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ValuePublishing Canon Stories.001

Von Andreas Weber

Der holländische Maler Rembrandt Harmenszoon van Rijn (1606 bis 1669) gilt als einer der bedeutendsten Maler der Kulturgeschichte. Seine Werke sind bis heute unübertroffen. Neben rund 600 Gemälden sollen über 300 Radierungen und mehr als 1500 Handzeichnungen erhalten sein. Seine in dieser Perfektion unerreichte Kunstfertigkeit überführte er in einen einzigartigen Atelierbetrieb, mit dem Anspruch, dass die Werke seiner Schüler/Mitarbeiter kaum von den eigenen zu unterscheiden waren.

Zum Atelier gehörte eine Druck-Kunst-Werkstatt. Als „Maler-Radierer“ schuf er mit seinen Parallel- und Kreuzschraffuren und insbesondere mehrfacher Plattenüberarbeitungen gedruckte Unikate. Seine Druck-Auflagen bestanden aus bis zu 11 Zustandsdrucken, da er immer wieder während des Druckprozesse die Druckplatten überarbeitete. Er trieb auf diese Weise die Druck-Kunst zu enormer Blüte, fast besessen erfand er neue Methoden für seine Radierungen. Bis heute konnte es ihm keiner seiner Künstlerkollegen gleich tun. Das besondere an Rembrandts Druck-Kunst bestand darin, mit akribischer Strichführung, unregelmäßigen Linienzügen und ohne Umrisse, ein tiefes, kraftvolles Helldunkel von höchster malerischer Wirkung hervorzurufen, wie Experten aus dem Berliner Kupferstichkabinett (eine der weltweit größten Sammlungen von Rembrandts grafischen Arbeiten) bestätigen.

 

 

 

Das Ergebnis: Rembrandts Radierungen zählen neben Albrecht Dürers Kupferstichen zu den großartigsten Kunstwerken überhaupt. Die Druck-Kunst beschäftigte den Meister während seiner gesamten Laufbahn (von etwa 1626 bis 1661) und war stets gleichbedeutend mit seinen Malereien und Zeichnungen.  

 

the-next-rembrandt

The Next Rembrandt: So sieht das Daten-Druck-Kunstwerk final aus. Beeindruckender als das Digitalfoto per Web ist allerdings der Spezialdruck, den Inkjet-Technik-Spezialisten gekonnt realisierten.

Digitale Druck-Kunst ermöglicht „The Next Rembrandt“

Kunstexperten des Museums Het Rembrandthuis in Amsterdam und Wissenschaftler der Delfter University of Technology knüpften aktuell an die Druck-Kunst Rembrandts in besonderer Weise an — und fanden ein weltweites Echo. Mit Unterstützung des Technologie-Partners Microsoft wertete man alle verfügbaren Daten und Informationen aus, die Rembrandt hinterlassen hat, insgesamt rund 15 Terrabytes an Daten.

„The Next Rembrandt“ sollte entstehen aus all diesen Informationen plus 168.263 Rembrandt-Bild-Einzelteilen, die per 3D-Scan vorlagen und in einem aufwändigen, digitalen 3D-Composing zu einem synthetisierten neuen Bildwerk führten.

 

 

Ziel war es im finalen Schritt, das neu erschaffene 3D-Bildmotiv per digitalem Spezialdruckverfahren auf Leinwand zu bringen. Medienberichten zufolge wurden 3D-Drucker eingesetzt, was ein Novum wäre für nahezu zweidimensionale Objekte wie ein Bild auf Leinwand. Hierzu gibt es bis dato keine weiteren Informationen. Aber: Wer Mitte März 2016 als Besucher der Canon Business Days im niederländischen Venlo (dort befindet sich das wohl weltweit größte Technikzentrum für die Inkjet-Drucktechnikentwicklung) konnte dem Rembrandt-Kunst-Druck-Motiv bereits begegnen. Diesbezügliche offizielle Verlautbarungen gibt es dazu nicht. Bekannt ist aber, dass ein Drucker, basierend auf der in der Arizona-Serie eingesetzten Océ VariaDot Imaging-Technologie eingesetzt wird, um Bildmotive reliefartig am besten auf Basis von 3D-Scans wiederzugeben, z. B. für die Reproduktion alter, von Künstlern ehedem erstellter Stofftapeten, wie letztes Jahr im September 2015 auf den motio-Netzwerktagen in Kassel zu sehen war.

Wie auch immer, das „The Next Rembrandt“-Druck-Kunst-Objekt geht nun noch eine Stufe weiter. Denn tatsächlich ist die Anmutung des Rembrandt-Drucks einem Original des Meisters unglaublich nahe, zumal, wie das „The Next Rembrandt“-Projektteam der Presse gegenüber betonte, durch die spezielle Drucktechnik in insgesamt 13 Schichten Pinselstriche und Farbflächen farblich brillant in Halbton-Qualität erscheinen und reliefartig, partiell erhaben abgehoben sind. Gerade so, wie der Maler Pigmente und Lasuren auf dem Malgrund mehrfach sich überdeckend schichtet. Die Fachwelt darf gespannt sein, ob auf der drupa 2016 „The Next Rembrandt“ ebenfalls präsentieren wird.

 

Website Screenshots. Quelle: https://www.nextrembrandt.com

 

Wichtig ist übrigens festzuhalten: Die Projektinitiatoren und -partner maßen sich nicht an, wie in manch einem Feuilletonbericht kritisch angemerkt, es dem Meister gleich tun zu wollen, ihn sozusagen digital zu kopieren oder gar mit modernen Mitteln übertreffen zu wollen. Gemäß dem Motto: Maschinenkunst übertrifft menschliches Können. Denn gerade Rembrandt besticht nicht nur durch seine Maltechnik und Farbsensivität, sondern v. a. durch sein unübertreffliches Kompositionstalent. Nein, ganz im Gegenteil geht es vielmehr darum, in Referenz und tiefster Ehrfurcht vor dem Maler und Druck-Kunst-Meister Rembrandt zu zeigen, wie ein idealtypisches Bildwerk als Synthese seines Gesamtschaffens und Lebenswerkes mit modernster Digital-, 3D- und hochspezialisierter Inkjet-Digitaldrucktechnik manifestiert werden kann. Durch Druck-Kunst neuster Art. Haptisch-optisch beeindruckend. Anfassbar — und nicht flüchtig wie sonstige Werke der „Digital Media Art“. Bravo. Bravissimo. Das ist für die weltweite Kunstszene eine echte und herausragende Innovation. Allen Respekt, dass Technik- und Druckexperten dies bewerkstelligt haben. — Hinweis: Falls es hierzu auf der drupa 2016 neues gibt, gehe ich dem gründlich nach!

 

the-next-rembrandt Presentation

Video der Projektinitiatoren:

ValuePublishing Canon Stories.001

Von Andreas Weber

Hinweis: Der Fachartikel erschien in abgewandelter Form im Auftakt-drupa-Special von VDI-nachrichten, Ausgabe vom 13. Mai 2016. VDI-nachrichten spricht als Premium-Leserzielgruppe über 310.000 Technik- und Innovations-Experten der deutschen Wirtschaft an.  

Mehr als die Hälfte aller Verpackungsumsätze weltweit entfällt auf bedruckte Verpackungen – Tendenz steigend. Der Verpackungsdruck wird somit zum wichtigsten Zukunftsmarkt des Druckmaschinenbaus. Dies spiegelt sich wider auf der kommenden Weltleitmesse der Branche, der Drupa (Düsseldorf, 31. 05.2016 bis 10. 06.2016). Die Verpackungsindustrie boomt seit Jahren. 2012 erlöste sie weltweit rund 600 Mrd. €, 2018 sollen es satte 758 Mrd. € sein. Das jedenfalls prognostiziert das britischen Marktforschungsunternehmen Smithers Pira.

Die Gründe hierfür sind zum Ersten der steigende Bedarf an Verpackungen in den Entwicklungs- und Schwellenländern aufgrund zunehmenden Wohlstands und wachsender Bevölkerungen. China liegt an der Spitze. Zum Zweiten profitiert die Verpackungssparte in den westlichen Industrieländern von zunehmender Sortenvielfalt und mehr Wettbewerb im Handel. Und drittens nimmt das Volumen von Verpackungen zu, wie hierzulande die Verbraucherberatung NRW feststellte. Denn 40 % der Verpackungen enthielten Luft.

 

package printing 1c_1100x290

 

Boom-Markt Verpackung entfesselt neue Print-Techniken 

Damit wird deutlich, warum die Druck- und Papierbranche mit großer Wucht auf die Innovation durch die aufmerksamkeitsstarke Differenzierung von Verpackungen setzt. Bis dato waren dies vor allem außergewöhnliche Veredelungsmöglichkeiten wie Lacke sowie Metallfarben und speziell für den Verpackungsdruck konzipierte Sonderkonfigurationen von Maschinen und Medien.

Bedruckt und veredelt werden Verpackungen bisher vor allem im Flexo-, Offset-, Tief- und Siebdruckverfahren. Dies trägt der hohen Auflagen sowie Qualitäts- und Kostenanforderungen Rechnung. Gemeinsam decken Flexo- und Offsetdruck aktuell rund zwei Drittel des Weltmarkts für Verpackungsdruck ab. Laut Smithers Pira hatte er 2015 ein Volumen von 415 Mrd. $.

Der Anteil des Digitaldrucks ist mit weniger als 10 % noch relativ klein, bietet also genug Raum für Wachstum. Dies dürfte sich aber mittelfristig durch die Fortschritte bei digitalen Drucktechniken ändern, denn auch bei den Verpackungen sinken die Auflagen. Hinzu kommt der Trend zur Individualisierung.

Bedruckte und lackierte Kartonagen sowie Blechtafeln dürften vorerst eine Domäne des Bogen-Offsetdrucks bleiben. Der Digitaldruck tastet sich aber allmählich in diesen Markt hinein. Bei flexiblen Verpackungen dominiert in Europa und Amerika der Flexodruck, in Asien der Tiefdruck. Letzterer verliert aber aufgrund der teuren Druckform an Boden.

Bei Wellpappe und Etiketten ist der Flexodruck ebenfalls noch der am meisten genutzte Prozess, obwohl bei den Labels der Digitaldruck stark im Kommen ist. Der Siebdruck wurde bisher vor allem bei Schildern, Displays und Hohlkörpern eingesetzt. Auch dort gewinnt das digitale Inkjet-Druckverfahren an Bedeutung. Experten gehen davon aus, dass die heute im E-Commerce üblichen braunen Umverpackungen aus Wellpappe zunehmend farbiger werden.

gundlach-logo header_bottom_sub_4.jpg

Foto: Gundlach Group.

Deutsche Druckmaschinenbauer suchen im Digitaldruck Kooperationspartner

Besonders die deutschen Druckmaschinenbauer Koenig & Bauer (KBA) und Heidelberger Druckmaschinen setzen hier seit Jahren ihren Schwerpunkt auf den Verpackungsdruck. Nunmehr liegt er im industriellen Digitaldruck, der von globalen Kooperationen profitieren soll: KBA kooperiert mit HP Inc., um den Inkjetdruck für sich über HPs eigene Pagewide-Drucktechnologie nutzbar zu machen.

Heidelberg entwickelte mit der japanischen Fujifilm und dessen Expertise in der Tintenstrahldrucktechnik binnen 15 Monaten eine neue Technologieplattform. Die erste darauf basierende Maschine, Primefire genannt, zielt mit Inkjetdruck für Bögen im Großformat (70 cm x 100 cm) auf Verpackungsdruck in Premiumqualität.

Event-Tipp: Im drupa cube findet auf der drupa 2016 in Halle 5 am 2. Juni ein Fachtag zu Packaging und Printed Electronics statt. Anmeldungen über www.drupa.de.

Viele neue Player, die zusätzliche Verfahren entwickelten, kommen durch den Trend zum Verpackungsdruck ins Spiel, vor allem aus Israel. Dazu gehören neue Digitaldrucktechnologien wie die von Landa Nanography. Scodix entwickelt digitale Veredelungsmaschinen und Highcon setzt auf laserbasierte Hochgeschwindigkeitsmaschinen für die Faltschachtelherstellung. Auch reine Digitaldrucktechnikexperten wie Canon oder Xerox wollen bei Print-Anwendungen die Potenziale bei Verpackungen inklusive des Etikettendrucks heben. Dies schließt über printed electronics die Integration von Near Field Communication (NFC) ein, die beim Inkjetdruck mitverarbeitet werden kann.

KBA-Chef Claus Bolza-Schünemann bricht in seiner Funktion als Präsident der Weltleitmesse Drupa daher eine Lanze für den Verpackungsdruck. Bedruckte Verpackungen habe für ihren Inhalt eine Schutz-, Konservierungs-, Werbe- und zunehmend auch eine Kommunikationsfunktion. Man denke hier nur an das Thema Verbraucherschutz mit entsprechenden Hinweisen auf der Verpackung. Zudem könnten Verpackungen nicht durch Flatscreens oder Smartphones ersetzt werden. Anders als gedruckte Zeitungen oder Kataloge seien sie nicht vom veränderten Medienverhalten betroffen, sondern profitierten eher davon. Mehr Single-Haushalte mit einer Vorliebe für Fertiggerichte und der boomende Onlineversandhandel seien ebenfalls Wachstumstreiber.

Was im klassischen Drucksektor leicht übersehen wird, ist das Zusammenspiel von Multichannel-Lösungen beim Marketing, „Augmented Reality“ und individualisierter Werbung. Diese Kombination kann jede Art von Verpackung über die „Augmented Reality“ zum Startpunkt neuer Kontakt- und Dialogmöglichkeiten mit dem Käufer machen und stellt daher ein ungeheures Potenzial für Markenunternehmen dar.

Um dies zu realisieren, ist der Digitaldruck unerlässlich. Nur durch ihn kann das Druckbild ad hoc variiert werden. So ermöglichen neuartige Multichannel-Softwarelösungen wie die von der Xerox-Tochter XMPie, Verpackungen zu individualisieren und sie zu einem Teil von messbaren Marketingkampagnen werden zu lassen.

01_mymuesli

Foto: Heideldruck.

Kunterbunte Müslidosen sind der Zukunftsmarkt

Doch gibt es auch Hemmnisse: Die Münchner Forschungsgemeinschaft Druck (Fogra) hat herausgefunden, dass die Druckbildqualität per Inkjetdruck leicht ein zu sehr „ausgefranstes“ Druckbild ergeben kann. Das ist mit dem bloßen Auge nicht erkennbar, bereitet aber vor allem bei Barcodes Probleme. Die hochsensiblen Barcode-Lesegeräte erzeugen dann Fehlermeldungen. Wer als Druckerei hohe Auflagen mit schlecht gedruckten Barcodes erzeugt hat, die dann Lesefehler verursachen, hat ein Riesenproblem.

Eines der derzeit spannendsten Verpackungsdruckprojekte hat Heidelberg im Team mit dem Online-Start-up mymuesli.com bereits zur Jahreswende realisiert. Mymuesli.com ist ein Versandhandel für individuell konfigurierte Müslis. Nach ersten Erfolgen eröffnete die Onlinefirma Ladengeschäfte und es entstand durch den Online-Printexperten Bernd Zipper die Idee, dass der Müslikäufer vor Ort per iPad seine Müsliverpackung – und nicht nur ein Etikett – selbst bedruckten kann.

