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Now available: 2nd drupa Global Insights Report. All about applications that can create growth. Photo: Messe Düsseldorf.

Graphic Repro On-line News Review from 23 November 2015

Welcome to another week of news highlights with Laurel Brunner’s Verdigris Blog for Friday 20 November, and a drupa 2016 bonus from Laurel this week, as she is also the author of the latest drupa 2016 Expert article No 5, entitled ‘Sustainability and the Printing Industry’ with an optional PDF download if you so wish. You’ll find this in our drupa Newsroom and also with a link in last Firday’s headlines.

I’ll be brief this week and would rather you check out the headlines yourself as I am travelling and working from my MacBook. You will find an excellent selection of available news from the past week, including a surprise announcement on Friday where Xeikon has been acquired by Flint Group. Two Sides also made the headlines on this day as it provides the outcome and results of its global anti-greenwash campaign, and on Thursday, remaining on a ‘green’ thread, Ricoh announced that is an official partner of the United Nation’s Conference of Parties (COP21) climate conference to be held in Paris from 30 November to 11 December. Although right now, it it is perhaps not the most ideal venue for such a high-profile international gathering.

Please go through the headlines carefully, as you really will find an interesting mixed bag of articles including several awards, anniversaries and several extremely interesting new developments, not least of which came from Sandon on Monday with a new anilox roll technology incorporating semi-channelled engraving. You’ll also find several interesting sales and installations successes, particularly from KBA and also from Heidelberg with a number of Stahlfolder and POLAR successes; also from IFS with Horizon; Flint Group, Xerox, GMG, and EFI.

This week the tailender goes to both of the Manroland companies. Firstly on Monday with Manroland Sheetfed, as it celebrates the first anniversary and a successful first year following the launch of its new Roland 700 Evolution sheetfed press; and secondly, from Manroland Web Systems on Thursday, which has published a white paper about a new way to an efficient colour control, for download as a PDF.

Until next time. My best regards,

Mike Hilton

Bildschirmfoto 2015-11-23 um 11.40.15

Our e-News comprises:  Headline News – Online Feature Articles – the Verdigris initiative from Digital Dots. Our Drupa and FESPA Newsrooms can be accessed from the Index on our Home Page, as well as News in Review, which provides a weekly overview and listing of all news added to the site. 

Headline News
Over 27,000 news items have now gone online since we launched our Website in September 2001. News for the past 24 months can still be accessed via the Home Page and its continuation news pages

Mon 16 November…   The Roland 700 Evolution one year on
On the first anniversary of its launch, Crista Baxter reports on Manroland Sheetfed’s latest trailblazer, the Roland 700 Evolution…

Durst wins European corrugated board accolade
FEFCO Innovation Award for Durst Water Technology for corrugated packaging and corrugated displays…

Konica Minolta launches new textile inkjet printer

Konica Minolta unveils ‘game-changing’ flagship inkjet textile single-pass printer at ITMA in Milan 13 – 19 November…

Sandon launches new anilox technology for Flexo HD
Sandon has announced the development of Fluid, a new anilox roll technology with semi-channelled engraving…

Fox Group operates 50% faster with Heidelberg upgrades
Trade bindery upgrades with TH 82 and KH 82 Stahlfolders and a Polar 137 guillotine, producing results faster for future growth…

Imagine! Print Solutions installs its ninth KBA press
New seven-colour KBA Rapida 105 with fully automated inline quality control and inspection systems supports explosive growth…

Tue 17 November…   
UPM celebrates its 20th anniversary on EU’s EMAS registration
The European Eco-Management and Audit Scheme EMAS celebrated its 20th anniversary at the ECB in Frankfurt last Friday…

Air France-KLM an official partner for FESPA Digital
FESPA offers visitors discounted flights and hotel rates with official partners Air France-KLM and Amsterdam RAI Hotel Travel…

Sawgrass VJ 628 printers named SGIA Product of the Year

The Sawgrass VJ 628 printer has been named 2015 Roll-to-Roll Dye Sublimation on Metal Product of the Year…

Mimaki secures Viscom Best of Award in Textiles
Mimaki’s TS300P-1800 inkjet printer is this year’s winner of the Viscom Best of Awards for Textile Refinement…

Buxton Press just loved the KH 82 and wanted more!
Just months after installing its first Stahlfolder KH 82, Buxton Press has put in an order for a second replica folder…

