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ValuePublishingOL Didier Gombert.001

drupa ante portas – automation, flexibilization, and digitization make print a top growth market! Beyond printing technology Multichannel newly defined is focussing communication effectiveness at its best. (See my expert comment as well)A good reason to talk to an extraordinary entrepreneur, Didier Gombert, the Co-Founder and CEO of Objectif Lune (abbreviated to: OL), before drupa 2016 will start to catch his vision and POV of future market developments.  —Interview by Andreas Weber (Editorial Assistant: Sudarsha Rambaran).

Some insights: OL’s offering will touch the areas of pre-media, print, multichannel and future technologies. OL’s performance promise is quite different from other drupa exhibitors: OL is dedicated to simple and effective software that is fun and helps companies around the globe communicate more efficiently with their customers. At drupa 2016 OL will be present in two halls: Hall 7a /E23 close to the drupa innovation parc (dip), plus Hall 8a /D21 close to the digital printing technology world.

Key messages by Didier Gombert

  • I like finding solutions for customer pains and getting rewarded for it
  • Innovation is the cornerstone of our company to make life better for others; we always try to look at it from multiple perspectives
  • Success isn’t something you dream up out of the blue. It is created out of your personal experience.
  • At the end of the day, it’s simply offering proper communication from every aspect by providing the ability to have all of these connections and seamless connectivity. 
  • Creating and optimizing these processes is the foundation of what we bring to the market. All of that inside one single system; that is the key element.
  • I consider the print community to be an industry perfectly capable of competing with many other industries claiming to perform impeccable or better communications. 
  • Consequently, at drupa 2016, we need to emphasize to the world that we understand communications, that we are capable of undertaking web technologies such as email, web pages and portals. That is what Print 4.0 is; it is multi-faceted.
  • drupa 2016 is important because it is way of informing customers by human representation, unlike an email or a web page.

 

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Didier Gombert, Co-Founder and CEO of OL. Photo: Screen from OL’s corporate video.

 

—PART 1: Insights about entrepreneurship, innovation, connectivity and global business success

Could you please explain what guides you as a visionary entrepreneur?

Didier Gombert: I like to think about how I can make life better for others. It’s what wakes me up in the morning. I like finding solutions for customer pains and getting rewarded for it. In other words, finding solutions for customers and trying to monetize it!

Starting OL more than 20 years ago, did you expect to reach the point where you are today?

Didier Gombert: Definitely not! The bar has been rising higher and higher with time. When we started out the goal was certainly more modest than it is today. But I feel very happy and very lucky for what we have managed to achieve. We expected to do well, but certainly not to the current size and especially the current recognition!

If you were able to re-start, what would be different (or equal)?

Didier Gombert: Interesting question, worth to put quite a bit of thought into it. When you reach a certain stage, you want to go to the next one and see what you can do next. — Naturally, knowledge of the future would put anyone in an advantageous position! I would certainly do a lot of things differently if I had to restart. We were dealt quite a few challenges, but we learned from our mistakes. I like to think that we gain experience the same way I try to solve issues — by finding solutions to problems. I believe that constant need, or drive, to improve things — either for oneself or for others — is what helps in being very innovative. Since innovation is the cornerstone of our company, it’s very difficult to say “lets restart!”. As such, if I had the same set of knowledge, I’d probably do it the same way. It’s the only way I know how to do things.

 

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If innovation is OL’s cornerstone how do you deal with it?

Didier Gombert: Innovation is created by being challenged with sets of problems. We try to find ways to do things more efficiently, or more practically, with more benefit and so on and so forth. This is the way we’ve always done things. We look at an issue and think about how we can improve it! We always try to look at it from multiple perspectives.

And in relation to your customers and projects, was it possible to run experimental efforts, or are customers very conservative in that sense?

Didier Gombert: Initially, people were much more willing and open to experiment. However, when you reach a certain size, experimentation carries quite a bit of risk. If you believe in yourself and you have a bunch of people uploading that new version of software — I don’t believe that they would appreciate the word ‚experimental’.

Nowadays, our mode of operation is much more structured, as we need to grab expected results. In the early days, we experimented quite a bit more. Through our experiences of talking to customers and being asked certain questions or having certain requests made of us, we have created our structured approach. Naturally, this approach leads to innovation — of course you come up with certain things that haven’t been thought of before! The catalyst of an idea is undoubtedly something that was shown to you, asked of you, or something from your environment. Success isn’t something you dream up out of the blue. It is created out of your personal experience.

But the whole thing with innovation means for me all the time to have more or less trustable partners, so if I can trust somebody, I’m ready for a journey, even if I don’t know the way. Do you agree?

Didier Gombert: I’m very people-oriented. I absolutely agree with you on that topic — for me it’s important to trust the people around me. Business is driven by relationships. A lot of companies claim that their assets are their people — but they don’t really mean it. I am convinced that people are the real assets. Most companies attach great importance to intellectual property. Yet intellectual property isn’t like wine — it doesn’t age well. Technology, fashion, language all change and develop with time. What is really important is the people who create and maintain intellectual property, not the intellectual property itself. At the end of the day, you need to trust your partners, your employees, and the customer. The trust relationship you have with them is a vital basis.  

 

 

I checked a lot of OL’s blog posts and Twitter posts and also you shot a personal video on your website. If I got it right, one of your key words is “connect”. From your personal point of view, what is the secret of connectivity?

Didier Gombert: Connectivity, or connecting, is synonymous with communication. People connect through some form of communication. Nowadays, the pace of change is accelerating at an alarming pace! As such, the companies of the future will need to adapt to new requirements, new ways of doing business, new ways of talking to their customers. Hence connecting to their customers, their employees or even connection between systems is crucial. There are an ever-increasing amount of systems, more ways of talking to a person rather than a system or a machine. That is what connectivity is for me. We need to have something which is flexible and thus future-proof.  There is no company out there who could claim that their communication is perfect. Accordingly, better communication is a universal goal. The words connect and communication are the same to me, and they describe perfectly what we are trying to do with our new products.

 

Interjection (by Andreas Weber)

I love that term connectivity as well because when I was rethinking what I’m doing as a communications analyst, dealing with all those suppliers for more than twenty five years and then I started publishing a lot because everything was about innovation, nobody knew what we were thinking and talking about. Then I have those three terms which work for me, advise, knowledge and connectivity. I think they are strongly related to each other, and when I screened what OL is also doing with blog posts other things it’s exactly that! Giving good advice, being good advisors share your knowledge and always struggle to give the best connectivity you can.

 

 

That means connectivity also has importance beyond technology?

Didier Gombert: Most certainly! What are we if we don’t connect to others? Think of social networks! I’m not saying that we’re involved in social networks, at least not yet. Social networks provide a way of connecting to a larger, wider audience and a way for that audience to connect to you. Communication is one of the key processes in life — whether it’s business or personal, we all like to be communicated with in a proper way, in a timely manner among many other sorts of criteria on communicating, or connecting. 

Words such as ‘disconnect’ have very negative connotations, and correspondingly, ‘connect’ is an extremely positive word! Right?

Didier Gombert: I’m an engineer. As such, the word connectivity initially meant machine talking to machine in my days at university. Entering the world, I believed connectivity was more about machines talking to humans, especially considering things like page composition and languages like PostScript. This is evident in the fact that we have interactive software rather than just a piece of paper — you have web forms, inputs and buttons you can click, even in an email! This form of connectivity is human connecting to a machine, which is the reverse of what we traditionally did when we started out. At the same time, however, we also offer options for electronic communication. That means machine to machine communication and connectivity, so going back to my old definition of connectivity! At the end of the day, it’s simply offering proper communication from every aspect by providing the ability to have all of these connections and seamless connectivity. Creating and optimizing these processes is the foundation of what we bring to the market. All of that inside one single system; that is the key element.

 

 

—PART 2: drupa ante portas — how to touch the future?

According to my personal view Drupa 2016 will be very different compared to the past. The expectation is already extremely high to celebrate “Print 4.0”. Beyond relevant  digital technologies what will be key to augment the customer experience and to ‘orchestrate’ the (new) customer journey?

Didier Gombert: There is a lot to be said to this question. In my view, things are evolving tremendously, and digital is certainly one of those things. Nevertheless, print is also evolving. People going to a print show expect to see a lot of paper. Since the evolution of the PDF, not necessarily the early days, but the actual evolution as in the content, the management system etc. and things such as the option to attach files to email. Print has evolved a lot. People still print today…

… and attaching a PDF file to an email is effectively a doing digital print?

Didier Gombert: I think it is going even further than that. We will be showing some web technology and some tablet technology. This demonstrates that we can print directly from a tablet or an email. The important thing about drupa 2016 is the fact that the print community has an opportunity here that is completely misunderstood. There are many people out there who are capable of creating websites or doing web developments. It is a widespread skill among university students nowadays — many of them are competent in html, java script or other web technologies and understand platforms such as WordPress amongst others. These kinds of skills are very easy to find.

However, there are very few people who understand print and the value of print. People need to realize that print is still relevant! It isn’t a growing thing, but it is certainly still relevant and necessary in the digital age. There is still a need to compose a proper page on which information is easy to find, which is appealing to the eye, which is attractive and efficient. Then if you add all the other technical aspects, you begin to see how print is still relevant.

 

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Didier Gombert, Co-Founder and CEO of OL. Photo: Screen from OL’s corporate video.

 

You mean print and the print industry are not out of time?

Didier Gombert: The print industry is an industry which is capable of doing print properly, but it has trouble understanding web technologies, multi-channel distribution of information, and new connectivities. I consider the print community to be an industry perfectly capable of competing with many other industries claiming to perform impeccable or better communications. Consequently, at drupa 2016, we need to emphasize to the world that we understand communications, that we are capable of undertaking web technologies such as email, web pages and portals. That is what Print 4.0 is; it is multi-faceted.

So in the past the print industry focus was on efficiency, especially to make their own workflows and processes efficient. If I got your message right, in the meantime it’s all about effectiveness but the technology has to be efficient, but communication needs effectiveness. Is that what you mean? 

Didier Gombert: Absolutely, in every aspect! What I mean, though, is that people are looking for printables. Printable avoidance does not mean they don’t want to print — it just means they are avoiding the cost of paper, envelopes and so on. drupa 2016 is important because it is way of informing customers by human representation, unlike an email or a web page. Anyone can create an email or a webpage, but not everyone is able to print. So the print industry could profit greatly from adding to their skill set, as in the web or email representation of information.

 

It is all about managing the best way of informing customers by human representation. Photos: Screens from OL’s corporate video.

 

 

What kind of visitors do you expect to come to OL’s drupa 2016 booth? What will be their benefit?

Didier Gombert: This is an industry, so naturally the who’s who of the industry is going to be there. I recently had a chat with our Australian people and they said they are expecting a lot of their customers from Australia to be there! — In all honesty, our main customers are usually the people who have their own booths at the show. We sell our software to the seller community, and since they are all present at drupa 2016, we are expecting to, and hoping to, talk to them more than anyone else. The people that are walking in aisle are generally end-users — that means they obtain our software through our first-hand customers. From that perspective, I’m expecting mail service providers, creators of big print rooms, medium to large, migrant customers. This is great, because we have the opportunity to demonstrate what we can do and we are definitely excited to show our newest and latest, and our capacity.

So everything you do at drupa 2016 is more or less on a strategic level but even if operators come they could learn about your solutions?

Didier Gombert: Absolutely! We believe that we have a good brand and good brand recognition as well as a good reputation. As such, we definitely think that our customers will look for us at drupa 2016. There are also likely to be many people in other booths who will talk about us, so we’re expecting to see that traffic, and of course we will support out partners in their own booths.

You are experienced in running a global business successfully. What is your key success factor to ‘harmonize’ all those different cultures different levels with different needs?

Didier Gombert: I have a personal definition of success. The first ingredient of success is luck. I don’t think you can be successful without being lucky. Mind you, the ability to recognize that luck and acting on it is what drives success. The best way to do this is to find the right talented people, and keep them around you. 

You have to think local and act global. You need good people that work for you on a local basis to be your eyes and ears. They tell you what’s important. Once you have a basis of this, you can start to see what is important on a global level. Obviously, there are different ways of doing certain things in different countries. At the end of the day though, you need to pick and choose what is best on a global level. It’s best to try to take the thing that is most widespread, most rewarding from a global perspective, and then you have a chance to see what you can do for the most benefit in a specific region. That is the approach to being successful on an international level.

 

OL Mission

 

Quite impressive: OL is able to handle a customer base of 20,000+ organizations while having around 240 employees. What is your secret to keep this successful? And; what kind of talents characterize your staff?

