Quarter 2016
The UK printing industry has a case of the wobbles in Q1 – confidence and trade expected to recover in Q2…

SF Taylor improves efficiencies and reduces waste with KBA
The Stockport, UK company has doubled its press output by investing in a KBA Rapida 75 4-colour with perfecting…

Online Features Mar/Apr Chapter 04

Previous…   
Traderplus South Africa expands with further IIJ investment
Traderplus South Africa secures a major advantage with additional Industrial Inkjet (IIJ) technology, to be added in July…

Verdigris – Environmental Initiative

Laurel Brunner’s weekly Verdigris Blogs 2016

Paper Chains
The weekly Verdigris blog by Laurel Brunner – Fri 13 May

Previous…   
Sustainable by Design
The weekly Verdigris blog by Laurel Brunner – Fri 06 May

Drupa Newsroom
Our Drupa Newsroom with news from Messe Düsseldorf and for Drupa 2016 can be found in the Index, as well as via the special Newsroom button on the right of the Home Page near the top. It is divided into the following Chapters for your convenience and ease of use… but you must scroll down to view each Chapter when you visit the Newsroom…

drupa ante portas Blogs 2016

Objectif Lune: Innovative solutions for interactive communications
drupa ante portas: Simply clever – OL turns data into personalised cross-media solutions! By Andreas Weber, Mainz/Germany

Previous…   
BW Papersystems’ strong brands at drupa 2016
drupa ante portas: Interview with BW Papersystems’ Patrick Walczak, who relies completely on customer orientation and individual solutions! By Andreas Weber…

drupa 2016 News from Exhibitors
Latest additions can now be accessed in our drupa Newsroom.

KBA at drupa: A strong focus on packaging producers
The press manufacturer is the market leader in several packaging segments and generates 70% of its revenue in the packaging market…

Hybrid Software to debut PACKZ RoundTrip
Hybrid Software provides missing link between package design in Adobe Illustrator format and production…

The Smart Print Shop for everyone: thanks to Prinect
With the new Prinect Production Manager, print shops of all sizes can completely automate their production processes precisely in line with requirements…

Heidelberg non-stop printing plate production at drupa
Smart print shop: Heidelberg showcasing a fully automatic production line for CTP plate imaging at drupa…

Durst to unveil single-pass inkjet for corrugated and labels
Durst to unveil its new corrugated packaging & display printing segment with single-pass and multi-pass technologies, along with its successful Tau 330 portfolio for label production…

Tecnau show debut for the Libra 800 at drupa
Tecnau to exhibit the Libra 800 automated and variable book finishing line for first time at an industry event at drupa 2016…

Agfa launches Advantage N Essentials CTP series @drupa
Agfa Graphics now offers a series of low-cost engines that take CTP technology for newspaper prepress back to its essence…

Kurz: Print finishing that will make people look twice
New Kurz stamping foil changes colour at different viewing angles…

CHILI publish highlights Asian expansion at drupa
Move supports increased demand for the production of personalized, shorter runs of marketing materials in the APAC region…

Domino to showcase its K630i high-speed inkjet in Hall 5
Domino to launch a high speed variable-pagination digital booklet printing solution with Kern and IBIS at drupa 2016…

Fujifilm to debut new Acuity LED 3200R at drupa
Fujifilm announces new wide-format Acuity LED 3200R UV inkjet printer at drupa 2016 in Hall 8b…

Alwan to showcase ccmplete CxF/X-4 solution at drupa in Hall 7
Alwan to showcase its complete CxF/X-4 solution for brand owners and designers to accurately define, predict and reproduce their spot colours…

Alwan to demonstrate inline profiling at drupa in Hall 7
Alwan Color Expertise enables printers to automatically calibrate and profile their print devices without any dedicated resources or print sessions…

Tichawa Vision CIS innovation at drupa in Hall 3
100% print inspection: Tichawa to present a multicolor Contact Image Sensor (CIS) offering adaptable resolution with minimum space requirements…

Previous…   
Kurz: Innovative die technologies for hot stamping
Hinderer + Mühlich is presenting novel die designs and setup aids at drupa as a co-exhibitor with the stamping foil manufacturer Leonhard Kurz…

Industrial Inkjet on customer-finding mission at drupa
IIJ targeting 200 new OEM customers for Konica Minolta at drupa on Konica Minolta’s stand in Hall 8b…

Masterwork’s extensive postpress for packaging at drupa
At drupa, Masterwork will debut automatic sheet inspection machines, die-cutting and embossing, and folder gluers…

CRON brings major diversification to its drupa campaign
Six new products illustrate company’s dedication to improve value chain from plate to printed product…

MGI to showcase the Future of Print at drupa
MGI Digital Technology announces exclusive world premieres of new products for digital and offset applications…

Adphos Digital Printing at drupa in Hall 6
adphosNIR – drying, curing and other thermal processes at the speed of light at drupa 2016…

Feldmuehle at drupa 2016 in Hall 4
With a focus on VivaCard and MediaLiner high-white, matt materials for holistic packaging design…

The touchpoint 3D fab + print: at drupa
Visionary ideas, best cases and hands-on state of the art…

HP introduces three wide-format Latex Printers for drupa debut
HP Inc. propels print service providers’ profitability with new latex printers as company’s third-generation Latex portfolio delivers new levels of productivity and affordability…

The next step in colour communication at dip on 2 and 8 June
Colour management specialist Erik Koldenhof on stage at the drupa innovation park: ‘Embrace open standards for print quality communication’…

Steinemann at drupa in Hall 1 with new dmax systems
New narrow-format dmax digital varnishing machines attracting great interest. The dmax 106 will be shown live at drupa…

Leonhard Kurz named a HP SmartStream Solutions Partner
The Kurz DM-Liner for creating glossy, metalised surfaces with digital print, to be presented on HP’s stand at drupa in Hall 17…

Kodak’s latest version of Insite Creative Workflow in Hall 5
Kodak Insite Creative Workflow improves collaboration and security with HTML5 will be demonstrated at drupa…

Duplo products to raise the bar in Hall 6 at drupa
Duplo International will be using Hall 6 at drupa as the launch pad for a raft of new, faster, smarter, better, state-of-the-art products…

CP Bourg at drupa in Hall 6 and in Hall 17 with HP Indigo
CP Bourg announces advanced integration with the new HP Indigo 7900 Digital Press and HP Indigo Direct-to-Finish to be debuted in Hall 17…

Unilux to introduce two LED strobes at drupa
Lightweight stroboscopes deliver brighter light, more even coverage, enhanced ability to inspect UV-visible inks, security elements or coatings…

drupa 2016 Expert Article Series and more
Can be found in our Drupa Newsroom via the Index on the Home Page.

Final article in the series…   
Digital versus traditional packaging print
Touch the future. Drupa Expert Article No 8 by Michael Seidl, publisher and editor-in-chief of various specialist publications in Central and Eastern Europe including Print & Publishing, Packaging and Visual Communication….

drupa 2016 News from Messe Düsseldorf

Previous…   
touchpoint 3D fab + print:
Visionary ideas, best cases and hands-on state of the art…

touchpoint 3D fab + print:
Visionäre Ideen, Best Cases & State-of-the-Art zum Anfassen…

drupa cube 2016: With full programme PDF to download
Inspiration and innovation in some 60 keynotes, panel discussions and presentations from international experts…

drupa cube 2016: Mit komplette Programm PDF zum download
Inspiration und Innovation in rund 60 Keynotes, Panel-Discussions und Präsentationen internationaler Experten…

FESPA Newsroom
The dedicated FESPA Newsroom can be found via the Index on our Home Page.