Flint introduces new letterpress plate with soft layer
New water-washable film-based Nyloprint WF-S plate for more flexibility and improved ink transfer…

Wed 18 November…  Heidelberg setting the pace at Rapid Response in Brentford
Rapid Response is the theme for HeidelbergUK’s open house taking place at its Brentford showrooms today and tomorrow…

Tharstern refreshes brand to help global push
New branding designed to make life easier for customers…

The SPS Group installs the UK’s first Xerox iGen 5
The SPS Group ensures perfect colour matching with the UK’s first Xerox iGen 5 Press as part its expansion in digital printing…

Resort legend Steve Wynn to keynote at EFI Connect

Steve Wynn, founder of Wynn Resorts to give keynote presentation followed by a Q&A session at EFI Connect 2016 in January…

Angus Print predicts Horizon ROI in less than 12 months
Innovative Horizon bookletmaker expands services and increases capacity for Leeds general commercial printer in the UK…

Domino introduces new ribbons for TTO applications
Domino has announced the release of a new Advanced Ribbon grade for thermal transfer overprinting applications…

Thu 19 November…   Ricoh a partner of United Nations climate conference
Ricoh is an official partner of the United Nation’s Conference of Parties (COP21) climate conference to be held in Paris…

Potentials of Color Measurement Technology white paper
Manroland Web Systems publish a white paper about a new way to an efficient colour control, for download as a PDF…

Gallus and Matho Konstruktion co-operation agreement
The Gallus Group and Matho Konstruktion & Maschinenbau GmbH agreement to join forces in North America…

Polar sales successes for Heidelberg USA
Customers see positive business results and increased productivity with Polar cutters and die-cutting systems…

BS Printhouse streamlines digital operations with EFI

BestSeller in-plant BS Printhouse streamlines operations with an EFI Midmarket Productivity Suite…

Universal Adhesive Systems to offer coating trials
Universal Converting Equipment moves hot melt coating technology forward with new customer test facility in Daventry, UK…

Fri 20 November…   

Flint Group announces the acquisition of Xeikon
Flint Group has announced the creation of a new Digital Printing Solutions division and the acquisition of Xeikon B.V….

70% success for Two Sides with Global Greenwash
Two Sides has reported a 70% success rate in persuading global organisations to remove misleading green claims…

Sustainability and the Printing Industry: Drupa expert Article No 5

By Laurel Brunner, who has worked exclusively in the publishing and prepress industries, specialising in digital prepress, digital production + digital printing…

Color-Logic certifies Xerox 800i/1000i presses

Xerox EX-P 1000i print server powered by EFI Fiery, fully supports the Color-Logic file formats…

Domino launches first i-Tech Print and Apply labeller
Domino has further expanded its range of systems with the launch of the new M230i print and apply labeller…

OPM Group is colour confident with GMG OpenColor

Label and packaging solutions provider, OPM (Labels & Packaging) Group, has invested in GMG OpenColor…

Second Rapida 105 for printing firm in San Salvador
Impresora La Unión relies entirely on sheetfed offset from KBA…

Lead article from Friday 06 November and previous update… 

Previous…   Heidelberg results for Q2 and first half 2015/2016
Heidelberg on course after the first half of financial year 2015/2016 with sales and result up on previous year…

GraphicRepro.Net e-News  (ISSN 1814-2923) is sponsored and made possible by:

Heidelberger Druckmaschinen AG  (Heidelberg), The world’s largest printing press manufacturer for the industry worldwide. Heidelberg customers enjoy the most comprehensive and extensive sales and service network in the industry for JDF compliant workflow, computer-to-plate, sheetfed offset, Web-to-print, digital printing, digital inkjet for labels and packaging, packaging and finishing, all with complementary consumables. Heidelberg has offices in around 170 countries. Visit the Heidelberg Website for more information.

Electronics For Imaging  (EFI) is a world leader in digital imaging and print management solutions for the commercial printing market. Its portfolio of integrated solutions span production and superwide format printing, graphic arts, advanced professional printing software, and industrial inkjet systems. Its technologies increase productivity by automating print and business processes To find out more visit the EFI Website.