Didier Gombert: In the first place, we look for people with the right kind of attitude. Aptitude comes second. Why? Because aptitude can always be learned, but attitude can rarely be changed. If you have people with the right kind of attitude, it allows you to forge better relationships with your partners.

As to the 20,000+ customers, we did not do them one by one. The fact is that we are good with our resellers and partners. The kind of people we look for are people who care, who work very hard, which is not always easy considering the work multiplies corresponding to the number of customers you reach.

What also sets us apart is that we offer products that cater to a wide range of company types. We are capable of providing for small to medium size companies as well as very large corporations. There are companies out there that only serve the Fortune 500. The fact is, this limits you to 500 customers!

Do you monitor the happiness of your customer base dealing with your products, do you have the possibility to monitor that?

Didier Gombert: We do inquire and do our surveys, but we try to limit this, as we don’t want to annoy the customers with survey after survey. We certainly welcome feedback, especially good feedback! I must admit that I am very pleased with customer satisfaction. I get a lot of emails from customers saying they were well served, and we are very sensitive to this sort of thing. We could always do better, though. We are always working on improving our method of feedback. Ultimately, though I think that the fact that we have so many customers for such a long time, that they keep coming back for more, shows that we have happy customers.

 

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Good approach: Share your knowledge and reduce complexity by Online Learning.

 

What is your advice for the drupa 2016 audience to transform the drupa motto ‘touch the future’ into sustainable business success?

Didier Gombert: First and foremost, my advice would be to show up with an open mind. The future is very hard to predict. Our industry has been very conservative. When I came out of university, the goal was the paper technology and what you could do with that. People are still talking about it. The development in the past years has been astounding — in the last decade the phone has become a radio, a walkman, a TV, a movie theater, a concierge and so on and so forth. I don’t think the industry was ready for that!

I think that people out there are looking to make more money out of communication, or to make it cost-efficient. Thus, the audience coming to drupa 2016 needs to look at print with a new mindset, and with an open mind. I think that productivity is a prominent factor in all of this; in challenging times, we all want to perform better. The audience needs to open their minds and then they might be touched by seeing what the future has in store for them!

 

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About

Didier Gombert is the Co-Founder and CEO of Objective Lune (abbreviated to: OL). His mission (on a worldwide level) is to create and market efficient solutions for interactive business communication, which open up innovative paths in customer communication, giving immediate access to all the advantages of the digital age.

Profile via LinkedIn:
https://www.linkedin.com/in/gombertd/de

Visit OL’s Media Center as well: 
web.objectiflune.com/cn/aaj74/drupa-media-center

 

OL drupa invite mobile

ValuePublishingOL Company Profile.001.jpeg

ValuePublishing-Empfehlung zur drupa 2016:
Objectif Lune besuchen! — Halle 7a, Stand E23

Hinweis/Note: English version available. — Siehe auch unseren ValueDialog von Andreas Weber mit Didier Gombert, Mitgründer und CEO von Objectif Lune (in englischer Sprache). Sowie die OTS News Aktuell-Meldung: #drupa2016: Ziele weit übertroffen – Objectif Lune baut starke Marktposition deutlich aus

Objectif Lune (OL) entwickelt und vertreibt weltweit Software Technologie, die innovative Lösungen zur Abwicklung interaktiver Business- und Kunden-Korrespondenz anbietet. Dabei ermöglicht OL gleichzeitig den direkten Zugang zu allen Vorteilen, die das digitale Zeitalter bietet. Dadurch wird die digitale Transformation und auch die Optimierung der Kommunikationsprozesse erheblich vereinfacht. Der Vorteil: Der Prozess zur Erfassung von relevanten, geschäftskritischen Daten und Dokumenten und die Umwandlung in digitale Korrespondenz mit interaktiven Workflows (einer der allgemein best-bekannten hier sind Emails in ‚responsive Design‘ gestaltet) ist genau das, was die OL Lösungen bieten. Dokumente, die typischerweise durch einen solchen Prozess laufen könnten, sind: Rechnungen, Berichte, Bestellungen, Transport-Dokumente, herkömmlich gestaltete Emails, personalisierte Datenblätter, Flyer, Mailings und Einladungen. OL Connect vereinfacht den Zugang zu einem cleveren Mix digitaler und druckbasierter Lösungen — von kleinen/einfachen bis hin zu umfassenden/ komplexen Projekten kann dies alles umspannen.

Objectif Lune pflegt bewährte Partnerschaften mit erstklassigen Firmen aus den Bereichen Print und Technologie, die sich vorrangig mit Customer Communication Management befassen und dazu mit der OL-Lösungspalette arbeiten. Im Zentrum steht jeweils ein konstanter Austausch von Wissen, Erfahrung und aktueller Technologie. 

 

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Einer der wichtigen technischen Aspekte ist, dass das Portfolio von OL als einem der wenigen unabhängigen Anbieter auch die Möglichkeit bietet, von einander unabhängige Software-Lösungen zu koppeln, wodurch der gesamte Dokumenten-Zyklus auf effiziente Weise strukturiert und gesteuert werden kann. Das Ergebnis sind zielführende digitale Lösungen, die Geschäftsbeziehungen erheblich verbessern und dadurch Kundenbeziehungen dauerhaft fördern.

Aus unternehmerischer Perspektive, hat OL einen einzigartigen Weg beschritten: Ausgehend von der Philosophie, Visionen Wirklichkeit werden zu lassen und stets neue Wege zu beschreiten, entwickelte sich OL zu einem der ersten Unternehmen auf dem Markt, das eine Reihe von Applikationen anbietet, die sowohl für den Anfänger als auch für den Experten-Gebrauch geeignet sind. Und das in allen wichtigen Bereichen: Speziell im Dokumenten-Design, in der Prozess-Automation, in der Personalisierung/Individualisierung (mit variablem Daten-Druck), in der Postsortierung und -vorbereitung, sowie für elektronische Formulare. Und Dank der OL Firmen-Philosophie konnten Preise bis heute auf einem erschwinglichen Niveau gehalten und die Lösungen stets einfach und anpassungsfähig gestaltet werden.

 

 

Wichtige Meilensteine:

Die Übernahme von PrintSoft (der Entwickler von PReS) im Jahr 2011 öffnete für OL-Kunden die Türen zu neuen Anwendungen, die eine leistungsstarke Lösung für große Druckvolumen benötigen. — Die OL-Lösungen wurden Ende 2015 durch die Connect Software-Suite, Release 1.3 nochmals deutlich verbessert, seitdem inkl. multilingualer Bedienoberflächen.— Mit CaptureOnTheGo bietet OL seit jüngstem eine mobile Lösung zur Erfassung von Daten aus elektronischen Formularen, die Prozesse von unterwegs per digitaler Signatur auslöst. — OL hat auch eine neue Möglichkeit gefunden, mit digitalem Stift den Papiergebrauch und papier-basierte Prozesse zu reduzieren.

Das Besondere

Da OL-Lösungen allen Unternehmen einen nahtlosen Wandel und dynamisches Wachstum ermöglichen, kann man sie über sehr lange Zeit einsetzen. Das Suchen und Finden von neuen Wegen dient der Steigerung der Effizienz und liegt gleichzeitig im Interesse der Zufriedenheit der OL-Kunden.Der Blickwinkel von OL liegt darauf, interaktive Geschäftskorrespondenz zum wesentlichen Bestandteil eines nachhaltig wirksamen Customer Communication Managements (CCM) werden zu lassen.

Zum OL-Lösungsangebot im Detail, das skalierbar mit den Kundenanforderungen wachsen kann:

  • PrintShop Mail Connect | Ein VDP-Tool zur Personalisierung von Dokumenten printshopmail.objectiflune.com
  • PlanetPress Connect | Eine Multichannel-Lösung für Dokumenten-Workflow und Prozessautomatisierung planetpress.objectiflune.com
  • PReS Connect | Eine maßgeschneiderte Multichannel-Unternehmenslösung für jeden Abschnitt des Dokumenten-Kreislaufs inklusive Hybrid Mail www.printsoft.com
  • Capture OnTheGo | Eine Lösung zur Prozessautomatisierung, die Prozesse von unterwegs per digitaler Signatur auslöst capture.objectiflune.com

Hintergrund zur Firma

Objectif Lune entwickelt einfache und effektive Software, die Spaß macht und Unternehmen dabei hilft, besser mit ihren Kunden zu kommunizieren. Die Gründung von OL entstammt der Idee dreier Freunde aus dem Jahr 1993. Heute, im Jahr 2016, werden weltweit mehr als 240 Mitarbeiter beschäftigt, die ihre Dienste mehr 20.000 Firmen und Organisationen zur Verfügung stellen.

Der technische Support reicht rund um die Welt; drei Forschungs- und Entwicklungszentren sind in Nord-Amerika (Montréal, Canada), in Europa (Niederlande) sowie in Australien angesiedelt, um fokussiert daran zu arbeiten, das Geschäftsleben einfacher zu gestalten. Das Mission-Statement von OL lautet: „Objectif Lune’s mission is to free customers from legacy mentality by creating elegant software tools to help our customers communicate more effectively with their customers.“

OL hat seinen Hauptsitz in Montréal, Canada. In Deutschland hat die Firma ihren Hauptsitz in Darmstadt.

Weitere Infos/Kontakt:

Simone Angelica Wolf, OBJECTIF LUNE,
Management OL Italy & Marketing OL EMEA
wolfs@it.objectiflune.com

OL Blog – http://www.objectiflune.com

OL Media Center – web.objectiflune.com/cn/aaj74/drupa-media-center

 

OL drupa invite mobile

Besuchen Sie auch das OL Media Center: web.objectiflune.com/cn/aaj74/drupa-media-center

header_global_insigh#107DE4 Kopie

The first results of the 2nd drupa Global Insights Report “Touch the future – Applications that can create growth” are out now. Implementing new print applications is for many the best way to regain growth in the demand for print.

Graphic Repro On-line News Review from 16 November 2015

Welcome to another week of news highlights with Laurel Brunner’s Verdigris Blog for Friday 13 November, which examines an ongoing European initiative linked to the Registration, Evaluation, Authorisation and Restriction of Chemicals (REACH) directive which could perhaps spell the end of gravure printing in Europe. For the full article, please visit our Verdigris environmental section. The link appears below, or via the index on our Website.

The week’s news began with Durst at ITMA, where the company launched a new series of super high-performance multi-pass inkjet printers for digital textile production and a new pigmented ink; while Goss International’s new owners have announced the appointment of a new president and chief executive officer. Tuesday saw KBA publish its third quarter 2015 figures, having achieved a pre-tax profit with a turnaround in earnings and with continued solid order intake. It really is beginning to look good.

On Wednesday, Messe Düsseldorf led the headlines as it announced that its Second Global Insights Report is nearing completion and will be available soon in English (and in 7 languages overall). The detailed announcement appears in both English and German in our drupa Newsroom, Please don’t miss it. Bobst also in the headlines with a Gold Award at FEFCO 2015 in Barcelona, for its advanced digital inkjet corrugated press which uses Kodak’s high-speed Stream Inkjet technology.

On Thursday, Sappi Limited published its results for the fourth quarter and full 2015 financial year and is also looking good, with a strong performance and with full year earnings per share excluding special items up 55% for the financial year ended 30 September. FESPA announced its call for entries for the 2016 Awards, marking the start of its search for pioneering and innovative projects in the industry.

Friday’s headlines began with Heidelberger Druckmaschinen revealing that it is on course after the first half of financial year 2015/2016, with sales and result up on the previous year. The second half was also boosted by the sale of the company’s central-Heidelberg headquarters which was posted as income.

You will find quite a number of show-related articles again this week, led by EFI Reggiani on Tuesday, as it showcased new innovations in textile technology at ITMA 2015, including the debut of the new ReNOIR NEXT system. Then we have Mimaki with new inks. Also DuPont and EFI Reggiani on Wednesday, with new inks. Then we have ColorGATE at InPrint in Munich. You will also find an announcement from Baumer on Friday with the world première of a new Tesla family of innovative, high-performance application heads for hot melt adhesives, out of the recent FachPack show in Nuremberg.

A selection of sales and installations successes began with numerous sales from Duplo on Monday out of its recent and successful London Calling event. There’s also a separate announcement from Rapidity with Duplo. On Wednesday Goss International announced that Sandhills Publishing has invested in a new eight-unit Sunday 2000 web press and Pacesetter high-speed saddlestitcher; while EDS Group chose Manroland Web Systems for its latest Lithoman relocation and a Lithoman upgrade. On Thursday Heidelberg UK announced that a Speedmaster XL 75-5+L will be delivered to Thomson Print & Packaging in Edinburgh, Scotland early next year; and the first all-in-one design and print shop in Cape Town’s exclusive Atlantic seaboard suburb of Sea Point, All@OneStop, has added a Xerox press from Bytes.