FESPA Federation News in 2016

Most recent…   
FESPA’s Regional events in 2016
FESPA’S worldwide regional events reinforce the central Profit For Purpose philosophy which drives FESPA…

The Graphic Repro On-line Website is supported and sponsored by: 

Antalis South Africa, Canon SA,  Screen Europe,  Drupa 2016,  EFI,  Esko,  FESPA.  Goss International Inc,  Heidelberger Druckmaschinen AG,  HP Graphic Solutions,   Koenig + Bauer AG,  Kemtek Imaging Systems,  Krause-Biagosch,  Leonhard Kurz Stiftung,   Manroland Web Systems GmbH,  Muller Martini AG,  POLAR-Mohr, QuadTech Inc,  Quark Inc,  Ricoh Europe ,  Sappi Limited,  Thunderbolt Solutions, and UPM-Kymmene. 
If you would like to send news for consideration for the Graphic Repro On-line Website (ISSN 1814-2915) or to submit comments, please e-mail Mike Hilton at: graphicrepro.za@gmail.com.

Our Website urls are:

http://www.graphicrepro.co.za
http://www.graphicrepro.net

GraphicRepro.Net e-News (ISSN 1814-2923)  provides weekly updates from the Graphic Repro On-line Website and is  compiled and published by Mike Hilton, graphicrepro.net, PO Box 10 Peterburgskoe Shosse 13/1, 196605 Pushkin 5, St. Petersburg,  Russia.  e-mailgraphicrepro.za@gmail.com

ValuePublishing Canon Stories.001

 

Von Marc Schnierer, B2B Marketing Manager bei Canon Deutschland

Für Druckdienstleister, die in ein neues Digitaldrucksystem investieren, steht die Produktivität hoch oben auf ihrer Liste der unverzichtbaren Eigenschaften. Aber was genau meinen wir mit Produktivität? Und wie entscheiden wir, ob ein System produktiver ist als das andere?

Zu Zeiten der pre-digitalen Ära, als Offsetdruck die einzig verfügbare Technologie darstellte, war es relativ einfach: Produktivität wurde bestimmt als Kombination von Geschwindigkeit, gemessen in Bögen pro Stunde, und der Zeit, die mit dem Vorlauf und dem Umrüsten zwischen Aufträgen verbracht wird. Aber mit dem Aufkommen des Digitaldrucks ist die Berechnung der Produktivität komplizierter geworden – vor allem aufgrund der Veränderungen zu denen die Digitaltechnologie in Bezug auf die Rolle der Druckdienstleister geführt hat.

Der Begriff „Druckdienstleister“ selbst fand erst mit der Digitaldruckära Verbreitung. Er beschreibt die Veränderungen in der Druck- und Medienindustrie – sowohl bezüglich der Tätigkeit von Druckbetrieben als auch hinsichtlich der Rolle von Print als Ergänzung der neuen elektronischen Medien. Der typische Arbeitstag eines Druckdienstleisters ist weniger vorhersehbar und abwechslungsreicher, als der einer Offsetdruckerei in den 90er Jahren:

  1. Die Auflagen sind kleiner und die Termine sind enger.
  2. Viele Jobs beinhalten wahrscheinlich Personalisierung oder ein spezielle Endverarbeitung zur Verstärkung der Wirkung und kommen eventuell über ein Web-to-Print-Portal zustande.
  3. Darüber hinaus hat sich in der Print-On-Demand-Welt das Kräfteverhältnis zwischen Druckereien und Kunden zu Gunsten der letzteren verschoben.

Aus diesen – und auch noch weiteren – Gründen ist die ausgewiesene Druckgeschwindigkeit bei der Berechnung der Produktivität von Digitaldrucksystemen weniger wichtig als Faktoren wie Zuverlässigkeit, Medienflexibilität, Farbkonstanz von Bogen zu Bogen und Endverarbeitungsoptionen. Wie schnell das System druckt, spielt natürlich eine Rolle, aber was mehr zählt ist, ob es seine angegebene Druckgeschwindigkeit über das volle Spektrum der verschiedenen Substrate aufrecht erhalten kann und dass die Farbe auf dem letzten Bogen mit der Farbe auf dem ersten Bogen übereinstimmt.

Die wichtigsten Faktoren sind:

  • Um die Produktivität eines Drucksystems wirklich beurteilen zu können, müssen sich Druckdienstleister Zeit nehmen und die Technik verstehen, die heute in Digitaldrucksystemen zur Anwendung kommt.
  • Die Toner- und Entwickler-Technologien tragen enorm zu hochwertigen, stabilen Ergebnissen und der gesamten Zuverlässigkeit eines Drucksystems bei.
  • Besuche durch den Wartungsservice wirken sich deutlich auf die Produktivität aus – ganz gleich, ob sie geplant und präventiv oder in Reaktion auf technische Störungen erfolgen.

Das heisst vor allem: Ein Drucksystem zu entwickeln, das Service-Besuche auf ein Minimum reduziert, ist mindestens so wichtig, wie ein paar Bögen extra pro Stunde aus einer Maschine herauszuholen. Zu diesem Zweck wurde bei Canon das Druckwerk der neuesten tonerbasierten Produktionsdruckmaschine neu konstruiert. Neben anderen Verbesserungen kann der Operator so die Fixierbänder in weniger als einer Minute wechseln, was die negativen Auswirkungen auf die Produktivität wesentlich verringert.

imagePRESS_C10000VP

Die Canon ImagePRESS C10000 VP ist das Flaggschiff der Toner-Digitaldrucksysteme.

Immer mehr Druckdienstleister erkennen, dass die Produktivität nicht von einem Faktor, sondern von vielen Kriterien bestimmt wird. Und dieses bessere Verständnis ist ein gutes Beispiel für einen größeren Wandel bei Druckdienstleistern – sie nehmen bei ihren Investitionsentscheidung eine breitere Perspektive ein, was die Art der Gespräche verändert hat, die Hersteller mit ihren Kunden führen.

Beispielsweise richtet ein Druckdienstleister jetzt viel seltener seinen Investitionsplan darauf aus, was ein enger Wettbewerber gerade gekauft hat oder glaubt in Bezug auf die Produktivität, dass schneller auch besser ist. Heute suchen mehr Druckdienstleister in ihrem eigenen Unternehmen nach Lösungen. Sie wissen darüber hinaus sehr viel mehr über das Geschäft ihrer Kunden, denn sie erkennen, dass die Fähigkeit, Versprechen gegenüber Kunden einzuhalten das letzte Teilstück der strategischen Herausforderung bildet.

