Archive

Tag Archives: digital print

ValuePublishing VDMA pre-drupa Pressekonferenz 2016.001

By Andreas Weber | GERMAN version

My comments: This was probably the most productive and therefore the most important event (with the business press) associated with drupa. Yes, market figures were given, but only as a guideline and to demonstrate that print is a growth market. The focus was far more on explaining from various perspectives how successful print business has transformed. No doubt some things will sound familiar. The important thing, though, in the run-up to drupa 2016 – which must cover a wider range of topics and exhibits than ever before – was to clearly establish the true context. And it was revealing to see how wholeheartedly all the key players (in this case the main decision-makers) at drupa, the world’s number one industry trade show, are behind their statements and publicity.

There’s no doubt about it – the world of printing isn’t what it used to be, but people have stopped bemoaning this fact and pressed the reset button. Nonetheless, anyone who still believes buying new equipment will ensure business success is mistaken and will fail. The new recipe for success will include holistic thinking outside the box, a comprehensive knowledge and excellent command of all process steps, automation, and the right, enlightened approach to digitization in the context of the sudden and rapid change in the demands placed on the printing sector.

In what was in my personal opinion the key speech, Dr. Gerold Linzbach talked about the true significance of digitization. Here’s an extract: “We’ve taken the vital step from focusing on technology to focusing on customers. (…) The benefit to customers is the top priority. We don’t simply apply technology for the sake of it.”

As Linzbach stressed, technology has to deliver “the optimum benefit for our customers and ultimately for whatever takes the industry forward.”

Welcome to the “Haus des Buches”

My report: The time and place for the exclusive pre-drupa business press conference were well chosen. We met on April 4, 2016 at the Haus des Buches (literally: house of the book) in the heart of Frankfurt am Main, a key financial center. The topics under discussion were market analysis, packaging, Print 4.0, and digitization. Our host was Dr. Markus Heering, Managing Director of the VDMA Printing and Paper Technology Association, who optimistically pronounced: “Print is an industry with a future.” As he sees it, print products are more than ever an everyday part of our lives and exhibit greater diversity than ever before. In his brief words of welcome, Messe Düsseldorf President and CEO Werner Matthias Dornscheidt was confident that the preparations for drupa 2016 couldn’t have gone better and it would be a resounding success, with appealing special events such as the drupa cube and an excellent supporting program providing the icing on the cake.

W M Dornscheidt und Dr. HeeringWerner Matthias Dornscheidt from Messe Düsseldorf and Dr. Markus Heering from the VDMA Printing and Paper Technology Association. Photo: Andreas Weber

 

Broad-based dynamic growth

“The global trend toward flexibilization and automation is currently playing into our hands. Germany’s press and paper machine manufacturers have been more successful than virtually any other mechanical engineering sector in making Industry 4.0 a reality,” continued Dr. Heering. Print 4.0, he said, was supporting Industry 4.0, and the extent to which print shops can improve their productivity and flexibility using fully networked digital work processes was already evident. Incoming orders for printing and paper technology were 10 percent up on the previous year in 2015, while press manufacturers saw a 9 percent increase in orders along with a slight fall in sales, especially in Germany. For manufacturers of postpress equipment, the increase in orders was as high as 21 percent. As Dr. Heering explained, “The sales figures also show it’s a long time since postpress technology was in such high demand. Sales climbed 13 percent in Germany and 9 percent in other countries.” He sees this as good reason to approach drupa 2016, the industry’s leading trade show worldwide, with renewed energy.

According to the VDMA, the key elements of networking and flexibility are emerging as visions and guiding principles for printing press and paper machine manufacturers, and there are three topic areas to be addressed:

  1. Flexibility in meeting specific customer needs
  2. Merging of technologies and functions
  3. Cooperation and standardization of interfaces

The focus is on the declared goal of strengthening print and paper by moving into new applications.

 

Claus Bolza-Schünemanndrupa president Claus Bolza-Schünemann, Chairman of the Executive Board of Koenig & Bauer AG (KBA). Photo: Andreas Weber

 

Packaging printing as a driver of print shop business

drupa president Claus Bolza-Schünemann, Chairman of the Executive Board of Koenig & Bauer AG (KBA), trained the spotlight on the packaging sector as a growth driver, stressing that traditional printing methods are leading the way here and are indispensable for the time being, but digital printing offers the possibility of new uses. “Together, flexographic and offset printing currently account for around two-thirds of the international packaging printing market, which was valued by Smithers PIRA at around US$415 billion in 2015. Digital printing’s share is still relatively small at approximately 3 percent, which leaves plenty of room for growth,” he said, adding that the packaging market for print shops is growing at a high level of 4 to 5 percent annually.

Bolza-Schünemann underlined that the total global sales volume for print was so high that it was hard to imagine. According to forecasts, sales will rise from their current level of just over US$900 billion to almost US$1 trillion by 2018. “The fact that ten years ago KBA was still generating a good 60 percent of Group sales in media-oriented print markets and only around 20 percent in packaging printing highlights the extent to which the printing world has shifted in the direction of packaging. Not entirely unintentionally, packaging now accounts for over 60 percent and publication printing just over 10 percent,” added the drupa president. In addition to outer packaging with high design and production standards, everyday packaging is now also becoming more important. Bolza-Schünemann is expecting the brown corrugated cardboard packaging currently used as standard in e-commerce to become increasingly colorful and believes this makes high-performance rotary inkjet printing ideal for the corrugated cardboard market.

 

My interim comments:

Global sales figures always sound good. And the prospect of print media manufacturers soon generating US$1 trillion is impressive, but at the same time highly abstract. Newspapers such as the Frankfurter Allgemeine Zeitung did pick up on this after the VDMA business press event, referring to signs of life from the world of printing on page 18 of its April 5, 2016 edition, confirming that print is a growth market, and pointing out that the printing industry’s turnover exceeds that of the automotive industry – but what does that really tell us? What’s more, these figures have been around for nearly 15 years. manroland AG defined them as the basis for its market research, but they were evidently little use given that the company went bankrupt. Far more exciting in my view is the question (which is not easy to answer) of the role print media are playing in the improvement in overall macroeconomic performance. If packaging is now being called the printing industry’s growth driver, all companies that are looking to physically sell products must focus 100 percent on print. That’s a clear and obvious statement, isn’t it? The imaging group Canon – also known for excellent specialist surveys about print and multichannel applications – has developed a convincing chart and is using it for
presentations. This makes the significance of print even clearer!

 

 

drupa president Bolza-Schünemann listed the following reasons for the strong, sustained growth of packaging:

  1. Printed packaging serves a protective, preservative, and advertising function for its contents and, increasingly, a communication function, too. Just think of consumer protection with appropriate references on the packaging.
  2. Packaging cannot be replaced by flatscreens or smartphones. Unlike printed newspapers or catalogs, it remains unaffected by the changed media behavior and actually tends to benefit from this.
  3. The global population is rising and international prosperity is increasing. The middle class with disposable income is growing in emerging markets such as China, India, and Brazil. Growing prosperity goes hand in hand with higher consumption and that in turn means more packaging and printing, all the more since shopping malls are springing up everywhere in emerging markets, too.
  4. Packaging is becoming increasingly classy and sophisticated – the only way to attract the necessary attention at the point of sale. This trend results in greater added value for the printing industry and machines with more elaborate configurations for the supply industry.
  5. More single-person households with a preference for ready meals and the booming online mail-order business are also driving growth.

What’s more, the influence of multichannel solutions, augmented reality, and personalization – which make all types of packaging the starting point for new contact and dialog options with the buyer – is creating huge potential for brand organizations (see the ValueDialog with multichannel developer Jacob Aizikowitz).

 

Kai Büntemeyer

Kai Büntemeyer, Chairman of the VDMA Printing and Paper Technology Association and Managing Partner of Kolbus GmbH & Co KG. Photo: Andreas Weber

 

The only solution – digital networking of the entire value-added chain

Businessman Kai Büntemeyer, Chairman of the VDMA Printing and Paper Technology Association and Managing Partner of Kolbus GmbH & Co KG, dismissed the prejudiced view that postpress is more or less an add-on to print media production. He warned against being tempted by offers to buy attractive new presses without thinking, and thus failing to consider the entire process chain and assess all networking options within and outside the print shop. It’s essential to have “a process world characterized by interoperability, open systems, and harmonized interfaces. The speed of the evolutionary processes under Print 4.0 stands and falls with the transparency of the players involved,” emphasized Büntemeyer, citing the example of the interface syntax provided by his company to download free of charge.

In the case of the printing and paper industry, he said it was important to distinguish between digitization on the one hand and digital printing on the other: “Digital inkjet printing is simply another process to be integrated into digitized process chains in the same way as conventional offset, flexographic or gravure printing. The printing process is just a small part of the complete chain.”

According to Büntemeyer, the overall process chain is as follows:

  • It starts with the receipt of digital job data;
  • continues with software-based job planning for optimized machine capacity utilization with minimal makeready times;
  • includes purchasing and HR planning;
  • and naturally all prepress and postpress process steps;
  • and it only ends with automated packaging, addressing, and shipping of the print products.

Although all this has long been established, he explained, it is only now feasible thanks to today’s high-performance technology, because only very recently have processor capacities, real-time communication, and big data software solutions enabled implementation in a way that is geared to the market.

Büntemeyer developed the following scenario, which shows postpress in a whole new light: “Sensory inline monitoring ensures consistently high quality, but the data collected can unlock added value. Monitoring the status of machines makes it possible to carry out preventive repairs, which enables downtimes to be planned. And service specialists can rectify many a fault remotely. The data collected is also used for anonymized benchmark comparisons in cutting-edge printing systems. Users can compare their performance and productivity with that of other users of the same systems.”

However, Büntemeyer also recognizes that, broadly speaking, the industry’s equipment is lagging behind these possibilities – by at least 10 to 15 years. During this period, there was too little process/solution-oriented thinking and insufficient investment. Networking between print shops is also recommended.

 

My interim comments:

It’s good that this has now been made clear, because I conclude that it’s ultimately no longer a case of optimizing details and maintaining the traditional silo mentality. New, sometimes disruptive, holistic, automated business processes and the corresponding reorientation of business models are now the order of the day. (N.B.: The 4th Online Print Symposium, which took place in Munich on March 17 and 18, 2015, revealed how far this has already progressed at extremely successful online print shops such as Onlineprinters, Flyeralarm, United Print, and CIMPRESS (see the article entitled “Zipper’s Insights: reporting from the 4th Online Print Symposium”).

 

 


Dr. Gerold Linzbach, CEO of Heidelberger Druckmaschinen AG, has realigned Heidelberg to focus on customers. Video: Andreas Weber (in german language).

 

“Digitization isn’t the same as digital printing!”

Dr. Gerold Linzbach, CEO of industry leader Heidelberger Druckmaschinen AG, followed his statement at the VDMA press event by summing up the company’s new role: “We’ve taken the vital step from focusing on technology to focusing on customers.” He said it was important not to make digitization just another buzz word that everyone uses without really knowing what it means or agreeing on a standard definition.

According to Dr. Linzbach, Heidelberg has, in discussions with customers and numerous market partners, defined three essential elements or levels of digitization for the print market. When understood correctly, digitization thus makes it possible to embrace the digital era through the automation and flexibilization of print.

The first essential element is networking in the sense of automatically passing on data (for press and downstream postpress operations) between machines with adequate interfaces to make all process steps transparent to users. Especially these days, when fragmented order books set the rhythm, automation through networking is absolutely vital. It’s the only way Heidelberg customers can, among other things, complete 3,000 or more orders per day. Success in smoothly incorporating digital printing systems via the print shop network also really pays off. In a short space of time, this has enabled Heidelberg sales staff to succeed in selling 1,000 OEM digital printing systems from Ricoh to print shops.

Once the job data has been received, the customer – that is to say the print shop – is automatically relieved of the decision as to the best production process to use, i.e. offset or digital printing. According to Dr. Linzbach, then, it’s all about seamless integration of all production resources that a print shop must use to minimize the data handling outlay. This is already standard in online printing and will spread to all areas of the printing industry. It’s also necessary if, as in the area of packaging, there is a huge increase in the amount of documentation required to prove, for example, that food was packaged in line with regulations.

 

Dr. Gerold Linzbach at the press conference. Photos: Andreas Weber

 

The second essential element is the variabilization of print, that is to say personalization or customization in the sense of frequently changing the print content, together with a wide variety of substrates/printing stock – by its very nature a strength of digital printing processes. Heidelberg has configured and developed a whole package of digital printing solutions for drupa 2016. This even involves printing at different locations, for example end customers printing muesli packaging with personalized designs at the mymuesli.com shop.

Connectivity plays an important role. According to Dr. Linzbach, it’s a mistake simply to rely on equipping presses with thousands of sensors that can read data in seconds and then store it in huge volumes. For a responsible technology manufacturer like Heidelberg, the challenge is to move from big data to smart data. In other words, data that is essentially suitable for any use needs to be filtered, selecting only the most important details from the mass of job, customer, and application data – that is to say the very things that are really relevant. It must be possible for this to happen automatically. To stop this sounding too theoretical, Dr. Linzbach gave an example. Heidelberg will be creating an e-commerce platform that automatically tells customers, for example, if something they order is incompatible with the equipment installed at their company. The aim must be to avoid outlay and above all mistakes, and to lessen customers’ workloads so that they can concentrate on their core activities.

Dr. Linzbach holds out the prospect of soon being able to operate even the most complicated technologies very easily, almost at the touch of a button – just like smartphones and tablets, which operate in a virtually self-explanatory way and produce exactly the desired results without the consumer needing to know about each and every technical function.