On Friday, Altacel Flexible Packaging in Weesp, The Netherlands, announced that it has recently fired up a gearless 10-colour KBA-Flexotecnica EVO XG flexo press. This article also appears in Online Features to enable additional photographs to be included, so please don’t miss it. It’s stunning!  Also on this day, independently-owned South African print and design store Wizardz has added a new Xerox Colour C70 printer in TygerValley, Cape Town; while also in South Africa, JMB Labels has invested in a second MPS flexo press and first EB machine in Africa for its Amalgam, Johannesburg plant.

If you work down the list carefully, you will also find other key announcements this week from Xeikon, Gandy, Ricoh Europe with Elsevier, UPM at the CBD Business and Biodiversity Forum 2015 in Helsinki, and from Imaging Solutions and Taopix, among others.

Until next time. My best regards,

Mike Hilton

Fespa Awards 2016

Our e-News comprises:  Headline News – Online Feature Articles – the Verdigris initiative from Digital Dots. Our Drupa and FESPA Newsrooms can be accessed from the Index on our Home Page, as well as News in Review, which provides a weekly overview and listing of all news added to the site. 

Headline News
Over 27,000 news items have now gone online since we launched our Website in September 2001. News for the past 24 months can still be accessed via the Home Page and its continuation news pages

Mon 09 November…    Durst to launch new Alpha series inkjet printers at ITMA 2015
New generation of super high-performance multi-pass inkjet printers for digital textile production and a new pigmented ink…

Goss International Corporation appoints new CEO
Goss International has announced the appointment of Mohit Uberoi as its new president and chief executive officer…

Xeikon expands DecoFlex partnership in Southern Africa
Digital print specialist to target growth in South Africa and Southern Africa with additional expert representation…

Gandy Digital announces new EMEA facility in Zaventem
New Facility in Zaventem, Belgium, close to Brussels airport to boost EMEA customer service and business growth…

007 Theme helps Bonding for Duplo’s London Calling

Duplo’s London Calling has been hailed yet another success, with deals signed at the show worth almost £750,000…

Rapidity chooses Duplo iSaddle to ramp up A4 landscape work
Rapidity has embarked on a new wave of investment for its modern Ricoh-equipped digital print hub in Central London…

Tue 10 November…   Third quarter 2015 report for Koenig & Bauer (KBA)
KBA has achieved a pre-tax profit with the turnaround in earnings announced, and with continued solid order intake…

Duplo announces new PFI brand for growth drive
Duplo International to introduce new PFI-branding to open up global market opportunities with wider product range…

EFI Reggiani to debut new printer at ITMA 2015
EFI Reggiani to showcase new innovations in textile technology at ITMA 2015, including debut of the new ReNOIR NEXT system…

Mimaki to demo new neon and flourescent inks at ITMA
New Neon Yellow and Pink Fluorescent inks ideal for low-volume high-quality use in fashion, sportswear, swimwear and shoes…

ColorGATE solutions for industrial printing at InPrint 2015
Extensive solutions portfolio includes new Industrial Productionserver, Colorrizer, Rapid Spectro Cube, and PrintProcessLab…

Wed 11 November…  Out soon: 2nd drupa Global Insights Report
Touch the future – Applications that can create growth…

Gold for Bobst at FEFCO 2015 in Barcelona
The Bobst digital printing press for corrugated with Kodak Stream Inkjet technology won the Gold Award for Innovation…

DuPont Artistri inks for EFI Reggiani at ITMA 2015
DuPont Digital Printing collaborates with EFI Reggiani to deliver new Artistri digital textile pigment inks…

Goss Sunday 2000 and Pacesetter 2200 for Sandhills
Sandhills Publishing invests with Goss again for efficiency and sustainability with new eight-unit web and saddlestitcher…

EDS opts for Manroland Web for its Lithoman support

Long-term partnership success as EDS Group chooses Manroland Web Systems for new Lithoman relocation and a Lithoman upgrade…

Thu 12 November…   Sappi Limited Results for 2015 and fourth quarter
Strong performance with full year earnings per share excluding special items up 55% for year ended 30 September…

Ricoh Pro VC60000 wins Elsevier print quality approval
Following extensive testing, the Ricoh Pro VC60000 gains validation to Elsevier’s list of High Quality inkjet print engines…

FESPA Awards 2016 now open for entries
FESPA’s call for entries for its 2016 Awards, marks the start of its search for pioneering and innovative projects in the printing industry…

UPM showcases its biodiversity initiatives in Helsinki

UPM participates in the CBD Business and Biodiversity Forum 2015, held on 11 and 12 November in Helsinki, Finland…

Thomson Print & Packaging to add a B2 facility
A Heidelberg Speedmaster XL 75-5+L will be delivered to the Edinburgh print and packaging producer early next year…

Xerox first for All @ One Stop in Sea Point, Cape Town
The first all-in-one design and print shop in Cape Town South Africa’s exclusive Atlantic seaboard suburb of Sea Point…

Fri 13 November…   Heidelberg results for Q2 and first half 2015/2016
Heidelberg on course after the first half of financial year 2015/2016 with sales and result up on previous year…

Imaging Solutions and Taopix announce new partnership
Co-operation to provide a front end design and ordering platform and a back end range of lay-flat bookbinding solutions…

Baumer moves the hot melt market at FachPack in Nuremberg
The world première of the new Tesla family of innovative, high- performance application heads from Baumer hhs…

Altacel invests in ‘the difference’ from KBA-Flexotecnica
Altacel Flexible Packaging fires up a KBA-Flexotecnica EVO XG flexo press. Said CEO Alec Frijlink: ‘Our company is a racetrack’…

Wizardz Tyger Valley in Cape Town makes magic with Xerox
The independently-owned South African print and design store has added a new Xerox Colour C70 printer…

MPS EB label press from Rotocon for JMB Labels in Amalgam
JMB Labels invests in second MPS flexo press and the first EB machine in Africa for its Amalgam, Johannesburg, South Africa plant…

Lead articles from Friday 06 November and previous update… 

Previous…   InPrint 2015 Show and Conference starts Tuesday 10 November
Industrial Speciality, screen, digital, inkjet and 3D technologies for functional, decorative, packaging printing…

Fujifilm announces series of global Corrugated Summits
Fujifilm is launching a series of one-day Corrugated Summits to be held in November and December at its Broadstairs, UK facility…

GraphicRepro.Net e-News  (ISSN 1814-2923) is sponsored and made possible by:

Heidelberger Druckmaschinen AG  (Heidelberg), The world’s largest printing press manufacturer for the industry worldwide. Heidelberg customers enjoy the most comprehensive and extensive sales and service network in the industry for JDF compliant workflow, computer-to-plate, sheetfed offset, Web-to-print, digital printing, digital inkjet for labels and packaging, packaging and finishing, all with complementary consumables. Heidelberg has offices in around 170 countries. Visit the Heidelberg Website for more information.

Electronics For Imaging  (EFI) is a world leader in digital imaging and print management solutions for the commercial printing market. Its portfolio of integrated solutions span production and superwide format printing, graphic arts, advanced professional printing software, and industrial inkjet systems. Its technologies increase productivity by automating print and business processes To find out more visit the EFI Website.

Kodak Commercial Imaging  (Kodak) is a leading provider of innovative solutions for conventional, digital and hybrid print production environments. With the most expansive portfolio for the graphic communications market,  Kodak features technologies, products and services that help print providers streamline processes, optimise efficiencies, broaden services, and grow businesses. To find out more, visit the Kodak Graphics Website.

drupa 2016 (drupa), the international flagship fair of the printing and media industry, responds to the challenges of the changing market and provides pioneering solutions for the future. This is highlighted by the new marketing and communication strategy where drupa claims its position as ‘No.1 for Print & Crossmedia Solutions’ with the slogan ‘touch the future’. The issues of ‘package printing’, ‘multichannel’, ‘green printing’, ‘3D printing’ and ‘functional printing’ will become increasingly important to the overall communication strategy. To find out more, visit the drupa 2016 Website.

Online Feature articles 2014 – 2015
There were again well over 90 last year, including nine downloads, as well as 92 articles in 2013 which can still be accessed via the Index on the Home Page, with prior years’ via Search Archives (option 2) on the Website.

Downloads in 2015 Chapter 01

Previous…    Alpha version of Paper Guide launched for industry comment
The best practice guide, ‘Optimised Paper Handling and Logistics’ will shortly be released in an Alpha version for open industry comment. You can also take part!…

Technology-related 2015 Chapter 02

Previous…    Heidelberg launches LED drying technology in Europe, too
A full range of UV applications from full UV, to LE UV, and LED from Heidelberg drive productivity up and energy costs down…

Nov/Dec 2015 Chapter 08

Altacel invests in ‘the difference’ from KBA-Flexotecnica
Altacel Flexible Packaging in Weesp fires up a EVO XG flexo press from KBA-Flexotecnica a few weeks ago. CEO Alec Frijlink: ‘Our company is a racetrack’…

Previous…    Ricoh Europe research warns businesses are unprepared
A massive 92 per cent of European businesses admit they aren’t ready for the Digital Single Market due to come into force in 2016…

Verdigris – Environmental Initiative

Laurel Brunner’s weekly Verdigris Blog 2015

Chemical Reactions
The weekly Verdigris blog by Laurel Brunner – Fri 13 November

Previous…    Fresh Air Thinking
The weekly Verdigris blog by Laurel Brunner – Fri 06 November

Drupa Newsroom
Our Drupa Newsroom with news from Messe Düsseldorf and for Drupa 2016 can be found in the Index, as well as via the special Newsroom button on the right of the Home Page near the top.

drupa 2016 News from Messe Düsseldorf

Out soon: 2nd drupa Global Insights Report

Touch the future – Applications that can create growth…

2. drupa Global Insights Report erscheint in Kürze
Touch the future – Anwendungen mit Wachstumspotenzial…

Previous…    Packaging Touchpoint at drupa 2016:
The packaging of tomorrow – experience the future, now…

Touchpoint packaging zur drupa 2016:
Verpackungen von morgen – schon heute zum Anfassen…

3D fab+print Touchpoint for drupa 2016
3D printing up close: Innovation, Vision and Best Practices.

Touchpoint 3D fab+print zur drupa 2016

3D-Druck zum Anfassen: Innovationen, Visionen und Best-Practices…

drupa 2016 Expert Articles series
Can be accessed via our Drupa Newsroom, in the Index on the Home page.

Most recent…    Crossing the finish line – a Cinderella story
Touch the future. Drupa expert Article No 4, by Cary Sherburne, well-known author, journalist and marketing consultant focused on marketing communications for the printing and publishing industries…

drupa 2016 News from Exhibitors

Previous…    Entries are open for the third Lenstar Lenticular Print Awards
Drupa venue announced for 2016 Lenstar Lenticular Print Awards to be held in the drupa innovation park on 2 June 2016…

Ricoh to showcase innovative new ways to transform business at drupa 2016
Ricoh will bring a range of products and services to drupa 2016 that will enable Print Service Providers to step ahead on their paths of transformation…

FESPA Newsroom
The dedicated FESPA Newsroom can be found via the Index on our Home Page.

FESPA Awards 2016 now open for entries

FESPA’s call for entries for its 2016 Awards, marks the start of its search for pioneering and innovative projects in the printing industry…

Previous…    FESPA Asia returns to Bangkok in 2017
FESPA is delighted to announce FESPA Asia will take place in February 2017 at the BITEC exhibition centre, Bangkok, Thailand…

FESPA Global Summit returns for 2015
FESPA offers growth planning insights to leading printers at its Global Summit, from 1 – 2 December 2015, at the Andaz Hotel in Amsterdam…

Textile print heroes converge at FESPA Textile 2016
FESPA Fabric rebrands to reflect fast-expanding, multi-application textile sector…

The Graphic Repro On-line Website is supported and sponsored by: 

Antalis South Africa, Dainippon Screen,  Drupa 2016,  EFI and EFI Vutek, Esko,  Epson Europe BV,  FESPA. Goss International Inc,  Heidelberger Druc kmaschinen AG,  HP Graphic Solutions,  Kodak,  Koenig + Bauer AG,  Kemtek Imaging Systems,  Krause-Biagosch,  Leonhard Kurz Stiftung,   Manroland Web Systems GmbH,  Muller Martini AG,  POLAR-Mohr, QuadTech Inc,  Quark Inc,  Ricoh Europe,  Sappi LimitedThunderbolt Solutions, and UPM-Kymmene.