FAZIT: Diese veränderte Haltung der Druckdienstleister hat auch wichtige Konsequenzen für die Hersteller von Digitaldrucklösungen – und das in mehreren Bereichen. Zum einen ist der Vertrieb jetzt ein komplexerer Prozess, in dem die Hersteller mehr wie Berater agieren und den Kunden auf der Basis sowohl von aktuellen als auch von zukünftigen Geschäftsstrategien an eine Investitionsentscheidung heranführen. Zum anderen muss der Prozess in beide Richtungen funktionieren: die Hersteller müssen sich Zeit nehmen, um mehr über das Geschäft ihrer Kunden zu erfahren und ebenso ihre Versprechen erfüllen. Dazu müssen sie Produkte entwickeln, mit denen die Kunden ihre geschäftlichen Ziele erreichen können.

Mehr dazu auf der drupa 2016!

canon drupa2016

 

Hinweis:

Siehe auch den Expertenbeitrag von Canon B2B Marketing Director Mathieu Peeters zu werthaltigen Tipps zu Technik- und Geschäftsaspekten beim Digitaldruck.

 

 

ValuePublishingOL Didier Gombert.001

drupa ante portas – automation, flexibilization, and digitization make print a top growth market! Beyond printing technology Multichannel newly defined is focussing communication effectiveness at its best. (See my expert comment as well) — A good reason to talk to an extraordinary entrepreneur, Didier Gombert, the Co-Founder and CEO of Objectif Lune (abbreviated to: OL), before drupa 2016 will start to catch his vision and POV of future market developments.  —Interview by Andreas Weber (Editorial Assistant: Sudarsha Rambaran).

Some insights: OL’s offering will touch the areas of pre-media, print, multichannel and future technologies. OL’s performance promise is quite different from other drupa exhibitors: OL is dedicated to simple and effective software that is fun and helps companies around the globe communicate more efficiently with their customers. At drupa 2016 OL will be present in two halls: Hall 7a /E23 close to the drupa innovation parc (dip), plus Hall 8a /D21 close to the digital printing technology world.

Key messages by Didier Gombert

  • I like finding solutions for customer pains and getting rewarded for it
  • Innovation is the cornerstone of our company to make life better for others; we always try to look at it from multiple perspectives
  • Success isn’t something you dream up out of the blue. It is created out of your personal experience.
  • At the end of the day, it’s simply offering proper communication from every aspect by providing the ability to have all of these connections and seamless connectivity. 
  • Creating and optimizing these processes is the foundation of what we bring to the market. All of that inside one single system; that is the key element.
  • I consider the print community to be an industry perfectly capable of competing with many other industries claiming to perform impeccable or better communications. 
  • Consequently, at drupa 2016, we need to emphasize to the world that we understand communications, that we are capable of undertaking web technologies such as email, web pages and portals. That is what Print 4.0 is; it is multi-faceted.
  • drupa 2016 is important because it is way of informing customers by human representation, unlike an email or a web page.

 

Didier Gombert Detail 1.png

Didier Gombert, Co-Founder and CEO of OL. Photo: Screen from OL’s corporate video.

 

—PART 1: Insights about entrepreneurship, innovation, connectivity and global business success

Could you please explain what guides you as a visionary entrepreneur?

Didier Gombert: I like to think about how I can make life better for others. It’s what wakes me up in the morning. I like finding solutions for customer pains and getting rewarded for it. In other words, finding solutions for customers and trying to monetize it!

Starting OL more than 20 years ago, did you expect to reach the point where you are today?

Didier Gombert: Definitely not! The bar has been rising higher and higher with time. When we started out the goal was certainly more modest than it is today. But I feel very happy and very lucky for what we have managed to achieve. We expected to do well, but certainly not to the current size and especially the current recognition!

If you were able to re-start, what would be different (or equal)?

Didier Gombert: Interesting question, worth to put quite a bit of thought into it. When you reach a certain stage, you want to go to the next one and see what you can do next. — Naturally, knowledge of the future would put anyone in an advantageous position! I would certainly do a lot of things differently if I had to restart. We were dealt quite a few challenges, but we learned from our mistakes. I like to think that we gain experience the same way I try to solve issues — by finding solutions to problems. I believe that constant need, or drive, to improve things — either for oneself or for others — is what helps in being very innovative. Since innovation is the cornerstone of our company, it’s very difficult to say “lets restart!”. As such, if I had the same set of knowledge, I’d probably do it the same way. It’s the only way I know how to do things.

 

OL Principles.png

 

If innovation is OL’s cornerstone how do you deal with it?

Didier Gombert: Innovation is created by being challenged with sets of problems. We try to find ways to do things more efficiently, or more practically, with more benefit and so on and so forth. This is the way we’ve always done things. We look at an issue and think about how we can improve it! We always try to look at it from multiple perspectives.

And in relation to your customers and projects, was it possible to run experimental efforts, or are customers very conservative in that sense?

Didier Gombert: Initially, people were much more willing and open to experiment. However, when you reach a certain size, experimentation carries quite a bit of risk. If you believe in yourself and you have a bunch of people uploading that new version of software — I don’t believe that they would appreciate the word ‚experimental’.

Nowadays, our mode of operation is much more structured, as we need to grab expected results. In the early days, we experimented quite a bit more. Through our experiences of talking to customers and being asked certain questions or having certain requests made of us, we have created our structured approach. Naturally, this approach leads to innovation — of course you come up with certain things that haven’t been thought of before! The catalyst of an idea is undoubtedly something that was shown to you, asked of you, or something from your environment. Success isn’t something you dream up out of the blue. It is created out of your personal experience.

But the whole thing with innovation means for me all the time to have more or less trustable partners, so if I can trust somebody, I’m ready for a journey, even if I don’t know the way. Do you agree?

Didier Gombert: I’m very people-oriented. I absolutely agree with you on that topic — for me it’s important to trust the people around me. Business is driven by relationships. A lot of companies claim that their assets are their people — but they don’t really mean it. I am convinced that people are the real assets. Most companies attach great importance to intellectual property. Yet intellectual property isn’t like wine — it doesn’t age well. Technology, fashion, language all change and develop with time. What is really important is the people who create and maintain intellectual property, not the intellectual property itself. At the end of the day, you need to trust your partners, your employees, and the customer. The trust relationship you have with them is a vital basis.  

 

 

I checked a lot of OL’s blog posts and Twitter posts and also you shot a personal video on your website. If I got it right, one of your key words is “connect”. From your personal point of view, what is the secret of connectivity?

Didier Gombert: Connectivity, or connecting, is synonymous with communication. People connect through some form of communication. Nowadays, the pace of change is accelerating at an alarming pace! As such, the companies of the future will need to adapt to new requirements, new ways of doing business, new ways of talking to their customers. Hence connecting to their customers, their employees or even connection between systems is crucial. There are an ever-increasing amount of systems, more ways of talking to a person rather than a system or a machine. That is what connectivity is for me. We need to have something which is flexible and thus future-proof.  There is no company out there who could claim that their communication is perfect. Accordingly, better communication is a universal goal. The words connect and communication are the same to me, and they describe perfectly what we are trying to do with our new products.

 

Interjection (by Andreas Weber)

I love that term connectivity as well because when I was rethinking what I’m doing as a communications analyst, dealing with all those suppliers for more than twenty five years and then I started publishing a lot because everything was about innovation, nobody knew what we were thinking and talking about. Then I have those three terms which work for me, advise, knowledge and connectivity. I think they are strongly related to each other, and when I screened what OL is also doing with blog posts other things it’s exactly that! Giving good advice, being good advisors share your knowledge and always struggle to give the best connectivity you can.