Möglich macht das eine Drucktechnik von Heidelberg, genannt 4D, die in der Kabine der Druckmaschine den zu bedruckenden Gegenstand im Raum fixiert und dann mit beweglichen Tintenstahldruckköpfen bedruckt. Das Online-Editier- und Prozessmanagement stammt von Longo, Augsburg. Heraus kommt die Müslidose mit individuellem Text, selbst gestaltet und in Echtzeit produziert. Das kommt bei Kunden bestens an und soll nun in Serie gehen.

KBA F2_Kosmetik_g.jpg

Foto: KBA.

 

ValuePublishingFacts

KBA-Chef Claus Bolza-Schünemann bricht in seiner Funktion als drupa-2016-Präsident eine Lanze für den Verpackungsdruck. Seine Argumente für das starke, nachhaltige Wachstum bei Verpackungen:

  1. Bedruckte Verpackungen haben für ihren Inhalt eine Schutz-, Konservierungs-, Werbe- und zunehmend auch eine Kommunikationsfunktion. Man denke hier nur an das Thema Verbraucherschutz mit entsprechenden Hinweisen auf der Verpackung.
  2. Verpackungen können nicht durch Flatscreens oder Smartphones ersetzt werden. Anders als gedruckte Zeitungen oder Kataloge sind sie nicht vom veränderten Medienverhalten betroffen, sondern profitieren eher davon.
  3. Die Weltbevölkerung und der internationale Wohlstand wachsen. In Schwellenländern wie China, Indien oder Brasilien wächst die kaufkräftige Mittelschicht. Mit dem Wohlstand wächst der Konsum und wo mehr konsumiert wird, wird mehr verpackt und bedruckt, zumal auch in Schwellenländern Shopping Malls aus dem Boden schießen.
  4. Verpackungen werden immer raffinierter und edler. Nur so finden sie am Point of Sale die nötige Aufmerksamkeit. Dieser Trend bringt mehr Wertschöpfung für die Druckbranche und aufwendiger ausgestattete Maschinen für die Lieferindustrie.
  5. Mehr Single-Haushalte mit einer Vorliebe für Fertiggerichte und der boomende Online-Versandhandel sind ebenfalls Wachstumstreiber.

Graphic Repro On-line News Review to Friday 13 May 2016

Welcome to another roundup of 29 news highlights for the past week together with Laurel Brunner’s Verdigris Blog on Friday, which this week discusses the World Economic Forum and its Project Mainstream’s most recent white paper, which deals with paper.

We also have three new additions in Online Features Chapter 05, highlighting UPM Biofore in Beijing with a unique project which has little to do with printing or paper, but is just too beautiful and stunning to ignore; then we have the BPIF’s Printing Outlook for Q2; and then SF Taylor in the UK with its new KBA Rapida 75.

You will also find a new drupa ante portas Blog article featuring Objectif Lune, by Andreas Weber, as well as another 14 new additions in our drupa Newsroom from Exhibitors. These are led by KBA Digital, Hybrid Software, Heidelberg Workflow, Heidelberg CTP, Durst Inkjet, Tecnau, Agfa Graphics CTP, Leonhard KURZ with a new foil; Chili Publish, Domino with high-speed Inkjet; Fujifilm wide-format Inkjet, Alwan Color Expertise, and Techawa, and these latest additions now bring the total of pre-show announcements to 188, with just two weeks to go before the show opens its doors a fortnight tomorrow on Tuesday 31 May.

Major news leads with week came from Sappi on Monday with its Q2 and half-year 2016 results which were excellent; then on Tuesday from Heidelberg with its preliminary figures for 2015/2016 and also very positive and correspond to a Euro 100 million turnaround. On Wednesday, KBA announced its new Website for the Group; and on Thursday we had KBA’s interim Q1 report for 2016. Friday saw the BPIF’s Printing Outlook for Q2 take the lead.

This week has seen a few nice sales and installations successes, and also some new kit which is non-drupa related, specifically from Agfa Graphics with PrintSphere, a cloud-based data exchange service for PSPs, and from Quark on Friday. You’ll also find a couple of software upgrades.

Recent sales and installations kicked off on Monday with IFS and Horizon at Windsor Print; Tuesday saw Bertelsmann Printing Group’s direct mail and document solutions division, Campaign, opts for Screen’s Truepress Jet 520ZZ inkjet system for direct marketing; also ProImage with OnColor in the USA. On Wednesday, Muller Martini highlighted 13 Presto and Presto Digital saddle stitcher installations in the UK and Ireland over the past year, this was followed by Xeikon at DOCUsystem in Frankfurt, Germany. Thursday saw Portuguese fashion printer Blur extend its direct-to-garment business with Kornit Digital‘s Allegro and a Zund cut solution. To round off the week on Friday, Cheadle, UK-based Cestrian Imaging announced a UK first with its EFI Reggiani PRO 340 digital textile inkjet printer purchase; and lastly Manroland Sheetfed highlighted its latest eight-colour Roland 700 press installation in China.

The tailender this week goes to the Ghent Workgroup, which welcomed two new members on board: Ricoh and CHILI Publish, in the headlines on Wednesday. 

That’s it until next time. I hope you find more of interest among the links below.
With my best regards, 
Mike Hilton 

 

Heidelberg Figures 2015:2016.png

Our e-News comprises:  Headline News – Online Feature Articles – the Verdigris initiative from Digital Dots. Our Drupa and FESPA Newsrooms can be accessed from the Index on our Home Page, as well as News in Review, which provides a weekly overview and listing of all news added to the site. 



Headline News
Over 28,000 news items have now gone online since we launched our Website in September 2001. News for the past 24 months can still be accessed via the Home Page and its continuation news pages

Mon 09 May…   
Sappi Second Quarter and Half Year Results 2016
Sappi profits double for second quarter and half-year ended March 2016, with repositioning well on track…

Hybrid Software and Cerm create new partnership
provides significant opportunities for label printers to improve efficiency and profitability…

Alwan to showcase complete CxF/X-4 solution at drupa
Alwan to showcase CxF/X-4 solution for brand owners and designers to accurately define, predict and reproduce their spot colours…

Alwan to demonstrate inline profiling at drupa in Hall 7
Alwan enables printers to automatically calibrate and profile print devices without any dedicated resources or print sessions…

Windsor Print creates new finishing production landscape
Horizon bookletmaker and Foliant spend with IFS brings greater control, cuts costs and reduces outsourcing…

Tue 10 May…   
Heidelberg announces preliminary figures for 2015/2016
Heidelberg grows and records significant annual net profit for FY 2015 / 2016 that corresponds to a Euro 100 million turnaround…

Campaign chooses Screen Truepress Jet520ZZ for Gütersloh
Bertelsmann Printing Group’s direct mail and document solutions division opts for Screen inkjet for direct marketing…

Goss and DG press announce partnership for packaging
Goss International acquires the Thallo press system as part of the agreement, enhancing Goss’ portfolio of packaging solutions…

Kurz: Print finishing that will make people look twice
The new stamping foil changes colour at different viewing angles. KURZ will be at drupa 2016 in Hall 3, in dip in Hall 7, and in Hall 12…

Fujifilm to debut new Acuity LED 3200R at drupa
Fujifilm announces new wide-format Acuity LED 3200R UV inkjet printer at drupa 2016 in Hall 8b…

OnColor ECO Ink Optimization for The Sun Chronicle
The Sun Chronicle taps into ProImage OnColor ECO Ink Optimization Software to reduce ink consumption and cost…

Wed 11 May…   
New Internet Website for the KBA Group
Printing press manufacturer Koenig & Bauer AG has completely redesigned and modernised its Internet Website…

Durst single-pass inkjet for corrugated and labels at drupa
Durst to unveil new corrugated packaging & display printing segment with single-pass and multi-pass technologies, and more…

Agfa to launch Advantage N Essentials CTP series at drupa
Agfa Graphics now offers a series of low-cost engines that take CTP technology for newspaper prepress back to its essence…

Ricoh and CHILI Publish join the Ghent Workgroup
The Ghent Workgroup (GWG) is pleased to welcome two new members on board: Ricoh and CHILI Publish…

Muller Martini Presto: 817 job changes in nine days
In one year, 13 UK and Ireland companies have invested in a Presto II or Presto II Digital Saddle Stitcher from Muller Martini…

Xeikon helps DOCUsystem open new market opportunities
Flyers, invoices, photo wallpapers and more: Rödermark-based DOCUsystem leverages the Xeikon 8500 for expansion…

Thu 12 May…   
Koenig & Bauer Group interim Q1 report for 2016
A positive start for the KBA Group with revenue in the first quarter up 46 per cent and EBT up ?18m year-on-year…

Hybrid Software to debut PACKZ RoundTrip at drupa
Hybrid Software provides missing link between package design in Adobe Illustrator format and production…

CHILI publish to highlight Asian expansion at drupa 2016
Move supports increased demand for the production of personalised, shorter runs of marketing materials in the APAC region…

The Smart Print Shop for everyone: thanks to Prinect
With the new Prinect Production Manager, print shops of all sizes can completely automate their production processes…

GMG announces release of OpenColor 2.0.4
OpenColor 2.0.4 offers separation profiles for GMG ColorServer, packaging editors, and Adobe Photoshop…

New Kornit Allegro joins Barcelos-based Blur’s press fleet
Portuguese fashion printer Blur, extends direct-to-garment business with Kornit Digital’s Allegro and Zund Cut solution…

Fri 13 May…   
BPIF Printing Outlook Report Q2 2016
UK printing industry has a case of the wobbles in Q1 – confidence and trade expected to recover in Q2…

Agfa Graphics launches PrintSphere in the cloud
Agfa Graphics launches PrintSphere, a cloud-based data exchange service for print service providers…

QuarkXPress 2016 to ship on 24 May
Limited time left to take advantage of special offers on upgrades and pre-order promotions…

Heidelberg non-stop plate production at drupa 2016
Smart print shop: Heidelberg to showcase a fully automatic production line for CTP plate imaging at drupa…

Cestrian first in UK with EFI Reggiani PRO 340 for textiles
Cheadle, UK-based Cestrian Imaging drives growth with EFI Reggiani PRO 340 digital textile inkjet printer…

Ruicheng Yang Sen Packaging adds first Roland 700
Pharmaceutical packaging printer Shanxi Ruicheng Yang Sen Packaging: a professional service all round…

Last lead articles from previous update…  

Last Friday’s leads…
KURZ: Innovative die technologies for hot stamping
Hinderer + Mühlich presenting novel die designs and setup aids at drupa as a co-exhibitor with the stamping foil manufacturer…

Industrial Inkjet on customer-finding mission at drupa 2016
IIJ targeting 200 new OEM customers for Konica Minolta at drupa on Konica Minolta’s stand in Hall 8b…

GraphicRepro.Net e-News  (ISSN 1814-2923) is sponsored and made possible by:

Heidelberger Druckmaschinen AG  (Heidelberg), The world’s largest printing press manufacturer for the industry worldwide. Heidelberg customers enjoy the most comprehensive and extensive sales and service network in the industry for JDF compliant workflow, computer-to-plate, sheetfed offset, Web-to-print, digital printing, digital inkjet for labels and packaging, packaging and finishing, all with complementary consumables. Heidelberg has offices in around 170 countries. Visit the Heidelberg Website for more information.

drupa 2016 (drupa), the international flagship fair of the printing and media industry, responds to the challenges of the changing market and provides pioneering solutions for the future. This is highlighted by the new marketing and communication strategy where drupa claims its position as ‘No.1 for Print & Crossmedia Solutions’ with the slogan ‘touch the future’. The issues of ‘package printing’, ‘multichannel’, ‘green printing’, ‘3D printing’, and ‘functional printing’ will become increasingly important to the overall communication strategy. To find out more, visit the drupa 2016 Website.

Online Feature articles 2014 – 2016
There were again well over 70 last year, 90 in 2014, and 92 articles in 2013 which can still be accessed via the Index on the Home Page, with prior years’ via Search Archives (option 2).

Technology-related Chapter 02

Previous…   
Sappi extends an invitation to innovate flexible packaging
With integrated barriers and heat sealing properties this new Sappi paper is suitable for flexible packaging applications…

Online Features May/Jun Chapter 05

NEW…   
The Biofore Tea House at ‘Moi Helsinki’ event in Beijing, China
UPM and Tongji University combine Chinese tea culture with innovative biomaterials for the Biofore Tea House, from 13 – 15 May…

BPIF’s Printing Outlook for the Second Quarter 2016
The UK printing industry has a case of the wobbles in Q1 – confidence and trade expected to recover in Q2…

SF Taylor improves efficiencies and reduces waste with KBA
The Stockport, UK company has doubled its press output by investing in a KBA Rapida 75 4-colour with perfecting…

Online Features Mar/Apr Chapter 04

Previous…   
Traderplus South Africa expands with further IIJ investment
Traderplus South Africa secures a major advantage with additional Industrial Inkjet (IIJ) technology, to be added in July…

Verdigris – Environmental Initiative

Laurel Brunner’s weekly Verdigris Blogs 2016

Paper Chains
The weekly Verdigris blog by Laurel Brunner – Fri 13 May

Previous…   
Sustainable by Design
The weekly Verdigris blog by Laurel Brunner – Fri 06 May

Drupa Newsroom
Our Drupa Newsroom with news from Messe Düsseldorf and for Drupa 2016 can be found in the Index, as well as via the special Newsroom button on the right of the Home Page near the top. It is divided into the following Chapters for your convenience and ease of use… but you must scroll down to view each Chapter when you visit the Newsroom

drupa ante portas Blogs 2016

Objectif Lune: Innovative solutions for interactive communications
drupa ante portas: Simply clever – OL turns data into personalised cross-media solutions! By Andreas Weber, Mainz/Germany

Previous…   
BW Papersystems’ strong brands at drupa 2016
drupa ante portas: Interview with BW Papersystems’ Patrick Walczak, who relies completely on customer orientation and individual solutions! By Andreas Weber…

drupa 2016 News from Exhibitors
Latest additions can now be accessed in our drupa Newsroom.