If you would like to send news for consideration for the Graphic Repro On-line Website (ISSN 1814-2915) or to submit comments, please e-mail Mike Hilton at: graphicrepro.za@gmail.com.

Our Website urls are:

http://www.graphicrepro.co.za
http://www.graphicrepro.net

GraphicRepro.Net e-News (ISSN 1814-2923)  provides weekly updates from the Graphic Repro On-line Website and is  compiled and published by Mike Hilton,PO Box 10 Peterburgskoe Shosse 13/1, 196605 Pushkin 5, St. Petersburg, Russia.

ValuePublishing Teil 3 Facts Figures Zielgruppen Reichweite UPDATE SELFRUNNING.001.jpeg

Wir müssen am Design des Wissens arbeiten, damit wir aus der Unübersichtlichkeit herauskommen. — Prof. Dr. phil. Dr. med. Ernst Pöppel, Wissenschaftler und Forscher

ValuePublishing — Innovative B2B Communication Solutions

Im ersten Teil unserer Neuvorstellung von ValuePUBLISHING, der neuen Initiative von Michael Seidl und Andreas Weber, beschäftigten wir uns mit dem Was? Wie? Warum! der nachhaltigen Inszenierung von Fachkommunikation. — Unser weiteres Thema in Teil 2: Darum! Stärken und Besonderheiten. Mit Fokus auf die Leitmesse drupa 2016. Wir freuen uns, als Partners des drupa-teams der Messe Düsseldorf Ihnen unsere Multichannel-Ansatz näher zu bringen.

„Das Besondere an ValuePublishing: Wir wissen, wie man per Multichannel Fach-Kommunikation innovativ, smart, nachhaltig und wirkungsstark inszeniert!“

ValuePublishing bezeichnet ein neuartiges Publikationsangebot, das von den Branchenexperten Michael Seidl und Andreas Weber speziell entwickelt wurde, um alle relevanten Themen der drupa 2016 per Multichannel-Kommunikation wirkungsvoll sowie nachhaltig vor und während der drupa 2016 zu inszenieren:

  • Online per ValueBlog, E-Newsletter und via ValueSocialMedia-Plattformen
  • sowie maßgeschneidert auch im Print (Fach-Magazine, Specials/Direktmarketing).

Publiziert wird in deutsch und englisch. Erreicht werden direkt 15.000 Kontakte durch unser fundiertes, in der Branche einzigartiges Knowhow und Vernetzungstalent  — je nach Thema/Inhalt zusätzlich mit einer Gross Reach von bis zu über 1 Million!

Unsere Tipps für eine erfolgreiche Zusammenarbeit

  1. Folgen Sie den Links zu unseren Erfolgsbeispielen. Gerne auch via Slideshare.
  2. Nutzen Sie unsere Expertise per ValuePublishing Coachings — zum Aufbau oder zur Erweiterungen Ihrer Kenntnisse und Möglichkeiten.
  3. Fokussieren Sie sich zu 100 % auf Ihre Innovationen. Wir setzen diese gekonnt und zeitgemäß medial in Szene!

Interessenten wird gerne ein individuelles, für sie passendes Angebot erstellt. Anregungen dafür enthalten die in den Charts aufgeführten aktuellen Fallbeispiele.

KONTAKT FÜR WEITERES

Michael Seidl, EMG, Wien
https://at.linkedin.com/pub/michael-seidl/1/836/68a/de

Andreas Weber, Value Communication, Mainz
https://de.linkedin.com/in/andreasweber/de

ValuePublishing Teil 3 Facts Figures Zielgruppen Reichweite UPDATE SELFRUNNING.004

HINTERGRUNDINFORMATIONEN:

Im Gespräch mit zahlreichen Experten sowie dem drupa-Team der Messe Düsseldorf ergaben sich bereits 2015 für uns alle spannende Ansatzpunkte. Im Fokus: Die Vielfalt und die Komplexität der neuen Lösungen im Print- und Papiersektor wächst mit ungeheurer Dynamik. Durch Industrie 4.0 und das Internet-der-Dinge, die aktuellen Treiber der Digitalisierung, werden gleichzeitig sämtliche Geschäfts- und Kommunikationsprozesse revolutioniert, wodurch die Herausforderungen insgesamt explosionsartig wachsen.

Das drupa-Motto „Touch the Future“ sowie ein ambitioniertes drupa-Ausstellungsprogramm spiegeln die noch nie dagewesene, extrem hohe Taktfrequenz, mit der fulminante Veränderungen einhergehen, wieder. Unsere aktuellen ValuePublishing Stories zu Heidelbergs drupa-Strategie „Simply Smart“ belegen eindrucksvoll, wie man auf aktuelle Entwicklungen reagieren kann.

Die gute Nachricht zur drupa 2016 lautet daher: Aus Expertensicht nimmt die Print- und Papierbranche bei der digitalen Transformation geradezu eine Vorreiterrolle ein.

Die weniger gute Nachricht: Die Masse an Neuheiten, die auf der Leitmesse ab
31. Mai 2016 zu sehen sein werden und damit die Informationsfülle, sind schwer
zu bewältigen. Jedenfalls nicht mit den Möglichkeiten, die wir bislang nutzen.

Der Ausweg aus unserer Sicht: Innovative Technologien und Lösungen muss man auch durchgängig innovativ kommunizieren! In Echtzeit. Multimedial. Markt-,
kunden- und bedarfsorientiert.

 

ValuePublishing Teil 3 Facts Figures Zielgruppen Reichweite UPDATE SELFRUNNING.005

„Innovative Technologien und Lösungen muss man auch durchgängig innovativ kommunizieren! In Echtzeit. Multimedial. Markt-, kunden- und bedarfsorientiert.“

Unser Vorschlag: Machen Sie Ihr drupa-Angebot durch ValuePublishing bereits im Vorfeld zum wichtigen Gesprächsthema Ihrer Kunden und deren Kunden! Vor allem, um frühzeitig mit den für Sie relevanten neuen Zielgruppen in Kontakt zu treten.
Nur so können notwendige Entscheidungsprozesse durch individuell wirksamen
Wissensaustausch erheblich beschleunigt werden.

Entsprechend ist unser hochwertig-innovatives ValuePublishing-Angebot ausgerichtet, das im Übrigen bereits durch Pilotprojekte validiert wurde — neben Heidelberger Druckmaschinen mit Top-drupa-Ausstellern wie Canon, Zünd Systemtechnik sowie international erfahrenen Multichannel-Experten der XMPie User Group.

Passend für Ihre Belange als Aussteller haben wir eine einzigartige B2B-Multichannel-Kommunikationslösung entwickelt, die sofort nutzbar und v. a. hoch wirksam ist:

  • Kern-Botschaften ohne Streuverluste, mit nachweislich maximal hohen Reichweiten, 
  • mit starken Interaktions-Impulsen, um Dialoge und Messebesuche in Gang zu setzen.

Profitieren Sie von unseren Kontakten zu den für Sie wichtigsten neuen Zielgruppen, nämlich zu denen, die Innovationen sofort einsetzen wollen; vorausgesetzt der
Nutzen ist verständlich und begreifbar dargestellt.

Lassen Sie uns rasch in den Dialog treten, um die für Sie optimalen Kommunikationslösung festzulegen!

Wir bieten zusätzlich ValuePublishing Coachings an, um ihre bereits geplanten Fach-Kommunikations-Kampagnen zu besprechen, optimieren und/oder zu erweitern. Oder auch um relevantes Multichannel-Knowhow zu vermitteln.

 

ValuePublishing Teil 3 Facts Figures Zielgruppen Reichweite UPDATE SELFRUNNING.015

Angebot (Auswahl zur sofortigen Startmöglichkeit)

Sofort buchbare und mit Top-Firmen bereits validierte Leistungsmodule.
Garantiert 15.000 Kontakte mit einer Gross Reach von bis zu über 1 Million!
Details zu Auswertungen und Fallbeispielen u.a.m. finden Sie im ValueBlog.

1. ValueBlog Dialog (deutsch und englisch) — Pauschalpreis: Euro 3.750 zzgl. MwSt.
Exklusiv-Interview mit Top-Level-Gesprächspartner aus Ihrem Unternehmen
(Geschäftsführung, F+E, Vertrieb, Marketing), via Skype oder Telefon.

Beispiele:
Interview mit Heidelberg-Vorstand Harald Weimer
Interview mit Oliver Zünd, Zünd Systemtechnik AG, Schweiz

Leistungen: Interview gemäß einer zur Gesprächsvorbereitung übermittelten Frageliste sowie Redaktion plus Publikation via ValueBlog und ValueSocialMedia-Plattformen (LinkedIn, Facebook, XING, Twitter, Google+) sowie ValueCommunities inkl. DDF DigitaldruckForum. Das ValueTeam integriert redaktionell wichtige Links zu Ihren bereits vorhandenen, tiefergehenden, relevanten Firmeninformationen.

2. ValueBlog Story (deutsch und englisch) — Pauschalpreis: Euro 4.800 zzgl. MwSt.
Aus Expertensicht kommentieren, bewerten und positionieren wir bis zu drei ausgewählte Fallstudien und Kundenporträts, die uns von Ihnen bereitgestellt werden, und die wir per Kurzinterviews mit Ihren Kunden validieren.

Leistungen: Texten/Redaktion plus Publikation via ValueBlog/ValueSocialMedia-Plattformen (LinkedIn, Facebook, XING, Twitter, Google+) sowie ValueCommunities.   

3. ValueRealTime Stories (deutsch und englisch) — Preise: ab Euro 1.500 zzgl. MwSt.
Gemäß Absprache und Projektplanung stellen wir unter der Leitung von Andreas Weber tageweise ein Team ab, dass z. B. auf der drupa Media Week im Februar 2016, Ihren Pre-drupa-Presse-/Kunden-Events und/oder auf der drupa 2016 an ausgewählten Messetagen in Echtzeit im Mix auf deutsch und englisch postet.

Beispiele:
Canon Expo Paris, Oktober 2015
Heidelberg pre-drupa Pressekonferenz, Dezember 2015

Leistungen: Echtzeit-Posts (Text/Fotos/Videos) plus Publikation via ValueBlog und ValueSocialMedia-Plattformen (LinkedIn, Facebook, XING, Twitter, Google+) sowie ValueCommunities. In einem Storify werden die wichtigsten Posts zusammengefasst. Dieses Angebot ist limitiert. 

Es gelten die AGB der Value Communication AG, Walpodenstr. 1, D-55116 Mainz. Änderungen vorbehalten. Zahlungsweise: Nach Auftragserteilung ohne Abzug. Gemäß unserem In-Echtzeit-Leistungs-Angebot wird das jeweilige Projekt begonnen, sobald der Zahlungseingang erfolgt ist. Spätere Zahlungsziele gegen Aufpreis.

 

Bitte sehen Sie sich auch unsere Präsentation auf Slideshare an, inkl. YouTube.Video. Es fanden sich in den erste 12 Stunde nach Veröffentlichung bereits über 7.500 Viewers!

Graphic Repro On-line News Review from 2 November 2015

Welcome to another week of news highlights with Laurel Brunner’s Verdigris Blog for Friday 30 October, which this week takes another look at recycling of digital prints. One of the biggest threats to the spread of digital printing methods is concern for the print’s recyclability. In part this is due to scaremongering by vested interests, but printed matter must be deinked if it is to be recycled and some digital printing methods produce prints that are hard to deink. Hard but not impossible. Read the full article in our Verdigris section. We also have Gallus, post-Labelexpo, in Online Features Chapter 07.

The leaders on Monday and Tuesday report on Kodak’s third quarter results, and provide UPM-Kymmene’s interim results for their respective 2015 financial year; while on Wednesday, UPM Kymi reported that its Eur 160 million pulp mill expansion and major upgrade has now proceeded to final finishing work, which will enable annual production capacity at the Kymi mill to increase by 170,000 tonnes to 700,000 tonnes.

Wednesday’s lead went to Heidelberg, as customers Baier & Schneider is soon to start running a Speedmaster SX 52 Anicolor that incorporates the 40,000th printing unit in the SM 52/SX 52 series and is destined for the Group’s Heilbronn, Germany plant. On Thursday, Kodak took the lead again as it announced settlement of the long-outstanding dispute with Collins Inkjet, regarding Kodak Versamark inks with both companies agreeing on-going co-operation for the future.