This is the only way to ensure that customers from the print shop sector can get on with their real work. According to Dr. Linzbach, the main task of someone running a print shop is not to deliver perfect print quality – that must be ensured by the company providing the technology – but above all to manage jobs and high order volumes, undertake marketing activities, and maintain contacts with customers.

And that brings us to the third essential element of digitization –reduce to the max using appropriate filters developed from customer and application know-how to combine all the technical possibilities and focus on what is actually relevant so as to turn data into productive information.

Dr. Linzbach’s conclusion: “The benefit to customers is the top priority. We don’t simply apply technology for the sake of it, nor do we simply install the maximum that is technically possible. We always try to combine it in such a way as to offer the optimum benefit for our customers and ultimately for whatever takes the industry forward.”

 

msd_banner_257_drupa2016_48_619x180_us-static1

 

N.B.: ValuePublishing offers comprehensive reports and constructive criticism relating to the important and above all relevant pre-drupa events. See in particular:

“drupa ante portas – Top topic for 2016: Print in the communications mix!”

“drupa ante portas: Is print (again) in the passing lane? YES and NO.”

 

 

AT A GLANCE:
Clippings from selected german newspapers

This slideshow requires JavaScript.

drupa 2016 highlights ENG

By Andreas Weber | Click to access german version

 

Seldom has the run-up to drupa as a global trade fair for printing and paper technology been so exciting. Seldom have we been able to conduct so many interesting talks prior to drupa as now. There is hardly any exhibitor who can still afford to have a silo mentality (“My Innovations — My World”). It is rather more a question of “How do we align ourselves in an interlinked world marked by digitalisation?” 

 

Industry leader Heidelberger Druckmaschinen AG was one of the first exhibitors to express this when it revealed its new drupa motto “Simply Smart” at its year-end press conference held at the beginning of December 2015. Smart means: Making interlinked, relevant, consistent and interactive new solutions possible for the communication of printed matter at various levels. (See my commentary and real-time report “Heideldruck 4.0: Zurück in die Zukunft | Back to the future”.)

Value Blog Dialog Harald Weimer 12-2015 ENG.001

 

The smartly chosen highlight themes of drupa 2016 point the way ahead. And emphasise a greatly expanded range of products to be exhibited: In addition to the “standards” Print and Packaging as well as Green Printing, there are now 3D Printing, Functional Printing and Multichannel.

If you thoroughly reflect on these themes, you will come to the realisation that they do not introduce a new silo mentality. On the contrary. Multichannel pervades all the themes of drupa 2016, since it is what defines the basic principle of how innovations need to be staged. Packaging, 3D Printing and Functional Printing open up completely new business opportunities that make the drupa this year more attractive than ever for new target groups. The novelty: The new opportunities call for a new type of cooperation among technology providers, their users and their customers (brand companies/commercial enterprises, organisations, etc.).

MSD_Banner_257_drupa2016_48_619x180_US-Static1

 

“Time for a Change: Touch the Future NOW!”

Our focus in the coverage and commentary will be oriented to the above-mentioned new understanding of drupa 2016. First, with a 100% multichannel approach in trade communication through ValuePublishing. Second, through addressing new target groups in the culture and creative industries — with annual revenues of €146 billion — as the key innovation drivers for the economy as a whole.

We will be providing highly topical content in real time on all the drupa highlight themes. As for the technology trends in print and packaging, the latest digital printing applications will receive our full attention. Finishing and innovative solutions in paper technology are also relevant when it comes to the success of print in the communications mix.

We are having an exciting time analysing the types of themes and activities that certain exhibitors will be able to muster up. There are bound to be some surprises in this area. That HP with its Graphic Solution Business division, for instance, may end up for the first time being the biggest exhibitor. Or that, if we consider our analyses from the Canon Expo 2015, imaging specialist Canon may very well be the only exhibitor to cover all six drupa highlight themes!

It will also be extremely revealing to know what impact the split of the Xerox Corporation into two companies will have and how its claim to leadership will be represented. In any case, with its subsidiary XMPie, Xerox is the trendsetter in multichannel innovations.

We already published a series of extraordinary conversations with leading multichannel experts. Please click and read:

  1. ValueDialog with Jacob Aizikowitz, XMPie President:
    Multichannel leads to sustainable business success in the digital age! 
  2. ValueDialog with Christian Kopocz, Multichannel Entrepreneur und Executive Director XMPie User Group (XUG)Multichannel ensures relevance!
  3. ValueDialog with Patrick Donner, TraffiC Print Online Solutions GmbH:
    New take on multichannel communications: “There is no either/or!”
  4. ValueDialog with Renato Vögeli, Vögeli AG Medienproduktion & Druck:
    Multichannel turns communication into a personal experience!

More and up-to-the-minute news coming soon. The excitement is growing – and we’re excited, too, because: drupa ante portas!

 

XMPie Jacob Key Visual.001

 

Our pre-drupa coverage highlights are as follows:

  • Daily tweets/posts on LinkedIn, XING (German Section Digital Printing Forum) Facebook, Google Plus as well as Twitter via @ValueCommAG and @zeitenwende007.
  • Weekly overview of global innovations in print and publishing, in association with our ValuePublishing partner Mike Hilton, Editor-in-Chief, Graphic Repro On-Line via the ValueBlog. See:
  • A series of dozens of exclusive interviews with top-class drupa exhibitors. (See sample, Heidelberger Druckmaschinen AG, Harald Weimer, Member of the Management Board).
  • Expert commentary and talks on trends and prospects from the trade fair visitors’ point of view.
  • Live reports from selected exhibitor press conferences as well as from the drupa media week, March 1 and 2, 2016 in Dusseldorf.
  • Commentary on current market data of the VDMA, Printing and Paper Technology Section, on April 4, 2016 at an exclusive meeting of experts in Frankfurt am Main.

 

Bildschirmfoto 2016-02-08 um 11.53.56

XMPie Jacob Key Visual.001

Interview by Andreas Weber | Click to access german version

It is always a great honor and pleasure to carry on a conversation with Jacob Aizikowitz, President XMPie, a Xerox Company. He was a pioneer in one-to-one communication solutions driven by technology innovations when he started XMPie to enable Cross Media, VDP and Web-to-Print applications. His expertise is unique because he is able to bridge his profound technical knowledge with market needs that anticipate customers’ demand. No wonder that XMPie today is one of the most advanced multichannel solution providers around the globe. Nevertheless there are a lot of news to talk about. —Note: right at the beginning of 2016 Jacob and his team sharpened what they do. They created a new Web platform to share their state-of-the-art multichannel knowledge, headed by the claim: MANY CHANNELS. ONE CONVERSATION.

At a glance:

  1. Discover: Multichannel gives the smart collaboration of print and online a new dimension.
  2. Participate: XMPie’s Cross Media 2.0 opened the door to everybody doing digital media to contribute / participate in multichannel with print using XMPie personalization technology.
  3. Crucial: to understand the business and to understand the technology.
  4. The biggest challenge: automation of the conversation.
  5. The Target: to achieve ’One Conversation’, practically with no constraints on what and how one does in the digital media.
  6. Outlook: embrace digital innovation to transform applications. Best example: packaging. Via multichannel, packages will become the starting point of a conversation between the brand and its consumers.
  7. drupa 2016: a great place to experience the power of multichannel!

 

Jacob’s key message:
”It is all about to enable creating individually relevant and timely interactive customer communications that span time and a mix of digital and print media touch points”.

 

 

Bildschirmfoto 2016-02-05 um 16.47.25

 

PART 1

Focus on multichannel innovation

Before we start our conversation: What is your definition of ”multichannel“?

Jacob Aizikowitz: Interacting with your audience — customers, partners, prospects — with individually relevant and timely communications across time and along touch points that span the media spectrum from print to digital. — One should say: “One Conversation”. — Without that, the communications might be technically multichannel but not appear to the audience as a continuous interactive and relevant individualized dialogue. Achieving “One Conversation” is the tough part (especially when multichannel includes print). This is exactly where technology comes in to make it possible without endless and impractical team coordination that sometimes spans different organizations (e.g., the brand, its print agency / provider, its digital agency …).

Back to the future: You started more than 15 years ago as a pioneer with a 121 approach to innovate print production and marketing services processes. Nowadays it is all about multichannel in a digital world. How does that matter?

Jacob Aizikowitz: Good question. First of all, in a digital world it is so important not to forget that Print is still important. For all of us. It would be great if more enterprises and brand owners point that out. Secondly, in founding XMPie we observed that for the marketing professionals personalization equated with Internet. And we knew that personalization is also possible in digital printing. This triggered our vision to bridge print and digital for personalization. Such a vision enabled the marketing professional to practice personalization as a strategy and not as a media choice. Such a vision enabled the evolution of Multichannel. 

Cross-media communication

What kind of changes in mindset or improvements did you made?

Jacob Aizikowitz: Now, through the years, we evolved our direction, adding Web2Print, adding analytics, and adding campaign planning and automation (Circle). We realized that these business applications became relevant to the marketing professionals and to service providers who want to upgrade the type of services they provide. Most recently — end of 2015 — we changed dramatically our approach to cross media, introducing Open XM and Cross Media 2.0 (all with our 8.0 software release for PersonalEffect).

Read as well:
”Ten Steps to Hitting the Sweet Spot with Your Multichannel Campaign“

 

What is the benefit?

Jacob Aizikowitz: With Cross Media 2.0 we opened our solution to enable our customer to use any choice of web design / development tools, not constraining them to one specific tool that comes with the solution. This made our solution an open platform, enabling state-of-the-art digital while still using the XMPie personalization so that print and digital — while being each state-of-the-art — will be synergistic, consistent, and effective. The heart of Cross Media 2.0 is the Open XM Technology stack. It allows one to use, say, WebStorm, WordPress, just plain HTML, and also, our Dreamweaver plug-in, all interchangeably, while developing communications for digital. It also allows to develop mobile apps and responsive designs. In a way it allows the digital designer / developer to continue using their tools and their workflows while developing individualized communications that are automatically consistent and synchronized and synergistic with the individualized communications that are developed for the print media.

Creative Tools.png

… so your focus was always on technology innovation?

Jacob Aizikowitz: Yes and no. Most important was that we learned through the years what the customers of our customers wanted. Those are business people and they need business tools to manage marketing and communication campaigns properly. So we integrated responses via Web/PURLs and we established business analytics available via dash boards. Finally we learned and promoted: multichannel includes multitouch functionalities!

Sounds that you made a very interesting journey…

Jacob Aizikowitz: …indeed. But what we never changed is our original design. Our fundamental view was right and still is! From the very beginning we give a lot of value to our customers helping them find the right balance of technology and client needs. It is always important for us to understand the business as well as to understand the technology.

Date Print VDP

In summary, what is the secret of all those technical inventions you made via XMPie? 

Jacob Aizikowitz: There are three main aspects: 1. Understanding the market and where its going. 2. Understanding how to apply technology in an innovative and elegant way in order to enable the market trends and address its emerging needs. 3. A holistic view at solutions, which was also reflected in our tag line: One to One in One.

In my understanding XMPie’s success is a result of a perfect team work. What are the top criteria to characterize that?

Jacob Aizikowitz: I agree. Team work is a must. Our top criteria are: Smart people who bring new dimensions and flavours of technologies. — Alignment which is focused on the customer. — An open culture to exchange opinions frankly and in a very creative way.

Digitalisation changes everything — all kind of biz, marketing and communication processes. IoT and Industry 4.0 make big progress to automate what we have to do. Is this a threat or a chance?

Jacob Aizikowitz: Tough question but not that difficult to answer. IoT means everything is connected. So in fact we have more data to deal with. That works well because we are already familiar in handling huge amounts of data. Industry 4.0 is driven by automation. — What I feel is that personalization and the ability to interact across time and media touch points are very much related to IoT and Industry 4.0. So, these are synergistic trends.

What is the biggest challenge?

Jacob Aizikowitz: The big challenge in my view: automation of the conversation. Therefore we made a big progress and are able to offer a special solution, named Circle which leads you from storyboarding to campaign automation.

Campaign Management.png

Note: Circle is a Software-as-a-Service (SaaS) solution for managing your multichannel plus multitouch marketing campaigns. Users can track results and find out which messages are working best with which people, in which context and in which media a.s.o.

 

Circle seems to be the next big step based on a new business level for your customers? Right?

Jacob Aizikowitz: Surely. In any case XMPie is an enabler for Industry 4.0 compatible services. Automating the dialogue with the individual, while keeping it engaging, relevant, and effective is the main challenge; this is extremely challenging when the dialogue spans print and digital touch points. Many in ’Marketing Automation’ are after this — DRIP campaigns, Nurturing, etc. — but the XMPie offering is unique as it blends the automation of the individualized dialogues with the powerful media personalization — including print media (even if not printed — like PDF) and interactive capabilities. All under one roof — One to One in One.

Sounds good for your customers. So, if they follow our advice XMPie customers will become the HUB for new services?

Jacob Aizikowitz: We aim to provide our customers with technology that will allow them to stay relevant and attractive to their customers. We need our customers to have the vision and innovation; our role is to bring them technology that lets them pursue their vision. Some were influenced by our technology innovation to take the visionary view and go after their dreams.

Is that the reason why Gartner Group analyzed end of 2015: ”XMPie’s rating as a Challenger in this Magic Quadrant reflects its strong ability to execute on marketing communications.“

Jacob Aizikowitz: We are happy about being a challenger. Gartner addresses a number of other players who make technology integratable with other systems. Their focus is on customer communication management [CCM]. The notion of CCM was invented as an evolution of transpromo coming from transaction document management solutions. But with XMPie we made already a step ahead: our technology is accessible and much more open following the new paradigm of multichannel and multitouch.