KBA at drupa: A strong focus on packaging producers
The press manufacturer is the market leader in several packaging segments and generates 70% of its revenue in the packaging market…

Hybrid Software to debut PACKZ RoundTrip
Hybrid Software provides missing link between package design in Adobe Illustrator format and production…

The Smart Print Shop for everyone: thanks to Prinect
With the new Prinect Production Manager, print shops of all sizes can completely automate their production processes precisely in line with requirements…

Heidelberg non-stop printing plate production at drupa
Smart print shop: Heidelberg showcasing a fully automatic production line for CTP plate imaging at drupa…

Durst to unveil single-pass inkjet for corrugated and labels
Durst to unveil its new corrugated packaging & display printing segment with single-pass and multi-pass technologies, along with its successful Tau 330 portfolio for label production…

Tecnau show debut for the Libra 800 at drupa
Tecnau to exhibit the Libra 800 automated and variable book finishing line for first time at an industry event at drupa 2016…

Agfa launches Advantage N Essentials CTP series @drupa
Agfa Graphics now offers a series of low-cost engines that take CTP technology for newspaper prepress back to its essence…

Kurz: Print finishing that will make people look twice
New Kurz stamping foil changes colour at different viewing angles…

CHILI publish highlights Asian expansion at drupa
Move supports increased demand for the production of personalized, shorter runs of marketing materials in the APAC region…

Domino to showcase its K630i high-speed inkjet in Hall 5
Domino to launch a high speed variable-pagination digital booklet printing solution with Kern and IBIS at drupa 2016…

Fujifilm to debut new Acuity LED 3200R at drupa
Fujifilm announces new wide-format Acuity LED 3200R UV inkjet printer at drupa 2016 in Hall 8b…

Alwan to showcase ccmplete CxF/X-4 solution at drupa in Hall 7
Alwan to showcase its complete CxF/X-4 solution for brand owners and designers to accurately define, predict and reproduce their spot colours…

Alwan to demonstrate inline profiling at drupa in Hall 7
Alwan Color Expertise enables printers to automatically calibrate and profile their print devices without any dedicated resources or print sessions…

Tichawa Vision CIS innovation at drupa in Hall 3
100% print inspection: Tichawa to present a multicolor Contact Image Sensor (CIS) offering adaptable resolution with minimum space requirements…

Previous…   
Kurz: Innovative die technologies for hot stamping
Hinderer + Mühlich is presenting novel die designs and setup aids at drupa as a co-exhibitor with the stamping foil manufacturer Leonhard Kurz…

Industrial Inkjet on customer-finding mission at drupa
IIJ targeting 200 new OEM customers for Konica Minolta at drupa on Konica Minolta’s stand in Hall 8b…

Masterwork’s extensive postpress for packaging at drupa
At drupa, Masterwork will debut automatic sheet inspection machines, die-cutting and embossing, and folder gluers…

CRON brings major diversification to its drupa campaign
Six new products illustrate company’s dedication to improve value chain from plate to printed product…

MGI to showcase the Future of Print at drupa
MGI Digital Technology announces exclusive world premieres of new products for digital and offset applications…

Adphos Digital Printing at drupa in Hall 6
adphosNIR – drying, curing and other thermal processes at the speed of light at drupa 2016…

Feldmuehle at drupa 2016 in Hall 4
With a focus on VivaCard and MediaLiner high-white, matt materials for holistic packaging design…

The touchpoint 3D fab + print: at drupa
Visionary ideas, best cases and hands-on state of the art…

HP introduces three wide-format Latex Printers for drupa debut
HP Inc. propels print service providers’ profitability with new latex printers as company’s third-generation Latex portfolio delivers new levels of productivity and affordability…

The next step in colour communication at dip on 2 and 8 June
Colour management specialist Erik Koldenhof on stage at the drupa innovation park: ‘Embrace open standards for print quality communication’…

Steinemann at drupa in Hall 1 with new dmax systems
New narrow-format dmax digital varnishing machines attracting great interest. The dmax 106 will be shown live at drupa…

Leonhard Kurz named a HP SmartStream Solutions Partner
The Kurz DM-Liner for creating glossy, metalised surfaces with digital print, to be presented on HP’s stand at drupa in Hall 17…

Kodak’s latest version of Insite Creative Workflow in Hall 5
Kodak Insite Creative Workflow improves collaboration and security with HTML5 will be demonstrated at drupa…

Duplo products to raise the bar in Hall 6 at drupa
Duplo International will be using Hall 6 at drupa as the launch pad for a raft of new, faster, smarter, better, state-of-the-art products…

CP Bourg at drupa in Hall 6 and in Hall 17 with HP Indigo
CP Bourg announces advanced integration with the new HP Indigo 7900 Digital Press and HP Indigo Direct-to-Finish to be debuted in Hall 17…

Unilux to introduce two LED strobes at drupa
Lightweight stroboscopes deliver brighter light, more even coverage, enhanced ability to inspect UV-visible inks, security elements or coatings…

drupa 2016 Expert Article Series and more
Can be found in our Drupa Newsroom via the Index on the Home Page.

Final article in the series…   
Digital versus traditional packaging print
Touch the future. Drupa Expert Article No 8 by Michael Seidl, publisher and editor-in-chief of various specialist publications in Central and Eastern Europe including Print & Publishing, Packaging and Visual Communication….

drupa 2016 News from Messe Düsseldorf

Previous…   
touchpoint 3D fab + print:
Visionary ideas, best cases and hands-on state of the art…

touchpoint 3D fab + print:
Visionäre Ideen, Best Cases & State-of-the-Art zum Anfassen…

drupa cube 2016: With full programme PDF to download
Inspiration and innovation in some 60 keynotes, panel discussions and presentations from international experts…

drupa cube 2016: Mit komplette Programm PDF zum download
Inspiration und Innovation in rund 60 Keynotes, Panel-Discussions und Präsentationen internationaler Experten…

FESPA Newsroom
The dedicated FESPA Newsroom can be found via the Index on our Home Page.

FESPA Federation News in 2016

Most recent…   
FESPA’s Regional events in 2016
FESPA’S worldwide regional events reinforce the central Profit For Purpose philosophy which drives FESPA…

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ValuePublishingOL Didier Gombert.001

drupa ante portas – automation, flexibilization, and digitization make print a top growth market! Beyond printing technology Multichannel newly defined is focussing communication effectiveness at its best. (See my expert comment as well)A good reason to talk to an extraordinary entrepreneur, Didier Gombert, the Co-Founder and CEO of Objectif Lune (abbreviated to: OL), before drupa 2016 will start to catch his vision and POV of future market developments.  —Interview by Andreas Weber (Editorial Assistant: Sudarsha Rambaran).

Some insights: OL’s offering will touch the areas of pre-media, print, multichannel and future technologies. OL’s performance promise is quite different from other drupa exhibitors: OL is dedicated to simple and effective software that is fun and helps companies around the globe communicate more efficiently with their customers. At drupa 2016 OL will be present in two halls: Hall 7a /E23 close to the drupa innovation parc (dip), plus Hall 8a /D21 close to the digital printing technology world.

Key messages by Didier Gombert

  • I like finding solutions for customer pains and getting rewarded for it
  • Innovation is the cornerstone of our company to make life better for others; we always try to look at it from multiple perspectives
  • Success isn’t something you dream up out of the blue. It is created out of your personal experience.
  • At the end of the day, it’s simply offering proper communication from every aspect by providing the ability to have all of these connections and seamless connectivity. 
  • Creating and optimizing these processes is the foundation of what we bring to the market. All of that inside one single system; that is the key element.
  • I consider the print community to be an industry perfectly capable of competing with many other industries claiming to perform impeccable or better communications. 
  • Consequently, at drupa 2016, we need to emphasize to the world that we understand communications, that we are capable of undertaking web technologies such as email, web pages and portals. That is what Print 4.0 is; it is multi-faceted.
  • drupa 2016 is important because it is way of informing customers by human representation, unlike an email or a web page.

 

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Didier Gombert, Co-Founder and CEO of OL. Photo: Screen from OL’s corporate video.

 

—PART 1: Insights about entrepreneurship, innovation, connectivity and global business success

Could you please explain what guides you as a visionary entrepreneur?

Didier Gombert: I like to think about how I can make life better for others. It’s what wakes me up in the morning. I like finding solutions for customer pains and getting rewarded for it. In other words, finding solutions for customers and trying to monetize it!

Starting OL more than 20 years ago, did you expect to reach the point where you are today?

Didier Gombert: Definitely not! The bar has been rising higher and higher with time. When we started out the goal was certainly more modest than it is today. But I feel very happy and very lucky for what we have managed to achieve. We expected to do well, but certainly not to the current size and especially the current recognition!

If you were able to re-start, what would be different (or equal)?

Didier Gombert: Interesting question, worth to put quite a bit of thought into it. When you reach a certain stage, you want to go to the next one and see what you can do next. — Naturally, knowledge of the future would put anyone in an advantageous position! I would certainly do a lot of things differently if I had to restart. We were dealt quite a few challenges, but we learned from our mistakes. I like to think that we gain experience the same way I try to solve issues — by finding solutions to problems. I believe that constant need, or drive, to improve things — either for oneself or for others — is what helps in being very innovative. Since innovation is the cornerstone of our company, it’s very difficult to say “lets restart!”. As such, if I had the same set of knowledge, I’d probably do it the same way. It’s the only way I know how to do things.

 

OL Principles.png

 

If innovation is OL’s cornerstone how do you deal with it?

Didier Gombert: Innovation is created by being challenged with sets of problems. We try to find ways to do things more efficiently, or more practically, with more benefit and so on and so forth. This is the way we’ve always done things. We look at an issue and think about how we can improve it! We always try to look at it from multiple perspectives.

And in relation to your customers and projects, was it possible to run experimental efforts, or are customers very conservative in that sense?

Didier Gombert: Initially, people were much more willing and open to experiment. However, when you reach a certain size, experimentation carries quite a bit of risk. If you believe in yourself and you have a bunch of people uploading that new version of software — I don’t believe that they would appreciate the word ‚experimental’.

Nowadays, our mode of operation is much more structured, as we need to grab expected results. In the early days, we experimented quite a bit more. Through our experiences of talking to customers and being asked certain questions or having certain requests made of us, we have created our structured approach. Naturally, this approach leads to innovation — of course you come up with certain things that haven’t been thought of before! The catalyst of an idea is undoubtedly something that was shown to you, asked of you, or something from your environment. Success isn’t something you dream up out of the blue. It is created out of your personal experience.

But the whole thing with innovation means for me all the time to have more or less trustable partners, so if I can trust somebody, I’m ready for a journey, even if I don’t know the way. Do you agree?

Didier Gombert: I’m very people-oriented. I absolutely agree with you on that topic — for me it’s important to trust the people around me. Business is driven by relationships. A lot of companies claim that their assets are their people — but they don’t really mean it. I am convinced that people are the real assets. Most companies attach great importance to intellectual property. Yet intellectual property isn’t like wine — it doesn’t age well. Technology, fashion, language all change and develop with time. What is really important is the people who create and maintain intellectual property, not the intellectual property itself. At the end of the day, you need to trust your partners, your employees, and the customer. The trust relationship you have with them is a vital basis.  

 

 

I checked a lot of OL’s blog posts and Twitter posts and also you shot a personal video on your website. If I got it right, one of your key words is “connect”. From your personal point of view, what is the secret of connectivity?

Didier Gombert: Connectivity, or connecting, is synonymous with communication. People connect through some form of communication. Nowadays, the pace of change is accelerating at an alarming pace! As such, the companies of the future will need to adapt to new requirements, new ways of doing business, new ways of talking to their customers. Hence connecting to their customers, their employees or even connection between systems is crucial. There are an ever-increasing amount of systems, more ways of talking to a person rather than a system or a machine. That is what connectivity is for me. We need to have something which is flexible and thus future-proof.  There is no company out there who could claim that their communication is perfect. Accordingly, better communication is a universal goal. The words connect and communication are the same to me, and they describe perfectly what we are trying to do with our new products.

 

Interjection (by Andreas Weber)

I love that term connectivity as well because when I was rethinking what I’m doing as a communications analyst, dealing with all those suppliers for more than twenty five years and then I started publishing a lot because everything was about innovation, nobody knew what we were thinking and talking about. Then I have those three terms which work for me, advise, knowledge and connectivity. I think they are strongly related to each other, and when I screened what OL is also doing with blog posts other things it’s exactly that! Giving good advice, being good advisors share your knowledge and always struggle to give the best connectivity you can.

 

 

That means connectivity also has importance beyond technology?

Didier Gombert: Most certainly! What are we if we don’t connect to others? Think of social networks! I’m not saying that we’re involved in social networks, at least not yet. Social networks provide a way of connecting to a larger, wider audience and a way for that audience to connect to you. Communication is one of the key processes in life — whether it’s business or personal, we all like to be communicated with in a proper way, in a timely manner among many other sorts of criteria on communicating, or connecting. 

Words such as ‘disconnect’ have very negative connotations, and correspondingly, ‘connect’ is an extremely positive word! Right?

Didier Gombert: I’m an engineer. As such, the word connectivity initially meant machine talking to machine in my days at university. Entering the world, I believed connectivity was more about machines talking to humans, especially considering things like page composition and languages like PostScript. This is evident in the fact that we have interactive software rather than just a piece of paper — you have web forms, inputs and buttons you can click, even in an email! This form of connectivity is human connecting to a machine, which is the reverse of what we traditionally did when we started out. At the same time, however, we also offer options for electronic communication. That means machine to machine communication and connectivity, so going back to my old definition of connectivity! At the end of the day, it’s simply offering proper communication from every aspect by providing the ability to have all of these connections and seamless connectivity. Creating and optimizing these processes is the foundation of what we bring to the market. All of that inside one single system; that is the key element.

 

 

—PART 2: drupa ante portas — how to touch the future?

According to my personal view Drupa 2016 will be very different compared to the past. The expectation is already extremely high to celebrate “Print 4.0”. Beyond relevant  digital technologies what will be key to augment the customer experience and to ‘orchestrate’ the (new) customer journey?

Didier Gombert: There is a lot to be said to this question. In my view, things are evolving tremendously, and digital is certainly one of those things. Nevertheless, print is also evolving. People going to a print show expect to see a lot of paper. Since the evolution of the PDF, not necessarily the early days, but the actual evolution as in the content, the management system etc. and things such as the option to attach files to email. Print has evolved a lot. People still print today…

… and attaching a PDF file to an email is effectively a doing digital print?

Didier Gombert: I think it is going even further than that. We will be showing some web technology and some tablet technology. This demonstrates that we can print directly from a tablet or an email. The important thing about drupa 2016 is the fact that the print community has an opportunity here that is completely misunderstood. There are many people out there who are capable of creating websites or doing web developments. It is a widespread skill among university students nowadays — many of them are competent in html, java script or other web technologies and understand platforms such as WordPress amongst others. These kinds of skills are very easy to find.

However, there are very few people who understand print and the value of print. People need to realize that print is still relevant! It isn’t a growing thing, but it is certainly still relevant and necessary in the digital age. There is still a need to compose a proper page on which information is easy to find, which is appealing to the eye, which is attractive and efficient. Then if you add all the other technical aspects, you begin to see how print is still relevant.

 

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Didier Gombert, Co-Founder and CEO of OL. Photo: Screen from OL’s corporate video.

 

You mean print and the print industry are not out of time?

Didier Gombert: The print industry is an industry which is capable of doing print properly, but it has trouble understanding web technologies, multi-channel distribution of information, and new connectivities. I consider the print community to be an industry perfectly capable of competing with many other industries claiming to perform impeccable or better communications. Consequently, at drupa 2016, we need to emphasize to the world that we understand communications, that we are capable of undertaking web technologies such as email, web pages and portals. That is what Print 4.0 is; it is multi-faceted.

So in the past the print industry focus was on efficiency, especially to make their own workflows and processes efficient. If I got your message right, in the meantime it’s all about effectiveness but the technology has to be efficient, but communication needs effectiveness. Is that what you mean? 