On Friday, FESPA announced that its Global Summit is to return this year and will be held from 1 – 2 December, at the Andaz Hotel in Amsterdam.

With InPrint in Munich taking place from 10 – 12 November in Munich, Inca Digital will debut its new service: ‘Inca Genius’. A dedicated technology and applications arm, Inca Genius is designed to serve the needs of organisations looking for an established partner to help develop innovative inkjet production solutions for a wide range of industrial applications. You’ll find more about this in the article among Friday’s headlines.

The past week has seen some stunning sales and installations starting with Brydian Cards on Monday with a KBA Genius 52-UV five-colour press. >From Epson at SixTeeSix in the UK; and KBA at Amway in North America with a Rapida 106 6-colour UV press, on Tuesday; and again from KBA on Wednesday with an eight-colour Rapida 106 perfector with LED-UV at Oberdruck in Austria. Scodix also announced a first in Europe for the new Scodix Foil system for the Scodix Ultra Pro at OFT in Neuss, Germany. On Thursday, MPS announced that GM Graphix in Alberton announced that it has installed the first flexo press in South Africa to use LED UV drying. It is the company’s third MPS pr ess. BCQ Group in Buckingham, has added a Promatrix 106 die-cutter from HeidelbergUK, along with a Stitchmaster ST500; while Signbox UK has enhanced its production with a new cutting-edge Durst Rho P10 160 UV inkjet printer.

On Friday, Heidelberg USA announced that it is soon to install the world’s first XL 106 long-perfector with X4 delivery, complete with full UV, LE UV and LED UV; and Watkiss announced that AB Print Group has chosen a nearline configuration of the Watkiss PowerSquare as the optimum solution for finishing from the firm’s assortment of litho and digital presses.

If you check out the headlines carefully, you will also find new software and upgrades from Esko, Enfocus and Muller Martini on Monday, Thursday and Friday respectively.

The tailender goes to FESPA Fabric, as it rebrands at FESPA Textile 2016 to reflect the fast-expanding, multi-application textile sector for Amsterdam show at the RAI next March (in the FESPA Newsroom and also among the headlines on Tuesday.

That’s all from me until next time,

My best regards,

Mike Hilton

Bildschirmfoto 2015-11-02 um 08.36.28

Our e-News comprises:  Headline News – Online Feature Articles – the Verdigris initiative from Digital Dots. Our Drupa and FESPA Newsrooms can be accessed from the Index on our Home Page, as well as News in Review, which provides a weekly overview and listing of all news added to the site. 

Headline News
Over 27,000 news items have now gone online since we launched our Website in September 2001. News for the past 24 months can still be accessed via the Home Page and its continuation news pages

Mon 26 October…    Kodak reports Q3 2015 financial results
Kodak’s Third Quarter on track to achieve revenue and earnings goals for 2015, despite revenue decline says CEO Jeff Clarke…

Antalis UK to sell Stratasys Idea and MakerBot Pro Plus
Antalis UK enters 3D print market with Art Systems’ reseller agreement for Stratasys Idea and MakerBot Professional Plus…

Esko announces important update for ArtiosCAD
ArtiosCAD helps designers create and produce multi-part displays or packages faster by eliminating wasteful steps…

Brydian Cards signals intent with Genius buy
Trade specialist targets £5m turnover following £850,000 investment programme and KBA Genius 52UV 5-colour anilox press…

Kiian Digital at SGIA 2015 in Atlanta 4 – 6 November
Company to launch new ink portfolio for industrial printers…

Tue 27 October…   UPM-Kymmene Corporation Interim Report for Q3 2015
Momentum for improvement continues: UPM shows improved Q3 earnings, cash flow and balance sheet…

Xerox shines at International Print & Pack Expo in Kenya
The third International Print & Pack Expo at the Kenyatta International Convention Centre drew large crowds to the Xerox stand…

Textile print heroes to converge at FESPA Textile 2016
FESPA Fabric rebrands to reflect fast-expanding, multi-application textile sector for Amsterdam show at the RAI next March…

SixTeeSix expands t-shirt printing business with Epson
Direct-to-garment printer invests with Epson to expand its service offering to print t-shirts while-you-wait…

New KBA Rapida 106 adds unique capabilities at Amway
Amway adds unique printing capabilities for its wide-ranging work from commercial applications to folding cartons…

Wed 28 October…  Speedmaster SX 52 Anicolor with 40,000th unit for Brunnen
Successful manufacturer of branded goods Baier & Schneider invests in sheetfed offset and digital presses from Heidelberg…

UPM Kymi pulp mill expansion well on schedule
Successful ramp-up of the expansion in the UPM Kymi pulp mill has now proceeded to final finishing work…

Eight-colour Rapida 106 with LED-UV in Austria
Oberdruck, the local supplier for print media, recently invested in an eight-colour Rapida 106 perfector with LED-UV kit…

Gallus presented an explosion of innovations in Brussels

At Labelexpo Europe 2015 earlier this month, Gallus once again offered an impressive demonstration of its ability to innovate…

First Scodix Foil System installed in Europe at OFT

The new inline module for the Scodix Ultra Pro was introduced last month at Graph Expo 15 in Chicago and IGAS in Tokyo…

Thu 29 October…   Kodak and Collins settle Versamark Inks dispute
Kodak and Collins Inkjet announce settlement of dispute regarding Kodak Versamark inks and agree on-going co-operation…

GM Graphix purchases its third MPS press
And the first flexo press in South Africa to use LED UV drying…

Promatrix 106 die-cutter and last ST 500 for BCQ

BCQ Group in Buckingham is blown away by Promatrix die-cutter productivity and Postpress Manager efficiency…

Signbox boosts production with new Durst Rho upgrade
Signbox has enhanced its in-house production facilities with a new cutting-edge Durst Rho P10 160 UV inkjet printer…

Enfocus announces PitStop 13 update 1
Features let sign & display, packaging & label, and digital and commercial printers better control PDF workflows…

Fri 30 October…   FESPA Global Summit returns for 2015
FESPA offers growth planning insights to leading printers at its Global Summit from 1 – 2 December, at the Andaz Hotel, Amsterdam…

Heidelberg world first Speedmaster with 3 types of UV drying
Heidelberg USA to install world’s first XL 106 long-perfector with X4 delivery, complete with full UV, LE UV and LED UV…

Inca showcases new ‘Inca Genius’ at InPrint 2015

Technical, application and manufacturing resources to help organisations develop innovative industrial inkjet solutions…

Felix Schoeller at Xeikon Café event in Lier in October
Felix Schoeller Digital Media and Xeikon launched their new product portfolio for Xeikon printing presses…

AB Print Group reinvests in new Watkiss PowerSquare

Nearline configuration chosen as optimum solution for finishing from an assortment of litho and digital presses…

Muller Martini’s new Connex.Mailroom management system
Connex.Mailroom process management system brings maximum reliability and even greater functionality to the mailroom…

Lead articles from last Friday in the previous update… 

Previous…   Park Communications chooses KBA to enhance its offering
Leading London print house continues major investment programme with 6-colour B1 Rapida 106 with integral coating…

GraphicRepro.Net e-News  (ISSN 1814-2923) is sponsored and made possible by:

Heidelberger Druckmaschinen AG  (Heidelberg), The world’s largest printing press manufacturer for the industry worldwide. Heidelberg customers enjoy the most comprehensive and extensive sales and service network in the industry for JDF compliant workflow, computer-to-plate, sheetfed offset, Web-to-print, digital printing, digital inkjet for labels and packaging, packaging and finishing, all with complementary consumables. Heidelberg has offices in around 170 countries. Visit the Heidelberg Website for more information.

Electronics For Imaging  (EFI) is a world leader in digital imaging and print management solutions for the commercial printing market. Its portfolio of integrated solutions span production and superwide format printing, graphic arts, advanced professional printing software, and industrial inkjet systems. Its technologies increase productivity by automating print and business processes To find out more visit the EFI Website.

Kodak Commercial Imaging  (Kodak) is a leading provider of innovative solutions for conventional, digital and hybrid print production environments. With the most expansive portfolio for the graphic communications market,  Kodak features technologies, products and services that help print providers streamline processes, optimise efficiencies, broaden services, and grow businesses. To find out more, visit the Kodak Graphics Website.

drupa 2016 (drupa), the international flagship fair of the printing and media industry, responds to the challenges of the changing market and provides pioneering solutions for the future. This is highlighted by the new marketing and communication strategy where drupa claims its position as ‘No.1 for Print & Crossmedia Solutions’ with the slogan ‘touch the future’. The issues of ‘package printing’, ‘multichannel’, ‘green printing’, ‘3D printing’ and ‘functional printing’ will become increasingly important to the overall communication strategy. To find out more, visit the drupa 2016 Website.

Online Feature articles 2014 – 2015
There were again well over 90 last year, including nine downloads, as well as 92 articles in 2013 which can still be accessed via the Index on the Home Page, with prior years’ via Search Archives (option 2) on the Website.

Downloads in 2015 Chapter 01

Alpha version of Paper Guide launched for industry comment
The best practice guide, ‘Optimised Paper Handling and Logistics’ will shortly be released in an Alpha version for open industry comment. You can also take part!…

Technology-related 2015 Chapter 02

Previous…    Heidelberg launches LED drying technology in Europe, too
A full range of UV applications from full UV, to LE UV, and LED from Heidelberg drive productivity up and energy costs down…

Sep/Oct 2015 Chapter 07

Gallus presented an explosion of innovations in Brussels
At Labelexpo Europe 2015 earlier this month, Gallus once again offered an impressive demonstration of its ability to innovate…

Previous…    HR-UV at Druckerei Vogl with the KBA Rapida 106
The new, cutting-edge headquarters in Zorneding, houses renowned Bavarian specialist for luxury uncoated stock printing…

Verdigris – Environmental Initiative

Laurel Brunner’s weekly Verdigris Blog 2015

Recycling Digital Prints
The weekly Verdigris blog by Laurel Brunner – Fri 30 October

Previous…    Environmental Awards for Printers
The weekly Verdigris blog by Laurel Brunner – Fri 23 October

Drupa Newsroom
Our Drupa Newsroom with news from Messe Düsseldorf and for Drupa 2016 can be found in the Index, as well as via the special Newsroom button on the right of the Home Page near the top.

drupa 2016 News from Messe Düsseldorf

3D fab+print touchpoint for drupa 2016

3D printing up close: Innovation, Vision and Best Practices.

Touchpoint 3D fab+print zur drupa 2016

3D-Druck zum Anfassen: Innovationen, Visionen und Best-Practices…

drupa 2016 Expert Articles series
Can be accessed via our Drupa Newsroom, in the Index on the Home page.

Crossing the finish line – a Cinderella story
Touch the future. Drupa expert Article No 4, by Cary Sherburne, well-known author, journalist and marketing consultant focused on marketing communications for the printing and publishing industries…

drupa 2016 News from Exhibitors

Previous…    Ricoh to showcase innovative new ways to transform business at drupa 2016
Ricoh will bring a range of products and services to drupa 2016 that will enable Print Service Providers to step ahead on their paths of transformation…

FESPA Newsroom
The dedicated FESPA Newsroom can be found via the Index on our Home Page.

FESPA Global Summit returns for 2015
FESPA offers growth planning insights to leading printers at its Global Summit, from 1 – 2 December 2015, at the Andaz Hotel in Amsterdam…

Textile print heroes converge at FESPA Textile 2016
FESPA Fabric rebrands to reflect fast-expanding, multi-application textile sector…

The Graphic Repro On-line Website is supported and sponsored by: 

Antalis South Africa, Dainippon Screen,  Drupa 2016,  EFI and EFI Vutek, Esko,  Epson Europe BV,  FESPA. Goss International Inc,  Heidelberger Druckmaschinen AG,  HP Graphic Solutions,  Kodak,  Koenig + Bauer AG,  Kemtek Imaging Systems,  Krause-Biagosch,  Leonhard Kurz Stiftung,   Manroland Web Systems GmbH,  Muller Martini AG,  POLAR-Mohr, QuadTech Inc,  Quark Inc,  Ricoh Europe,  Sappi LimitedThunderbolt Solutions, and UPM-Kymmene.

If you would like to send news for consideration for the Graphic Repro On-line Website (ISSN 1814-2915) or to submit comments, please e-mail Mike Hilton at: graphicrepro.za@gmail.com.