 

drupa 2016 highlights ENG

PART 2

Focus on drupa 2016: time for a change!

A milestone this year will be drupa 2016 end of May 2016 in Düsseldorf/Germany. Multichannel is one of the trade show high-lights. The drupa motto: Touch the future. What is your guideline and vision to create further success? Is the Graphic Arts market or the print industry community still the best target group for XMPie? 

Jacob Aizikowitz: As always drupa delivers a good context for XMPie and our customers. I recognize the fact that graphic arts and print service providers (PSP) are solid customer bases. Going after multichannel vision is now very critical for PSPs. This is because the enterprises — the brands — are shifting at light speed rates to individualization, dialogues, nurturing, automation a.s.o. Except that they have no clue how to properly blend it with multichannel that has print media in it. The PSPs must shift their business and capabilities to multichannel and automation in order to provide their customers with services that match their needs as they (the brands) shift to digital and automatic individualized marketing. Our technology is a critical enabler for these transformations that the PSPs must make; and it is our goal to continuously innovate to make sure that we stays relevant, technology-wise, for our customers!

Web2print

You mean at drupa there are still opportunities to transform established print businesses?

Jacob Aizikowitz: Certainly. The opportunities are huge especially when relating to digital printing business models beyond online printing. It is all about bridging concepts and technologies to be still relevant to new customers needs. With our recently released Cross Media 2.0 technology, we make it possibility for PSPs (and their customers) to practice multichannel with print in the mix, while having the freedom to use their tools and workflow of choice for the digital elements in that mix. This opens the door to state of the art digital solutions, to collaboration, and consistency and synergy between the digital and print media touch points in a dialogue.

This new approach for Cross Media, combined with Circle, makes the XMPie technology also directly relevant to the enterprises themselves, and it opens many possible avenues for Enterprise / PSP collaboration and business workflows. In addition for a future multichannel success all kind of brands and enterprises are relevant. We have to continue to involve and to guide them step by step to experience our drupa 2016 presentation.

Holistic View

You serve a range of premium marketing service solution providers around the globe. From your point of view, what make them unique?

Jacob Aizikowitz: Most of our customers are serving their customers in the best way to achieve a sustainable benefit from multichannel communication success. They had in an early phase clear visions to change what they did and are able to transform it into new business opportunities. Very important fact: all of our very successful customers are not afraid of all kinds of digital and/or disruptive technologies. It is all about the readiness to embrace innovation!

Last but not least: In my opinion the main challenge will be ”customer centricity” driven by high-value multichannel capabilities. Do you agree or disagree?

Jacob Aizikowitz: Of course I agree. The digital age is the age of the customer. Why? Your audience is always connected. You have to become part of their conversation and to be connected all the time. The old school marketing methods don’t fit in that scenario anymore. To create reach and awareness by mass media is no longer working in the same way as in the past. Brands are interested in a relationship, a dialogue, on-going, continuous, with their consumers or prospects. 

Overview

This is very clear from the high investments brands make in social media, seeking “likes” and leveraging these likes for marketing. One exciting avenue for such a relationship between the brand and its consumers is something most digital-centric brand marketers have not yet seen — its packaging. The package — a nicely engaging and attractive piece — is the perfect starting touch point for a dialogue with the mobile-holding individual. The ability to offer multichannel in a packaging context is hot and attractive, and we enable this.

So the best and most desirable example comes from the packaging world. Brand owners realized that a package achieved by a consumer is not the end of the story. It is the starting point of a conversation which will be managed by innovative multichannel communication processes. This is a huge opportunity for our customers to develop breathtaking new applications.

 

Ressources

Thanks for the great conversation, Jacob. What is the essence to summarize our talk?

Jacob Aizikowitz: Finally, it is all about strategy and technology. We kept our strategy pretty much consistent through the years. Main changes were adding Web2Print, adding Analytics, adding Campaign Management (Circle), and revising our approach to cross media. This last point is what we call Cross Media 2.0, and it embraces into the XMPie fold the leading methods and workflows of state of the art in digital today. It’s open and ready for collaborations. The reason this last point is important is because a service provider who wants to provide Multichannel services, must recognize that its customers most likely have capability in web design, web sites, etc. The brands most likely have a web team or a digital agency. So, for our customer to offer multichannel they cannot just dismiss the brands web team or web agency. With Cross Media 2.0 it’s now possible to collaborate and share and work together, using the full spectrum of tools and methods available for digital, while still leveraging the XMPie personalization engine — the exact same engine that will feed the print side of the multichannel endeavor.

Services

In summary: It is all about to enable creating individually relevant and timely interactive customer communications that span time and a mix of digital and print media touch points. —Jacob Aizikowitz

—END—

 

Jacob Aizikowitz

About Jacob Aizikowitz, XMPie, Inc. 

Dr. Jacob Aizikowitz is the president of XMPie, which he founded in 2000 with Israel Roth and Reuven Sherwin, as a spin off from Scitex. XMPie has since grown to become the leading brand for integrated cross-media personalization solutions. In 2006, Jacob and the team led XMPie to a successful acquisition by the Xerox Corporation (XRX), where it now operates under the name, “XMPie, A Xerox Company”.

In the early 90’s, while at EFI (EFII), Jacob guided the early stages of the Fiery™ and led the development of EfiColor™ and Cachet™. These technologies, together with work by Adobe and Apple, brought user-friendly, quality-color to desktop publishing. In the late 90’s, during Jacob’s second term at Scitex, he led the early stages of the R&D of the Creo Controller. In parallel, he and his colleagues developed Scitex VPS™ which became a leading, objects-based, page description language for variable data printing.

The success of VPS, indirectly, inspired the founding of XMPie, and promoted the vision of cross media personalization and the democratization of variable data publishing.

Jacob holds a Ph.D. degree in Computer Science from Cornell University.

header_global_insigh#107DE4 Kopie

The first results of the 2nd drupa Global Insights Report “Touch the future – Applications that can create growth” are out now. Implementing new print applications is for many the best way to regain growth in the demand for print.

Graphic Repro On-line News Review from 16 November 2015

Welcome to another week of news highlights with Laurel Brunner’s Verdigris Blog for Friday 13 November, which examines an ongoing European initiative linked to the Registration, Evaluation, Authorisation and Restriction of Chemicals (REACH) directive which could perhaps spell the end of gravure printing in Europe. For the full article, please visit our Verdigris environmental section. The link appears below, or via the index on our Website.

The week’s news began with Durst at ITMA, where the company launched a new series of super high-performance multi-pass inkjet printers for digital textile production and a new pigmented ink; while Goss International’s new owners have announced the appointment of a new president and chief executive officer. Tuesday saw KBA publish its third quarter 2015 figures, having achieved a pre-tax profit with a turnaround in earnings and with continued solid order intake. It really is beginning to look good.

On Wednesday, Messe Düsseldorf led the headlines as it announced that its Second Global Insights Report is nearing completion and will be available soon in English (and in 7 languages overall). The detailed announcement appears in both English and German in our drupa Newsroom, Please don’t miss it. Bobst also in the headlines with a Gold Award at FEFCO 2015 in Barcelona, for its advanced digital inkjet corrugated press which uses Kodak’s high-speed Stream Inkjet technology.

On Thursday, Sappi Limited published its results for the fourth quarter and full 2015 financial year and is also looking good, with a strong performance and with full year earnings per share excluding special items up 55% for the financial year ended 30 September. FESPA announced its call for entries for the 2016 Awards, marking the start of its search for pioneering and innovative projects in the industry.

Friday’s headlines began with Heidelberger Druckmaschinen revealing that it is on course after the first half of financial year 2015/2016, with sales and result up on the previous year. The second half was also boosted by the sale of the company’s central-Heidelberg headquarters which was posted as income.

You will find quite a number of show-related articles again this week, led by EFI Reggiani on Tuesday, as it showcased new innovations in textile technology at ITMA 2015, including the debut of the new ReNOIR NEXT system. Then we have Mimaki with new inks. Also DuPont and EFI Reggiani on Wednesday, with new inks. Then we have ColorGATE at InPrint in Munich. You will also find an announcement from Baumer on Friday with the world première of a new Tesla family of innovative, high-performance application heads for hot melt adhesives, out of the recent FachPack show in Nuremberg.

A selection of sales and installations successes began with numerous sales from Duplo on Monday out of its recent and successful London Calling event. There’s also a separate announcement from Rapidity with Duplo. On Wednesday Goss International announced that Sandhills Publishing has invested in a new eight-unit Sunday 2000 web press and Pacesetter high-speed saddlestitcher; while EDS Group chose Manroland Web Systems for its latest Lithoman relocation and a Lithoman upgrade. On Thursday Heidelberg UK announced that a Speedmaster XL 75-5+L will be delivered to Thomson Print & Packaging in Edinburgh, Scotland early next year; and the first all-in-one design and print shop in Cape Town’s exclusive Atlantic seaboard suburb of Sea Point, All@OneStop, has added a Xerox press from Bytes.

On Friday, Altacel Flexible Packaging in Weesp, The Netherlands, announced that it has recently fired up a gearless 10-colour KBA-Flexotecnica EVO XG flexo press. This article also appears in Online Features to enable additional photographs to be included, so please don’t miss it. It’s stunning!  Also on this day, independently-owned South African print and design store Wizardz has added a new Xerox Colour C70 printer in TygerValley, Cape Town; while also in South Africa, JMB Labels has invested in a second MPS flexo press and first EB machine in Africa for its Amalgam, Johannesburg plant.

If you work down the list carefully, you will also find other key announcements this week from Xeikon, Gandy, Ricoh Europe with Elsevier, UPM at the CBD Business and Biodiversity Forum 2015 in Helsinki, and from Imaging Solutions and Taopix, among others.

Until next time. My best regards,

Mike Hilton

Fespa Awards 2016

Our e-News comprises:  Headline News – Online Feature Articles – the Verdigris initiative from Digital Dots. Our Drupa and FESPA Newsrooms can be accessed from the Index on our Home Page, as well as News in Review, which provides a weekly overview and listing of all news added to the site. 

Headline News
Over 27,000 news items have now gone online since we launched our Website in September 2001. News for the past 24 months can still be accessed via the Home Page and its continuation news pages

Mon 09 November…    Durst to launch new Alpha series inkjet printers at ITMA 2015
New generation of super high-performance multi-pass inkjet printers for digital textile production and a new pigmented ink…

Goss International Corporation appoints new CEO
Goss International has announced the appointment of Mohit Uberoi as its new president and chief executive officer…

Xeikon expands DecoFlex partnership in Southern Africa
Digital print specialist to target growth in South Africa and Southern Africa with additional expert representation…

Gandy Digital announces new EMEA facility in Zaventem
New Facility in Zaventem, Belgium, close to Brussels airport to boost EMEA customer service and business growth…

007 Theme helps Bonding for Duplo’s London Calling

Duplo’s London Calling has been hailed yet another success, with deals signed at the show worth almost £750,000…

Rapidity chooses Duplo iSaddle to ramp up A4 landscape work
Rapidity has embarked on a new wave of investment for its modern Ricoh-equipped digital print hub in Central London…

Tue 10 November…   Third quarter 2015 report for Koenig & Bauer (KBA)
KBA has achieved a pre-tax profit with the turnaround in earnings announced, and with continued solid order intake…

Duplo announces new PFI brand for growth drive
Duplo International to introduce new PFI-branding to open up global market opportunities with wider product range…

EFI Reggiani to debut new printer at ITMA 2015
EFI Reggiani to showcase new innovations in textile technology at ITMA 2015, including debut of the new ReNOIR NEXT system…

Mimaki to demo new neon and flourescent inks at ITMA
New Neon Yellow and Pink Fluorescent inks ideal for low-volume high-quality use in fashion, sportswear, swimwear and shoes…

ColorGATE solutions for industrial printing at InPrint 2015
Extensive solutions portfolio includes new Industrial Productionserver, Colorrizer, Rapid Spectro Cube, and PrintProcessLab…

Wed 11 November…  Out soon: 2nd drupa Global Insights Report
Touch the future – Applications that can create growth…

Gold for Bobst at FEFCO 2015 in Barcelona
The Bobst digital printing press for corrugated with Kodak Stream Inkjet technology won the Gold Award for Innovation…

DuPont Artistri inks for EFI Reggiani at ITMA 2015
DuPont Digital Printing collaborates with EFI Reggiani to deliver new Artistri digital textile pigment inks…

Goss Sunday 2000 and Pacesetter 2200 for Sandhills
Sandhills Publishing invests with Goss again for efficiency and sustainability with new eight-unit web and saddlestitcher…

EDS opts for Manroland Web for its Lithoman support

Long-term partnership success as EDS Group chooses Manroland Web Systems for new Lithoman relocation and a Lithoman upgrade…

Thu 12 November…   Sappi Limited Results for 2015 and fourth quarter
Strong performance with full year earnings per share excluding special items up 55% for year ended 30 September…

Ricoh Pro VC60000 wins Elsevier print quality approval
Following extensive testing, the Ricoh Pro VC60000 gains validation to Elsevier’s list of High Quality inkjet print engines…

FESPA Awards 2016 now open for entries
FESPA’s call for entries for its 2016 Awards, marks the start of its search for pioneering and innovative projects in the printing industry…

UPM showcases its biodiversity initiatives in Helsinki

UPM participates in the CBD Business and Biodiversity Forum 2015, held on 11 and 12 November in Helsinki, Finland…

Thomson Print & Packaging to add a B2 facility
A Heidelberg Speedmaster XL 75-5+L will be delivered to the Edinburgh print and packaging producer early next year…