 

 

That means connectivity also has importance beyond technology?

Didier Gombert: Most certainly! What are we if we don’t connect to others? Think of social networks! I’m not saying that we’re involved in social networks, at least not yet. Social networks provide a way of connecting to a larger, wider audience and a way for that audience to connect to you. Communication is one of the key processes in life — whether it’s business or personal, we all like to be communicated with in a proper way, in a timely manner among many other sorts of criteria on communicating, or connecting. 

Words such as ‘disconnect’ have very negative connotations, and correspondingly, ‘connect’ is an extremely positive word! Right?

Didier Gombert: I’m an engineer. As such, the word connectivity initially meant machine talking to machine in my days at university. Entering the world, I believed connectivity was more about machines talking to humans, especially considering things like page composition and languages like PostScript. This is evident in the fact that we have interactive software rather than just a piece of paper — you have web forms, inputs and buttons you can click, even in an email! This form of connectivity is human connecting to a machine, which is the reverse of what we traditionally did when we started out. At the same time, however, we also offer options for electronic communication. That means machine to machine communication and connectivity, so going back to my old definition of connectivity! At the end of the day, it’s simply offering proper communication from every aspect by providing the ability to have all of these connections and seamless connectivity. Creating and optimizing these processes is the foundation of what we bring to the market. All of that inside one single system; that is the key element.

 

 

—PART 2: drupa ante portas — how to touch the future?

According to my personal view Drupa 2016 will be very different compared to the past. The expectation is already extremely high to celebrate “Print 4.0”. Beyond relevant  digital technologies what will be key to augment the customer experience and to ‘orchestrate’ the (new) customer journey?

Didier Gombert: There is a lot to be said to this question. In my view, things are evolving tremendously, and digital is certainly one of those things. Nevertheless, print is also evolving. People going to a print show expect to see a lot of paper. Since the evolution of the PDF, not necessarily the early days, but the actual evolution as in the content, the management system etc. and things such as the option to attach files to email. Print has evolved a lot. People still print today…

… and attaching a PDF file to an email is effectively a doing digital print?

Didier Gombert: I think it is going even further than that. We will be showing some web technology and some tablet technology. This demonstrates that we can print directly from a tablet or an email. The important thing about drupa 2016 is the fact that the print community has an opportunity here that is completely misunderstood. There are many people out there who are capable of creating websites or doing web developments. It is a widespread skill among university students nowadays — many of them are competent in html, java script or other web technologies and understand platforms such as WordPress amongst others. These kinds of skills are very easy to find.

However, there are very few people who understand print and the value of print. People need to realize that print is still relevant! It isn’t a growing thing, but it is certainly still relevant and necessary in the digital age. There is still a need to compose a proper page on which information is easy to find, which is appealing to the eye, which is attractive and efficient. Then if you add all the other technical aspects, you begin to see how print is still relevant.

 

Didier Gombert Detail 2.png

Didier Gombert, Co-Founder and CEO of OL. Photo: Screen from OL’s corporate video.

 

You mean print and the print industry are not out of time?

Didier Gombert: The print industry is an industry which is capable of doing print properly, but it has trouble understanding web technologies, multi-channel distribution of information, and new connectivities. I consider the print community to be an industry perfectly capable of competing with many other industries claiming to perform impeccable or better communications. Consequently, at drupa 2016, we need to emphasize to the world that we understand communications, that we are capable of undertaking web technologies such as email, web pages and portals. That is what Print 4.0 is; it is multi-faceted.

So in the past the print industry focus was on efficiency, especially to make their own workflows and processes efficient. If I got your message right, in the meantime it’s all about effectiveness but the technology has to be efficient, but communication needs effectiveness. Is that what you mean? 

Didier Gombert: Absolutely, in every aspect! What I mean, though, is that people are looking for printables. Printable avoidance does not mean they don’t want to print — it just means they are avoiding the cost of paper, envelopes and so on. drupa 2016 is important because it is way of informing customers by human representation, unlike an email or a web page. Anyone can create an email or a webpage, but not everyone is able to print. So the print industry could profit greatly from adding to their skill set, as in the web or email representation of information.

 

It is all about managing the best way of informing customers by human representation. Photos: Screens from OL’s corporate video.

 

 

What kind of visitors do you expect to come to OL’s drupa 2016 booth? What will be their benefit?

Didier Gombert: This is an industry, so naturally the who’s who of the industry is going to be there. I recently had a chat with our Australian people and they said they are expecting a lot of their customers from Australia to be there! — In all honesty, our main customers are usually the people who have their own booths at the show. We sell our software to the seller community, and since they are all present at drupa 2016, we are expecting to, and hoping to, talk to them more than anyone else. The people that are walking in aisle are generally end-users — that means they obtain our software through our first-hand customers. From that perspective, I’m expecting mail service providers, creators of big print rooms, medium to large, migrant customers. This is great, because we have the opportunity to demonstrate what we can do and we are definitely excited to show our newest and latest, and our capacity.

So everything you do at drupa 2016 is more or less on a strategic level but even if operators come they could learn about your solutions?

Didier Gombert: Absolutely! We believe that we have a good brand and good brand recognition as well as a good reputation. As such, we definitely think that our customers will look for us at drupa 2016. There are also likely to be many people in other booths who will talk about us, so we’re expecting to see that traffic, and of course we will support out partners in their own booths.

You are experienced in running a global business successfully. What is your key success factor to ‘harmonize’ all those different cultures different levels with different needs?

Didier Gombert: I have a personal definition of success. The first ingredient of success is luck. I don’t think you can be successful without being lucky. Mind you, the ability to recognize that luck and acting on it is what drives success. The best way to do this is to find the right talented people, and keep them around you. 

You have to think local and act global. You need good people that work for you on a local basis to be your eyes and ears. They tell you what’s important. Once you have a basis of this, you can start to see what is important on a global level. Obviously, there are different ways of doing certain things in different countries. At the end of the day though, you need to pick and choose what is best on a global level. It’s best to try to take the thing that is most widespread, most rewarding from a global perspective, and then you have a chance to see what you can do for the most benefit in a specific region. That is the approach to being successful on an international level.

 

OL Mission

 

Quite impressive: OL is able to handle a customer base of 20,000+ organizations while having around 240 employees. What is your secret to keep this successful? And; what kind of talents characterize your staff?

Didier Gombert: In the first place, we look for people with the right kind of attitude. Aptitude comes second. Why? Because aptitude can always be learned, but attitude can rarely be changed. If you have people with the right kind of attitude, it allows you to forge better relationships with your partners.

As to the 20,000+ customers, we did not do them one by one. The fact is that we are good with our resellers and partners. The kind of people we look for are people who care, who work very hard, which is not always easy considering the work multiplies corresponding to the number of customers you reach.

What also sets us apart is that we offer products that cater to a wide range of company types. We are capable of providing for small to medium size companies as well as very large corporations. There are companies out there that only serve the Fortune 500. The fact is, this limits you to 500 customers!

Do you monitor the happiness of your customer base dealing with your products, do you have the possibility to monitor that?