Didier Gombert: Absolutely, in every aspect! What I mean, though, is that people are looking for printables. Printable avoidance does not mean they don’t want to print — it just means they are avoiding the cost of paper, envelopes and so on. drupa 2016 is important because it is way of informing customers by human representation, unlike an email or a web page. Anyone can create an email or a webpage, but not everyone is able to print. So the print industry could profit greatly from adding to their skill set, as in the web or email representation of information.

 

It is all about managing the best way of informing customers by human representation. Photos: Screens from OL’s corporate video.

 

 

What kind of visitors do you expect to come to OL’s drupa 2016 booth? What will be their benefit?

Didier Gombert: This is an industry, so naturally the who’s who of the industry is going to be there. I recently had a chat with our Australian people and they said they are expecting a lot of their customers from Australia to be there! — In all honesty, our main customers are usually the people who have their own booths at the show. We sell our software to the seller community, and since they are all present at drupa 2016, we are expecting to, and hoping to, talk to them more than anyone else. The people that are walking in aisle are generally end-users — that means they obtain our software through our first-hand customers. From that perspective, I’m expecting mail service providers, creators of big print rooms, medium to large, migrant customers. This is great, because we have the opportunity to demonstrate what we can do and we are definitely excited to show our newest and latest, and our capacity.

So everything you do at drupa 2016 is more or less on a strategic level but even if operators come they could learn about your solutions?

Didier Gombert: Absolutely! We believe that we have a good brand and good brand recognition as well as a good reputation. As such, we definitely think that our customers will look for us at drupa 2016. There are also likely to be many people in other booths who will talk about us, so we’re expecting to see that traffic, and of course we will support out partners in their own booths.

You are experienced in running a global business successfully. What is your key success factor to ‘harmonize’ all those different cultures different levels with different needs?

Didier Gombert: I have a personal definition of success. The first ingredient of success is luck. I don’t think you can be successful without being lucky. Mind you, the ability to recognize that luck and acting on it is what drives success. The best way to do this is to find the right talented people, and keep them around you. 

You have to think local and act global. You need good people that work for you on a local basis to be your eyes and ears. They tell you what’s important. Once you have a basis of this, you can start to see what is important on a global level. Obviously, there are different ways of doing certain things in different countries. At the end of the day though, you need to pick and choose what is best on a global level. It’s best to try to take the thing that is most widespread, most rewarding from a global perspective, and then you have a chance to see what you can do for the most benefit in a specific region. That is the approach to being successful on an international level.

 

OL Mission

 

Quite impressive: OL is able to handle a customer base of 20,000+ organizations while having around 240 employees. What is your secret to keep this successful? And; what kind of talents characterize your staff?

Didier Gombert: In the first place, we look for people with the right kind of attitude. Aptitude comes second. Why? Because aptitude can always be learned, but attitude can rarely be changed. If you have people with the right kind of attitude, it allows you to forge better relationships with your partners.

As to the 20,000+ customers, we did not do them one by one. The fact is that we are good with our resellers and partners. The kind of people we look for are people who care, who work very hard, which is not always easy considering the work multiplies corresponding to the number of customers you reach.

What also sets us apart is that we offer products that cater to a wide range of company types. We are capable of providing for small to medium size companies as well as very large corporations. There are companies out there that only serve the Fortune 500. The fact is, this limits you to 500 customers!

Do you monitor the happiness of your customer base dealing with your products, do you have the possibility to monitor that?

Didier Gombert: We do inquire and do our surveys, but we try to limit this, as we don’t want to annoy the customers with survey after survey. We certainly welcome feedback, especially good feedback! I must admit that I am very pleased with customer satisfaction. I get a lot of emails from customers saying they were well served, and we are very sensitive to this sort of thing. We could always do better, though. We are always working on improving our method of feedback. Ultimately, though I think that the fact that we have so many customers for such a long time, that they keep coming back for more, shows that we have happy customers.

 

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Good approach: Share your knowledge and reduce complexity by Online Learning.

 

What is your advice for the drupa 2016 audience to transform the drupa motto ‘touch the future’ into sustainable business success?

Didier Gombert: First and foremost, my advice would be to show up with an open mind. The future is very hard to predict. Our industry has been very conservative. When I came out of university, the goal was the paper technology and what you could do with that. People are still talking about it. The development in the past years has been astounding — in the last decade the phone has become a radio, a walkman, a TV, a movie theater, a concierge and so on and so forth. I don’t think the industry was ready for that!

I think that people out there are looking to make more money out of communication, or to make it cost-efficient. Thus, the audience coming to drupa 2016 needs to look at print with a new mindset, and with an open mind. I think that productivity is a prominent factor in all of this; in challenging times, we all want to perform better. The audience needs to open their minds and then they might be touched by seeing what the future has in store for them!

 

Didier Gombert Intro.png

About

Didier Gombert is the Co-Founder and CEO of Objective Lune (abbreviated to: OL). His mission (on a worldwide level) is to create and market efficient solutions for interactive business communication, which open up innovative paths in customer communication, giving immediate access to all the advantages of the digital age.

Profile via LinkedIn:
https://www.linkedin.com/in/gombertd/de

Visit OL’s Media Center as well: 
web.objectiflune.com/cn/aaj74/drupa-media-center

 

OL drupa invite mobile

ValuePublishingOL Company Profile.002

 

ValuePublishing Recommendation for drupa 2016:
Visit Objectif Lune visit! – Hall 7a, Stand E23

See as well:

• ValueDialog by Andreas Weber with Didier Gombert, Co-Founder and CEO of Objectif Lune)

• #drupa2016: Exceeding All Expectations- Objectif Lune Expands Their Market Position Remarkably

Objectif Lune (OL) develops and sells software technology, worldwide, creating innovative solutions for interactive business and customer communications, giving immediate access to all the advantages of the digital age. This significantly eases digital transformation as well as the optimisation of communication processes. The advantage: the processes of capturing your business-critical data & documents and transforming them into digital communications with interactive workflows is what the OL Connect solutions offer. Typical documents flowing through such a process could be: invoices, statements, purchase orders, shipping documents, average looking boring emails, personalized datasheets, flyers, mailings and invitations. OL Connect facilitates the entry into a clever mix of digital and print-based solutions, from small & simple to large & complex projects.

Objectif Lune cultivates long-standing partnerships with top-class print, technology and business partners who are concerned with customer communication management and are working with the range of solutions we offer. At the core of everything stands a constant exchange of knowledge, experience and state-of-the-art-technology.

 

Bildschirmfoto 2016-05-11 um 18.29.08

 

One of the technical aspects is that OL (one of the few independent providers) whose portfolio includes the possibility of connecting non-related software solutions, which structure and administer the entire document cycle efficiently with a “perpetually mobile effect”. The results are targeted digital solutions that significantly improve business relationships and therefore promote customer relationships, long term.

Seen from a business perspective, OL has taken a unique route: starting out with a philosophy of turning visions into reality, and always following new paths. OL has developed into the first company on the market that provides a range of applications that span from beginner to top expert-use, in all important areas — especially document design, process automation, personalisation/individualisation (with variable data print), postal sorting and preparation, as well as electronic forms. Thanks to the OL company philosophy, prices to this day remain to be very reasonable, and the solutions are designed in a simple and adaptable manner, throughout.

 

Bildschirmfoto 2016-05-11 um 18.35.56

Big progress: OL presented already Software-Suite Connect 1.4.

 

Important milestones

For OL customers the acquisition of PrintSoft (the manufacturer of PReS) in 2011 opened doors to new applications of a powerful solution for large print volumes. — At the end of 2015 the OL solutions were improved further with the release of the version 1.3 of the OL Connect software suite, now including a number of multilingual user interfaces. — With Capture OnTheGo, OL offers a mobile solution to capture data from electronic forms, which triggers processes when on the go per digital signature. — OL has also found a way to reduce paper use and paper-based processes, with a digital pen.

The special feature

OL solutions allow all companies to undertake a seamless transformation and experience dynamic growth, long-lastingly. Seeking and finding new paths serves to increase efficiency, all that with the OL customer in mind. OL’s focus is making interactive business correspondence an essential component of an enduring effective Customer Communication Management (CCM).

The OL solutions in detail, which can scale to grow along with the customer’s requirements:

  • PrintShop Mail Connect | A VDP tool for personalization of documents, made easy. printshopmail.objectiflune.com
  • PlanetPress Connect | A multichannel solution that includes workflow and process automation planetpress.objectiflune.com
  • PReS Connect | A tailored enterprise solution for high volume business communication, and Hybrid Mail www.printsoft.com
  • Capture OnTheGo| A solution for process automation, combining on-the-go convenience with fast document processing through digital signature. capture.objectiflune.com

Company background

Objectif Lune (OL) develops simple and effective software that is fun and helps companies  communicate more efficiently with their customers. Born in 1993 from an idea by three friends, Objectif Lune now has over 240 employees worldwide, serving over 20 000 organizations, who all want to bring their customer communications to the next level. With technical support around the world and three R&D facilities in Montréal (Canada), The Netherlands, and Australia, OL works hard to make lives easier. The OL mission statement: “Objectif Lune’s mission is to free customers from legacy mentality by creating elegant software tools to help our customers communicate more effectively with their customers.” The OL headquarters are in Montreal, Canada. The German headquarters of the company are in Darmstadt.

Contact

Simone Angelica Wolf, OBJECTIF LUNE,
Management OL Italy & Marketing OL EMEA
wolfs@it.objectiflune.com

OL Blog – http://www.objectiflune.com

OL Media Center – web.objectiflune.com/cn/aaj74/drupa-media-center

 

OL drupa invite mobile

Visit OL’s Media Center as well:  web.objectiflune.com/cn/aaj74/drupa-media-center

ValuePublishing 3D drupa 2016.001.jpeg

drupa 2016 highlight topic 3D printing: market leader Stratasys will be on one the exhibitors supporting drupa’s touchpoint 3D fab + print in Hall 7A (Stand C41).

Graphic Repro On-line News to Friday 06 May 2016

Welcome to another roundup of news highlights for the past week, together with Laurel Brunner’s Verdigris Blog on Friday, which this week looks at the contribution graphic designers can make to sustainability during the creative stages of a project, which can have a profound impact on the recyclability of the final results.

It’s been a shorter week for many due to Public Holidays or Bank Holidays in many places, including the UK, South Africa and Germany and other parts of Europe, which has affected the news flow a little. You will, however, find some really good stuff among the 28 news articles which have gone online since Tuesday, together with another batch of 16 in our drupa Newsroom which include the very latest announcements from Leonhard Kurz, IIJ Industrial Inkjet, Masterwork, CRON, MGI, Adphos, Feldmuehle, HP Inc, Colorware, Steinemann, Leonhard Kurz with HP, Kodak Workflow, Duplo International, CP Bourg with HP, and Unilux. 

From Messe Dusseldorf we again have an important announcement on touchpoint 3D fab + print in both English and German. The touchpoint 3D fab + print will be a meeting point for all drupa visitors wanting to learn in detail about 3D printing. This special show in Hall 7a (Stand C41) will be all about 3D technologies for a wide range of application industries and their market potential. ‘The purpose of the touchpoint 3D fab + print is to drive technical integration and to pave the way for new cooperative ventures in matters of branding and production,’ says Sabine Geldermann, director of drupa. ‘The touchpoint will bring together the traditional printing industry and visionaries in 3D printing, offering opportunities to explore the industrial potential of 3D printing and of additive manufacturing techniques.’ But there’s more for you in the articles below.

We did see a few recent sales and installations successes during this shorter week. On Tuesday from Heidelberg as Superior in the UK is to be the first to take delivery of drupa spec Speedmaster XL 106 LE-UV to mark its 40th anniversary. Then Colortek with Nyloflex FTF from Flint; and Elle in the UK with a new Polar buy. On Wednesday, Nation Media Group in Nairobi, Kenya is convinced of the promising potential of the African newspaper industry, as it commissions its new Manroland Web Colorman e:line; then we have KBA in North America with multiple customers lauding 20,000sph Rapida 106s. South Africa’s leading online business stationery printer, Print Express Online, has added a new Xerox Colour C70 printer from Cape Office and Bytes; followed by Ndigitec, as it adds a 5-metre EFI Vutek GS5500LXr LED inkjet printer; and then we have Dayfold in the UK making its Speedmaster filtration debut with technology from Technotrans.

On Thursday, Intelligencer continues its tradition of innovation by installing a highly-specified Roland 700 in North America. In Poland, Interak experiences a productivity boost three months on from its Fujifilm Jet Press 540W installation; and to round off the week with almost a six-pack: as Five Castles switches from Xerox to Linoprint technology with its new Linoprint CP installation from Heidelberg UK.

As a tailender for you this week: On Tuesday, InPrint and IT Strategies announced the results of their Survey, which reveals accelerated growth expected for development of industrial printing. You’ll find more in the article, where you can also download a free copy of the Report.

That’s it until next time. I hope you find more of interest among the links below – especially in our drupa Newsroom collection which has topped 174 exhibitor articles thus far, with some really good stuff among them, and with just 22 days before drupa opens its doors — three weeks tomorrow!

With my best regards, 
Mike Hilton 

World Premier at Hannover Messe 2016: Very first printed electric . Amazing.  |  Video: Andreas Weber via

 

Our e-News comprises:  Headline News – Online Feature Articles – the Verdigris initiative from Digital Dots. Our Drupa and FESPA Newsrooms can be accessed from the Index on our Home Page, as well as News in Review, which provides a weekly overview and listing of all news added to the site. 