Xerox first for All @ One Stop in Sea Point, Cape Town
The first all-in-one design and print shop in Cape Town South Africa’s exclusive Atlantic seaboard suburb of Sea Point…

Fri 13 November…   Heidelberg results for Q2 and first half 2015/2016
Heidelberg on course after the first half of financial year 2015/2016 with sales and result up on previous year…

Imaging Solutions and Taopix announce new partnership
Co-operation to provide a front end design and ordering platform and a back end range of lay-flat bookbinding solutions…

Baumer moves the hot melt market at FachPack in Nuremberg
The world première of the new Tesla family of innovative, high- performance application heads from Baumer hhs…

Altacel invests in ‘the difference’ from KBA-Flexotecnica
Altacel Flexible Packaging fires up a KBA-Flexotecnica EVO XG flexo press. Said CEO Alec Frijlink: ‘Our company is a racetrack’…

Wizardz Tyger Valley in Cape Town makes magic with Xerox
The independently-owned South African print and design store has added a new Xerox Colour C70 printer…

MPS EB label press from Rotocon for JMB Labels in Amalgam
JMB Labels invests in second MPS flexo press and the first EB machine in Africa for its Amalgam, Johannesburg, South Africa plant…

Lead articles from Friday 06 November and previous update… 

Previous…   InPrint 2015 Show and Conference starts Tuesday 10 November
Industrial Speciality, screen, digital, inkjet and 3D technologies for functional, decorative, packaging printing…

Fujifilm announces series of global Corrugated Summits
Fujifilm is launching a series of one-day Corrugated Summits to be held in November and December at its Broadstairs, UK facility…

GraphicRepro.Net e-News  (ISSN 1814-2923) is sponsored and made possible by:

Heidelberger Druckmaschinen AG  (Heidelberg), The world’s largest printing press manufacturer for the industry worldwide. Heidelberg customers enjoy the most comprehensive and extensive sales and service network in the industry for JDF compliant workflow, computer-to-plate, sheetfed offset, Web-to-print, digital printing, digital inkjet for labels and packaging, packaging and finishing, all with complementary consumables. Heidelberg has offices in around 170 countries. Visit the Heidelberg Website for more information.

Electronics For Imaging  (EFI) is a world leader in digital imaging and print management solutions for the commercial printing market. Its portfolio of integrated solutions span production and superwide format printing, graphic arts, advanced professional printing software, and industrial inkjet systems. Its technologies increase productivity by automating print and business processes To find out more visit the EFI Website.

Kodak Commercial Imaging  (Kodak) is a leading provider of innovative solutions for conventional, digital and hybrid print production environments. With the most expansive portfolio for the graphic communications market,  Kodak features technologies, products and services that help print providers streamline processes, optimise efficiencies, broaden services, and grow businesses. To find out more, visit the Kodak Graphics Website.

drupa 2016 (drupa), the international flagship fair of the printing and media industry, responds to the challenges of the changing market and provides pioneering solutions for the future. This is highlighted by the new marketing and communication strategy where drupa claims its position as ‘No.1 for Print & Crossmedia Solutions’ with the slogan ‘touch the future’. The issues of ‘package printing’, ‘multichannel’, ‘green printing’, ‘3D printing’ and ‘functional printing’ will become increasingly important to the overall communication strategy. To find out more, visit the drupa 2016 Website.

Online Feature articles 2014 – 2015
There were again well over 90 last year, including nine downloads, as well as 92 articles in 2013 which can still be accessed via the Index on the Home Page, with prior years’ via Search Archives (option 2) on the Website.

Downloads in 2015 Chapter 01

Previous…    Alpha version of Paper Guide launched for industry comment
The best practice guide, ‘Optimised Paper Handling and Logistics’ will shortly be released in an Alpha version for open industry comment. You can also take part!…

Technology-related 2015 Chapter 02

Previous…    Heidelberg launches LED drying technology in Europe, too
A full range of UV applications from full UV, to LE UV, and LED from Heidelberg drive productivity up and energy costs down…

Nov/Dec 2015 Chapter 08

Altacel invests in ‘the difference’ from KBA-Flexotecnica
Altacel Flexible Packaging in Weesp fires up a EVO XG flexo press from KBA-Flexotecnica a few weeks ago. CEO Alec Frijlink: ‘Our company is a racetrack’…

Previous…    Ricoh Europe research warns businesses are unprepared
A massive 92 per cent of European businesses admit they aren’t ready for the Digital Single Market due to come into force in 2016…

Verdigris – Environmental Initiative

Laurel Brunner’s weekly Verdigris Blog 2015

Chemical Reactions
The weekly Verdigris blog by Laurel Brunner – Fri 13 November

Previous…    Fresh Air Thinking
The weekly Verdigris blog by Laurel Brunner – Fri 06 November

Drupa Newsroom
Our Drupa Newsroom with news from Messe Düsseldorf and for Drupa 2016 can be found in the Index, as well as via the special Newsroom button on the right of the Home Page near the top.

drupa 2016 News from Messe Düsseldorf

Out soon: 2nd drupa Global Insights Report

Touch the future – Applications that can create growth…

2. drupa Global Insights Report erscheint in Kürze
Touch the future – Anwendungen mit Wachstumspotenzial…

Previous…    Packaging Touchpoint at drupa 2016:
The packaging of tomorrow – experience the future, now…

Touchpoint packaging zur drupa 2016:
Verpackungen von morgen – schon heute zum Anfassen…

3D fab+print Touchpoint for drupa 2016
3D printing up close: Innovation, Vision and Best Practices.

Touchpoint 3D fab+print zur drupa 2016

3D-Druck zum Anfassen: Innovationen, Visionen und Best-Practices…

drupa 2016 Expert Articles series
Can be accessed via our Drupa Newsroom, in the Index on the Home page.

Most recent…    Crossing the finish line – a Cinderella story
Touch the future. Drupa expert Article No 4, by Cary Sherburne, well-known author, journalist and marketing consultant focused on marketing communications for the printing and publishing industries…

drupa 2016 News from Exhibitors

Previous…    Entries are open for the third Lenstar Lenticular Print Awards
Drupa venue announced for 2016 Lenstar Lenticular Print Awards to be held in the drupa innovation park on 2 June 2016…

Ricoh to showcase innovative new ways to transform business at drupa 2016
Ricoh will bring a range of products and services to drupa 2016 that will enable Print Service Providers to step ahead on their paths of transformation…

FESPA Newsroom
The dedicated FESPA Newsroom can be found via the Index on our Home Page.

FESPA Awards 2016 now open for entries

FESPA’s call for entries for its 2016 Awards, marks the start of its search for pioneering and innovative projects in the printing industry…

Previous…    FESPA Asia returns to Bangkok in 2017
FESPA is delighted to announce FESPA Asia will take place in February 2017 at the BITEC exhibition centre, Bangkok, Thailand…

FESPA Global Summit returns for 2015
FESPA offers growth planning insights to leading printers at its Global Summit, from 1 – 2 December 2015, at the Andaz Hotel in Amsterdam…

Textile print heroes converge at FESPA Textile 2016
FESPA Fabric rebrands to reflect fast-expanding, multi-application textile sector…

The Graphic Repro On-line Website is supported and sponsored by: 

Antalis South Africa, Dainippon Screen,  Drupa 2016,  EFI and EFI Vutek, Esko,  Epson Europe BV,  FESPA. Goss International Inc,  Heidelberger Druc kmaschinen AG,  HP Graphic Solutions,  Kodak,  Koenig + Bauer AG,  Kemtek Imaging Systems,  Krause-Biagosch,  Leonhard Kurz Stiftung,   Manroland Web Systems GmbH,  Muller Martini AG,  POLAR-Mohr, QuadTech Inc,  Quark Inc,  Ricoh Europe,  Sappi LimitedThunderbolt Solutions, and UPM-Kymmene.

If you would like to send news for consideration for the Graphic Repro On-line Website (ISSN 1814-2915) or to submit comments, please e-mail Mike Hilton at: graphicrepro.za@gmail.com.

Our Website urls are:

http://www.graphicrepro.co.za
http://www.graphicrepro.net

GraphicRepro.Net e-News (ISSN 1814-2923)  provides weekly updates from the Graphic Repro On-line Website and is  compiled and published by Mike Hilton,PO Box 10 Peterburgskoe Shosse 13/1, 196605 Pushkin 5, St. Petersburg, Russia.

ValuePublishing Teil 3 Facts Figures Zielgruppen Reichweite UPDATE SELFRUNNING.001.jpeg

Wir müssen am Design des Wissens arbeiten, damit wir aus der Unübersichtlichkeit herauskommen. — Prof. Dr. phil. Dr. med. Ernst Pöppel, Wissenschaftler und Forscher

ValuePublishing — Innovative B2B Communication Solutions

Im ersten Teil unserer Neuvorstellung von ValuePUBLISHING, der neuen Initiative von Michael Seidl und Andreas Weber, beschäftigten wir uns mit dem Was? Wie? Warum! der nachhaltigen Inszenierung von Fachkommunikation. — Unser weiteres Thema in Teil 2: Darum! Stärken und Besonderheiten. Mit Fokus auf die Leitmesse drupa 2016. Wir freuen uns, als Partners des drupa-teams der Messe Düsseldorf Ihnen unsere Multichannel-Ansatz näher zu bringen.

„Das Besondere an ValuePublishing: Wir wissen, wie man per Multichannel Fach-Kommunikation innovativ, smart, nachhaltig und wirkungsstark inszeniert!“

ValuePublishing bezeichnet ein neuartiges Publikationsangebot, das von den Branchenexperten Michael Seidl und Andreas Weber speziell entwickelt wurde, um alle relevanten Themen der drupa 2016 per Multichannel-Kommunikation wirkungsvoll sowie nachhaltig vor und während der drupa 2016 zu inszenieren:

  • Online per ValueBlog, E-Newsletter und via ValueSocialMedia-Plattformen
  • sowie maßgeschneidert auch im Print (Fach-Magazine, Specials/Direktmarketing).

Publiziert wird in deutsch und englisch. Erreicht werden direkt 15.000 Kontakte durch unser fundiertes, in der Branche einzigartiges Knowhow und Vernetzungstalent  — je nach Thema/Inhalt zusätzlich mit einer Gross Reach von bis zu über 1 Million!

Unsere Tipps für eine erfolgreiche Zusammenarbeit

  1. Folgen Sie den Links zu unseren Erfolgsbeispielen. Gerne auch via Slideshare.
  2. Nutzen Sie unsere Expertise per ValuePublishing Coachings — zum Aufbau oder zur Erweiterungen Ihrer Kenntnisse und Möglichkeiten.
  3. Fokussieren Sie sich zu 100 % auf Ihre Innovationen. Wir setzen diese gekonnt und zeitgemäß medial in Szene!

Interessenten wird gerne ein individuelles, für sie passendes Angebot erstellt. Anregungen dafür enthalten die in den Charts aufgeführten aktuellen Fallbeispiele.

KONTAKT FÜR WEITERES

Michael Seidl, EMG, Wien
https://at.linkedin.com/pub/michael-seidl/1/836/68a/de

Andreas Weber, Value Communication, Mainz
https://de.linkedin.com/in/andreasweber/de

ValuePublishing Teil 3 Facts Figures Zielgruppen Reichweite UPDATE SELFRUNNING.004

HINTERGRUNDINFORMATIONEN:

Im Gespräch mit zahlreichen Experten sowie dem drupa-Team der Messe Düsseldorf ergaben sich bereits 2015 für uns alle spannende Ansatzpunkte. Im Fokus: Die Vielfalt und die Komplexität der neuen Lösungen im Print- und Papiersektor wächst mit ungeheurer Dynamik. Durch Industrie 4.0 und das Internet-der-Dinge, die aktuellen Treiber der Digitalisierung, werden gleichzeitig sämtliche Geschäfts- und Kommunikationsprozesse revolutioniert, wodurch die Herausforderungen insgesamt explosionsartig wachsen.

Das drupa-Motto „Touch the Future“ sowie ein ambitioniertes drupa-Ausstellungsprogramm spiegeln die noch nie dagewesene, extrem hohe Taktfrequenz, mit der fulminante Veränderungen einhergehen, wieder. Unsere aktuellen ValuePublishing Stories zu Heidelbergs drupa-Strategie „Simply Smart“ belegen eindrucksvoll, wie man auf aktuelle Entwicklungen reagieren kann.

Die gute Nachricht zur drupa 2016 lautet daher: Aus Expertensicht nimmt die Print- und Papierbranche bei der digitalen Transformation geradezu eine Vorreiterrolle ein.

Die weniger gute Nachricht: Die Masse an Neuheiten, die auf der Leitmesse ab
31. Mai 2016 zu sehen sein werden und damit die Informationsfülle, sind schwer
zu bewältigen. Jedenfalls nicht mit den Möglichkeiten, die wir bislang nutzen.

Der Ausweg aus unserer Sicht: Innovative Technologien und Lösungen muss man auch durchgängig innovativ kommunizieren! In Echtzeit. Multimedial. Markt-,
kunden- und bedarfsorientiert.

 

ValuePublishing Teil 3 Facts Figures Zielgruppen Reichweite UPDATE SELFRUNNING.005

„Innovative Technologien und Lösungen muss man auch durchgängig innovativ kommunizieren! In Echtzeit. Multimedial. Markt-, kunden- und bedarfsorientiert.“

Unser Vorschlag: Machen Sie Ihr drupa-Angebot durch ValuePublishing bereits im Vorfeld zum wichtigen Gesprächsthema Ihrer Kunden und deren Kunden! Vor allem, um frühzeitig mit den für Sie relevanten neuen Zielgruppen in Kontakt zu treten.
Nur so können notwendige Entscheidungsprozesse durch individuell wirksamen
Wissensaustausch erheblich beschleunigt werden.