Didier Gombert: We do inquire and do our surveys, but we try to limit this, as we don’t want to annoy the customers with survey after survey. We certainly welcome feedback, especially good feedback! I must admit that I am very pleased with customer satisfaction. I get a lot of emails from customers saying they were well served, and we are very sensitive to this sort of thing. We could always do better, though. We are always working on improving our method of feedback. Ultimately, though I think that the fact that we have so many customers for such a long time, that they keep coming back for more, shows that we have happy customers.

 

OL Learn.png

Good approach: Share your knowledge and reduce complexity by Online Learning.

 

What is your advice for the drupa 2016 audience to transform the drupa motto ‘touch the future’ into sustainable business success?

Didier Gombert: First and foremost, my advice would be to show up with an open mind. The future is very hard to predict. Our industry has been very conservative. When I came out of university, the goal was the paper technology and what you could do with that. People are still talking about it. The development in the past years has been astounding — in the last decade the phone has become a radio, a walkman, a TV, a movie theater, a concierge and so on and so forth. I don’t think the industry was ready for that!

I think that people out there are looking to make more money out of communication, or to make it cost-efficient. Thus, the audience coming to drupa 2016 needs to look at print with a new mindset, and with an open mind. I think that productivity is a prominent factor in all of this; in challenging times, we all want to perform better. The audience needs to open their minds and then they might be touched by seeing what the future has in store for them!

 

Didier Gombert Intro.png

About

Didier Gombert is the Co-Founder and CEO of Objective Lune (abbreviated to: OL). His mission (on a worldwide level) is to create and market efficient solutions for interactive business communication, which open up innovative paths in customer communication, giving immediate access to all the advantages of the digital age.

Profile via LinkedIn:
https://www.linkedin.com/in/gombertd/de

Visit OL’s Media Center as well: 
web.objectiflune.com/cn/aaj74/drupa-media-center

 

OL drupa invite mobile

ValuePublishingOL Company Profile.002

 

ValuePublishing Recommendation for drupa 2016:
Visit Objectif Lune visit! – Hall 7a, Stand E23

See as well:

• ValueDialog by Andreas Weber with Didier Gombert, Co-Founder and CEO of Objectif Lune)

• #drupa2016: Exceeding All Expectations- Objectif Lune Expands Their Market Position Remarkably

Objectif Lune (OL) develops and sells software technology, worldwide, creating innovative solutions for interactive business and customer communications, giving immediate access to all the advantages of the digital age. This significantly eases digital transformation as well as the optimisation of communication processes. The advantage: the processes of capturing your business-critical data & documents and transforming them into digital communications with interactive workflows is what the OL Connect solutions offer. Typical documents flowing through such a process could be: invoices, statements, purchase orders, shipping documents, average looking boring emails, personalized datasheets, flyers, mailings and invitations. OL Connect facilitates the entry into a clever mix of digital and print-based solutions, from small & simple to large & complex projects.

Objectif Lune cultivates long-standing partnerships with top-class print, technology and business partners who are concerned with customer communication management and are working with the range of solutions we offer. At the core of everything stands a constant exchange of knowledge, experience and state-of-the-art-technology.

 

Bildschirmfoto 2016-05-11 um 18.29.08

 

One of the technical aspects is that OL (one of the few independent providers) whose portfolio includes the possibility of connecting non-related software solutions, which structure and administer the entire document cycle efficiently with a “perpetually mobile effect”. The results are targeted digital solutions that significantly improve business relationships and therefore promote customer relationships, long term.

Seen from a business perspective, OL has taken a unique route: starting out with a philosophy of turning visions into reality, and always following new paths. OL has developed into the first company on the market that provides a range of applications that span from beginner to top expert-use, in all important areas — especially document design, process automation, personalisation/individualisation (with variable data print), postal sorting and preparation, as well as electronic forms. Thanks to the OL company philosophy, prices to this day remain to be very reasonable, and the solutions are designed in a simple and adaptable manner, throughout.

 

Bildschirmfoto 2016-05-11 um 18.35.56

Big progress: OL presented already Software-Suite Connect 1.4.

 

Important milestones

For OL customers the acquisition of PrintSoft (the manufacturer of PReS) in 2011 opened doors to new applications of a powerful solution for large print volumes. — At the end of 2015 the OL solutions were improved further with the release of the version 1.3 of the OL Connect software suite, now including a number of multilingual user interfaces. — With Capture OnTheGo, OL offers a mobile solution to capture data from electronic forms, which triggers processes when on the go per digital signature. — OL has also found a way to reduce paper use and paper-based processes, with a digital pen.

The special feature

OL solutions allow all companies to undertake a seamless transformation and experience dynamic growth, long-lastingly. Seeking and finding new paths serves to increase efficiency, all that with the OL customer in mind. OL’s focus is making interactive business correspondence an essential component of an enduring effective Customer Communication Management (CCM).

The OL solutions in detail, which can scale to grow along with the customer’s requirements:

  • PrintShop Mail Connect | A VDP tool for personalization of documents, made easy. printshopmail.objectiflune.com
  • PlanetPress Connect | A multichannel solution that includes workflow and process automation planetpress.objectiflune.com
  • PReS Connect | A tailored enterprise solution for high volume business communication, and Hybrid Mail www.printsoft.com
  • Capture OnTheGo| A solution for process automation, combining on-the-go convenience with fast document processing through digital signature. capture.objectiflune.com

Company background

Objectif Lune (OL) develops simple and effective software that is fun and helps companies  communicate more efficiently with their customers. Born in 1993 from an idea by three friends, Objectif Lune now has over 240 employees worldwide, serving over 20 000 organizations, who all want to bring their customer communications to the next level. With technical support around the world and three R&D facilities in Montréal (Canada), The Netherlands, and Australia, OL works hard to make lives easier. The OL mission statement: “Objectif Lune’s mission is to free customers from legacy mentality by creating elegant software tools to help our customers communicate more effectively with their customers.” The OL headquarters are in Montreal, Canada. The German headquarters of the company are in Darmstadt.

Contact

Simone Angelica Wolf, OBJECTIF LUNE,
Management OL Italy & Marketing OL EMEA
wolfs@it.objectiflune.com

OL Blog – http://www.objectiflune.com

OL Media Center – web.objectiflune.com/cn/aaj74/drupa-media-center

 

OL drupa invite mobile

Visit OL’s Media Center as well:  web.objectiflune.com/cn/aaj74/drupa-media-center

ValuePublishingOL Company Profile.001.jpeg

ValuePublishing-Empfehlung zur drupa 2016:
Objectif Lune besuchen! — Halle 7a, Stand E23

Hinweis/Note: English version available. — Siehe auch unseren ValueDialog von Andreas Weber mit Didier Gombert, Mitgründer und CEO von Objectif Lune (in englischer Sprache). Sowie die OTS News Aktuell-Meldung: #drupa2016: Ziele weit übertroffen – Objectif Lune baut starke Marktposition deutlich aus

Objectif Lune (OL) entwickelt und vertreibt weltweit Software Technologie, die innovative Lösungen zur Abwicklung interaktiver Business- und Kunden-Korrespondenz anbietet. Dabei ermöglicht OL gleichzeitig den direkten Zugang zu allen Vorteilen, die das digitale Zeitalter bietet. Dadurch wird die digitale Transformation und auch die Optimierung der Kommunikationsprozesse erheblich vereinfacht. Der Vorteil: Der Prozess zur Erfassung von relevanten, geschäftskritischen Daten und Dokumenten und die Umwandlung in digitale Korrespondenz mit interaktiven Workflows (einer der allgemein best-bekannten hier sind Emails in ‚responsive Design‘ gestaltet) ist genau das, was die OL Lösungen bieten. Dokumente, die typischerweise durch einen solchen Prozess laufen könnten, sind: Rechnungen, Berichte, Bestellungen, Transport-Dokumente, herkömmlich gestaltete Emails, personalisierte Datenblätter, Flyer, Mailings und Einladungen. OL Connect vereinfacht den Zugang zu einem cleveren Mix digitaler und druckbasierter Lösungen — von kleinen/einfachen bis hin zu umfassenden/ komplexen Projekten kann dies alles umspannen.