Our Website urls are:

http://www.graphicrepro.co.za
http://www.graphicrepro.net

GraphicRepro.Net e-News (ISSN 1814-2923)  provides weekly updates from the Graphic Repro On-line Website and is  compiled and published by Mike Hilton, graphicrepro.netPO Box 10 Peterburgskoe Shosse 13/1, 196605 Pushkin 5, St. Petersburg, Russia. e-mailgraphicrepro.za@gmail.com

About ValuePublishing.001

In eigener Sache: Unser neues Angebot — Teil 1: “Was? Wie? Warum!”

Gemäß den Erkenntnissen aus ihrem “Gipfeltreffen” in Mainz haben Michael Seidl und Andreas Weber ein neues Angebot entwickelt: ValuePublishing — Die nachhaltige Inszenierung von Fachkommunikation für Print, Publishing, visuelle Kommunikation und Multichannel. — InterMedial + InterKultuell + InterkreAktiv!

 „Wir müssen verstärkt über alle Medienkanäle hinweg unsere unterschiedlichen Expertisen, Meinungen und relevante Botschaften zusammenführen. Print profitiert dabei von Online/Social. Und umgekehrt.“ —Michael Seidl

„Unser Ziel ist es nicht nur hohe Reichweiten aufzubauen, sondern Interaktionen herbeizuführen. Dies beflügelt den Kommunikationsmix sowie das Lesererlebnis gleichermaßen und führen SOFORT zum Erfolg.“ —Andreas Weber

Ob Technologieentwickler, Papierhersteller, Dienstleistungsbetrieb oder Kommunikationstreibender: Alle sitzen in einem Boot bei stürmischer See. 

Das Tempo wird höher, der Umgang mit Innovationen wird immer komplexer. Um im Bild zu bleiben: Unternehmen haben zusehends Probleme, den Kommunikations-Kurs zu halten und den sicheren Hafen (sprich die Kunden) zu erreichen. 

Die bangen Fragen: 

  1. Wer bringt Licht ins Dunkel?
  2. Wer filtert das Wichtige und Relevante heraus?
  3. Wer bringt alle Beteiligten zusammen?
  4. Wer stellt den Kontext her zwischen technisch Machbarem und veränderten Anforderungen im Markt?

Gute Fragen. — Beste Antwort:
WIR! 

Wir, dass sind Michael Seidl, EMG/Wien, und Andreas Weber, Value Communication/Mainz, ausgewiesene und renommierte Experten für Fachkommunikation. Mit der Spezialisierung auf Print, Publishing, Visuelle Kommunikation und Multichannel.

About ValuePublishing.016

„Wir wissen wie man Fachkommunikation nachhaltig inszeniert!“

Unser Rat an unsere Kunden und Partner (vor allem mit Blick auf die drupa 2016):

  • Gehen Sie MIT UNS neue, höchst wirkungsstarke Wege.
  • Entdecken Sie, wie man im Team mit uns zeitgemäß und nachhaltig IHRE relevanten Fachthemen medial inszeniert, um von IHREN Innovationstechnologien und Lösungsangeboten bestmöglich zu profitieren!

Ihre Erfolgsfaktoren — unsere Leistungen:

  1. Smartes Storytelling: Wir entwickeln für Sie packende, emotionalisierende, bestens in Szene gesetzte Geschichten — auf allen relevanten Medienkanälen erlebbar.
  2. Conversation Management: Interaktion und Dialoge statt Push-Kommunikation!
  3. Dynamisches Networking: Klasse statt Masse, die Marktsicht kennenlernen und gestalten.

Interessenten wird ein individuelles, für sie passendes Angebot erstellt.
Anregungen dafür enthalten die in den Charts aufgeführten aktuellen Fallbeispiele.

+++++++++++++++++++++

KONTAKT FÜR WEITERES

Michael Seidl, EMG, Wien
https://at.linkedin.com/pub/michael-seidl/1/836/68a/de

Andreas Weber, Value Communication, Mainz
https://de.linkedin.com/in/andreasweber/de

+++++++++++++++++++++

We proudly present:
Value
Publishing — InterMedial + InterKultuell + InterkreAktiv!
Die Charts inkl. aktuellen Fallbeispielen u.a. mit den Firmen Canon, Zünd sowie der XUG und für den Golden Pixel Award:

Siehe auch Teil 2: “Darum! Stärken und Besonderheiten”:
“ValuePublishing führt Technologie-Innovationen direkt ins Ziel!”

Inprint_2015_Heidelberg_Booth_IMAGE_RATIO_1_5

A marketplace of ideas at the stand of Heidelberger Druckmaschinen AG (Heidelberg) will offer visitors to InPrint 2015, which is taking place in Munich from November 10-12, the chance to find out about the diverse possibilities of color 4D printing. Photo: Heidelberg

Graphic Repro On-line News Review from 26 October 2015

Welcome to another week of news highlights with Laurel Brunner’s Verdigris Blog for Friday 23 October, which this week examines the merits and demands of meaningful Environmental Awards for printers. Also a reminder about the best practice guide, ‘Optimised Paper Handling and Logistics’ which will shortly be released in an Alpha version for open industry comment. You can also apply to take part or to comment! You’ll find the article and links for that in Online Features Chapter 01.

News this week began with Fusion Office Automation in the Eastern Cape taking over responsibility for Ricoh’s Port Elizabeth branch and the territory. We have articles relating to the upcoming London Calling Duplo event from 3 – 4 November (Monday); InPrint 2015 in Munich from 10 – 12 November with Heidelberg’s participation with full colour 4D printing; ITMA in Milan with Mimaki from 12 – 10 November; SGIA and Kornit Digital from 4 – 6 November; EFI Connect Worldwide Users’ Conference, 19 – 22 January with Infotrends; and Ricoh at drupa 2016 from 31 May to 10 June (all on Tuesday).

Wednesday saw EFI take the lead with record Q3 results, following completion of the acquisitions of Reggiani and Matan on 1 July, which are now being quickly integrated into EFI’s product lines and offerings; while on Thursday, Inca Digital announced the launch of its new X-series large-format inkjet press range. As our headline says: You can now drive the new Inca Digital X3!

On Friday, leading London print house Park Communications continued its major investment programme with a 6-colour B1 KBA Rapida 106 with integral coating, following purchases earlier this year of a HP Indigo 7800 digital press and Kalmar mailing equipment with mail matching software. The new press will be commissioned early in the New Year. Other notable sales this week include the UK’s first Low Energy UV installation from Heidelberg with a Speedmaster XL 75-4 LE-UV press complete with Inpress Colour Control for Wincanton Print; while Germany’s Medienhaus Plump reported on its recent Muller Martini Pantera perfect binder (Wednesday). Backtracking to Monday, KBA announced the installation of a new eight-colour Rapida 106 at Litografia e Imprenta LiL in the Costa Rican capital, San Jose, for school textbooks and education publications; and Manroland Web has relocated a 48-page Lithoman with extensive upgrades at WKS Group in Essen, Germany. Thursday saw Muller Martini again, this time reporting on Frey Plus, a leading German direct mail firm based inUlm, in Southern Germany, which was first company in the world to commission the Muller Martini MailLiner.

You will find other new kit and software releases and more news if you scroll down carefully.

The tailender is not strictly print-related, but it does involve one of the world’s leading paper makers wearing one of its other hats: UPM has started field tests of wood-based diesel fuel in Helsinki region bus traffic with VTT and HSL, supported by St1, Volvo and Transdev… Biodiesel finally becomes a commercial reality! You’ll find this in Thursday’s headlines.

That’s all from me until next time,

My best regards,

Mike Hilton

Bildschirmfoto 2015-10-26 um 08.38.46
Our e-News comprises:  Headline News – Online Feature Articles – the Verdigris initiative from Digital Dots. Our Drupa and FESPA Newsrooms can be accessed from the Index on our Home Page, as well as News in Review, which provides a weekly overview and listing of all news added to the site. 

Headline News
Over 27,000 news items have now gone online since we launched our Website in September 2001. News for the past 24 months can still be accessed via the Home Page and its continuation news pages 

Mon 19 October…    Fusion takes Ricoh in Eastern Cape and Port Elizabeth
Ricoh SA gains local expertise as Fusion Office Automation takes over responsibility for Ricoh’s Port Elizabeth branch…

Duplo brings 007 theme and innovation to London Calling
Action-packed agenda and James Bond-themed VIP night will ensure London Calling 2015 will be an unmissable event…

Visitors converge in Shanghai for largest FESPA China
FESPA China & CSGIA 2015 will open this Wednesday, 21 October, as the biggest event to date…

WKS Group opts for Manroland Web for major relocation
Relocation of a second-hand 48-page Lithoman with additional upgrade of A3 and A4 delivery and PECOM connection…

KBA Rapida 106 long perfector in Costa Rica
Eight-colour press boosts school-book production at LiL…

Tue 20 October…   Heidelberg with colour 4D printing at InPrint 2015
At InPrint 2015 in Munich from 10 – 12 November, Heidelberg to present marketplace of ideas for customised colour 4D printing…

Stora Enso Performa Brilliance aims high in luxury packaging
Stora Enso Oyj at Luxe Pack in Monaco, from 21 – 23 October 2015; and at Scanpack in Gothenburg, Sweden from 20 – 23 October…

Presto textile printing from Mimaki at ITMA in Milan
Mimaki to unveil new direct textile inkjet printer ideal for fast, high quality sample or small-lot production, 12 to 19 November…

Kornit Digital with textile printing options at SGIA
Digital direct-to-garment printing systems enable new business models and attractive margins for screen printers, 4 – 6 November…

InfoTrends at EFI Connect 2016 in Las Vegas

InfoTrends provides business development track for the third year at the EFI Connect Worldwide Users’ Conference, 19 – 22 January…

Ricoh with new ways to transform business at drupa 2016
Ricoh’s range of products and services at drupa will enable PSPs to step ahead on their paths of transformation, 31 May to 10 June…

Wed 21 October…  EFI reports record Q3 revenue of $229M, up 16%
Electronics For Imaging announced extremely positive results for the third quarter of 2015 yesterday, 20 October…

A fresh breeze in the newspaper industry at WPE:
Manroland Web Systems satisfied with WPE 2015 in Hamburg…

Wincanton’s UK first with Heidelberg Low Energy UV
Wincanton Print secures UK first with a Speedmaster XL 75-4 LE-UV press complete with Inpress Colour Control…

Pazazz achieves Pantone Certified Printer status
First Canadian printer to meet rigorous certification process ensuring colour quality control across every step of print operations…

Pantera perfect binder: Flexible and powerful
The Muller Martini Pantera perfect binder lends itself both to short and long runs with either traditional hotmelt or PUR…

Thu 22 October…   Now you can drive the new Inca Onset X3
Inca Digital takes future-proof flexibility, speed and performance to a higher level with the Onset X Series flatbed UV inkjet printers…

UPM BioVerno fuel tests for Helsinki’s urban buses
UPM starts field tests of wood-based diesel fuel in Helsinki region bus traffic with VTT and HSL, supported by St1, Volvo and Transdev…

TRESU Group launches Global Service Concept
New holistic care programme provides the key to leaner flexo production and benefits for customers worldwide…

Callas Software releases pdfToolbox 8.1
pdfToolbox 8.1 improves profile management and introduces support for PDF/X-5n soft proofing + new German and English Webinars…

Muller Martini MailLiner: The Cost Saver
The new MailLiner from Muller Martini finishes inserts efficiently and automatically without the need for a carrier or foil…

Fri 23 October…   Park Communications chooses KBA to enhance its offering
Leading London print house continues major investment programme with 6-colour B1 Rapida 106 with integral coating…

Print Your Vision project at ITMA in Milan
Epson, FOR.TEX and F.lli Robustelli present Print Your Vision with four young designers and the Antonio Ratti Foundation…

Onyx Graphics’ automation at InPrint in Munich
Onyx Graphics to show InPrint visitors how to automate digital colour for industrial manufacturing processes…

Screen Europe appoints Toine Prudon to international sales
Toine Prudon joins Screen Europe as international sales manager for the Truepress Jet range of UV wide-format printers…

Ultimate claims 200% improvement with X-Rite/Pantone
PantoneLIVE, ColorCert: X-Rite Edition introduces improved statistical process control to packaging operation at Ultimate Packaging…

Lead articles from last Friday in the previous update… 

Previous…   3D fab+print touchpoint for drupa 2016
3D printing up close: Innovation, vision and best practices…

Gudrun Alex offers marketing services from new Düsseldorf office

For all activities related to the graphics arts, packaging production and signage / large-format print industries…

GraphicRepro.Net e-News  (ISSN 1814-2923) is sponsored and made possible by:

Heidelberger Druckmaschinen AG  (Heidelberg), The world’s largest printing press manufacturer for the industry worldwide. Heidelberg customers enjoy the most comprehensive and extensive sales and service network in the industry for JDF compliant workflow, computer-to-plate, sheetfed offset, Web-to-print, digital printing, digital inkjet for labels and packaging, packaging and finishing, all with complementary consumables. Heidelberg has offices in around 170 countries. Visit the Heidelberg Website for more information.