Entsprechend ist unser hochwertig-innovatives ValuePublishing-Angebot ausgerichtet, das im Übrigen bereits durch Pilotprojekte validiert wurde — neben Heidelberger Druckmaschinen mit Top-drupa-Ausstellern wie Canon, Zünd Systemtechnik sowie international erfahrenen Multichannel-Experten der XMPie User Group.

Passend für Ihre Belange als Aussteller haben wir eine einzigartige B2B-Multichannel-Kommunikationslösung entwickelt, die sofort nutzbar und v. a. hoch wirksam ist:

  • Kern-Botschaften ohne Streuverluste, mit nachweislich maximal hohen Reichweiten, 
  • mit starken Interaktions-Impulsen, um Dialoge und Messebesuche in Gang zu setzen.

Profitieren Sie von unseren Kontakten zu den für Sie wichtigsten neuen Zielgruppen, nämlich zu denen, die Innovationen sofort einsetzen wollen; vorausgesetzt der
Nutzen ist verständlich und begreifbar dargestellt.

Lassen Sie uns rasch in den Dialog treten, um die für Sie optimalen Kommunikationslösung festzulegen!

Wir bieten zusätzlich ValuePublishing Coachings an, um ihre bereits geplanten Fach-Kommunikations-Kampagnen zu besprechen, optimieren und/oder zu erweitern. Oder auch um relevantes Multichannel-Knowhow zu vermitteln.

 

ValuePublishing Teil 3 Facts Figures Zielgruppen Reichweite UPDATE SELFRUNNING.015

Angebot (Auswahl zur sofortigen Startmöglichkeit)

Sofort buchbare und mit Top-Firmen bereits validierte Leistungsmodule.
Garantiert 15.000 Kontakte mit einer Gross Reach von bis zu über 1 Million!
Details zu Auswertungen und Fallbeispielen u.a.m. finden Sie im ValueBlog.

1. ValueBlog Dialog (deutsch und englisch) — Pauschalpreis: Euro 3.750 zzgl. MwSt.
Exklusiv-Interview mit Top-Level-Gesprächspartner aus Ihrem Unternehmen
(Geschäftsführung, F+E, Vertrieb, Marketing), via Skype oder Telefon.

Beispiele:
Interview mit Heidelberg-Vorstand Harald Weimer
Interview mit Oliver Zünd, Zünd Systemtechnik AG, Schweiz

Leistungen: Interview gemäß einer zur Gesprächsvorbereitung übermittelten Frageliste sowie Redaktion plus Publikation via ValueBlog und ValueSocialMedia-Plattformen (LinkedIn, Facebook, XING, Twitter, Google+) sowie ValueCommunities inkl. DDF DigitaldruckForum. Das ValueTeam integriert redaktionell wichtige Links zu Ihren bereits vorhandenen, tiefergehenden, relevanten Firmeninformationen.

2. ValueBlog Story (deutsch und englisch) — Pauschalpreis: Euro 4.800 zzgl. MwSt.
Aus Expertensicht kommentieren, bewerten und positionieren wir bis zu drei ausgewählte Fallstudien und Kundenporträts, die uns von Ihnen bereitgestellt werden, und die wir per Kurzinterviews mit Ihren Kunden validieren.

Leistungen: Texten/Redaktion plus Publikation via ValueBlog/ValueSocialMedia-Plattformen (LinkedIn, Facebook, XING, Twitter, Google+) sowie ValueCommunities.   

3. ValueRealTime Stories (deutsch und englisch) — Preise: ab Euro 1.500 zzgl. MwSt.
Gemäß Absprache und Projektplanung stellen wir unter der Leitung von Andreas Weber tageweise ein Team ab, dass z. B. auf der drupa Media Week im Februar 2016, Ihren Pre-drupa-Presse-/Kunden-Events und/oder auf der drupa 2016 an ausgewählten Messetagen in Echtzeit im Mix auf deutsch und englisch postet.

Beispiele:
Canon Expo Paris, Oktober 2015
Heidelberg pre-drupa Pressekonferenz, Dezember 2015

Leistungen: Echtzeit-Posts (Text/Fotos/Videos) plus Publikation via ValueBlog und ValueSocialMedia-Plattformen (LinkedIn, Facebook, XING, Twitter, Google+) sowie ValueCommunities. In einem Storify werden die wichtigsten Posts zusammengefasst. Dieses Angebot ist limitiert. 

Es gelten die AGB der Value Communication AG, Walpodenstr. 1, D-55116 Mainz. Änderungen vorbehalten. Zahlungsweise: Nach Auftragserteilung ohne Abzug. Gemäß unserem In-Echtzeit-Leistungs-Angebot wird das jeweilige Projekt begonnen, sobald der Zahlungseingang erfolgt ist. Spätere Zahlungsziele gegen Aufpreis.

 

Bitte sehen Sie sich auch unsere Präsentation auf Slideshare an, inkl. YouTube.Video. Es fanden sich in den erste 12 Stunde nach Veröffentlichung bereits über 7.500 Viewers!

Graphic Repro On-line News Review from 2 November 2015

Welcome to another week of news highlights with Laurel Brunner’s Verdigris Blog for Friday 30 October, which this week takes another look at recycling of digital prints. One of the biggest threats to the spread of digital printing methods is concern for the print’s recyclability. In part this is due to scaremongering by vested interests, but printed matter must be deinked if it is to be recycled and some digital printing methods produce prints that are hard to deink. Hard but not impossible. Read the full article in our Verdigris section. We also have Gallus, post-Labelexpo, in Online Features Chapter 07.

The leaders on Monday and Tuesday report on Kodak’s third quarter results, and provide UPM-Kymmene’s interim results for their respective 2015 financial year; while on Wednesday, UPM Kymi reported that its Eur 160 million pulp mill expansion and major upgrade has now proceeded to final finishing work, which will enable annual production capacity at the Kymi mill to increase by 170,000 tonnes to 700,000 tonnes.

Wednesday’s lead went to Heidelberg, as customers Baier & Schneider is soon to start running a Speedmaster SX 52 Anicolor that incorporates the 40,000th printing unit in the SM 52/SX 52 series and is destined for the Group’s Heilbronn, Germany plant. On Thursday, Kodak took the lead again as it announced settlement of the long-outstanding dispute with Collins Inkjet, regarding Kodak Versamark inks with both companies agreeing on-going co-operation for the future.

On Friday, FESPA announced that its Global Summit is to return this year and will be held from 1 – 2 December, at the Andaz Hotel in Amsterdam.

With InPrint in Munich taking place from 10 – 12 November in Munich, Inca Digital will debut its new service: ‘Inca Genius’. A dedicated technology and applications arm, Inca Genius is designed to serve the needs of organisations looking for an established partner to help develop innovative inkjet production solutions for a wide range of industrial applications. You’ll find more about this in the article among Friday’s headlines.

The past week has seen some stunning sales and installations starting with Brydian Cards on Monday with a KBA Genius 52-UV five-colour press. >From Epson at SixTeeSix in the UK; and KBA at Amway in North America with a Rapida 106 6-colour UV press, on Tuesday; and again from KBA on Wednesday with an eight-colour Rapida 106 perfector with LED-UV at Oberdruck in Austria. Scodix also announced a first in Europe for the new Scodix Foil system for the Scodix Ultra Pro at OFT in Neuss, Germany. On Thursday, MPS announced that GM Graphix in Alberton announced that it has installed the first flexo press in South Africa to use LED UV drying. It is the company’s third MPS pr ess. BCQ Group in Buckingham, has added a Promatrix 106 die-cutter from HeidelbergUK, along with a Stitchmaster ST500; while Signbox UK has enhanced its production with a new cutting-edge Durst Rho P10 160 UV inkjet printer.

On Friday, Heidelberg USA announced that it is soon to install the world’s first XL 106 long-perfector with X4 delivery, complete with full UV, LE UV and LED UV; and Watkiss announced that AB Print Group has chosen a nearline configuration of the Watkiss PowerSquare as the optimum solution for finishing from the firm’s assortment of litho and digital presses.

If you check out the headlines carefully, you will also find new software and upgrades from Esko, Enfocus and Muller Martini on Monday, Thursday and Friday respectively.

The tailender goes to FESPA Fabric, as it rebrands at FESPA Textile 2016 to reflect the fast-expanding, multi-application textile sector for Amsterdam show at the RAI next March (in the FESPA Newsroom and also among the headlines on Tuesday.

That’s all from me until next time,

My best regards,

Mike Hilton

Bildschirmfoto 2015-11-02 um 08.36.28

Our e-News comprises:  Headline News – Online Feature Articles – the Verdigris initiative from Digital Dots. Our Drupa and FESPA Newsrooms can be accessed from the Index on our Home Page, as well as News in Review, which provides a weekly overview and listing of all news added to the site. 

Headline News
Over 27,000 news items have now gone online since we launched our Website in September 2001. News for the past 24 months can still be accessed via the Home Page and its continuation news pages

Mon 26 October…    Kodak reports Q3 2015 financial results
Kodak’s Third Quarter on track to achieve revenue and earnings goals for 2015, despite revenue decline says CEO Jeff Clarke…

Antalis UK to sell Stratasys Idea and MakerBot Pro Plus
Antalis UK enters 3D print market with Art Systems’ reseller agreement for Stratasys Idea and MakerBot Professional Plus…

Esko announces important update for ArtiosCAD
ArtiosCAD helps designers create and produce multi-part displays or packages faster by eliminating wasteful steps…

Brydian Cards signals intent with Genius buy
Trade specialist targets £5m turnover following £850,000 investment programme and KBA Genius 52UV 5-colour anilox press…

Kiian Digital at SGIA 2015 in Atlanta 4 – 6 November
Company to launch new ink portfolio for industrial printers…

Tue 27 October…   UPM-Kymmene Corporation Interim Report for Q3 2015
Momentum for improvement continues: UPM shows improved Q3 earnings, cash flow and balance sheet…

Xerox shines at International Print & Pack Expo in Kenya
The third International Print & Pack Expo at the Kenyatta International Convention Centre drew large crowds to the Xerox stand…

Textile print heroes to converge at FESPA Textile 2016
FESPA Fabric rebrands to reflect fast-expanding, multi-application textile sector for Amsterdam show at the RAI next March…

SixTeeSix expands t-shirt printing business with Epson
Direct-to-garment printer invests with Epson to expand its service offering to print t-shirts while-you-wait…

New KBA Rapida 106 adds unique capabilities at Amway
Amway adds unique printing capabilities for its wide-ranging work from commercial applications to folding cartons…

Wed 28 October…  Speedmaster SX 52 Anicolor with 40,000th unit for Brunnen
Successful manufacturer of branded goods Baier & Schneider invests in sheetfed offset and digital presses from Heidelberg…

UPM Kymi pulp mill expansion well on schedule
Successful ramp-up of the expansion in the UPM Kymi pulp mill has now proceeded to final finishing work…

Eight-colour Rapida 106 with LED-UV in Austria
Oberdruck, the local supplier for print media, recently invested in an eight-colour Rapida 106 perfector with LED-UV kit…

Gallus presented an explosion of innovations in Brussels

At Labelexpo Europe 2015 earlier this month, Gallus once again offered an impressive demonstration of its ability to innovate…

First Scodix Foil System installed in Europe at OFT

The new inline module for the Scodix Ultra Pro was introduced last month at Graph Expo 15 in Chicago and IGAS in Tokyo…

Thu 29 October…   Kodak and Collins settle Versamark Inks dispute
Kodak and Collins Inkjet announce settlement of dispute regarding Kodak Versamark inks and agree on-going co-operation…

GM Graphix purchases its third MPS press
And the first flexo press in South Africa to use LED UV drying…

Promatrix 106 die-cutter and last ST 500 for BCQ

BCQ Group in Buckingham is blown away by Promatrix die-cutter productivity and Postpress Manager efficiency…

Signbox boosts production with new Durst Rho upgrade
Signbox has enhanced its in-house production facilities with a new cutting-edge Durst Rho P10 160 UV inkjet printer…

Enfocus announces PitStop 13 update 1
Features let sign & display, packaging & label, and digital and commercial printers better control PDF workflows…

Fri 30 October…   FESPA Global Summit returns for 2015
FESPA offers growth planning insights to leading printers at its Global Summit from 1 – 2 December, at the Andaz Hotel, Amsterdam…

Heidelberg world first Speedmaster with 3 types of UV drying
Heidelberg USA to install world’s first XL 106 long-perfector with X4 delivery, complete with full UV, LE UV and LED UV…

Inca showcases new ‘Inca Genius’ at InPrint 2015

Technical, application and manufacturing resources to help organisations develop innovative industrial inkjet solutions…

Felix Schoeller at Xeikon Café event in Lier in October
Felix Schoeller Digital Media and Xeikon launched their new product portfolio for Xeikon printing presses…

AB Print Group reinvests in new Watkiss PowerSquare

Nearline configuration chosen as optimum solution for finishing from an assortment of litho and digital presses…

Muller Martini’s new Connex.Mailroom management system
Connex.Mailroom process management system brings maximum reliability and even greater functionality to the mailroom…

Lead articles from last Friday in the previous update… 

Previous…   Park Communications chooses KBA to enhance its offering
Leading London print house continues major investment programme with 6-colour B1 Rapida 106 with integral coating…

GraphicRepro.Net e-News  (ISSN 1814-2923) is sponsored and made possible by:

Heidelberger Druckmaschinen AG  (Heidelberg), The world’s largest printing press manufacturer for the industry worldwide. Heidelberg customers enjoy the most comprehensive and extensive sales and service network in the industry for JDF compliant workflow, computer-to-plate, sheetfed offset, Web-to-print, digital printing, digital inkjet for labels and packaging, packaging and finishing, all with complementary consumables. Heidelberg has offices in around 170 countries. Visit the Heidelberg Website for more information.