Objectif Lune pflegt bewährte Partnerschaften mit erstklassigen Firmen aus den Bereichen Print und Technologie, die sich vorrangig mit Customer Communication Management befassen und dazu mit der OL-Lösungspalette arbeiten. Im Zentrum steht jeweils ein konstanter Austausch von Wissen, Erfahrung und aktueller Technologie. 

 

Bildschirmfoto 2016-05-11 um 18.27.33.png

 

Einer der wichtigen technischen Aspekte ist, dass das Portfolio von OL als einem der wenigen unabhängigen Anbieter auch die Möglichkeit bietet, von einander unabhängige Software-Lösungen zu koppeln, wodurch der gesamte Dokumenten-Zyklus auf effiziente Weise strukturiert und gesteuert werden kann. Das Ergebnis sind zielführende digitale Lösungen, die Geschäftsbeziehungen erheblich verbessern und dadurch Kundenbeziehungen dauerhaft fördern.

Aus unternehmerischer Perspektive, hat OL einen einzigartigen Weg beschritten: Ausgehend von der Philosophie, Visionen Wirklichkeit werden zu lassen und stets neue Wege zu beschreiten, entwickelte sich OL zu einem der ersten Unternehmen auf dem Markt, das eine Reihe von Applikationen anbietet, die sowohl für den Anfänger als auch für den Experten-Gebrauch geeignet sind. Und das in allen wichtigen Bereichen: Speziell im Dokumenten-Design, in der Prozess-Automation, in der Personalisierung/Individualisierung (mit variablem Daten-Druck), in der Postsortierung und -vorbereitung, sowie für elektronische Formulare. Und Dank der OL Firmen-Philosophie konnten Preise bis heute auf einem erschwinglichen Niveau gehalten und die Lösungen stets einfach und anpassungsfähig gestaltet werden.

 

 

Wichtige Meilensteine:

Die Übernahme von PrintSoft (der Entwickler von PReS) im Jahr 2011 öffnete für OL-Kunden die Türen zu neuen Anwendungen, die eine leistungsstarke Lösung für große Druckvolumen benötigen. — Die OL-Lösungen wurden Ende 2015 durch die Connect Software-Suite, Release 1.3 nochmals deutlich verbessert, seitdem inkl. multilingualer Bedienoberflächen.— Mit CaptureOnTheGo bietet OL seit jüngstem eine mobile Lösung zur Erfassung von Daten aus elektronischen Formularen, die Prozesse von unterwegs per digitaler Signatur auslöst. — OL hat auch eine neue Möglichkeit gefunden, mit digitalem Stift den Papiergebrauch und papier-basierte Prozesse zu reduzieren.

Das Besondere

Da OL-Lösungen allen Unternehmen einen nahtlosen Wandel und dynamisches Wachstum ermöglichen, kann man sie über sehr lange Zeit einsetzen. Das Suchen und Finden von neuen Wegen dient der Steigerung der Effizienz und liegt gleichzeitig im Interesse der Zufriedenheit der OL-Kunden.Der Blickwinkel von OL liegt darauf, interaktive Geschäftskorrespondenz zum wesentlichen Bestandteil eines nachhaltig wirksamen Customer Communication Managements (CCM) werden zu lassen.

Zum OL-Lösungsangebot im Detail, das skalierbar mit den Kundenanforderungen wachsen kann:

  • PrintShop Mail Connect | Ein VDP-Tool zur Personalisierung von Dokumenten printshopmail.objectiflune.com
  • PlanetPress Connect | Eine Multichannel-Lösung für Dokumenten-Workflow und Prozessautomatisierung planetpress.objectiflune.com
  • PReS Connect | Eine maßgeschneiderte Multichannel-Unternehmenslösung für jeden Abschnitt des Dokumenten-Kreislaufs inklusive Hybrid Mail www.printsoft.com
  • Capture OnTheGo | Eine Lösung zur Prozessautomatisierung, die Prozesse von unterwegs per digitaler Signatur auslöst capture.objectiflune.com

Hintergrund zur Firma

Objectif Lune entwickelt einfache und effektive Software, die Spaß macht und Unternehmen dabei hilft, besser mit ihren Kunden zu kommunizieren. Die Gründung von OL entstammt der Idee dreier Freunde aus dem Jahr 1993. Heute, im Jahr 2016, werden weltweit mehr als 240 Mitarbeiter beschäftigt, die ihre Dienste mehr 20.000 Firmen und Organisationen zur Verfügung stellen.

Der technische Support reicht rund um die Welt; drei Forschungs- und Entwicklungszentren sind in Nord-Amerika (Montréal, Canada), in Europa (Niederlande) sowie in Australien angesiedelt, um fokussiert daran zu arbeiten, das Geschäftsleben einfacher zu gestalten. Das Mission-Statement von OL lautet: „Objectif Lune’s mission is to free customers from legacy mentality by creating elegant software tools to help our customers communicate more effectively with their customers.“

OL hat seinen Hauptsitz in Montréal, Canada. In Deutschland hat die Firma ihren Hauptsitz in Darmstadt.

Weitere Infos/Kontakt:

Simone Angelica Wolf, OBJECTIF LUNE,
Management OL Italy & Marketing OL EMEA
wolfs@it.objectiflune.com

OL Blog – http://www.objectiflune.com

OL Media Center – web.objectiflune.com/cn/aaj74/drupa-media-center

 

OL drupa invite mobile

Besuchen Sie auch das OL Media Center: web.objectiflune.com/cn/aaj74/drupa-media-center

drupamc report key visual 2.005

© 2016: Andreas Weber, Mainz/Germany

 

Comment on #drupamc by Andreas Weber | German version available

Everyone did a super job at the drupa media conference (abbr: #drupamc) from February 29 to March 2, 2016: The Messe Dusseldorf, particularly the drupa2016 team; the 15 exhibitors with their presentations; AD Communications as the organising agency and last, but not least, the approximately 100 trade journalists in attendance from around the globe, with happily many newcomers among them. That’s a good thing. The branch is in need of some new momentum. And some new thinking, followed by the right doings. drupa 2016 supposedly stands for: Touch the future, the motto proclaimed by drupa director Sabine Geldermann. That’s great! — Still: Getting customers of print companies as crucial innovation decision-makers on board remains relatively unnoticed. In this respect: Print is making rapid technological advancements, but the industry itself is applying the brakes!