Headline News
Over 28,000 news items have now gone online since we launched our Website in September 2001. News for the past 24 months can still be accessed via the Home Page and its continuation news pages

Tue 03 May…   
Leonhard Kurz named a HP SmartStream Solutions Partner
The Kurz DM-Liner for creating glossy, metalised surfaces with digital print, to be presented on HP’s stand at drupa in Hall 17…

InPrint 2016 Survey results available now
InPrint and IT Strategies’ Survey reveals accelerated growth expected for development of industrial printing…

Kodak’s latest version of Insite Creative Workflow
Kodak Insite Creative Workflow improves collaboration and security with HTML5 will be demonstrated at drupa in Hall 5…

Adieu Ivor Solution, Welcome Print Evolved
A striking new brand reflects a company that continues to set the pace in Web to print solutions and fulfilment…

Superior first with drupa spec Speedmaster XL 106 LE-UV
Superior to be first to take delivery of drupa spec Speedmaster XL 106 LE-UV to mark its 40th anniversary…

Colortek finds flat top solution with Nyloflex FTF
The easy way to achieve flat top dots on flexo printing plates, according to integrated tradeshop Colortek Inc…

One Elle of a guillotine order to double production!
One very highly specified Polar guillotine with full materials handling has replaced two guillotines at Elle Media Group…

Wed 04 May…   
The touchpoint 3D fab + print at drupa:
Visionary ideas, best cases and hands-on state of the art…

Three new HP wide-format Latex Printers to debut at drupa
HP’s latest third-generation Latex portfolio delivers new levels of productivity and affordability…

New Colorman e:line goes into operation in Kenya
Nation Media Group in Nairobi is convinced of the promising potential of the African newspaper industry…

KBA dominates sheetfed with run speeds of 20,000sph
KBA’s unique technology in North America is delivering higher production, more hourly net output, and fast ROI…

Print Express Online takes next step with Xerox
South Africa’s leading online business stationery printer adds new Xerox Colour C70 printer from Cape Office and Bytes…

NDigitec adds EFI Vutek roll-to-roll LED printer
NDigitec adds 5-metre EFI Vutek GS5500LXr LED inkjet printer for quality, reliability and green technology…

Dayfold opts for Technotrans alpha.f filtration
Dorset-based Dayfold makes Speedmaster filtration debut to further enhance its quality reputation…

Thu 05 May…   
Weitmann & Konrad (WEKO) paper conditioning at drupa
The WEKO DigiCon to debut in Hall 2: Designed for the conditioning needs of high-performance inkjet printing systems…

Steinemann at drupa with new dmax digital varnishing
New narrow-format dmax digital varnishing machines attracting great interest. The dmax 106 also to be shown live in Hall 1 at drupa…

CRON brings major diversification to drupa campaign
Six new products illustrate company’s dedication to improve value chain from plate to printed product…

Epson at the NEC: It’s a Wrap!
Spotted on the Epson stand at Sign & Digital UK last month was this customised car with eye-catching graphics…

Intelligencer opts for new Roland 700 HiPrint
Intelligencer continues its tradition of innovation by installing highly-specified Roland 700 in North America…

Fujifilm Jet Press 540W proved to be the perfect investment
Based in Czarnków, Poland, Interak sees productivity boost three months on from Jet Press 540W installation…

BST Eltromat launches FSS 15 ink fountain control
A successor solution to BST Eltromat’s previous ink fountain control systems for offset printing…

Fri 06 May…   
KURZ: Innovative die technologies for hot stamping
Hinderer + Mühlich presenting novel die designs and setup aids at drupa as a co-exhibitor with the stamping foil manufacturer…

Industrial Inkjet on customer-finding mission at drupa 2016
IIJ targeting 200 new OEM customers for Konica Minolta at drupa on Konica Minolta’s stand in Hall 8b…

Masterwork’s extensive postpress for packaging at drupa
At drupa, Masterwork will debut automatic sheet inspection machines, die-cutting and embossing, and folder gluers…

X-Rite Pantone and Flexolahti Oy partner for Nordics
Strategic partnership aims to expand the ‘PANTONE Certified Printer Programme’ in the Nordic Region…

The new, brighter UPM Sol lets your printed material shine
UPM introduces an enhanced version its premium coated mechanical sheetfed grade, pushing its brightness even higher…

Hubergroup inks for today’s UV printing
The global ink manufacturer launches new and updated ink series for conventional and state-of-the-art UV presses…

Five Castles Press opts for Heidelberg Linoprint CP
Five Castles switches from Xerox to Linoprint technology from Heidelberg UK…

Last lead articles from previous update…  

Last Friday’s leads…
UPM supports ‘Local waters’ schools project
UPM’s increased support of the ‘Local waters’ school project enables the project to expand nationwide…

Sun Chemical releases 2015 Sustainability Report
Data driven Report highlights how its suppliers are contributing to the company’s environmental footprint…

GraphicRepro.Net e-News  (ISSN 1814-2923) is sponsored and made possible by:

Heidelberger Druckmaschinen AG  (Heidelberg), The world’s largest printing press manufacturer for the industry worldwide. Heidelberg customers enjoy the most comprehensive and extensive sales and service network in the industry for JDF compliant workflow, computer-to-plate, sheetfed offset, Web-to-print, digital printing, digital inkjet for labels and packaging, packaging and finishing, all with complementary consumables. Heidelberg has offices in around 170 countries. Visit the Heidelberg Website for more information.

drupa 2016 (drupa), the international flagship fair of the printing and media industry, responds to the challenges of the changing market and provides pioneering solutions for the future. This is highlighted by the new marketing and communication strategy where drupa claims its position as ‘No.1 for Print & Crossmedia Solutions’ with the slogan ‘touch the future’. The issues of ‘package printing’, ‘multichannel’, ‘green printing’, ‘3D printing’, and ‘functional printing’ will become increasingly important to the overall communication strategy. To find out more, visit the drupa 2016 Website.

Online Feature articles 2014 – 2016
There were again well over 90 last year, including nine downloads, as well as 92 articles in 2013 which can still be accessed via the Index on the Home Page, with prior years’ via Search Archives (option 2) on the Website.

Technology-related Chapter 02

Previous…   
Sappi extends an invitation to innovate flexible packaging
With integrated barriers and heat sealing properties this new Sappi paper is suitable for flexible packaging applications…

Online Features Mar/Apr Chapter 04

Previous…   
Traderplus South Africa expands with further IIJ investment
Traderplus South Africa secures a major advantage with additional Industrial Inkjet (IIJ) technology, to be added in July…

Verdigris – Environmental Initiative

Laurel Brunner’s weekly Verdigris Blogs 2016

Sustainable by Design
The weekly Verdigris blog by Laurel Brunner – Fri 06 May

Previous…   
Another Green World
The weekly Verdigris blog by Laurel Brunner – Fri 29 Apr

Drupa Newsroom
Our Drupa Newsroom with news from Messe Düsseldorf and for Drupa 2016 can be found in the Index, as well as via the special Newsroom button on the right of the Home Page near the top. It is divided into the following Chapters for your convenience and ease of use… but you must scroll down to view each Chapter when you visit the Newsroom

drupa ante portas Blogs 2016

Previous…   
BW Papersystems’ strong brands at drupa 2016
drupa ante portas: Interview with BW Papersystems’ Patrick Walczak, who relies completely on customer orientation and individual solutions! By Andreas Weber…

drupa 2016 News from Exhibitors
Latest additions can now be accessed in our drupa Newsroom.

Kurz: Innovative die technologies for hot stamping
Hinderer + Mühlich is presenting novel die designs and setup aids at drupa as a co-exhibitor with the stamping foil manufacturer Leonhard Kurz…

Industrial Inkjet on customer-finding mission at drupa
IIJ targeting 200 new OEM customers for Konica Minolta at drupa on Konica Minolta’s stand in Hall 8b…

Masterwork’s extensive postpress for packaging at drupa
At drupa, Masterwork will debut automatic sheet inspection machines, die-cutting and embossing, and folder gluers…

CRON brings major diversification to its drupa campaign
Six new products illustrate company’s dedication to improve value chain from plate to printed product…

MGI to showcase the Future of Print at drupa
MGI Digital Technology announces exclusive world premieres of new products for digital and offset applications…

Adphos Digital Printing at drupa in Hall 6
adphosNIR – drying, curing and other thermal processes at the speed of light at drupa 2016…

Feldmuehle at drupa 2016 in Hall 4
With a focus on VivaCard and MediaLiner high-white, matt materials for holistic packaging design…

The touchpoint 3D fab + print: at drupa
Visionary ideas, best cases and hands-on state of the art…

HP introduces three wide-format Latex Printers for drupa debut
HP Inc. propels print service providers’ profitability with new latex printers as company’s third-generation Latex portfolio delivers new levels of productivity and affordability…

The next step in colour communication at dip on 2 and 8 June
Colour management specialist Erik Koldenhof on stage at the drupa innovation park: ‘Embrace open standards for print quality communication’…

Steinemann at drupa in Hall 1 with new dmax systems
New narrow-format dmax digital varnishing machines attracting great interest. The dmax 106 will be shown live at drupa…

Leonhard Kurz named a HP SmartStream Solutions Partner
The Kurz DM-Liner for creating glossy, metalised surfaces with digital print, to be presented on HP’s stand at drupa in Hall 17…

Kodak’s latest version of Insite Creative Workflow in Hall 5
Kodak Insite Creative Workflow improves collaboration and security with HTML5 will be demonstrated at drupa…

Duplo products to raise the bar in Hall 6 at drupa
Duplo International will be using Hall 6 at drupa as the launch pad for a raft of new, faster, smarter, better, state-of-the-art products…

CP Bourg at drupa in Hall 6 and in Hall 17 with HP Indigo
CP Bourg announces advanced integration with the new HP Indigo 7900 Digital Press and HP Indigo Direct-to-Finish to be debuted in Hall 17…

Unilux to introduce two LED strobes at drupa
Lightweight stroboscopes deliver brighter light, more even coverage, enhanced ability to inspect UV-visible inks, security elements or coatings…

Previous…   
KBA Report no. 48’s focus is entirely on drupa
Products, practices and perspectives regarding the industry’s leading trade show: KBA Report is available to order or download now…

Weitmann & Konrad (WEKO) at drupa 2016 in Hall 2
WEKO DigiCon: Innovation from Tradition at drupa 2016 under the motto ‘DON’T PLAY – WORK WITH PRECISION’…

Tecnau to unveil new products at partner stands
In addition to the Libra One book-block system on its stand in Hall 8a, Tecnau will be found with Ricoh, Screen, Canon/Oce, Xerox, HP Indigo, Horizon, Fujifilm, and Böwe Systec…

Manroland Web Systems at drupa 2016
High-performing business partner for the printing industry…

The PrintCity Alliance’s 5th appearance at drupa
Under the headline ‘Inspirational Packaging for an Attractive Future’ the Alliance will showcase future technologies and solutions for the packaging industry…

SEI Laser: PaperOne for digital finishing and converting
PaperOne, developed in co-operation with HP Indigo, will be showcased at drupa 2016 in both Halls 12 and on the HP Indigo stand in Hall 17…

Toshiba TEC and IACS joint exhibit at drupa 2016
Toshiba, together with its European technology consulting partner, IACS, visitors will see the latest industrial inkjet heads, peripheral, and support…

Dalim Software at drupa 2016 in Hall 7a
In Hall 7, stand E41, Dalim Software will demonstrates new production solutions that serve a wide range of print and content users…

Fraser Anti-Static Techniques in Hall 9 at drupa
Fraser will be showing printers the very latest techniques for overcoming static problems in digital, offset, inkjet, flexo and gravure printing…

DW Renzmann to debut its new ROTOmaX-e 20 at drupa
Active environmental protection with distillation units to be shown at drupa include new ROTOmaX-e 20, which minimises solvent costs and waste…

drupa cube 2016: With full programme PDF to download
Inspiration and innovation in some 60 keynotes, panel discussions and presentations from international experts…

Kurz: New tools for brand enhancement at drupa
Leonhard Kurz showcasing holographic designs with special colour and 3D effects at drupa 2016…

ThermoFlexX plans major worldwide launches
ThermoFlexX to use drupa 2016 for the worldwide launch of several major additions to its industry-leading product portfolio…

Agfa Graphics adds to its Advantage N platesetter family
Agfa Graphics offers full computer-to-plate autonomy with new Advantage N-PL Engine, to debut at drupa.

The Centre of Print Finishing Excellence at drupa
CP Bourg, Watkiss Automation and Challenge Machinery are exhibiting under the banner ‘The Centre of Print Finishing Excellence’…

Digital Information at drupa 2016 in Hall 8b
Digital Information announces product line enhancements
and world premiere at drupa 2016…

DuPont Advanced Printing at drupa in Hall 8b
Colour complexity, workflow simplicity: DuPont Advanced Printing spotlights key technologies at drupa 2016…

Pitney Bowes at drupa 2016 in Hall 4
Pitney Bowes to showcase physical and digital technologies which demonstrate ‘Real Impact’ at drupa 2016…

drupa 2016 Expert Article Series and more
Can be found in our Drupa Newsroom via the Index on the Home Page.

Final article in the series…   
Digital versus traditional packaging print
Touch the future. Drupa Expert Article No 8 by Michael Seidl, publisher and editor-in-chief of various specialist publications in Central and Eastern Europe including Print & Publishing, Packaging and Visual Communication….

drupa 2016 News from Messe Düsseldorf

touchpoint 3D fab + print:
Visionary ideas, best cases and hands-on state of the art…

touchpoint 3D fab + print:
Visionäre Ideen, Best Cases & State-of-the-Art zum Anfassen…

Previous…   
drupa cube 2016: With full programme PDF to download
Inspiration and innovation in some 60 keynotes, panel discussions and presentations from international experts…

drupa cube 2016: Mit komplette Programm PDF zum download
Inspiration und Innovation in rund 60 Keynotes, Panel-Discussions und Präsentationen internationaler Experten…

FESPA Newsroom
The dedicated FESPA Newsroom can be found via the Index on our Home Page.

FESPA Federation News in 2016

Previous…   
FESPA’s Regional events in 2016
FESPA’S worldwide regional events reinforce the central Profit For Purpose philosophy which drives FESPA…

The Graphic Repro On-line Website is supported and sponsored by: 

Antalis South Africa, Canon SA,  Screen Europe,  Drupa 2016,  EFI,  Esko,  FESPA.  Goss International Inc,  Heidelberger Druckmaschinen AG,  HP Graphic Solutions,   Koenig + Bauer AG,  Kemtek Imaging Systems,  Krause-Biagosch,  Leonhard Kurz Stiftung,   Manroland Web Systems GmbH,  Muller Martini AG,  POLAR-Mohr, QuadTech Inc,  Quark Inc,  Ricoh Europe ,  Sappi Limited Thunderbolt Solutions, and UPM-Kymmene
If you would like to send news for consideration for the Graphic Repro On-line Website (ISSN 1814-2915) or to submit comments, please e-mail Mike Hilton at: graphicrepro.za@gmail.com.

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GraphicRepro.Net e-News (ISSN 1814-2923)  provides weekly updates from the Graphic Repro On-line Website and is  compiled and published by Mike Hilton, graphicrepro.netPO Box 10 Peterburgskoe Shosse 13/1, 196605 Pushkin 5, St. Petersburg,  Russia.  e-mail graphicrepro.za@gmail.com

Fee Fleck Im Reich der Drohnen - Doku 1.019

© 2016 und Fotocollage: Andreas Weber, Mainz/Frankfurt am Main

 

Ein ganz besonderer Ort. Zu einem ganz besonderen Anlass. Hausherr Ludwig Jantzer versammelte im Frankfurter Hof zu Mainz eine große Schar von Besuchern, die sich aufgeschlossen und engagiert einem Thema widmeten, das äußerst schwierig und prekär ist. Fee Fleck präsentierte ihren Werkzyklus „Im Reich der Drohnen“, um das Gebaren und die fatalen Folgen moderner Kriegstechniken bewusst zu machen. 

Mit Unterstützung der beiden Kuratoren, Prof. Valy Wahl und Andreas Weber, sowie engagierten Begrüßungsrednern wie Kulturstaatssekretär Walter Schumacher und Mark Linnemann, 1. Vorsitzender des Deutschen Werkbundes Rheinland-Pfalz, gelang es, eine geradezu atemberaubende Atmosphäre zu schaffen, die mit Worten kaum beschreibbar ist. Besonderer Dank gilt den Techniker im Frankfurter Hof Mainz, die beim Aufbau in kürzester Zeit keine Wünsche offen ließen und einen tollen Job gemacht haben: Holger Orth und Christoph Biroth.

 

 

Schicksalhafte Begegnung: Mehr Realität geht nicht!