Electronics For Imaging  (EFI) is a world leader in digital imaging and print management solutions for the commercial printing market. Its portfolio of integrated solutions span production and superwide format printing, graphic arts, advanced professional printing software, and industrial inkjet systems. Its technologies increase productivity by automating print and business processes To find out more visit the EFI Website.

Kodak Commercial Imaging  (Kodak) is a leading provider of innovative solutions for conventional, digital and hybrid print production environments. With the most expansive portfolio for the graphic communications market,  Kodak features technologies, products and services that help print providers streamline processes, optimise efficiencies, broaden services, and grow businesses. To find out more, visit the Kodak Graphics Website.

drupa 2016 (drupa), the international flagship fair of the printing and media industry, responds to the challenges of the changing market and provides pioneering solutions for the future. This is highlighted by the new marketing and communication strategy where drupa claims its position as ‘No.1 for Print & Crossmedia Solutions’ with the slogan ‘touch the future’. The issues of ‘package printing’, ‘multichannel’, ‘green printing’, ‘3D printing’ and ‘functional printing’ will become increasingly important to the overall communication strategy. To find out more, visit the drupa 2016 Website.

Online Feature articles 2014 – 2015
There were again well over 90 last year, including nine downloads, as well as 92 articles in 2013 which can still be accessed via the Index on the Home Page, with prior years’ via Search Archives (option 2) on the Website.

Downloads in 2015 Chapter 01

Alpha version of Paper Guide launched for industry comment
The best practice guide, ‘Optimised Paper Handling and Logistics’ will shortly be released in an Alpha version for open industry comment. You can also take part!…

Technology-related 2015 Chapter 02

Previous…    Heidelberg launches LED drying technology in Europe, too
A full range of UV applications from full UV, to LE UV, and LED from Heidelberg drive productivity up and energy costs down…

Sep/Oct 2015 Chapter 07

Gallus presented an explosion of innovations in Brussels
At Labelexpo Europe 2015 earlier this month, Gallus once again offered an impressive demonstration of its ability to innovate…

Previous…    HR-UV at Druckerei Vogl with the KBA Rapida 106
The new, cutting-edge headquarters in Zorneding, houses renowned Bavarian specialist for luxury uncoated stock printing…

Verdigris – Environmental Initiative

Laurel Brunner’s weekly Verdigris Blog 2015

Recycling Digital Prints
The weekly Verdigris blog by Laurel Brunner – Fri 30 October

Previous…    Environmental Awards for Printers
The weekly Verdigris blog by Laurel Brunner – Fri 23 October

Drupa Newsroom
Our Drupa Newsroom with news from Messe Düsseldorf and for Drupa 2016 can be found in the Index, as well as via the special Newsroom button on the right of the Home Page near the top.

drupa 2016 News from Messe Düsseldorf

3D fab+print touchpoint for drupa 2016

3D printing up close: Innovation, Vision and Best Practices.

Touchpoint 3D fab+print zur drupa 2016

3D-Druck zum Anfassen: Innovationen, Visionen und Best-Practices…

drupa 2016 Expert Articles series
Can be accessed via our Drupa Newsroom, in the Index on the Home page.

Crossing the finish line – a Cinderella story
Touch the future. Drupa expert Article No 4, by Cary Sherburne, well-known author, journalist and marketing consultant focused on marketing communications for the printing and publishing industries…

drupa 2016 News from Exhibitors

Previous…    Ricoh to showcase innovative new ways to transform business at drupa 2016
Ricoh will bring a range of products and services to drupa 2016 that will enable Print Service Providers to step ahead on their paths of transformation…

FESPA Newsroom
The dedicated FESPA Newsroom can be found via the Index on our Home Page.

FESPA Global Summit returns for 2015
FESPA offers growth planning insights to leading printers at its Global Summit, from 1 – 2 December 2015, at the Andaz Hotel in Amsterdam…

Textile print heroes converge at FESPA Textile 2016
FESPA Fabric rebrands to reflect fast-expanding, multi-application textile sector…

The Graphic Repro On-line Website is supported and sponsored by: 

Antalis South Africa, Dainippon Screen,  Drupa 2016,  EFI and EFI Vutek, Esko,  Epson Europe BV,  FESPA. Goss International Inc,  Heidelberger Druckmaschinen AG,  HP Graphic Solutions,  Kodak,  Koenig + Bauer AG,  Kemtek Imaging Systems,  Krause-Biagosch,  Leonhard Kurz Stiftung,   Manroland Web Systems GmbH,  Muller Martini AG,  POLAR-Mohr, QuadTech Inc,  Quark Inc,  Ricoh Europe,  Sappi LimitedThunderbolt Solutions, and UPM-Kymmene.

If you would like to send news for consideration for the Graphic Repro On-line Website (ISSN 1814-2915) or to submit comments, please e-mail Mike Hilton at: graphicrepro.za@gmail.com.

Our Website urls are:

http://www.graphicrepro.co.za
http://www.graphicrepro.net

GraphicRepro.Net e-News (ISSN 1814-2923)  provides weekly updates from the Graphic Repro On-line Website and is  compiled and published by Mike Hilton, graphicrepro.netPO Box 10 Peterburgskoe Shosse 13/1, 196605 Pushkin 5, St. Petersburg, Russia. e-mailgraphicrepro.za@gmail.com

About ValuePublishing.001

In eigener Sache: Unser neues Angebot — Teil 1: “Was? Wie? Warum!”

Gemäß den Erkenntnissen aus ihrem “Gipfeltreffen” in Mainz haben Michael Seidl und Andreas Weber ein neues Angebot entwickelt: ValuePublishing — Die nachhaltige Inszenierung von Fachkommunikation für Print, Publishing, visuelle Kommunikation und Multichannel. — InterMedial + InterKultuell + InterkreAktiv!

 „Wir müssen verstärkt über alle Medienkanäle hinweg unsere unterschiedlichen Expertisen, Meinungen und relevante Botschaften zusammenführen. Print profitiert dabei von Online/Social. Und umgekehrt.“ —Michael Seidl

„Unser Ziel ist es nicht nur hohe Reichweiten aufzubauen, sondern Interaktionen herbeizuführen. Dies beflügelt den Kommunikationsmix sowie das Lesererlebnis gleichermaßen und führen SOFORT zum Erfolg.“ —Andreas Weber

Ob Technologieentwickler, Papierhersteller, Dienstleistungsbetrieb oder Kommunikationstreibender: Alle sitzen in einem Boot bei stürmischer See. 

Das Tempo wird höher, der Umgang mit Innovationen wird immer komplexer. Um im Bild zu bleiben: Unternehmen haben zusehends Probleme, den Kommunikations-Kurs zu halten und den sicheren Hafen (sprich die Kunden) zu erreichen. 

Die bangen Fragen: 

  1. Wer bringt Licht ins Dunkel?
  2. Wer filtert das Wichtige und Relevante heraus?
  3. Wer bringt alle Beteiligten zusammen?
  4. Wer stellt den Kontext her zwischen technisch Machbarem und veränderten Anforderungen im Markt?

Gute Fragen. — Beste Antwort:
WIR! 

Wir, dass sind Michael Seidl, EMG/Wien, und Andreas Weber, Value Communication/Mainz, ausgewiesene und renommierte Experten für Fachkommunikation. Mit der Spezialisierung auf Print, Publishing, Visuelle Kommunikation und Multichannel.

About ValuePublishing.016

„Wir wissen wie man Fachkommunikation nachhaltig inszeniert!“

Unser Rat an unsere Kunden und Partner (vor allem mit Blick auf die drupa 2016):

  • Gehen Sie MIT UNS neue, höchst wirkungsstarke Wege.
  • Entdecken Sie, wie man im Team mit uns zeitgemäß und nachhaltig IHRE relevanten Fachthemen medial inszeniert, um von IHREN Innovationstechnologien und Lösungsangeboten bestmöglich zu profitieren!

Ihre Erfolgsfaktoren — unsere Leistungen:

  1. Smartes Storytelling: Wir entwickeln für Sie packende, emotionalisierende, bestens in Szene gesetzte Geschichten — auf allen relevanten Medienkanälen erlebbar.
  2. Conversation Management: Interaktion und Dialoge statt Push-Kommunikation!
  3. Dynamisches Networking: Klasse statt Masse, die Marktsicht kennenlernen und gestalten.

Interessenten wird ein individuelles, für sie passendes Angebot erstellt.
Anregungen dafür enthalten die in den Charts aufgeführten aktuellen Fallbeispiele.

+++++++++++++++++++++

KONTAKT FÜR WEITERES

Michael Seidl, EMG, Wien
https://at.linkedin.com/pub/michael-seidl/1/836/68a/de

Andreas Weber, Value Communication, Mainz
https://de.linkedin.com/in/andreasweber/de

+++++++++++++++++++++

We proudly present:
Value
Publishing — InterMedial + InterKultuell + InterkreAktiv!
Die Charts inkl. aktuellen Fallbeispielen u.a. mit den Firmen Canon, Zünd sowie der XUG und für den Golden Pixel Award:

Siehe auch Teil 2: “Darum! Stärken und Besonderheiten”:
“ValuePublishing führt Technologie-Innovationen direkt ins Ziel!”

Inprint_2015_Heidelberg_Booth_IMAGE_RATIO_1_5

A marketplace of ideas at the stand of Heidelberger Druckmaschinen AG (Heidelberg) will offer visitors to InPrint 2015, which is taking place in Munich from November 10-12, the chance to find out about the diverse possibilities of color 4D printing. Photo: Heidelberg

Graphic Repro On-line News Review from 26 October 2015

Welcome to another week of news highlights with Laurel Brunner’s Verdigris Blog for Friday 23 October, which this week examines the merits and demands of meaningful Environmental Awards for printers. Also a reminder about the best practice guide, ‘Optimised Paper Handling and Logistics’ which will shortly be released in an Alpha version for open industry comment. You can also apply to take part or to comment! You’ll find the article and links for that in Online Features Chapter 01.

News this week began with Fusion Office Automation in the Eastern Cape taking over responsibility for Ricoh’s Port Elizabeth branch and the territory. We have articles relating to the upcoming London Calling Duplo event from 3 – 4 November (Monday); InPrint 2015 in Munich from 10 – 12 November with Heidelberg’s participation with full colour 4D printing; ITMA in Milan with Mimaki from 12 – 10 November; SGIA and Kornit Digital from 4 – 6 November; EFI Connect Worldwide Users’ Conference, 19 – 22 January with Infotrends; and Ricoh at drupa 2016 from 31 May to 10 June (all on Tuesday).

Wednesday saw EFI take the lead with record Q3 results, following completion of the acquisitions of Reggiani and Matan on 1 July, which are now being quickly integrated into EFI’s product lines and offerings; while on Thursday, Inca Digital announced the launch of its new X-series large-format inkjet press range. As our headline says: You can now drive the new Inca Digital X3!

On Friday, leading London print house Park Communications continued its major investment programme with a 6-colour B1 KBA Rapida 106 with integral coating, following purchases earlier this year of a HP Indigo 7800 digital press and Kalmar mailing equipment with mail matching software. The new press will be commissioned early in the New Year. Other notable sales this week include the UK’s first Low Energy UV installation from Heidelberg with a Speedmaster XL 75-4 LE-UV press complete with Inpress Colour Control for Wincanton Print; while Germany’s Medienhaus Plump reported on its recent Muller Martini Pantera perfect binder (Wednesday). Backtracking to Monday, KBA announced the installation of a new eight-colour Rapida 106 at Litografia e Imprenta LiL in the Costa Rican capital, San Jose, for school textbooks and education publications; and Manroland Web has relocated a 48-page Lithoman with extensive upgrades at WKS Group in Essen, Germany. Thursday saw Muller Martini again, this time reporting on Frey Plus, a leading German direct mail firm based inUlm, in Southern Germany, which was first company in the world to commission the Muller Martini MailLiner.

You will find other new kit and software releases and more news if you scroll down carefully.

The tailender is not strictly print-related, but it does involve one of the world’s leading paper makers wearing one of its other hats: UPM has started field tests of wood-based diesel fuel in Helsinki region bus traffic with VTT and HSL, supported by St1, Volvo and Transdev… Biodiesel finally becomes a commercial reality! You’ll find this in Thursday’s headlines.

That’s all from me until next time,

My best regards,

Mike Hilton

Bildschirmfoto 2015-10-26 um 08.38.46
Our e-News comprises:  Headline News – Online Feature Articles – the Verdigris initiative from Digital Dots. Our Drupa and FESPA Newsrooms can be accessed from the Index on our Home Page, as well as News in Review, which provides a weekly overview and listing of all news added to the site. 