Kodak Commercial Imaging  (Kodak) is a leading provider of innovative solutions for conventional, digital and hybrid print production environments. With the most expansive portfolio for the graphic communications market,  Kodak features technologies, products and services that help print providers streamline processes, optimise efficiencies, broaden services, and grow businesses. To find out more, visit the Kodak Graphics Website.

drupa 2016 (drupa), the international flagship fair of the printing and media industry, responds to the challenges of the changing market and provides pioneering solutions for the future. This is highlighted by the new marketing and communication strategy where drupa claims its position as ‘No.1 for Print & Crossmedia Solutions’ with the slogan ‘touch the future’. The issues of ‘package printing’, ‘multichannel’, ‘green printing’, ‘3D printing’ and ‘functional printing’ will become increasingly important to the overall communication strategy. To find out more, visit the drupa 2016 Website.

Online Feature articles 2014 – 2015
There were again well over 90 last year, including nine downloads, as well as 92 articles in 2013 which can still be accessed via the Index on the Home Page, with prior years’ via Search Archives (option 2) on the Website.

Downloads in 2015 Chapter 01

Previous…    Alpha version of Paper Guide launched for industry comment
The best practice guide, ‘Optimised Paper Handling and Logistics’ will shortly be released in an Alpha version for open industry comment. You can also take part!…

Technology-related 2015 Chapter 02

Previous…    Heidelberg launches LED drying technology in Europe, too
A full range of UV applications from full UV, to LE UV, and LED from Heidelberg drive productivity up and energy costs down…

Nov/Dec 2015 Chapter 08

Previous…    Altacel invests in ‘the difference’ from KBA-Flexotecnica
Altacel Flexible Packaging in Weesp fires up a EVO XG flexo press from KBA-Flexotecnica a few weeks ago. CEO Alec Frijlink: ‘Our company is a racetrack’…

Verdigris – Environmental Initiative

Laurel Brunner’s weekly Verdigris Blog 2015

Stretching the Boundaries
The weekly Verdigris blog by Laurel Brunner – Fri 20 November

Previous…    Chemical Reactions
The weekly Verdigris blog by Laurel Brunner – Fri 13 November

Drupa Newsroom
Our Drupa Newsroom with news from Messe Düsseldorf and for Drupa 2016 can be found in the Index, as well as via the special Newsroom button on the right of the Home Page near the top. It is divided into the following Chapters for your convenience and ease of use…

drupa 2016 News from Messe Düsseldorf

LATEST MUST READ…    Out soon: 2nd drupa Global Insights Report
Touch the future – Applications that can create growth…

2. drupa Global Insights Report erscheint in Kürze
Touch the future – Anwendungen mit Wachstumspotenzial…

drupa 2016 Expert Articles series
Can be accessed via our Drupa Newsroom, in the Index on the Home page.

NEW…    Sustainability and the Printing Industry
Touch the future. Drupa expert Article No 5 by Laurel Brunner, who has worked exclusively in the prepress and publishing industries, with a particular specialisation in digital prepress, digital production and digital printing…

drupa 2016 News from Exhibitors
Latest additions can now be accessed in our Drupa Newsroom.

FESPA Newsroom
The dedicated FESPA Newsroom can be found via the Index on our Home Page.

Air France-KLM official partner for FESPA Digital 2016
FESPA offers visitors discounted flights and hotel rates with official partners Air France-KLM and the Amsterdam RAI Hotel Travel Service…

Previous…    FESPA Awards 2016 now open for entries
FESPA’s call for entries for its 2016 Awards, marks the start of its search for pioneering and innovative projects in the printing industry…

The Graphic Repro On-line Website is supported and sponsored by: 

Antalis South Africa, Dainippon Screen,  Drupa 2016,  EFI and EFI Vutek, Esko,  Epson Europe BV,  FESPA. Goss International Inc,  Heidelberger Druckmaschinen AG,  HP Graphic Solutions,  Kodak,  Koenig + Bauer AG,  Kemtek Imaging Systems,  Krause-Biagosch,  Leonhard Kurz Stiftung,   Manroland Web Systems GmbH, Muller Martini AG,  POLAR-Mohr, QuadTech Inc,  Quark Inc,  Ricoh Europe,  Sappi LimitedThunderbolt Solutions, and UPM-Kymmene.