Ein ganz besonderes Momentum schaffte Ludwig Jantzer: Er hatte speziell eine kleine Gruppe von Flüchtlingen aus dem Nahen Osten eingeladen, die bei uns in Rheinhessen um Asyl nachsuchen und unmittelbar unter dem Kriegs-Terror sowie auch der Bedrohung durch Kampf-Drohnen gelitten haben. Die Begegnung mit einer Künstlerin wie Fee Fleck, die sich auf hohem künstlerischen Niveau mit Kriegshandlungen, die gerade auch Zivilisten treffen, beschäftigt, stellt für diese jungen Menschen etwas dar, was sie nie mehr vergessen werden. Und für Fee Fleck war dies ein ebenfalls bewegendes Erlebnis, das sich überraschend nach der Vorstellung ihrer Werke ergab.

Eine geradezu schicksalhafte Begegnung, mit der Botschaft: Kunst und Künstler helfen, Menschen auf besondere Art Willkommen zu heißen und ihnen zu zeigen, dass man auch fernab grauenhafter Kriegsgeschehnisse genau beobachtet und bewertet, was geschieht und wogegen man Position beziehen muss. Wirksamere „Munition“ für Integration und ein menschliches Miteinander kann man sich kaum wünschen.

Das Publikum war nicht nur begeistert, sondern hat verstanden, worum es Fee Fleck geht: Niemals vergessen. Man muss sich dem stellen, was Menschen anderen Menschen antun, und dagegen angehen. Am besten in dem Moment, indem es geschieht. Marianne Hoffmann hat dies im Kontext mit weiteren Aspekten in ihrer Kunstkritik für die Allgemeine Zeitung vom 22. März 2016 auf den Punkt gebracht. Lesetipp: Fee Fleck bezieht in Mainz gegen den Drohnen-Krieg Stellung.

 

 

 

Nachfolgend unser erster multimedialer Bericht mit der Eröffnungsrede von Andreas Weber im Wortlaut per Video-Selfie. Wer den Text nachlesen möchte, kann dies per Klick auf folgenden Link tun: Fee Fleck: Kontrapunkte führen den brutalen Drohnen-Krieg ad absurdum!

 

 

Video-Doku (1) — Hausherr Ludwig Jantzer begrüßt herzlich und Kulturstaatssekretär Walter Schumacher betont die sinnvolle Verbindung zw. Tradition des Frankfurter Hofs und dem Ausstellungs-Thema/Werk von Fee Fleck.


Video-Doku (2) — Kulturstaatssekretär Walter Schumacher betont die sinnvolle Verbindung zw. Tradition des Frankfurter Hofs und dem Ausstellungs-Thema/Werk von Fee Fleck. 

 

 

Video-Doku (3) — Mark Linnemann, 1. Vorsitzender des Deutschen Werkbundes Rheinland-Pfalz, fand einfühlsame Worte für das Ehrenmitglied Fee Fleck zu ihrer Ausstellung „Im Reich der Drohnen.“

drupamc report key visual 2.005

© 2016: Andreas Weber, Mainz/Germany

 

Comment on #drupamc by Andreas Weber | German version available

Everyone did a super job at the drupa media conference (abbr: #drupamc) from February 29 to March 2, 2016: The Messe Dusseldorf, particularly the drupa2016 team; the 15 exhibitors with their presentations; AD Communications as the organising agency and last, but not least, the approximately 100 trade journalists in attendance from around the globe, with happily many newcomers among them. That’s a good thing. The branch is in need of some new momentum. And some new thinking, followed by the right doings. drupa 2016 supposedly stands for: Touch the future, the motto proclaimed by drupa director Sabine Geldermann. That’s great! — Still: Getting customers of print companies as crucial innovation decision-makers on board remains relatively unnoticed. In this respect: Print is making rapid technological advancements, but the industry itself is applying the brakes!

At a glance:

  • #drupamc was a big success.
  • HP wants to take over the leading role in print (but unfortunately, commits real communication blunders!).
  • Heideldruck is the secret star (thanks to partners Fujifilm and Ricoh).
  • Kodak appears to have gone “retro” and Xerox is struggling a bit despite new products.
  • Canon is the most convincing with #UnleashPrint.
  • Before drupa 2016 begins, there is a lot to do to iron out communication deficits, place focus on portraying the benefits (beyond technology) and to finally mobilise customers of print companies.

Indisputable: Optimism and confidence in the future are back (see also: 3rd drupa Insights Report). That was shown by the technology providers in almost all the presentations, particularly those of the “smaller” and highly specialised exhibitors such as Kolbus, Bobst, Hybrid, Global Graphics, Datalase and especially Pitney Bowes, a global player that will be a stranger to most drupa visitors (see summary of all company presentations in the ValuePublishing real-time reports on Storify).

#drupamc already promised to be very exciting in the run-up: Industry leader Heidelberger Druckmaschinen (Heideldruck) dashed ahead with its drupa slogan “Simply Smart” and a disruptive new strategy. Success in print is not primarily about the presses, but about new types of integrated solutions that live up to the digital age and the changes in media usage behaviour. New terms become correspondingly relevant: internet-of-things, Industry 4.0, cloud, big data, apps, automation, 3D, 4D, as well as customer centricity and others. And, of course, new technologies: at the core, cloud services as well as a new generation of industrial inkjet production systems (see Bernd Zipper’s analysis and evaluation on beyondprint.de).

Heideldruck did not give a presentation at #drupamc —they focussed on their own press conference beforehand, which can prove to be a clever move. Despite everything, Heidelberg was omnipresent. Particularly because Heideldruck partners such as Ricoh and Fujifilm referred explicitly to Heidelberg’s expertise as their main support. After all, with Heideldruck one leads in everything required for managing a printing business. This is precisely where HP and its Graphic Solution Business (GSB) wishes to be positioned in order to dethrone Heideldruck.  After relying on HP for “heavy metal” for almost 12 years, HT’s core competency as an IT company was pulled out of the hat at #drupamc: “PrintOS” is the magic word with which HP – now the exhibitor with the largest stand at drupa – hopes to win over print companies. 

 

 

Will HP’s PrintOS be the turning point?

The announcement was full of promise: “HP Inc. inspires print providers to reinvent their possibilities at drupa 2016 with HP PrintOS, a cloud-based mobile platform that simplifies and automates print production management”. It is about “new advancements enabling print service providers to reinvent their possibilities”. HP big boss Rob Le Bras-Brown, Global Head of Print Marketing, said, “HP is bringing the full power of our vast portfolio (…) to drupa 2016. With today’s introduction of HP PrintOS and more pre-drupa announcements to come, HP is following through on its promise to ‘keep reinventing’. That means that we will be showing advancements across the various segments of the printing industry that will enable our customers to reinvent their possibilities.” And François Martin, HP GSB Worldwide Marketing Director, used some clever words to emphasise the fact that the print business is primarily about the perfect synchronisation of the analogue and digital worlds.

IMG_1638

Photo: Andreas Weber

 

PrintOS Senior Manager at HP, Simon Lewis, delivered a convincing presentation. His voice almost cracked during the presentation, and especially during the questions from the trade journalists. The specs sound promising and according to HP are to include the following apps:

  1. Box, a tool that simplifies the onboarding of print jobs from non-automated sources such as e-mail and file transfer services. According to HP, a disproportionate amount of time and effort are often invested in handling jobs prior to production. Box standardises many processes, thereby reducing this overhead. Users thus have a tool in hand to increase capacity and improve profitability.
  2. Site Flow, a tool that combines automatic job submission, pre-press and shop floor management all in one. The app is suitable for print service providers in both the business-to-business and business-to-business-to-consumer sectors. Site Flow makes it possible for print service providers to offer their clients more attractive prices. Furthermore, it can help improve service and produce more easily hundreds, thousands or even tens of thousands of individual personalised print orders every day, including shipment to the end customers.

 

Live-Video: Andreas Weber via iPad.

 

Users of HP Indigo and HP PageWide Web Press should be able to avail of PrintOS as of May 31, 2016; users of HP Latex and Scitex have to wait most likely until 2017. Many apps will be available free of charge to existing HP customers with a service contract. Certain apps will be subject to monthly user charges. — So much for the announcements that really sounded full of promise.

 

Interjection: You cannot not communicate!

Whoa! Are communication glitches at HP the exception? Or is HP still lacking a healthy mix of IT skills and willingness to communicate? — HP Inc. has put a lot of marketing effort into promoting its drupa innovations and particularly, the PrintOS to printing companies. The budget for the trade show presence is huge. But the impact is rather marred by a lack of multichannel communication talent. HP set up its own section on Flickr. As of March 12, 2016, the eight photos that had been posted had been called up only 16 times to date. In general, HP’s social media engagement seems half-hearted: It is present almost everywhere, without actually achieving any interaction. Views on YouTube of elaborately produced HP videos, for example, are probably mostly generated by its own staff. Google searches on HP topics are not easy.

Serious are the technical mistakes: The press release dated February 29, 2016, sent at 4:01pm by PR agency F&H Porter Novelli, Munich—words of praise on PrintOS providing a link that as of March 12, 2016, at 3:44pm, still led to nothing. “Oops. We can’t find that page for you” is bluntly displayed. EMBARRASSING. And it is not the first time that such a thing has happened on an HP website.

And last, but not least: Press queries that go beyond the content of the press releases often come up against a lack of understanding or are barely answered, as many colleagues from various countries have complained; if you do not know an HP GSB manager personally and/or have direct access, you are on your own.

Bottom line: If HP GSB wishes to make its aspiration of leadership in print credible, then it needs to communicate once and for all about its innovations in a professional, market-oriented and innovative way! 

Bildschirmfoto 2016-03-12 um 15.40.26

 

Another missed opportunity? — Describing the benefits for customers of print companies was not a topic!

What is truly important, however, gets short shrift: What benefits does HP give customers of print companies? Nothing was mentioned about that. And that, to me, seems criminal. Just zeroing in on the fact that print companies can do their work more easily and cheaply using PrintOS will hardly make print stronger in the communications mix. Precisely herein lies drupa 2016’s reason for being. Touch the future refers not only to printing companies that will spend billions on technology at drupa 2016 to be fit for the future. Rather ‘Touch the future’ is a message to all, who have to drive innovation in communication in order to do profitable business.

Apropos profit and growth: Whether intended or not, with PrintOS, HP is tremendously boosting the topic of e-business print and the online printing sector, which in Germany alone already brings in 2.5 billion in revenues annually (source: EPOS Study, https://www.epos-studie.de). This is important to realise since e-business print and online printing do not appear in the trade fair programme as primary, eminently important generic terms for the future of the printing industry.

Still: HP Inc. dared come out from under cover, which cannot be said of other top dogs such as Kodak or Xerox. The Kodak presentation was like stepping back into the 20th Century. Nothing innovative, just improvements of existing products and an affirmation that they continue to faithfully serve the analogue world of print. Similar to Xerox: New inkjet printing systems were presented. And at the same time the assurance was given that despite the company split announced in February 2016, everything would remain the same. Whoa! Is that good news or bad?

From a German point of view, Xerox has practically almost disappeared from the professional print market. It is only being kept alive by a couple of committed and competent business and computer companies. Viewed corporate-wide, it was only just 2 years ago that Xerox lost one-third of its sales in print technology. But the major impetus has to come from Xerox itself, for instance, by thinking beyond print and placing proprietary solutions such as XMPie better in the spotlight, since XMPIe perfectly closes the gap between print and online communication in multichannel scenarios.

 

Impressions of the #drupamc, incl. the new drupa music presented by EFI CEO Guy Gecht! Video animation: Andreas Weber.

 

All the more impressive was seeing how some of Xerox’s tough competitors such as Konica Minolta and Ricoh are excellently positioned. Likewise, Fujifilm and Epson, who made virtually modest presentations, offering a number of surprises for many colleagues in the trade. In addition to the Fujifilm/Heideldruck inkjet cooperation project “Primefire 106”, mention must be made of the Epson PaperLab, a compact machine for DIY recycled papermaking in DIN A4/A3 sizes. (Whereby the Epson PaperLab has been known about since the beginning of 2015 and was as such nothing new for #drupamc). Even EFI, the speciality vendor-turned-conglomerate, demonstrated the point more rousingly and far-sightedly than Xerox. In his famous, notoriously funny style of presentation, EFI CEO Guy Gecht used the Hollywood dream factory to enthusiastically demonstrate the future of print as a dynamic growth market. At the end, Guy Gecht presented a special version of Billy Joel’s song “We didn’t Start the Fire” with new lyrics he created for drupa and the global printing industry. MAGNIFICENT!

 

Mark Lawn and Peter Wolff, Canon Europe, explaining the new #UnleashPrint communications approach of the imaging corporation.


#UnleashPrint — Canon trumps and makes a lasting impression!

Canon led the way, making a brilliant appearance. The leading multinational imaging corporation delivered a convincing affirmation to print and to the market for professional printing at the industrial level. Those who had the opportunity to visit the Canon Expo in New York City, Paris, Shanghai or Tokyo in October 2015 would have been prepared. It was evident that Canon indeed has the widest range of applications: Canon is the only drupa exhibitor to cover all six drupa highlight themes: Print, Packaging, Green Printing, Functional Printing and 3D-Printing as well as Multichannel. That is important in this sense specifically for drupa 2016 and in general for the print industry, since Canon as a brand has the greatest charisma in B2B as well as in B2C!

Of course, Canon also showed innovative technologies, just like other exhibitors. But everything was in the context of solutions accessible to print companies and their customers alike, showing the respective, clear benefits. The Canon stand will reflect the areas of application, so that all visitors can easily find the solutions that are of most interest to them. Individually, those are:

  • commercial print
  • business communications, including transactional and direct mail
  • publishing, including books, magazines and newspapers
  • advertising and creative, including display graphics
  • functional/industrial, including 3D printing
  • packaging
  • photographic products

This is truly the full spectrum of what can satisfy current and future market demands! By its own admission, Canon relies on a combination of market-leading technologies, expertise and continuous dialogue with customers to help print service providers implement customer-centric business models that unleash the full potential of their business.

For this to be understood and communicated ubiquitously, Canon is the only exhibitor to date to employ new contemporary communications channels: As part of a multichannel communications campaign on relevant platforms, the hashtag #UnleashPrint is to address not only print service providers, but also innovation decision-makers, interested in print in the communications mix as well as the corresponding technologies and services.

 

Live-Video: Andreas Weber in a 1 min. interview with Canon’s Mark Lawn via iPad.

 

Mark Lawn of Canon Europe explained the unusual approach with #UnleashPrint as follows:  In every area of the stand, Canon will bring to life its new campaign to #UnleashPrint. This communicates Canon’s passion for print as a unique and powerful medium, celebrates the value of print and sets out to unlock its still untapped potential. Central to this is to show how the implementation of intelligent new business models can follow for realising the potential of print in the digital age to better fulfil constantly changing customer needs.

In its corresponding press release, Canon further says: “Every zone of the Canon stand will feature exceptional creative print applications, with the aim of inspiring visitors to extend their product portfolio and push the boundaries of print. As part of the customer journey through the endless variety of print, Canon will also show trade visitors how they can increase print’s effectiveness through integration with digital platforms to deliver seamless multichannel communications that simplify customer experiences, stimulate response and make print as measurable as any other tool in the communications mix.”