Electronics For Imaging  (EFI) is a world leader in digital imaging and print management solutions for the commercial printing market. Its portfolio of integrated solutions span production and superwide format printing, graphic arts, advanced professional printing software, and industrial inkjet systems. Its technologies increase productivity by automating print and business processes To find out more visit the EFI Website.

Kodak Commercial Imaging  (Kodak) is a leading provider of innovative solutions for conventional, digital and hybrid print production environments. With the most expansive portfolio for the graphic communications market,  Kodak features technologies, products and services that help print providers streamline processes, optimise efficiencies, broaden services, and grow businesses. To find out more, visit the Kodak Graphics Website.

drupa 2016 (drupa), the international flagship fair of the printing and media industry, responds to the challenges of the changing market and provides pioneering solutions for the future. This is highlighted by the new marketing and communication strategy where drupa claims its position as ‘No.1 for Print & Crossmedia Solutions’ with the slogan ‘touch the future’. The issues of ‘package printing’, ‘multichannel’, ‘green printing’, ‘3D printing’ and ‘functional printing’ will become increasingly important to the overall communication strategy. To find out more, visit the drupa 2016 Website.

Online Feature articles 2014 – 2015
There were again well over 90 last year, including nine downloads, as well as 92 articles in 2013 which can still be accessed via the Index on the Home Page, with prior years’ via Search Archives (option 2) on the Website.

Downloads in 2015 Chapter 01

Alpha version of Paper Guide launched for industry comment
The best practice guide, ‘Optimised Paper Handling and Logistics’ will shortly be released in an Alpha version for open industry comment. You can also take part!…

Technology-related 2015 Chapter 02

Previous…    Heidelberg launches LED drying technology in Europe, too
A full range of UV applications from full UV, to LE UV, and LED from Heidelberg drive productivity up and energy costs down…

Sep/Oct 2015 Chapter 07

Previous…    HR-UV at Druckerei Vogl with the KBA Rapida 106
The new, cutting-edge headquarters in Zorneding, houses renowned Bavarian specialist for luxury uncoated stock printing…

Verdigris – Environmental Initiative

Laurel Brunner’s weekly Verdigris Blog 2015

Environmental Awards for Printers
The weekly Verdigris blog by Laurel Brunner – Fri 23 October

Previous…    ISO 14001-2015 is Go!
The weekly Verdigris blog by Laurel Brunner – Fri 16 October

Drupa Newsroom
Our Drupa Newsroom with news from Messe Düsseldorf and for Drupa 2016 can be found in the Index, as well as via the special Newsroom button on the right of the Home Page near the top.

drupa 2016 News from Messe Düsseldorf

3D fab+print touchpoint for drupa 2016

3D printing up close: Innovation, Vision and Best Practices.

Touchpoint 3D fab+print zur drupa 2016

3D-Druck zum Anfassen: Innovationen, Visionen und Best-Practices…

Previous…    drupa innovation park 2016: The heartbeat of innovation
Few areas at drupa 2016 will be so packed with innovations as Hall 7.0 – the home of the drupa innovation park. In six themed areas…

drupa innovation park 2016: Herzschlag der Innovationen
In wohl kaum einer anderen Messehalle wird die Innovationsdichte zur drupa 2016 so hoch sein, wie in Halle 7.0 – der Heimat des drupa innovation park….

drupa 2016 Expert Articles series
Can be accessed via our Drupa Newsroom, in the Index on the Home page.

Crossing the finish line – a Cinderella story
Touch the future. Drupa expert Article No 4, by Cary Sherburne, well-known author, journalist and marketing consultant focused on marketing communications for the printing and publishing industries…

drupa 2016 News from Exhibitors

Previous…    Ricoh to showcase innovative new ways to transform business at drupa 2016
Ricoh will bring a range of products and services to drupa 2016 that will enable Print Service Providers to step ahead on their paths of transformation…

FESPA Newsroom
The dedicated FESPA Newsroom can be found via the Index on our Home Page.

Visitors converge in Shanghai for largest FESPA China
FESPA China & CSGIA 2015 will open this Wednesday, 21 October as the biggest event to date…

Previous…    FESPA China 2015 set to help printers transform their business
In just two weeks’ time, FESPA China 2015 will open its doors from 21 – 23 October 2015 at the Shanghai New International Expo Centre…

The Graphic Repro On-line Website is supported and sponsored by: 

Antalis South Africa, Dainippon Screen,  Drupa 2016,  EFI and EFI Vutek, Esko,  Epson Europe BV,  FESPA. Goss International Inc,  Heidelberger Druckmaschinen AG,  HP Graphic Solutions,  Kodak,  Koenig + Bauer AG,  Kemtek Imaging Systems,  Krause-Biagosch,  Leonhard Kurz Stiftung,   Manroland Web Systems GmbH,  Muller Martini AG,  POLAR-Mohr, QuadTech Inc,  Quark Inc,  Ricoh Europe,  Sappi LimitedThunderbolt Solutions, and UPM-Kymmene.

If you would like to send news for consideration for the Graphic Repro On-line Website (ISSN 1814-2915) or to submit comments, please e-mail Mike Hilton at: graphicrepro.za@gmail.com.

Our Website urls are:

http://www.graphicrepro.co.za
http://www.graphicrepro.net

GraphicRepro.Net e-News (ISSN 1814-2923)  provides weekly updates from the Graphic Repro On-line Website and is  compiled and published by Mike Hilton, graphicrepro.netPO Box 10 Peterburgskoe Shosse 13/1, 196605 Pushkin 5, St. Petersburg, Russia. e-mailgraphicrepro.za@gmail.com

Tatort Papiermühle.001

Von Andreas Weber, Wien/Mainz

Vorbemerkung — Um nicht falsch verstanden zu werden: Die Wiener EMGE-Konferenz war ausgezeichnet. Bestens von Martin Glass und seinem engagierten Team organisiert. Dazu gehörte auch, dass Projektmanager Iwan Le Moine es schaffte, mit Vertretern des Führungs- und Kompetenzteams der MGA Metro Group einen der international wichtigsten Kunden der Papier- und Druckbranche aufs Podium zu holen. Aber: Es wurde klar, dass die Papierbranche in einem gravierenden Dilemma steck!

Chefinspektor Martin G. von der EMGE-Sonderkommission PAPIER ist nicht zu beneiden. Es galt, in Wien ein schweres Kapital-Verbrechen aufzuklären. Ein international besetzter “Untersuchungsausschuss” bestand auf Rede und Antwort zum aktuellen Stand der Ermittlungen. Die brennende Frage: Was geschah mit unserem Kapital, das wir seit dem Jahr 2000 so fleißig in Papiermaschinen und -fabriken investiert haben? Wieso soll(te) Papier sterben? Und wenn ja, wer ist der Täter?

Tatverdächtige gibt es ausreichend, beruhigt der Chefinspektor die Runde. Nur keine heisse Spur. Der Anfangsverdacht, „Die Generation X resp. Smartphone ist es. Die klickt und wischt Papier ohne Skrupel einfach weg!“, liess sich nicht bestätigen. Der von der Anwaltschaft bestellte Gutachter, Professor Richard H. aus London, belegte eindrucksvoll, dass Papier, vor allem in Form von gedruckten Büchern ‚un-tötbar’ sei. Und somit lebendiger denn je. Der Grund: Bedrucktes Papier vernebelt den Kopf nicht. Und es führt auch nicht ins digitale Nirwana, sondern passt sich perfekt in eine Wissensgesellschaft ein, die das Denken und die Erkenntnis nicht den Computern, Servern und Rechenzentren überlässt.

Ach je, was nun? Die Ermittlungen gehen unverdrossen weiter. Eine ganze Reihe glaubhafter Zeugen gibt an, unwiderlegbar beweisen zu können, dass die Papierbranche zwar leben wolle, aber ermordet werde… Oder zumindest qualvoll stirbt, weil sich selbst totredet. Oder besser totschweigt, weil sie nicht verständlich über das in der Öffentlichkeit redet, was sie weiss und tut und machen könnte… Aber hoppla, das ist ja dann gar kein Mord oder Totschlag, noch nicht mal ein Selbstmord oder eine Straftat… „Wo keine Leiche, da kein Mord. Die Ermittlungen werden eingestellt.“, so der Chefinspektor. — Also weiter wie bisher!

[Ende des Tatort-Krimis. Der Chefinspektor dankt allen und tritt ab.]

„Meine Verkäufe leiden. Jetzt erhöhe ich erstmal die Preise!“ 

Während in Wien ermittelt und konferiert wurde, schickte sich zeitgleich ein weltweit aktiver Premium-Papierhersteller aus Südafrika an, notwendige Preiserhöhungen ab Januar 2016 anzukündigen. Begründung: Gestiegene Kosten sowie Margenverfall. Margenverfall heisst im Klartext, die Profitspanne sinkt. Als muss, so die Logik, der Kunde (Papiereinkäufer) mehr bezahlen, damit der Gewinn bei dem Lieferanten wieder aufs gewohnte Niveau steigt. Im konkreten Fall wird Druckpapier bis zu 8 Prozent teurer! — Wenn das mal gut geht!

Bildschirmfoto 2015-10-22 um 10.22.39

Konferenz-Website: http://www.emge.com/wp1/

In Wien jedenfalls wurde klar: Man sucht Schuldige (die ‚Digital Natives‘, die Googles und Facebooks dieser Welt) für einen Vorgang, der so gar nicht stattfindet. Papier und Print haben gar keine Probleme, schon gar keine Krise, wie eine Expertenrunde in Wien bei der EMGE-Konferenz „Riding the Transition“ belegte. Die Krise hat die befallen, die bislang weitgehend sorgenfrei mit Papier gute Geschäfte und Profite machen konnten und weitgehend alle Entwicklungen im Markt zwar zur Kenntnis nahmen, ohne aber adäquat darauf zu reagieren. Dies sind in hohem Maße Grosskonzerne, die kaum jemand in der breiten Öffentlichkeit kennt oder wahrnimmt. Viele sind gigantische Forstbetriebe, mit angeschlossenen Fabriken, die nach modernsten und nachhaltigen Methoden fertigen. Zählt man die Jahresumsätze der Top-Ten Papierkonzerne zusammen, erhält man mit über 100 Milliarden Umsatz fast das zehnfache Volumen dessen, was mit dem Verkauf von Druckmaschinen erzielt wird. Damit machen international tätige Händler seit Jahrzehnten ein Bombengeschäft…

Erneut: Hausgemachte Probleme bringen das Medium Print unter Druck!

… Jedenfalls bislang. Denn die Umsätze sind rückläufig: Die Druckbranche darbt, die Zahl der Betriebe schrumpft und, fast noch schlimmer, der Verbrauch von Office Paper geht zurück, weil in den Büros immer „digitaler“ gearbeitet wird. Angeblich. Denn schaut man genauer hin, kreuzen sich der Strukturbruch im Medienkonsum mit einem optimiertem Kommunikationsverständnis. Die Industrialisierung der Druck- und Papierbranche im 20. Jahrhundert förderte den gedankenlosen Umgang mit Drucksachen. Vieles wurde produziert, was, weil unaufgefordert zugeschickt und dadurch als „Belästigungskommunikation“ empfunden, direkt im Papierkorb landete. Noch schlimmer in den Büros: Wie Studien und Analysen von Canon im letzten Jahr ergaben, ist das Informationsmanagement in den meisten Firmen zu schlecht. Papier wurde regelrecht verschwendet. Denn optimiert man die Prozesse, stellt man fest, dass viele Dokumente mehrfach ausgedruckt und dann wieder vernichtet wurden, weil die Prozesse nicht durchdacht und durchgängig gestaltet waren. Mit der Qualität von Papier als Trägermedium und seiner Akzeptanz hat das nichts zu tun.