At a glance:

  • #drupamc was a big success.
  • HP wants to take over the leading role in print (but unfortunately, commits real communication blunders!).
  • Heideldruck is the secret star (thanks to partners Fujifilm and Ricoh).
  • Kodak appears to have gone “retro” and Xerox is struggling a bit despite new products.
  • Canon is the most convincing with #UnleashPrint.
  • Before drupa 2016 begins, there is a lot to do to iron out communication deficits, place focus on portraying the benefits (beyond technology) and to finally mobilise customers of print companies.

Indisputable: Optimism and confidence in the future are back (see also: 3rd drupa Insights Report). That was shown by the technology providers in almost all the presentations, particularly those of the “smaller” and highly specialised exhibitors such as Kolbus, Bobst, Hybrid, Global Graphics, Datalase and especially Pitney Bowes, a global player that will be a stranger to most drupa visitors (see summary of all company presentations in the ValuePublishing real-time reports on Storify).

#drupamc already promised to be very exciting in the run-up: Industry leader Heidelberger Druckmaschinen (Heideldruck) dashed ahead with its drupa slogan “Simply Smart” and a disruptive new strategy. Success in print is not primarily about the presses, but about new types of integrated solutions that live up to the digital age and the changes in media usage behaviour. New terms become correspondingly relevant: internet-of-things, Industry 4.0, cloud, big data, apps, automation, 3D, 4D, as well as customer centricity and others. And, of course, new technologies: at the core, cloud services as well as a new generation of industrial inkjet production systems (see Bernd Zipper’s analysis and evaluation on beyondprint.de).

Heideldruck did not give a presentation at #drupamc —they focussed on their own press conference beforehand, which can prove to be a clever move. Despite everything, Heidelberg was omnipresent. Particularly because Heideldruck partners such as Ricoh and Fujifilm referred explicitly to Heidelberg’s expertise as their main support. After all, with Heideldruck one leads in everything required for managing a printing business. This is precisely where HP and its Graphic Solution Business (GSB) wishes to be positioned in order to dethrone Heideldruck.  After relying on HP for “heavy metal” for almost 12 years, HT’s core competency as an IT company was pulled out of the hat at #drupamc: “PrintOS” is the magic word with which HP – now the exhibitor with the largest stand at drupa – hopes to win over print companies. 

 

 

Will HP’s PrintOS be the turning point?

The announcement was full of promise: “HP Inc. inspires print providers to reinvent their possibilities at drupa 2016 with HP PrintOS, a cloud-based mobile platform that simplifies and automates print production management”. It is about “new advancements enabling print service providers to reinvent their possibilities”. HP big boss Rob Le Bras-Brown, Global Head of Print Marketing, said, “HP is bringing the full power of our vast portfolio (…) to drupa 2016. With today’s introduction of HP PrintOS and more pre-drupa announcements to come, HP is following through on its promise to ‘keep reinventing’. That means that we will be showing advancements across the various segments of the printing industry that will enable our customers to reinvent their possibilities.” And François Martin, HP GSB Worldwide Marketing Director, used some clever words to emphasise the fact that the print business is primarily about the perfect synchronisation of the analogue and digital worlds.

IMG_1638

Photo: Andreas Weber

 

PrintOS Senior Manager at HP, Simon Lewis, delivered a convincing presentation. His voice almost cracked during the presentation, and especially during the questions from the trade journalists. The specs sound promising and according to HP are to include the following apps:

  1. Box, a tool that simplifies the onboarding of print jobs from non-automated sources such as e-mail and file transfer services. According to HP, a disproportionate amount of time and effort are often invested in handling jobs prior to production. Box standardises many processes, thereby reducing this overhead. Users thus have a tool in hand to increase capacity and improve profitability.
  2. Site Flow, a tool that combines automatic job submission, pre-press and shop floor management all in one. The app is suitable for print service providers in both the business-to-business and business-to-business-to-consumer sectors. Site Flow makes it possible for print service providers to offer their clients more attractive prices. Furthermore, it can help improve service and produce more easily hundreds, thousands or even tens of thousands of individual personalised print orders every day, including shipment to the end customers.

 

Live-Video: Andreas Weber via iPad.

 

Users of HP Indigo and HP PageWide Web Press should be able to avail of PrintOS as of May 31, 2016; users of HP Latex and Scitex have to wait most likely until 2017. Many apps will be available free of charge to existing HP customers with a service contract. Certain apps will be subject to monthly user charges. — So much for the announcements that really sounded full of promise.

 

Interjection: You cannot not communicate!

Whoa! Are communication glitches at HP the exception? Or is HP still lacking a healthy mix of IT skills and willingness to communicate? — HP Inc. has put a lot of marketing effort into promoting its drupa innovations and particularly, the PrintOS to printing companies. The budget for the trade show presence is huge. But the impact is rather marred by a lack of multichannel communication talent. HP set up its own section on Flickr. As of March 12, 2016, the eight photos that had been posted had been called up only 16 times to date. In general, HP’s social media engagement seems half-hearted: It is present almost everywhere, without actually achieving any interaction. Views on YouTube of elaborately produced HP videos, for example, are probably mostly generated by its own staff. Google searches on HP topics are not easy.

Serious are the technical mistakes: The press release dated February 29, 2016, sent at 4:01pm by PR agency F&H Porter Novelli, Munich—words of praise on PrintOS providing a link that as of March 12, 2016, at 3:44pm, still led to nothing. “Oops. We can’t find that page for you” is bluntly displayed. EMBARRASSING. And it is not the first time that such a thing has happened on an HP website.

And last, but not least: Press queries that go beyond the content of the press releases often come up against a lack of understanding or are barely answered, as many colleagues from various countries have complained; if you do not know an HP GSB manager personally and/or have direct access, you are on your own.

Bottom line: If HP GSB wishes to make its aspiration of leadership in print credible, then it needs to communicate once and for all about its innovations in a professional, market-oriented and innovative way! 

Bildschirmfoto 2016-03-12 um 15.40.26

 

Another missed opportunity? — Describing the benefits for customers of print companies was not a topic!

What is truly important, however, gets short shrift: What benefits does HP give customers of print companies? Nothing was mentioned about that. And that, to me, seems criminal. Just zeroing in on the fact that print companies can do their work more easily and cheaply using PrintOS will hardly make print stronger in the communications mix. Precisely herein lies drupa 2016’s reason for being. Touch the future refers not only to printing companies that will spend billions on technology at drupa 2016 to be fit for the future. Rather ‘Touch the future’ is a message to all, who have to drive innovation in communication in order to do profitable business.

Apropos profit and growth: Whether intended or not, with PrintOS, HP is tremendously boosting the topic of e-business print and the online printing sector, which in Germany alone already brings in 2.5 billion in revenues annually (source: EPOS Study, https://www.epos-studie.de). This is important to realise since e-business print and online printing do not appear in the trade fair programme as primary, eminently important generic terms for the future of the printing industry.

Still: HP Inc. dared come out from under cover, which cannot be said of other top dogs such as Kodak or Xerox. The Kodak presentation was like stepping back into the 20th Century. Nothing innovative, just improvements of existing products and an affirmation that they continue to faithfully serve the analogue world of print. Similar to Xerox: New inkjet printing systems were presented. And at the same time the assurance was given that despite the company split announced in February 2016, everything would remain the same. Whoa! Is that good news or bad?