Print wins Analysis by Andreas Weber .001

Print wins, only if it stands the test in the communications mix!

That sums up what it is all about. And corresponds to our ValuePublishing analyses, made in the run-up to #drupamc, personally discussed with customers of print companies, agencies and publishing houses. (See the analysis “Print wins!” by Andreas Weber on slideshare.com)

The key messages derived from it carry forward the exciting results in the trade of the #drupamc and are as follows:

  1. The goal is attainable: Print wins! And considers itself to be the key pillar in all contemporary marketing and communications scenarios.
  2. For more than a thousand years, print has been one of the most important cultural tools globally for allowing innovations to become reality! Why should things be any different today?
  3. BUT: The market has changed radically! Instead of quantity, quality is increasingly in demand. The trend: Exploit added value through more attention to and greater efficacy of printed material in the communications mix!
  4. The dilemma: Everyone driving communications is searching for digital strategies to push content (unanimously) everywhere. Dealing with print innovations that lead to dialogue through interaction is often overlooked. Only multichannel can do that in combination with print! And that needs to be communicated better and more clearly via drupa 2016.
  5. Print will become the key pillar, thanks to completely new types of software and cloud solutions and e-business models, particularly in personalisation. It is no longer a question of reach, but of “one conversation”!
  6. Multichannel innovations that include print do not make analogue media superfluous, but integrate them seamlessly.
  7. Print sustainably increases business success through interaction, through dialogue with the audience (customers, partners, interested parties); supported by personal, timely relevance — through touchpoints covering the whole media spectrum from print to digital.
  8. Print teamed up with multichannel and e-business is a new, rapidly growing service sector. Focus: driving innovation forward! New print technologies such as inkjet are important, but “just” a means to the end.
  9. Everyone needs to learn what it’s all about: In communication, more reach is not the measure of all things, relevant dialogue and ongoing conversation are.
  10. It is proven that print wins and its importance is strengthened through the IoT, cloud, big data and multichannel services because it makes communication powerful, relevant and humane.

 

Summary

As I have said, it was an extremely successful and insightful #drupamc. But there is still a lot to do before drupa 2016 opens its doors on May 31, 2016. The tried-and-true motto, in my view: “Get rid of silo thinking! Touch the future now! Take the communication offensive!” — Exhibitor communication should not be just a blunt promotion of new technologies for printing companies, presented in the conventional print trade press. A lot more needs to happen using innovative communication, through social media, through mobile, in order to put the focus on the benefits. Only so can the business in general and especially the decision-makers involved in innovation projects in the industry, in trade, and in the brand-name companies be reached to show print in a new way that can be experienced and understood. Canon is the only exhibitor to date who convincingly shows how it should be done and thus sets the bar: #UnleashPrint!

 

Note: With our real-time reports on ValuePublishing, we were able to make #drupamc rated tops. In just 72 hours, we reached more than 750,000 viewers who were able to experience live what was happening in Dusseldorf through the short reports and commentary. 

 

 

drupamc report key visual 5.001

@ 2016 Großes Foto: Messe Düsseldorf, Constanze Tillmann. Kleines Foto und Bildcollage: Andreas Weber, Mainz.

 

Kommentar zur #drupamc von Andreas Weber | Englisch version available

Alle haben zur drupa media conference (kurz: #drupamc) vom 29. Februar bis 2. März 2016 einen super Job gemacht: Die Messe Düsseldorf, insbesondere das drupa2016-Team, die 15 Aussteller mit ihren Vorträgen, AD Communications als Organisationsagentur und zu guter Letzt die rund 100 anwesenden Fachjournalisten aus aller Welt, davon erfreulich viele Neulinge. Das ist gut so. Die Branche braucht neuen Schwung. Und ein neues Denken, dem die richtigen Taten folgen. Dafür soll die drupa 2016 stehen: Touch the Future, lautet das Motto, das drupa-Direktorin Sabine Geldermann ausrufen lässt. Gut so! — Aber: Nahezu unbeachtet bleibt weiterhin, die Kunden der Druckereien als maßgebliche Innovationsentscheider ins Boot zu holen. Insofern: Print kommt technologisch rasant voran, aber die Branche bremst sich selbst!

Auf einen Blick:

  • #drupamc war ein voller Erfolg.
  • HP will die Leitfunktion im Print übernehmen (begeht aber kommunikativ leider echte Patzer!).
  • Heideldruck ist der heimliche Star (dank der Partner Fujifilm und Ricoh).
  • Kodak wirkt „retro“ und Xerox tut sich ziemlich schwer trotz Produktneuheiten.
  • Canon überzeugt am stärksten mit #Unleashprint.
  • Bis zur drupa 2016 bleibt viel zu tun, um Kommunikationsdefizite auszugleichen, die Nutzendarstellung in den Fokus zu stellen (beyond technology) und endlich die Kunden der Druckereien zu mobilisieren.

Unbestreitbar: Aufbruchsstimmung und Zukunfts-Zuversicht sind wieder da (siehe auch: 3. drupa Insights Report). Das zeigten seitens der Technikanbieter fast alle Präsentationen, vor allem auch diejenigen von „kleineren“ und hochspezialisierten Ausstellern wie Kolbus, Bobst, Hybrid, Global Graphics, Datalase und v. a. von Pitney Bowes, einem Global Player, der den meisten drupa-Besucher noch unbekannt sein wird (siehe Zusammenfassung aller Firmenvorträge im ValuePublishing-Echtzeit-Report per Storify).

Schon im Vorfeld versprach die #drupamc hochspannend zu werden: Der Branchenprimus Heidelberger Druckmaschinen (Heideldruck) war mit seinem drupa-Slogan „Simply Smart“ und einer disruptiv neuer Strategie voran geprescht. Es geht beim Erfolg mit Print nicht mehr primär um Maschinen, sondern um neuartige, integrierte Lösungen, die dem Digitalzeitalter und dem veränderten Medien-Nutzungsverhalten gerecht werden. Entsprechend sind neue Begriffe relevant: Internet-of-Things, Industrie 4.0, Cloud, Big Data, Apps, Automation, 3D, 4D, aber auch Customer Centricity u. a. m. Und natürlich neue Technologien, im Kern Cloud-Services sowie eine neue Generation von industriellen Inkjet-Produktionssystemen (siehe die Analyse und Bewertung von Bernd Zipper auf beyondprint.de).

Heideldruck war zwar nicht mit Vorträgen auf der #drupamc vertreten — man setzte auf eigene Pressekonferenzen im Vorfeld, was sich als kluger Schachzug erweisen kann. Trotz allem war Heidelberg omnipräsent. Vor allem, weil Heideldruck-Partner wie Ricoh und Fujifilm sich expressis verbis auf die Kompetenz von Heidelberg als wichtigste Stütze bezogen. Schließlich ist man bei Heideldruck führend in allen Belangen, die es braucht, um ein Druckerei-Geschäft erfolgreich managen zu können. Genau an der Stelle will HP mit seinem Graphic Solution Business (GSB) ansetzen, um Heideldruck den Rang abzulaufen. Nachdem man bei HP rund 12 Jahre auf „Heavy Metal“ gesetzt hat, wurde zur #drupamc die Kernkompetenz von HP als IT-Konzern aus dem Hut gezaubert: „PrintOS“ heisst das Zauberwort, mit dem HP nunmehr als flächenmäßig größter drupa-Aussteller Druckereien für sich gewinnen will. 

 

 

Bringt HP’s PrintOS die Wende?

In der Ankündigung heisst es vielversprechend: „HP Inc. eröffnet Druckanbietern auf der drupa 2016 neue Möglichkeiten — Cloud-basierte mobile Plattform HP PrintOS vereinfacht und automatisiert das Management der Druckproduktion“. Es gehe um „Neuentwicklungen, mit denen Druckdienstleister neue Geschäftsmöglichkeiten entdecken können“. HP Top-Manager Rob Le Bras-Brown, Global Head of Print Marketing, äußert sich medial wie folgt: „HP zeigt auf der drupa 2016 die ganze Leistungsfähigkeit seines umfassenden Portfolios (…) Mit der heutigen Präsentation von HP PrintOS und weiteren Ankündigungen, die wir noch vor der drupa machen werden, folgt HP seinem Motto ‚Keep reinventing‘. Dies bedeutet, dass wir über die verschiedenen Bereiche der Druckbranche hinweg Neuentwicklungen vorstellen werden, mit denen unsere Kunden neue Geschäftsmöglichkeiten erschließen können.“ Und François Martin, HP GSB Worldwide Marketing Director, fand smarte Worte, um zu betonen, dass es im Print-Business vor allem darum gehe, die analoge und digitale Welt perfekt aufeinander abzustimmen.

IMG_1638

Foto: Andreas Weber, Mainz

Der PrintOS-Senior Manager bei HP, Simon Lewis, lieferte eine überzeugende Präsentation. Seine Stimme überschlug sich fast beim Vortragen, gerade auch bei den Nachfragen der Fachjournalisten. Die Spezifikationen klingen vielversprechend und sollen laut HP unter anderem folgende Anwendungen umfassen:

  1. Box, ein Tool, das die Erstellung von Druckaufträgen aus nichtautomatisierten Quellen, wie E-Mail und File-Transfer-Services, vereinfacht. Häufig erfordert laut HP die Auftragsabwicklung im Vorfeld der Produktion einen unverhältnismäßig großen Zeit- und Arbeitsaufwand. Box standardisiert viele Prozesse und reduziert damit diesen Mehraufwand. Damit haben Anwender ein Werkzeug in der Hand, um ihre Auftragskapazität zu steigern und die Wirtschaftlichkeit zu verbessern.
  2. Site Flow, ein Tool, das automatische Auftragserteilung, die Druckvorstufe und Shopfloor Management in sich vereint. Die Anwendung soll für Druckdienstleister in den Bereichen Business-to-Business und Business-to-Business-to-Consumer gleichermaßen geeignet sein. Site Flow ermögliche es Druckdienstleistern, ihren Kunden attraktivere Preise zu bieten. Zudem könnten sie damit ihren Service verbessern und noch einfacher täglich hunderte, tausende oder zehntausende individueller personalisierter Druckaufträge produzieren und bis zum Endkunden liefern.

 

Live-Video: Andreas Weber via iPad.

 

Nutzer von HP Indigo und HP PageWide Web Press sollen die PrintOS ab dem 31. Mai 2016 nutzen, Nutzer von HP Latex und Scitex voraussichtlich ab 2017. Viele Anwendungen sollen dem HP-Kunden mit bestehenden Serviceverträgen ohne zusätzliche Kosten zur Verfügung. Für bestimmte Anwendungen seien monatliche Nutzungsgebühren fällig. — Soweit die Ankündigungen, die wirklich vielversprechend klingen.

Zwischenruf: Man kann nicht nicht kommunizieren!

HOPPLA: Sind Kommunikations-Pannen bei HP die Ausnahme? Oder fehlt bei HP noch ein gesunder Mix aus  IT-Kompetenz und Kommunikationsbereitschaft? — Der Marketing-Aufwand, mit dem HP Inc. seine drupa-Neuheiten und vor allem PrintOS bei Druckereien promotet, ist gross. Die Budgets für Messeauftritte riesig. Die Wirkung wird durch mangelndes mediales Kommunikationstalent aber ziemlich beeinträchtigt. Auf Flickr hat HP eine eigene Sektion eingerichtet. Per 12. März 2016 haben die bis dato acht eingestellten Fotos aber nur 16 Aufrufe generiert. Überhaupt: Das Social-Media-Engagement von HP wirkt halbherzig: Man ist fast überall dabei, ohne aber tatsächlich Interaktionen zu erreichen. Views auf YouTube mit aufwendig produzierten HP-Videos z. B. werden zumeist wohl durch eigene Mitarbeiter generiert. Google-Suchen gestalten sich bei HP-Themen als schwierig. 

Gravierend sind handwerkliche Fehler: Der in der Pressemeldung vom 29.02.2016, 16:01 Uhr, von der PR-Agentur über F&H Porter Novelli, München, verschickte PR—Lobpreisungstext zu PrintOS bietet einen Link an, der noch am 12. März 2016, 15:44 Uhr, ins Nichts führte. „Oops. We can’t find that page for you“, wird lapidar angezeigt. PEINLICH. Denn es ist nicht das erste Mal, dass einem auf der HP-Website solches widerfährt.

Und last but not least: Presseanfragen, die über den Inhalt von Pressemeldungen hinausführen, stoßen of auf Unverständnis oder werden kaum beantwortet, wie auch zahlreiche Kollegen aus verschiedenen Ländern monieren; wer nicht einen HP-GSB-Manager persönlich kennt und/oder direkten Zugang hat, wird alleine gelassen.

Fazit: Will HP GSB seine angestrebte Leadership in Print glaubhaft machen, muss endlich professionell, marktorientiert und innovativ über Innovationen kommuniziert werden! 

Bildschirmfoto 2016-03-12 um 15.40.26

 

Chance abermals vertan? — Die Nutzendarstellung für Kunden der Druckereien wurde nicht thematisiert!

Zu kurz kommt allerdings das wirklich Wichtige: Welche Vorteile bringt HP damit dem Kunden der Druckereien? Hierzu wurde nichts verlautbart. Und das scheint mir sträflich. Denn nur darauf abzuzielen, dass Druckereien durch PrintOS einfacher und kostengünstiger ihrer Arbeit nachgehen, wird Print im Kommunikationsmix kaum stärken. Genau hierin liegt aber das, wofür die drupa 2016 stehen muss. Touch the future bezieht sich ja nicht nur auf Druckereien, die auf der drupa 2016 wiederum Milliardensummen für Technologien ausgeben sollen, um fit für die Zukunft zu werden. Sondern Touch the future ist eine Botschaft an alle, die die Innovation der Kommunikation vorantreiben müssen, um profitables Geschäft zu machen.

Apropos Profit und Wachstum: Ob gewollt oder ungewollt, HP stärkt mit PrintOS das Thema E-Business Print und den Online-Printing-Sektor ungemein, der alleine in Deutschland schon 2,5 Milliarden Jahresumsatz bringt (Quelle: EPOs Studie, https://www.epos-studie.de). Dies ist wichtig zu erkennen, weil E-Business Print und Online-Printing im Messeangebot als übergeordnete, eminent wichtige Gattungsbegriffe für die Zukunft der Printbranche nicht vorkommen.

Immerhin: HP Inc. hat sich aus der Deckung gewagt, was man von anderen Platzhirschen wie Kodak oder Xerox nicht sagen kann. Die Kodak-Präsentation wirkte wie ein Schritt zurück ins 20. Jahrhundert. Nichts innovatives, eigentlich nur Verbesserungen des bestehenden Angebotes und ein Bekenntnis, dass man auch die analoge Welt des Druckens brav bedient. Ähnlich bei Xerox: Neue Inkjet-Drucksysteme wurden vorgestellt. Und zugleich wurde versichert, dass trotz des im Februar 2016 angekündigten Firmen-Splits alles beim Alten bleiben wird. Hoppla: Ist das eine gute gute oder eine schlechte Nachricht?