Impressionen von der EMGE Conference 2015 “Riding the Transition”, Wien
(Fotos: Andreas Weber)

Hinzu kommt, wie sich in einem Gespräch ergab, das ich mit Prof. Richard Harper führte: Die Big Player der Papier- und Druckbranche haben keinerlei Kontrolle über ihre Märkte. Papierhersteller vertreiben überwiegend über den Handel, der Innovationen und anspruchsvolle Papiere nicht besonderes mag. „Commodity“-Papier in hohen Tonnagen zu verkaufen, ist dagegen beliebt, weil kostengünstiger und einfacher zu handhaben. — Und die Druckmaschinen-Hersteller als Lieferanten der Druckereien haben kaum Einfluss auf diese Vorgänge, zumal neueste Entwicklungen in der Digitaldruck-Technik erst nach Jahren und mitunter Jahrzehnten von den Papierhersteller unterstützt werden. So musste Ricoh’s Europa-Chef für Professional Printing, Benoit Chatelard, in der Konklusion seines Vortrags zugeben, dass trotz Milliardeninvestitionen in High-Speed-Inkjet-Drucktechnik viel zu wenig „inkjet coated paper“ verfügbar ist. Man erinnere sich: die drupa 2012 wurde euphorisch die „Inkjet“-drupa genannt. Ohne dass dies aber im Drucksektor nennenswerte Auswirkungen hatte. Inkjet ist unter Druckprofis verpönt. Logisch, wenn Bedruckstoffe fehlen, die höchste Ansprüche bedienen und in grossen Mengen verfügbar sind. — Oh je, gleicht das nicht einer Bankrott-Erklärung?

Lichtblick: Die Kunden halten Papier die Treue!

Um nicht falsch verstanden zu werden: Die Wiener EMGE-Konferenz war ausgezeichnet. Bestens von Martin Glass und seinem engagierten Team organisiert. Es gab viele wichtige, faktenreiche Präsentationen und Informationen zur Technik, zur Marktentwicklung und sich daraus ableitenden Prognosen sowie zur Lage in in außereuropäischen Märkten. Hinzu kam, dass Projektmanager Iwan Le Moine es schaffte, mit Vertretern des Führungs- und Kompetenzteams der MGA Metro Group einen der international wichtigsten Kunden der Papier- und Druckbranche aufs Podium zu holen. MGA kauft 260.000 Tonnen Papier pro Jahr ein, und ist damit auf Augenhöhe mit dem Axel-Springer-Konzern. Warum? Im Handel ist Multichannel Trumpf, da Käufe online aggregiert und durch Drucksachen gestützt werden. Fazit: Ohne Papier-gebundene Kommunikation geht nichts. Allerdings wirken sich die von mir o. g. Punkte auch für Kunden wie Metro nachteilig aus. Innovationen muss man Nachjagen, die Kommunikation mit Herstellern und Dienstleistern ist lückenhaft bis kompliziert, da diesen Kunden gegenüber nicht pro-aktiv und schon gar nicht marktgerecht genug kommuniziert wird. Die Druck- und Papierbranche ist viel zu sehr mit sich und ihren selbst verursachten Problemwelten beschäftigt; und droht, die Chancen, die im Markt bestehen, zu verpassen. — Zeit, das sich was ändert. (Bald ist wieder drupa…). Oder?

ValuePublishing Canon Expo 2015

„You may say I’m a dreamer
But I’m not the only one
I hope someday you’ll join us
And the world will live as one“
John Lennon, Songtext aus „Imagine“

Von Andreas Weber, Paris/Mainz

Imagine (im Sinne von John Lennon) und Imaging (im Sinne von Canon) liegen näher beisammen, als man denkt. Und die Welt des Imaging spielte sich Mitte Oktober 2015 in Paris, dem europäischen Standort der Canon Expo Events (neben New York, Tokio, Shanghai) auf extrem hohem Niveau ab. Entsprechend zeigte sich das Publikum, die Rede war von 14.000 Besuchern an drei Tagen, begeistert. Und begeisterte uns Journalisten und Analysten ob seiner Neugier, Aufgeschlossenheit und hohen Eigenmotivation, sich für Neues zu öffnen. Dies ist kaum mehr zu vergleichen mit sonstigen Fachmessen oder Firmenveranstaltungen, die man landläufig kennt und besucht.

Hinweis: Wie relevant die Canon Expo 2015 ist, zeigte sich durch unsere ValuePublishing-Liveberichterstattung per Facebook, Twitter und LinkedIn. Meine Kurzkommentare und Videostatements in Echtzeit erreichten in 24 Stunden über 10.000 Experten, mit hohem Interaktionsgrad.

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Foto: Screenshot Canon Expo 2015 Paris-Website

Canon setzt hier Maßstäbe, sozusagen „beyond Apple“ mit seinen Eigendarstellungsschauen. Nicht nur bei greifbaren Produkten, Lösungen und Prototypen aus den Labors, die frei zugänglich wurden. Sondern bei der Inszenierung eines Unternehmens, das voller frische den Wert des Markenkerns von Canon erfahrbar macht („Come and see”), um zu zeigen, was man für eine bessere Welt tun kann. Allen, die sich Fachthemen und spezifischen Innovationsbereichen widmeten, wurde klar, wie weit das Spektrum auf Konsumentenseite wie auch im Business-to-Business heute gehen kann  — und wie bis dato getrennte Bereiche verschmelzen können: „Redefine our live, our businesses and our society“ — der global aktive Imaging-Konzern Canon macht es möglich und kümmert sich. Die Welt der Fotos, des Filmes, der Druck-Kunst und der Spezialitäten, wie 3D Printing, Multichannel, Information Technology, die Struktur unseres Zusammenlebens in Städten und im eigenen Heim u. a. mehr.

2015-10-15-canon-expo-main

Canons Vorstandsvorsitzender, Fujio Mitarai, machte dies in seiner Eröffnungsrede deutlich: „The Internet of Things will depend on the imaging of things. 80 percent of the things that we encounter on a daily basis, we process visually. This imaging data makes our lives easier, better and safer. [In terms of capacity to deliver this], no one is positioned better than Canon.“ Und er versäumte auch nicht, der Rolle Europas gerecht zu werden: „The way the European Union works is a good model for the future of Canon,“ sagte Fujio Mitarai. „No one has all the answers – a collaborative approach achieves the best result for the greater good.“

Dies unterstrich auch Canon Europa-Chef Rokus van Iperen, der die drei strategisch wichtigsten Kernbereiche von Canon näher beschrieb: 3D Printing, Graphic Arts und Network Visual Solutions. Dem Professional Printing räumte van Iperen eine maximal hohen Stellenwert wein, nicht zuletzt bei Canon durch die Übernahme von Océ, wodurch man sich als „Global Leader“ an die Spitze gesetzt habe.

In Summe hat man bei Canon verstanden, dass es keine Konflikte oder Ausgrenzungen zwischen „Analog“ und „Digital“ gibt. Vielmehr ist das kreative, Grenzen überwindende Zusammenspiel beider Welten wichtig. Motto: No more Limits. — Konkret: Wenn zum Beispiel die (Video)Kameratechnik auf 360 Grad/8K aufrüstet, muss Print mithalten können. Und kann es auch dank Canons 8k-Printing-Technologie mit atemberaubenden Effekten.

Anschauliche Dokumenation per EXPO TV

Viele Ausstellungssektionen wurden aufgeboten, um beispielsweise zu zeigen, wie aus dem Stand eine (fiktive) Marke für Mountain Bikes medial und kommunikativ in Szene gesetzt werden kann, vom Foto-Shooting über die Marketingmaterialen bis hin zum E-Commerce mit Online-Verkaufsshop. Alles aus einem Guss, alles nahtlos miteinander verwoben. Und dies beispielsweise auch am Point-of-Sales, wo die Qualität von digital gedruckten Verpackungen in Zukunft die Marschrichtung vorgibt. Ebenso überzeugte die „Creative“-Zone, die zeigte, wie das Konsumentenerlebnis aussieht, indem alles, was man sich vorstellt, Wirklichkeit werden kann: Von der Wahrnehmung der Welt „da draußen“ bis hin zum eigenen Heim — alles wird von Canon multimedial unterstützt, per Bild/Foto, Video, gedrucktem Fotobuch, iPad App usw.

Besonders beeindruckend war zu beobachten, wie sich im Professional Printing-Bereich bereits etablierte Canon-Drucktechnologien weiterentwickeln. Sowohl im Large Formatbereich wie auch im Commercial Printing durch die erweiterte und „aufgerüstete“ ImagePress-Baureihe, die in punkto Produktivität und Bebilderungsqualität den bisherigen Platzhirschen Xerox und HP schwer zusetzt bzw. sogar das Wasser abgraben kann. Canon liefert gleichwertige und sogar bessere Resultate mit Systemen, die preislich deutlich niedriger liegen können. „Imagine“ durch Imaging erhält durch Canon wie gesagt eine ganz neue Bedeutung.

Übrigens: Im internationalen Kollegengespräch wurde im Umfeld der Pressekonferenz diskutiert, wie ein Ereignis wie die Canon Expo 2015 überhaupt noch übertroffen werden kann. Vor allem, wenn man bei Graphic Arts und Professional Printing an die im späten Frühjahr bevorstehende drupa 2016 denkt.

Und: Wer Zeit hatte, konnte parallel zur Canon Expo 2015 in Paris im Grand Palais die fulminante Ausstellung “Picasso.Mania” anschauen. Hier wurde das Canon-Thema “Imaging” aufs Beste in der Praxis erfahrbar: Den Originalkunstwerken waren Grossbildschirme mit Videokunst, Apps, Videoprojektionen sowie eine unfassbare Vielzahl an Drucksachen zur Seite gestellt. Sprich: Bilder sind nicht l’art pour l’art, sondern wurden in einen passenden Kontext gestellt, der Verständnis erwecken kann!

My_Picasso.Mania Collage.001

Impressionen (Fotos: Andreas Weber)

Tipp für weitere Informationen:

Canon hält umfangreiche Berichte in Text, Bild und Online-Video parat. Siehe:

http://www.canon.de/about_us/press_centre/press_releases/corporate_news/overview_expo_paris_2015.aspx

http://www.canon.de/about_us/press_centre/press_releases/business_solutions_news/2h15/b2b_expo_paris_2015.aspx

http://www.canon-europe.com/about_us/press_centre/european_events/events_2015/canon_expo_2015_paris_image_library/

Lohnenswert:

Die Canon Expo 2015 Sektion auf Facebook (mit einer Serie von EXPO TV Videos).

Seidl Weber ValuePublishing.001

Die Canon Expo Paris 2015 fand statt in der “Grande Halle de la Villette – Paris”.

Bildschirmfoto 2015-10-09 um 13.04.29

SESSION III: ROUND TABLE, OPEN DISCUSSION

– What is the Future of Paper in the Knowledge-Rich Workplace? –

Prof. Richard Harper, SOCIAL SHAPING RESEARCH LTD.

Expert Panel including:

Heidi Stockum, Procurement & Business Development, MGA METRO GROUP

Martin Glass, Director, EMGE & CO.

Prof. Richard Harper, Professor, SOCIAL SHAPING RESEARCH LTD.

Andreas Weber, CEO, VALUE COMMUNICATION AG

It is always good to get prepared! Our Session Chairman Bob Letham was asking for an anecdote which he could share during his introduction. Here is mine:

“Something old became something new!”

I live and work since almost 30 years in Mainz/Germany, the hometown of Johannes Gutenberg. Last year, I had a special guest from China: Prof. Yu Hiu, Deputy Director The National Palace Museum, Beijing/China. He is responsible for the huge collection of paintings and calligraphy in China’s most important museum. I introduced him to the world of print showcasing parts of my own print collection and delivering some insights based on my friend Prof. Hermann Zapf, one of the leading calligraphers for ever.

Prof. Yu Hiu was amazed. He was not aware of our current knowledge and passion for „The Art of Print“, driven by genious talents like Gutenberg, Senefelder, Zapf and other german creative inventors.

He stated: „We invented in China thousands of years ago paper and printing. But we lost it. You have to come to China to educate us. Why not organizing an art exhibition and lectures to show samples of extraordinary printed art pieces?“. So we will do next year. And we will combine „old“ pieces (Lithography, Gravure, Wood Cut a.s.o.) and „new“ pieces created by leading European and Chinese artists specially for modern Digital inkjet Printing technologies. The exhibition is named: „Surprise. The Art of Print“.

In fact: Print is and will be alive for ever if we combine our valuable tradition in Graphic Arts with the demand of the digital age. Because the real value of digital printing is so close to what Gutenberg and his followers were able to establish already in the past: unique printed pieces on a premium level. (BTW: The industrial approach of offset printing production destroyed those values because everything was related to mass factoring on a lower quality level!).

I hope you like my nice anecdote. You could also read some blog posts I already published in my Blog and also via other publisher’s websites!

More information:
http://wp.me/p2C5zg-DT

© 2015 by Andreas Weber, Mainz

© 2015 by Andreas Weber, Mainz