From a German point of view, Xerox has practically almost disappeared from the professional print market. It is only being kept alive by a couple of committed and competent business and computer companies. Viewed corporate-wide, it was only just 2 years ago that Xerox lost one-third of its sales in print technology. But the major impetus has to come from Xerox itself, for instance, by thinking beyond print and placing proprietary solutions such as XMPie better in the spotlight, since XMPIe perfectly closes the gap between print and online communication in multichannel scenarios.

 

Impressions of the #drupamc, incl. the new drupa music presented by EFI CEO Guy Gecht! Video animation: Andreas Weber.

 

All the more impressive was seeing how some of Xerox’s tough competitors such as Konica Minolta and Ricoh are excellently positioned. Likewise, Fujifilm and Epson, who made virtually modest presentations, offering a number of surprises for many colleagues in the trade. In addition to the Fujifilm/Heideldruck inkjet cooperation project “Primefire 106”, mention must be made of the Epson PaperLab, a compact machine for DIY recycled papermaking in DIN A4/A3 sizes. (Whereby the Epson PaperLab has been known about since the beginning of 2015 and was as such nothing new for #drupamc). Even EFI, the speciality vendor-turned-conglomerate, demonstrated the point more rousingly and far-sightedly than Xerox. In his famous, notoriously funny style of presentation, EFI CEO Guy Gecht used the Hollywood dream factory to enthusiastically demonstrate the future of print as a dynamic growth market. At the end, Guy Gecht presented a special version of Billy Joel’s song “We didn’t Start the Fire” with new lyrics he created for drupa and the global printing industry. MAGNIFICENT!

 

Mark Lawn and Peter Wolff, Canon Europe, explaining the new #UnleashPrint communications approach of the imaging corporation.


#UnleashPrint — Canon trumps and makes a lasting impression!

Canon led the way, making a brilliant appearance. The leading multinational imaging corporation delivered a convincing affirmation to print and to the market for professional printing at the industrial level. Those who had the opportunity to visit the Canon Expo in New York City, Paris, Shanghai or Tokyo in October 2015 would have been prepared. It was evident that Canon indeed has the widest range of applications: Canon is the only drupa exhibitor to cover all six drupa highlight themes: Print, Packaging, Green Printing, Functional Printing and 3D-Printing as well as Multichannel. That is important in this sense specifically for drupa 2016 and in general for the print industry, since Canon as a brand has the greatest charisma in B2B as well as in B2C!

Of course, Canon also showed innovative technologies, just like other exhibitors. But everything was in the context of solutions accessible to print companies and their customers alike, showing the respective, clear benefits. The Canon stand will reflect the areas of application, so that all visitors can easily find the solutions that are of most interest to them. Individually, those are:

  • commercial print
  • business communications, including transactional and direct mail
  • publishing, including books, magazines and newspapers
  • advertising and creative, including display graphics
  • functional/industrial, including 3D printing
  • packaging
  • photographic products

This is truly the full spectrum of what can satisfy current and future market demands! By its own admission, Canon relies on a combination of market-leading technologies, expertise and continuous dialogue with customers to help print service providers implement customer-centric business models that unleash the full potential of their business.

For this to be understood and communicated ubiquitously, Canon is the only exhibitor to date to employ new contemporary communications channels: As part of a multichannel communications campaign on relevant platforms, the hashtag #UnleashPrint is to address not only print service providers, but also innovation decision-makers, interested in print in the communications mix as well as the corresponding technologies and services.

 

Live-Video: Andreas Weber in a 1 min. interview with Canon’s Mark Lawn via iPad.

 

Mark Lawn of Canon Europe explained the unusual approach with #UnleashPrint as follows:  In every area of the stand, Canon will bring to life its new campaign to #UnleashPrint. This communicates Canon’s passion for print as a unique and powerful medium, celebrates the value of print and sets out to unlock its still untapped potential. Central to this is to show how the implementation of intelligent new business models can follow for realising the potential of print in the digital age to better fulfil constantly changing customer needs.

In its corresponding press release, Canon further says: “Every zone of the Canon stand will feature exceptional creative print applications, with the aim of inspiring visitors to extend their product portfolio and push the boundaries of print. As part of the customer journey through the endless variety of print, Canon will also show trade visitors how they can increase print’s effectiveness through integration with digital platforms to deliver seamless multichannel communications that simplify customer experiences, stimulate response and make print as measurable as any other tool in the communications mix.”

Print wins Analysis by Andreas Weber .001

Print wins, only if it stands the test in the communications mix!

That sums up what it is all about. And corresponds to our ValuePublishing analyses, made in the run-up to #drupamc, personally discussed with customers of print companies, agencies and publishing houses. (See the analysis “Print wins!” by Andreas Weber on slideshare.com)

The key messages derived from it carry forward the exciting results in the trade of the #drupamc and are as follows:

  1. The goal is attainable: Print wins! And considers itself to be the key pillar in all contemporary marketing and communications scenarios.
  2. For more than a thousand years, print has been one of the most important cultural tools globally for allowing innovations to become reality! Why should things be any different today?
  3. BUT: The market has changed radically! Instead of quantity, quality is increasingly in demand. The trend: Exploit added value through more attention to and greater efficacy of printed material in the communications mix!
  4. The dilemma: Everyone driving communications is searching for digital strategies to push content (unanimously) everywhere. Dealing with print innovations that lead to dialogue through interaction is often overlooked. Only multichannel can do that in combination with print! And that needs to be communicated better and more clearly via drupa 2016.
  5. Print will become the key pillar, thanks to completely new types of software and cloud solutions and e-business models, particularly in personalisation. It is no longer a question of reach, but of “one conversation”!
  6. Multichannel innovations that include print do not make analogue media superfluous, but integrate them seamlessly.
  7. Print sustainably increases business success through interaction, through dialogue with the audience (customers, partners, interested parties); supported by personal, timely relevance — through touchpoints covering the whole media spectrum from print to digital.
  8. Print teamed up with multichannel and e-business is a new, rapidly growing service sector. Focus: driving innovation forward! New print technologies such as inkjet are important, but “just” a means to the end.
  9. Everyone needs to learn what it’s all about: In communication, more reach is not the measure of all things, relevant dialogue and ongoing conversation are.
  10. It is proven that print wins and its importance is strengthened through the IoT, cloud, big data and multichannel services because it makes communication powerful, relevant and humane.

 

Summary

As I have said, it was an extremely successful and insightful #drupamc. But there is still a lot to do before drupa 2016 opens its doors on May 31, 2016. The tried-and-true motto, in my view: “Get rid of silo thinking! Touch the future now! Take the communication offensive!” — Exhibitor communication should not be just a blunt promotion of new technologies for printing companies, presented in the conventional print trade press. A lot more needs to happen using innovative communication, through social media, through mobile, in order to put the focus on the benefits. Only so can the business in general and especially the decision-makers involved in innovation projects in the industry, in trade, and in the brand-name companies be reached to show print in a new way that can be experienced and understood. Canon is the only exhibitor to date who convincingly shows how it should be done and thus sets the bar: #UnleashPrint!

 

Note: With our real-time reports on ValuePublishing, we were able to make #drupamc rated tops. In just 72 hours, we reached more than 750,000 viewers who were able to experience live what was happening in Dusseldorf through the short reports and commentary.