Headline News
Over 27,000 news items have now gone online since we launched our Website in September 2001. News for the past 24 months can still be accessed via the Home Page and its continuation news pages 

Mon 19 October…    Fusion takes Ricoh in Eastern Cape and Port Elizabeth
Ricoh SA gains local expertise as Fusion Office Automation takes over responsibility for Ricoh’s Port Elizabeth branch…

Duplo brings 007 theme and innovation to London Calling
Action-packed agenda and James Bond-themed VIP night will ensure London Calling 2015 will be an unmissable event…

Visitors converge in Shanghai for largest FESPA China
FESPA China & CSGIA 2015 will open this Wednesday, 21 October, as the biggest event to date…

WKS Group opts for Manroland Web for major relocation
Relocation of a second-hand 48-page Lithoman with additional upgrade of A3 and A4 delivery and PECOM connection…

KBA Rapida 106 long perfector in Costa Rica
Eight-colour press boosts school-book production at LiL…

Tue 20 October…   Heidelberg with colour 4D printing at InPrint 2015
At InPrint 2015 in Munich from 10 – 12 November, Heidelberg to present marketplace of ideas for customised colour 4D printing…

Stora Enso Performa Brilliance aims high in luxury packaging
Stora Enso Oyj at Luxe Pack in Monaco, from 21 – 23 October 2015; and at Scanpack in Gothenburg, Sweden from 20 – 23 October…

Presto textile printing from Mimaki at ITMA in Milan
Mimaki to unveil new direct textile inkjet printer ideal for fast, high quality sample or small-lot production, 12 to 19 November…

Kornit Digital with textile printing options at SGIA
Digital direct-to-garment printing systems enable new business models and attractive margins for screen printers, 4 – 6 November…

InfoTrends at EFI Connect 2016 in Las Vegas

InfoTrends provides business development track for the third year at the EFI Connect Worldwide Users’ Conference, 19 – 22 January…

Ricoh with new ways to transform business at drupa 2016
Ricoh’s range of products and services at drupa will enable PSPs to step ahead on their paths of transformation, 31 May to 10 June…

Wed 21 October…  EFI reports record Q3 revenue of $229M, up 16%
Electronics For Imaging announced extremely positive results for the third quarter of 2015 yesterday, 20 October…

A fresh breeze in the newspaper industry at WPE:
Manroland Web Systems satisfied with WPE 2015 in Hamburg…

Wincanton’s UK first with Heidelberg Low Energy UV
Wincanton Print secures UK first with a Speedmaster XL 75-4 LE-UV press complete with Inpress Colour Control…

Pazazz achieves Pantone Certified Printer status
First Canadian printer to meet rigorous certification process ensuring colour quality control across every step of print operations…

Pantera perfect binder: Flexible and powerful
The Muller Martini Pantera perfect binder lends itself both to short and long runs with either traditional hotmelt or PUR…

Thu 22 October…   Now you can drive the new Inca Onset X3
Inca Digital takes future-proof flexibility, speed and performance to a higher level with the Onset X Series flatbed UV inkjet printers…

UPM BioVerno fuel tests for Helsinki’s urban buses
UPM starts field tests of wood-based diesel fuel in Helsinki region bus traffic with VTT and HSL, supported by St1, Volvo and Transdev…

TRESU Group launches Global Service Concept
New holistic care programme provides the key to leaner flexo production and benefits for customers worldwide…

Callas Software releases pdfToolbox 8.1
pdfToolbox 8.1 improves profile management and introduces support for PDF/X-5n soft proofing + new German and English Webinars…

Muller Martini MailLiner: The Cost Saver
The new MailLiner from Muller Martini finishes inserts efficiently and automatically without the need for a carrier or foil…

Fri 23 October…   Park Communications chooses KBA to enhance its offering
Leading London print house continues major investment programme with 6-colour B1 Rapida 106 with integral coating…

Print Your Vision project at ITMA in Milan
Epson, FOR.TEX and F.lli Robustelli present Print Your Vision with four young designers and the Antonio Ratti Foundation…

Onyx Graphics’ automation at InPrint in Munich
Onyx Graphics to show InPrint visitors how to automate digital colour for industrial manufacturing processes…

Screen Europe appoints Toine Prudon to international sales
Toine Prudon joins Screen Europe as international sales manager for the Truepress Jet range of UV wide-format printers…

Ultimate claims 200% improvement with X-Rite/Pantone
PantoneLIVE, ColorCert: X-Rite Edition introduces improved statistical process control to packaging operation at Ultimate Packaging…

Lead articles from last Friday in the previous update… 

Previous…   3D fab+print touchpoint for drupa 2016
3D printing up close: Innovation, vision and best practices…

Gudrun Alex offers marketing services from new Düsseldorf office

For all activities related to the graphics arts, packaging production and signage / large-format print industries…

GraphicRepro.Net e-News  (ISSN 1814-2923) is sponsored and made possible by:

Heidelberger Druckmaschinen AG  (Heidelberg), The world’s largest printing press manufacturer for the industry worldwide. Heidelberg customers enjoy the most comprehensive and extensive sales and service network in the industry for JDF compliant workflow, computer-to-plate, sheetfed offset, Web-to-print, digital printing, digital inkjet for labels and packaging, packaging and finishing, all with complementary consumables. Heidelberg has offices in around 170 countries. Visit the Heidelberg Website for more information.

Electronics For Imaging  (EFI) is a world leader in digital imaging and print management solutions for the commercial printing market. Its portfolio of integrated solutions span production and superwide format printing, graphic arts, advanced professional printing software, and industrial inkjet systems. Its technologies increase productivity by automating print and business processes To find out more visit the EFI Website.

Kodak Commercial Imaging  (Kodak) is a leading provider of innovative solutions for conventional, digital and hybrid print production environments. With the most expansive portfolio for the graphic communications market,  Kodak features technologies, products and services that help print providers streamline processes, optimise efficiencies, broaden services, and grow businesses. To find out more, visit the Kodak Graphics Website.

drupa 2016 (drupa), the international flagship fair of the printing and media industry, responds to the challenges of the changing market and provides pioneering solutions for the future. This is highlighted by the new marketing and communication strategy where drupa claims its position as ‘No.1 for Print & Crossmedia Solutions’ with the slogan ‘touch the future’. The issues of ‘package printing’, ‘multichannel’, ‘green printing’, ‘3D printing’ and ‘functional printing’ will become increasingly important to the overall communication strategy. To find out more, visit the drupa 2016 Website.

Online Feature articles 2014 – 2015
There were again well over 90 last year, including nine downloads, as well as 92 articles in 2013 which can still be accessed via the Index on the Home Page, with prior years’ via Search Archives (option 2) on the Website.

Downloads in 2015 Chapter 01

Alpha version of Paper Guide launched for industry comment
The best practice guide, ‘Optimised Paper Handling and Logistics’ will shortly be released in an Alpha version for open industry comment. You can also take part!…

Technology-related 2015 Chapter 02

Previous…    Heidelberg launches LED drying technology in Europe, too
A full range of UV applications from full UV, to LE UV, and LED from Heidelberg drive productivity up and energy costs down…

Sep/Oct 2015 Chapter 07

Previous…    HR-UV at Druckerei Vogl with the KBA Rapida 106
The new, cutting-edge headquarters in Zorneding, houses renowned Bavarian specialist for luxury uncoated stock printing…

Verdigris – Environmental Initiative

Laurel Brunner’s weekly Verdigris Blog 2015

Environmental Awards for Printers
The weekly Verdigris blog by Laurel Brunner – Fri 23 October

Previous…    ISO 14001-2015 is Go!
The weekly Verdigris blog by Laurel Brunner – Fri 16 October

Drupa Newsroom
Our Drupa Newsroom with news from Messe Düsseldorf and for Drupa 2016 can be found in the Index, as well as via the special Newsroom button on the right of the Home Page near the top.

drupa 2016 News from Messe Düsseldorf

3D fab+print touchpoint for drupa 2016

3D printing up close: Innovation, Vision and Best Practices.

Touchpoint 3D fab+print zur drupa 2016

3D-Druck zum Anfassen: Innovationen, Visionen und Best-Practices…

Previous…    drupa innovation park 2016: The heartbeat of innovation
Few areas at drupa 2016 will be so packed with innovations as Hall 7.0 – the home of the drupa innovation park. In six themed areas…

drupa innovation park 2016: Herzschlag der Innovationen
In wohl kaum einer anderen Messehalle wird die Innovationsdichte zur drupa 2016 so hoch sein, wie in Halle 7.0 – der Heimat des drupa innovation park….

drupa 2016 Expert Articles series
Can be accessed via our Drupa Newsroom, in the Index on the Home page.

Crossing the finish line – a Cinderella story
Touch the future. Drupa expert Article No 4, by Cary Sherburne, well-known author, journalist and marketing consultant focused on marketing communications for the printing and publishing industries…

drupa 2016 News from Exhibitors

Previous…    Ricoh to showcase innovative new ways to transform business at drupa 2016
Ricoh will bring a range of products and services to drupa 2016 that will enable Print Service Providers to step ahead on their paths of transformation…

FESPA Newsroom
The dedicated FESPA Newsroom can be found via the Index on our Home Page.

Visitors converge in Shanghai for largest FESPA China
FESPA China & CSGIA 2015 will open this Wednesday, 21 October as the biggest event to date…

Previous…    FESPA China 2015 set to help printers transform their business
In just two weeks’ time, FESPA China 2015 will open its doors from 21 – 23 October 2015 at the Shanghai New International Expo Centre…

The Graphic Repro On-line Website is supported and sponsored by: 

Antalis South Africa, Dainippon Screen,  Drupa 2016,  EFI and EFI Vutek, Esko,  Epson Europe BV,  FESPA. Goss International Inc,  Heidelberger Druckmaschinen AG,  HP Graphic Solutions,  Kodak,  Koenig + Bauer AG,  Kemtek Imaging Systems,  Krause-Biagosch,  Leonhard Kurz Stiftung,   Manroland Web Systems GmbH,  Muller Martini AG,  POLAR-Mohr, QuadTech Inc,  Quark Inc,  Ricoh Europe,  Sappi LimitedThunderbolt Solutions, and UPM-Kymmene.

If you would like to send news for consideration for the Graphic Repro On-line Website (ISSN 1814-2915) or to submit comments, please e-mail Mike Hilton at: graphicrepro.za@gmail.com.

Our Website urls are:

http://www.graphicrepro.co.za
http://www.graphicrepro.net

GraphicRepro.Net e-News (ISSN 1814-2923)  provides weekly updates from the Graphic Repro On-line Website and is  compiled and published by Mike Hilton, graphicrepro.netPO Box 10 Peterburgskoe Shosse 13/1, 196605 Pushkin 5, St. Petersburg, Russia. e-mailgraphicrepro.za@gmail.com

Tatort Papiermühle.001

Von Andreas Weber, Wien/Mainz

Vorbemerkung — Um nicht falsch verstanden zu werden: Die Wiener EMGE-Konferenz war ausgezeichnet. Bestens von Martin Glass und seinem engagierten Team organisiert. Dazu gehörte auch, dass Projektmanager Iwan Le Moine es schaffte, mit Vertretern des Führungs- und Kompetenzteams der MGA Metro Group einen der international wichtigsten Kunden der Papier- und Druckbranche aufs Podium zu holen. Aber: Es wurde klar, dass die Papierbranche in einem gravierenden Dilemma steck!

Chefinspektor Martin G. von der EMGE-Sonderkommission PAPIER ist nicht zu beneiden. Es galt, in Wien ein schweres Kapital-Verbrechen aufzuklären. Ein international besetzter “Untersuchungsausschuss” bestand auf Rede und Antwort zum aktuellen Stand der Ermittlungen. Die brennende Frage: Was geschah mit unserem Kapital, das wir seit dem Jahr 2000 so fleißig in Papiermaschinen und -fabriken investiert haben? Wieso soll(te) Papier sterben? Und wenn ja, wer ist der Täter?

Tatverdächtige gibt es ausreichend, beruhigt der Chefinspektor die Runde. Nur keine heisse Spur. Der Anfangsverdacht, „Die Generation X resp. Smartphone ist es. Die klickt und wischt Papier ohne Skrupel einfach weg!“, liess sich nicht bestätigen. Der von der Anwaltschaft bestellte Gutachter, Professor Richard H. aus London, belegte eindrucksvoll, dass Papier, vor allem in Form von gedruckten Büchern ‚un-tötbar’ sei. Und somit lebendiger denn je. Der Grund: Bedrucktes Papier vernebelt den Kopf nicht. Und es führt auch nicht ins digitale Nirwana, sondern passt sich perfekt in eine Wissensgesellschaft ein, die das Denken und die Erkenntnis nicht den Computern, Servern und Rechenzentren überlässt.

Ach je, was nun? Die Ermittlungen gehen unverdrossen weiter. Eine ganze Reihe glaubhafter Zeugen gibt an, unwiderlegbar beweisen zu können, dass die Papierbranche zwar leben wolle, aber ermordet werde… Oder zumindest qualvoll stirbt, weil sich selbst totredet. Oder besser totschweigt, weil sie nicht verständlich über das in der Öffentlichkeit redet, was sie weiss und tut und machen könnte… Aber hoppla, das ist ja dann gar kein Mord oder Totschlag, noch nicht mal ein Selbstmord oder eine Straftat… „Wo keine Leiche, da kein Mord. Die Ermittlungen werden eingestellt.“, so der Chefinspektor. — Also weiter wie bisher!

[Ende des Tatort-Krimis. Der Chefinspektor dankt allen und tritt ab.]

„Meine Verkäufe leiden. Jetzt erhöhe ich erstmal die Preise!“ 

Während in Wien ermittelt und konferiert wurde, schickte sich zeitgleich ein weltweit aktiver Premium-Papierhersteller aus Südafrika an, notwendige Preiserhöhungen ab Januar 2016 anzukündigen. Begründung: Gestiegene Kosten sowie Margenverfall. Margenverfall heisst im Klartext, die Profitspanne sinkt. Als muss, so die Logik, der Kunde (Papiereinkäufer) mehr bezahlen, damit der Gewinn bei dem Lieferanten wieder aufs gewohnte Niveau steigt. Im konkreten Fall wird Druckpapier bis zu 8 Prozent teurer! — Wenn das mal gut geht!