Aus deutscher Sicht ist Xerox im Profi-Druckmarkt nahezu diffundiert. Und wird bei Professional Print nur noch über ein paar engagierte und kompetente Handels- und Systemhäuser am Leben gehalten. Konzern-weit gesehen, gingen bei Xerox vor knapp 2 Jahren ein Drittel der Umsätze mit Printtechnik verloren. Wesentliche Impulse muss Xerox aber aus sich selbst heraus schöpfen, zum Beispiel, indem Xerox „beyond Print“ denkt und eigene Lösungen wie XMPie besser in den Fokus rückt, da per XMPIe die Kluft zwischen Print- und Online-Kommunikation per Multichannel-Szenarien perfekt geschlossen wird.

 

Impressionen von der #drupamc, inkl. der von EFI CEO Guy Gecht vorgestellten neuen drupa-Musik! Video-Anmination: Andreas Weber.

 

Um so eindrucksvoller war zu sehen, wie harte Xerox Wettbewerber wie Konica Minolta oder auch Ricoh exzellent aufgestellt sind. Ebenso Fujifilm und Epson, die fast bescheiden auftraten und für viele Fachkollegen zahlreiche Überraschungen aufboten. Zu nennen ist neben dem Fujifilm/Heideldruck Inkjet-Kooperationsprojekt „Primefire 106“ vor allem das Epson PaperLab, eine kompakte Maschine, mit der man selbst DIN A4/A3-Recycling-Papiere herstellen kann. (Wobei das Epson PaperLab seit Anfang Dezember 2015 bekannt ist, also keine Neuheit zur #drupamc war). Sogar der sich zum Mischkonzern entwickelnde Spezialitätenanbieter EFI präsentierte mitreissender und weitsichtiger als Xerox, worauf es ankommt. EFI CEO Guy Gecht nutzte in seiner berühmt-berüchtigt-humorvollen Darbietungsweise die Traumfabrik Hollywood, um die Zukunft von Print begeisternd als dynamischen Wachstumsmarkt darzulegen. Zum Abschluss präsentierte Guy Gecht einen eigens neu vorgetragenen Song, der Billy Joel’s „We didn’t Start the Fire“ mit einem für die drupa und die globale Print-Branche neu geschaffenen Text versieht. GROSSARTIG!

 

Mark Lawn and Peter Wolff, Canon Europe, erläuterten den neuen #UnleashPrint-Kommunikationsansatz des Imaging-Konzerns.


#UnleashPrint — Canon trumpft auf und beeindruckt nachhaltig!

Allen voran trat Canon fulminant auf. Der global führende Imaging-Konzern lieferte ein überzeugendes Bekenntnis zu Print und zum Markt für professionelles Drucken auf industriellem Niveau. Wer die Gelegenheit hatte, im Oktober 2015 bereits in New York City, Paris, Shanghai oder Tokio die Canon Expo zu besuchen, konnte gewappnet sein. Dabei war ersichtlich, dass Canon tatsächlich über das breiteste Anwendungsspektrum verfügt: Als einziger drupa-Aussteller deckt Canon alle sechs drupa Highlight-Themen ab: Print, Packaging, Green Printing, Functional Printing und 3D-Printing sowie Multichannel. Das ist insofern spezifisch für die drupa 2016 und generell für die Print-Branche wichtig, da Canon als Marke die größte Strahlkraft hat, im B2B wie im B2C!

Natürlich zeigt Canon wie andere Aussteller auch innovative Technik. Aber alles im Kontext mit Lösungen, die Druckereien wie auch deren Kunden zugänglich sind respektive klare Vorteile bringt. Entsprechend wird der Canon Messestands Anwendungsbereiche widerspiegeln, damit alle Besucher die für sie interessantesten Lösungen auf Anhieb finden können. Im Einzelnen sind das:

  • Akzidenzduck
  • Geschäftskommunikation, einschließlich Transaktions- und Direct Mail Druck
  • Publishing, einschließlich Büchern, Zeitschriften und Zeitungen
  • Werbe- und Kreativbereich, einschließlich Display-Grafiken
  • Funktions-/Industriedruck einschließlich 3D-Druck
  • Verpackungsdruck
  • Fotografie-Produkte

Wahrlich, das ist das volle Spektrum dessen, was heutige und künftige Marktanforderungen erfüllen kann! Canon setzt dabei nach eigenem Bekunden auf die Kombination von marktführender Technologie, Know-how und kontinuierlichem Kundendialog, um Druckdienstleister bei der Implementierung von kundenorientierten digitalen Geschäftsmodellen zu unterstützen, die ihr gesamtes Geschäftspotenzial freisetzen.

Damit dies verständlich und auch ubiquitär kommunizierbar wird, geht Canon bis dato als einziger Aussteller zeitgemäß-neue Kommunikationswege: Der Hashtag #UnleashPrint (zu deutsch: „entfessele Print“) soll im Rahmen einer Multichannel-Kommunikationskampagne auf den relevanten Plattformen nicht nur Print-Dienstleister ansprechen, sondern auch Innovations-Entscheider, die sich für Print im Kommunikationsmix und damit verbundene Technologien wie auch Dienstleistungen interessieren.

 

Live-Video: Andreas Weber in a 1 min. interview with Canon’s Mark Lawn via iPad.

 

Mark Lawn von Canon Europe erläuterte den ungewöhnlichen Ansatz mit #UnleashPrint wie folgt: Jeder Bereich des Canon-Messestands werde #UnleashPrint mit Leben erfüllen, um Canons Leidenschaft für Print als einzigartiges, leistungsstarkes Medium zu verdeutlichen. Der Wert von Print solle zelebriert werden und sein noch ungenutztes Potenzial freisetzen. Zentral sei zudem, aufzuzeigen wie die Implementierung intelligenter neuer Geschäftsmodelle erfolgen kann, um das Potenzial von Print im Digitalzeitalter zur besseren Erfüllung der sich ständig ändernden Kundenanforderungen zu veranschaulichen.

In der entsprechenden Presseverlautbarung von Canon heisst es weiterhin: „In jedem Bereich des Canon-Stands werden außergewöhnliche und kreative Druckanwendungen zu sehen sein, die die Besucher dazu animieren sollen, ihr Produktportfolio zu erweitern und die Grenzen von Print auszureizen. Auf der Entdeckungsreise durch die unendliche Print-Vielfalt wird Canon den Fachbesuchern auch zeigen, wie sie die Effektivität von Print durch die Integration in digitale Plattformen zur Schaffung von Multichannel-Kommunikationskampagnen steigern können, die eine bessere Kundenerfahrung bieten, zum Dialog anregen und Print zu einem weiteren messbaren Tool im Kommunikationsmix machen.“

Andreas Weber Value Analyse Print gewinnt.001.jpeg

Print gewinnt nur, wenn es sich im Kommunikationsmix bewährt!

Das ist auf den Punkt gebracht, worum es geht. Und deckt sich mit unseren ValuePublishing-Analysen, die wir im Vorfeld der #drupamc gemacht und mit Kunden der Druckereien, Agenturen und Verlagen persönlich besprochen haben. (Siehe die Analyse „Print gewinnt!“ von Andreas Weber per slideshare.com)

Die Kernthesen, die sich ableiten, führen die fachlich spannenden Ergebnisse der #drupamc weiter und lauten wie folgt:

  1. Das Ziel ist erreichbar: Print gewinnt! Und behauptet sich als wichtigste Säule in allen zeitgemäßen Marketing und Kommunikationsszenarien.
  2. Denn: Print gehört seit über Tausend Jahren zu den global wichtigsten Kulturtechniken, um Innovationen Wirklichkeit werden zu lassen! Warum sollte das heute anders sein?
  3. ABER: Der Markt hat sich radikal verändert! Statt Masse ist zunehmend Klasse gefragt. Der Trend: Mehrwerte nutzen durch mehr Sorgfalt und höhere Effektivität von Drucksachen im Kommunikationsmix!
  4. Das Dilemma: Alle Kommunikationstreibenden suchen nach Digital-Strategien, um Inhalte (unisono) überall zu pushen. Übersehen wird oft, sich mit Print-Innovationen zu beschäftigen, die durch Interaktionen zum Dialog führen. Das leistet aber nur Multichannel in Kombination mit Print! Und das muss via drupa 2016 besser und klarer kommuniziert werden.
  5. Print wird durch völlig neuartige Software- und Cloud-Lösungen und E-Business-Geschäftsmodelle v. a. im Kontext mit Individualisierung zur wichtigsten Säule. Es geht nicht mehr nur um Reichweite, sondern um ›One Conversation‹!
  6. Multichannel-Innovationen, die Print einschließen, machen analoge Medien nicht überflüßig, sondern integrieren sie nahtlos.
  7. Print steigert so nachhaltig den Geschäftserfolg durch die Interaktion, durch Dialoge mit dem Publikum (Kunden, Partner, Interessenten); getragen von individueller, zeitlich abgestimmter Relevanz — über Berührungspunkte, die das volle Medienspektrum von Print bis Digital abdecken.
  8. Print im Team mit Multichannel und E-Business ist ein neuer, rasch wachsender Dienstleistungsbereich. Fokus: Innovationen vorantreiben! Neue Print-Techniken wie Inkjet sind dabei wichtig, aber „nur“ Mittel zum Zweck.
  9. Alle müssen lernen, worum es geht: In der Kommunikationen sind nicht mehr Reichweiten das Maß aller Dinge, sondern relevante Dialoge und durchgängige Konversationen.
  10. Print gewinnt nachweislich und wird durch IoT, Cloud, BigData und Multichannel Services in seiner Bedeutung gestärkt, weil es die Kommunikation wirkungsstark, relevant und menschengerecht macht.

 

Fazit

Wie gesagt, es war eine äußerst gelungene und erkenntnisreiche #drupamc. Bis zum drupa 2016-Beginn am 31. Mai 2016 bleibt aber noch viel zu tun. Das probate Motto aus meiner Sicht: „Weg mit dem Silo-Denken! Touch the future now! Geht in die Kommunikationsoffensive!“ — Die Kommunikation der Aussteller darf sich nicht nur einsilbig auf das Bewerben von neuer Technik für Druckereien beziehen. Und dies über klassische Print-Fachmedien darstellen wollen. Es muss per Innovationskommunikation vielmehr passieren, per Social Media, per Mobile, um die Nutzendarstellung in den Fokus zu rücken. Nur so können für die Wirtschaft insgesamt und insbesondere für die Entscheider von Innovationsprojekten in der Industrie, im Handel, bei den Markenunternehmen erreicht werden, um Print in neuer Form erfahrbar und begreifbar dazustellen. Canon macht es bis dato als einziger Aussteller überzeugend vor, wie es funktionieren muss und hat damit die Messlatte definiert: #UnleashPrint!

 

Hinweis: Per ValuePublishing konnten wir die #drupamc über unsere Echtzeit-Berichterstattung zum Quotensieger werden lassen. Über 750.000 Viewers wurden in rund 72 Stunden erreicht, die per Kurzberichte und Kommentare live erlebten, was in Düsseldorf passierte. 

 

Von Anna Grau | Animation: Andreas Weber

 

Lilith — die Getarnte!

„Diese Ausgrenzung des Fremden zieht sich durch die ganze Geschichte unserer Kultur. Immer schon vorhanden ist die Ausgrenzung des angstmachenden weiblichen Elements.“ (Christa Wolf)  

„Dazu gehört vor allem die Figur der Lilith, der ersten Frau des Adam, die, von den biblischen Überlieferungen quasi ausgeklammert, weil sie dem Adam nicht nur ebenbürtig, sondern überlegen war, in den alten sumerischen und jüdischen Überlieferungen aber eine wichtige Rolle spielte.” (Andreas Weber)

Quelle: “Fee Fleck: Medea. Ein Blick zurück nach vorne!”

 

lilith5

Anna Grau: Lilith.5, 2016. Öl/Leinwand, 120 x 120 cm.

 

Die Idee zum ‚Lilith‘-Zyklus entsprang dem Wunsch, das aus männlicher Perspektive ‚angstmachende weibliche Element’ in einer Frau symbolhaft und emotional überhöht zu bearbeiten und auf die Leinwand bringen.

Für mich schwingt in den Frauen, die dieses Element in sich tragen, das Bild der frühgeschichtlichen Lilith mit: Lilith die Unruhestifterin, die Ungehorsame, die Provokateurin, die Andersdenkende, die Emanzipierte, die Androgyne, die Ausgestoßene, die Abstoßende — und doch zugleich die immerfort Lockende!

 

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Anna Grau: Lilith.6, 2017. Öl/Leinwand, 180 x 120 cm

 

Mit meinem Zyklus habe ich eine Reihe emotional-expressiver Frauendarstellungen geschaffen, die einerseits die Frau in ihrer ganzen Schönheit entfaltet, anderseits genau diesem Symbolgehalt entspricht. Letzteren erreiche ich zum Beispiel durch bestimmte Elemente aus der Natur (Wolf, Spinne, Blumen), Inschriften auf der Haut (Lilith.3 — ‚Gott existiert nicht’ auf Russisch), den perspektivisch vergrößerten Frauenschoß einer Domina zur Darstellung einer Überfrau (Lilith.6) oder auch überlange, an Baumwurzeln oder Schlangen erinnernde Haare (Lilith.9).

Die Symbiose aus weiblichem Körper und symbolischen Elementen eröffnet neue, durchaus mystische Möglichkeiten der Interpretation, die Natur und Frau miteinander in Verbindung setzen: Die Frau ist der Ursprung der Natur, sie ist die Urmutter alles Lebenden, heidnische Göttin und Hexe zugleich. Ich bilde diese spannungsreichen Zusammenhänge derart ab, dass in jedem Bild die Antithese zwischen ‚der Schönen und dem Biest’, Irritation und Bewunderung, Gut und Böse, Licht und Schatten zu finden ist.

 

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Anna Grau: Lilith.7, 2017. Öl/Leinwand, 160 x 110 cm.

 

Somit ist der Lilith-Zyklus eine Studie der weiblichen Natur, wie sie nicht unbedingt der klassischen, männerdominierten Perspektive entspricht. 

Das archaisch-sakrale Element des Ursprungs des Lebens in einer Frau, das in diesem Rahmen eher an die Heidnische Göttin als an die Madonna mit dem Kind erinnert, soll wiederbelebt und in einer zeitgemäßen Form zum Ausdruck gebracht werden.

 


 

Die Lilith-Bilderserie umfasst 12 mittelgroße Gemälde (im Format ca. 100 auf 140/160 cm), Öl auf Leinwand. Der Zyklus entstand in den Jahren 2016 bis 2018.

Siehe auch den Kommentar von Andreas Weber “Anna Grau und ihr Werkzyklus ‘Lilith – die Getarnte’.

 


 

 


 

Lilith.8

Anna Grau: Lilith.8, 2017. Öl/Leinwand, 120×120 cm.

 


 

 

Lilith.9

Anna Grau: Lilith.9, 2018. Öl/Leinwand, 150×100 cm.

 

 


 

 

 


 

Lilith.12

Anna Grau: Lilith.12, 2018. Öl/Leinwand, 110×90 cm.