Bildschirmfoto 2015-10-22 um 10.22.39

Konferenz-Website: http://www.emge.com/wp1/

In Wien jedenfalls wurde klar: Man sucht Schuldige (die ‚Digital Natives‘, die Googles und Facebooks dieser Welt) für einen Vorgang, der so gar nicht stattfindet. Papier und Print haben gar keine Probleme, schon gar keine Krise, wie eine Expertenrunde in Wien bei der EMGE-Konferenz „Riding the Transition“ belegte. Die Krise hat die befallen, die bislang weitgehend sorgenfrei mit Papier gute Geschäfte und Profite machen konnten und weitgehend alle Entwicklungen im Markt zwar zur Kenntnis nahmen, ohne aber adäquat darauf zu reagieren. Dies sind in hohem Maße Grosskonzerne, die kaum jemand in der breiten Öffentlichkeit kennt oder wahrnimmt. Viele sind gigantische Forstbetriebe, mit angeschlossenen Fabriken, die nach modernsten und nachhaltigen Methoden fertigen. Zählt man die Jahresumsätze der Top-Ten Papierkonzerne zusammen, erhält man mit über 100 Milliarden Umsatz fast das zehnfache Volumen dessen, was mit dem Verkauf von Druckmaschinen erzielt wird. Damit machen international tätige Händler seit Jahrzehnten ein Bombengeschäft…

Erneut: Hausgemachte Probleme bringen das Medium Print unter Druck!

… Jedenfalls bislang. Denn die Umsätze sind rückläufig: Die Druckbranche darbt, die Zahl der Betriebe schrumpft und, fast noch schlimmer, der Verbrauch von Office Paper geht zurück, weil in den Büros immer „digitaler“ gearbeitet wird. Angeblich. Denn schaut man genauer hin, kreuzen sich der Strukturbruch im Medienkonsum mit einem optimiertem Kommunikationsverständnis. Die Industrialisierung der Druck- und Papierbranche im 20. Jahrhundert förderte den gedankenlosen Umgang mit Drucksachen. Vieles wurde produziert, was, weil unaufgefordert zugeschickt und dadurch als „Belästigungskommunikation“ empfunden, direkt im Papierkorb landete. Noch schlimmer in den Büros: Wie Studien und Analysen von Canon im letzten Jahr ergaben, ist das Informationsmanagement in den meisten Firmen zu schlecht. Papier wurde regelrecht verschwendet. Denn optimiert man die Prozesse, stellt man fest, dass viele Dokumente mehrfach ausgedruckt und dann wieder vernichtet wurden, weil die Prozesse nicht durchdacht und durchgängig gestaltet waren. Mit der Qualität von Papier als Trägermedium und seiner Akzeptanz hat das nichts zu tun.

Impressionen von der EMGE Conference 2015 “Riding the Transition”, Wien
(Fotos: Andreas Weber)

Hinzu kommt, wie sich in einem Gespräch ergab, das ich mit Prof. Richard Harper führte: Die Big Player der Papier- und Druckbranche haben keinerlei Kontrolle über ihre Märkte. Papierhersteller vertreiben überwiegend über den Handel, der Innovationen und anspruchsvolle Papiere nicht besonderes mag. „Commodity“-Papier in hohen Tonnagen zu verkaufen, ist dagegen beliebt, weil kostengünstiger und einfacher zu handhaben. — Und die Druckmaschinen-Hersteller als Lieferanten der Druckereien haben kaum Einfluss auf diese Vorgänge, zumal neueste Entwicklungen in der Digitaldruck-Technik erst nach Jahren und mitunter Jahrzehnten von den Papierhersteller unterstützt werden. So musste Ricoh’s Europa-Chef für Professional Printing, Benoit Chatelard, in der Konklusion seines Vortrags zugeben, dass trotz Milliardeninvestitionen in High-Speed-Inkjet-Drucktechnik viel zu wenig „inkjet coated paper“ verfügbar ist. Man erinnere sich: die drupa 2012 wurde euphorisch die „Inkjet“-drupa genannt. Ohne dass dies aber im Drucksektor nennenswerte Auswirkungen hatte. Inkjet ist unter Druckprofis verpönt. Logisch, wenn Bedruckstoffe fehlen, die höchste Ansprüche bedienen und in grossen Mengen verfügbar sind. — Oh je, gleicht das nicht einer Bankrott-Erklärung?

Lichtblick: Die Kunden halten Papier die Treue!

Um nicht falsch verstanden zu werden: Die Wiener EMGE-Konferenz war ausgezeichnet. Bestens von Martin Glass und seinem engagierten Team organisiert. Es gab viele wichtige, faktenreiche Präsentationen und Informationen zur Technik, zur Marktentwicklung und sich daraus ableitenden Prognosen sowie zur Lage in in außereuropäischen Märkten. Hinzu kam, dass Projektmanager Iwan Le Moine es schaffte, mit Vertretern des Führungs- und Kompetenzteams der MGA Metro Group einen der international wichtigsten Kunden der Papier- und Druckbranche aufs Podium zu holen. MGA kauft 260.000 Tonnen Papier pro Jahr ein, und ist damit auf Augenhöhe mit dem Axel-Springer-Konzern. Warum? Im Handel ist Multichannel Trumpf, da Käufe online aggregiert und durch Drucksachen gestützt werden. Fazit: Ohne Papier-gebundene Kommunikation geht nichts. Allerdings wirken sich die von mir o. g. Punkte auch für Kunden wie Metro nachteilig aus. Innovationen muss man Nachjagen, die Kommunikation mit Herstellern und Dienstleistern ist lückenhaft bis kompliziert, da diesen Kunden gegenüber nicht pro-aktiv und schon gar nicht marktgerecht genug kommuniziert wird. Die Druck- und Papierbranche ist viel zu sehr mit sich und ihren selbst verursachten Problemwelten beschäftigt; und droht, die Chancen, die im Markt bestehen, zu verpassen. — Zeit, das sich was ändert. (Bald ist wieder drupa…). Oder?

ValuePublishing Canon Expo 2015

„You may say I’m a dreamer
But I’m not the only one
I hope someday you’ll join us
And the world will live as one“
John Lennon, Songtext aus „Imagine“

Von Andreas Weber, Paris/Mainz

Imagine (im Sinne von John Lennon) und Imaging (im Sinne von Canon) liegen näher beisammen, als man denkt. Und die Welt des Imaging spielte sich Mitte Oktober 2015 in Paris, dem europäischen Standort der Canon Expo Events (neben New York, Tokio, Shanghai) auf extrem hohem Niveau ab. Entsprechend zeigte sich das Publikum, die Rede war von 14.000 Besuchern an drei Tagen, begeistert. Und begeisterte uns Journalisten und Analysten ob seiner Neugier, Aufgeschlossenheit und hohen Eigenmotivation, sich für Neues zu öffnen. Dies ist kaum mehr zu vergleichen mit sonstigen Fachmessen oder Firmenveranstaltungen, die man landläufig kennt und besucht.

Hinweis: Wie relevant die Canon Expo 2015 ist, zeigte sich durch unsere ValuePublishing-Liveberichterstattung per Facebook, Twitter und LinkedIn. Meine Kurzkommentare und Videostatements in Echtzeit erreichten in 24 Stunden über 10.000 Experten, mit hohem Interaktionsgrad.

Bildschirmfoto 2015-10-19 um 16.31.58

Foto: Screenshot Canon Expo 2015 Paris-Website

Canon setzt hier Maßstäbe, sozusagen „beyond Apple“ mit seinen Eigendarstellungsschauen. Nicht nur bei greifbaren Produkten, Lösungen und Prototypen aus den Labors, die frei zugänglich wurden. Sondern bei der Inszenierung eines Unternehmens, das voller frische den Wert des Markenkerns von Canon erfahrbar macht („Come and see”), um zu zeigen, was man für eine bessere Welt tun kann. Allen, die sich Fachthemen und spezifischen Innovationsbereichen widmeten, wurde klar, wie weit das Spektrum auf Konsumentenseite wie auch im Business-to-Business heute gehen kann  — und wie bis dato getrennte Bereiche verschmelzen können: „Redefine our live, our businesses and our society“ — der global aktive Imaging-Konzern Canon macht es möglich und kümmert sich. Die Welt der Fotos, des Filmes, der Druck-Kunst und der Spezialitäten, wie 3D Printing, Multichannel, Information Technology, die Struktur unseres Zusammenlebens in Städten und im eigenen Heim u. a. mehr.

2015-10-15-canon-expo-main

Canons Vorstandsvorsitzender, Fujio Mitarai, machte dies in seiner Eröffnungsrede deutlich: „The Internet of Things will depend on the imaging of things. 80 percent of the things that we encounter on a daily basis, we process visually. This imaging data makes our lives easier, better and safer. [In terms of capacity to deliver this], no one is positioned better than Canon.“ Und er versäumte auch nicht, der Rolle Europas gerecht zu werden: „The way the European Union works is a good model for the future of Canon,“ sagte Fujio Mitarai. „No one has all the answers – a collaborative approach achieves the best result for the greater good.“

Dies unterstrich auch Canon Europa-Chef Rokus van Iperen, der die drei strategisch wichtigsten Kernbereiche von Canon näher beschrieb: 3D Printing, Graphic Arts und Network Visual Solutions. Dem Professional Printing räumte van Iperen eine maximal hohen Stellenwert wein, nicht zuletzt bei Canon durch die Übernahme von Océ, wodurch man sich als „Global Leader“ an die Spitze gesetzt habe.

In Summe hat man bei Canon verstanden, dass es keine Konflikte oder Ausgrenzungen zwischen „Analog“ und „Digital“ gibt. Vielmehr ist das kreative, Grenzen überwindende Zusammenspiel beider Welten wichtig. Motto: No more Limits. — Konkret: Wenn zum Beispiel die (Video)Kameratechnik auf 360 Grad/8K aufrüstet, muss Print mithalten können. Und kann es auch dank Canons 8k-Printing-Technologie mit atemberaubenden Effekten.

Anschauliche Dokumenation per EXPO TV

Viele Ausstellungssektionen wurden aufgeboten, um beispielsweise zu zeigen, wie aus dem Stand eine (fiktive) Marke für Mountain Bikes medial und kommunikativ in Szene gesetzt werden kann, vom Foto-Shooting über die Marketingmaterialen bis hin zum E-Commerce mit Online-Verkaufsshop. Alles aus einem Guss, alles nahtlos miteinander verwoben. Und dies beispielsweise auch am Point-of-Sales, wo die Qualität von digital gedruckten Verpackungen in Zukunft die Marschrichtung vorgibt. Ebenso überzeugte die „Creative“-Zone, die zeigte, wie das Konsumentenerlebnis aussieht, indem alles, was man sich vorstellt, Wirklichkeit werden kann: Von der Wahrnehmung der Welt „da draußen“ bis hin zum eigenen Heim — alles wird von Canon multimedial unterstützt, per Bild/Foto, Video, gedrucktem Fotobuch, iPad App usw.

Besonders beeindruckend war zu beobachten, wie sich im Professional Printing-Bereich bereits etablierte Canon-Drucktechnologien weiterentwickeln. Sowohl im Large Formatbereich wie auch im Commercial Printing durch die erweiterte und „aufgerüstete“ ImagePress-Baureihe, die in punkto Produktivität und Bebilderungsqualität den bisherigen Platzhirschen Xerox und HP schwer zusetzt bzw. sogar das Wasser abgraben kann. Canon liefert gleichwertige und sogar bessere Resultate mit Systemen, die preislich deutlich niedriger liegen können. „Imagine“ durch Imaging erhält durch Canon wie gesagt eine ganz neue Bedeutung.

Übrigens: Im internationalen Kollegengespräch wurde im Umfeld der Pressekonferenz diskutiert, wie ein Ereignis wie die Canon Expo 2015 überhaupt noch übertroffen werden kann. Vor allem, wenn man bei Graphic Arts und Professional Printing an die im späten Frühjahr bevorstehende drupa 2016 denkt.

Und: Wer Zeit hatte, konnte parallel zur Canon Expo 2015 in Paris im Grand Palais die fulminante Ausstellung “Picasso.Mania” anschauen. Hier wurde das Canon-Thema “Imaging” aufs Beste in der Praxis erfahrbar: Den Originalkunstwerken waren Grossbildschirme mit Videokunst, Apps, Videoprojektionen sowie eine unfassbare Vielzahl an Drucksachen zur Seite gestellt. Sprich: Bilder sind nicht l’art pour l’art, sondern wurden in einen passenden Kontext gestellt, der Verständnis erwecken kann!

My_Picasso.Mania Collage.001

Impressionen (Fotos: Andreas Weber)

Tipp für weitere Informationen:

Canon hält umfangreiche Berichte in Text, Bild und Online-Video parat. Siehe:

http://www.canon.de/about_us/press_centre/press_releases/corporate_news/overview_expo_paris_2015.aspx

http://www.canon.de/about_us/press_centre/press_releases/business_solutions_news/2h15/b2b_expo_paris_2015.aspx

http://www.canon-europe.com/about_us/press_centre/european_events/events_2015/canon_expo_2015_paris_image_library/

Lohnenswert:

Die Canon Expo 2015 Sektion auf Facebook (mit einer Serie von EXPO TV Videos).

Seidl Weber ValuePublishing.001

Die Canon Expo Paris 2015 fand statt in der “Grande Halle de la Villette – Paris”.