If you would like to send news for consideration for the Graphic Repro On-line Website (ISSN 1814-2915) or to submit comments, please e-mail Mike Hilton at: graphicrepro.za@gmail.com

Value Art+Com Trailer Thumbnail YouTube

© 2014 by Value Communication AG, Mainz/Germany

 

Von Andreas Weber, CEO Value Communication AG, Founder and publisher Edition Value Art+Com | Video-Animation: Laurenz Sill, Mainz

 

Die Edition Value Art+Com beschreitet Neuland. Wir publizieren nicht nur. Wir kommunizieren, interagieren und schaffen Neues. Im Team mit den besten kreativen Köpfen.

›Art and Artists need good Communicators!‹ — Wir bieten Kunst und Künstlern eine zeitgemäße mediale Bühne.

Wir schaffen für Künstler eine umfassende, stimmige und kommunikativ-mediale Inszenierung, die ihre Kunst und ihre Persönlichkeit in den Fokus nimmt und ihnen eine außergewöhnliche Wirkungskraft verleiht: Mit hochwertigem, digital gedrucktem Exklusiv-Buch, eBook, Posterbüchern, Blogposts, Videoanimationen und professionellem Social-Media-Support via Facebook, Google+, YouTube und Twitter.

Unsere Value Art+Com-Publikationen sind rund um die Uhr lokal, national und weltweit zugänglich.

We proudly present:

„InSightOut — Dietmar Gross  Malerei“

Die umfassende, gleichnamige Kunstausstellung im Osthaus Museum Hagen bot beste Gelegenheit, Themen aus dem Werk des renommierten Künstlers zu selektieren, speziell zu arrangieren und kommunikativ empathisch in Szene zu setzen.

„Meine Malerei ist authentisch!“, sagt der Künstler über sich selbst. Recht hat er! — Und das haben wir als Leitmotiv seiner Inszenierung aufgegriffen und verlängern die Erlebnismöglichkeit seiner Kunst über die Ausstellungszeit hinaus.

Das Besondere an der Kunst von Dietmar Gross, die malerische Vollendung seiner Gemälde, machen wir mit der Edition Value Art+Com unverfälscht auf höchstem Qualitätsniveau analog und digital anschaulich und zugänglich. Und das nicht nur für Ausstellungsbesucher, sondern für alle, die sich vor, während und nach der Ausstellung interessieren und durch Publikationen individuell erleben wollen! — Nicht mehr, nicht weniger.

 

 

Die Publikationen im Überblick:

 

Weitere mediale Neuschöpfungen folgen bis zur Eröffnung der Ausstellung am 15. November 2014, 16 Uhr im Osthaus Museum Hagen.

Gäste sind herzlich willkommen und sollten sich überraschen lassen. Einladung siehe unten.

 

Wer sich Verschiedenes anschauen möchte, kann nachfolgende Links anklicken:

http://value-art-com.myshopify.com/collections/frontpage/products/insightout-dietmar-gross-malerei-vorzugsausgabe-subskriptions-angebot-bis-31-10-2014

http://youtu.be/qJ2rSqFd7bI?list=UUIn4XcTA7c3o0g5PZwFG8pg

https://www.facebook.com/valueartcom

http://valuetrendradar.com/2014/09/20/value-artcom-insightout-intermediale-publikation-zur-malerei-ausstellung-von-dietmar-gross-in-hagen/

 

 

Zusammenfassung aktueller Social Media Tweets (Posts):

 

Screenshot Storify 01112014

 

 

Illustration by Lidia Lukianova, SF Bay Area

 

 Why its worth to read & share this Blog post:

1. drupa 2012 was a milestone for the future of print.
2. Most of the points we identified in 2012 are still valid!
3. Print Buyers# needs were not yet fulfilled.

 

Spot 1 

“The next big thing” — Print in the communications mix

Heidelberger Druckmaschinen set important accents: The booth in Hall 1 trumped with the installation of five real-printing facilities. Printed materials of all kinds were produced in real terms – from data processing to finished products. All necessary equipment had been specifically tested in advance to enable them to deliver top performance. Next to this it showed what hybrid productions can look like: Inkjet and offset printing in the mix, toner-based digital printing and offset printing in combination with online and mobile applications, as well as displaying significant perspectives and taking a futuristic look at “Printed Electronics” in the Innovation Center of the Heidelberg booth. It became apparent that print in the communications mix is extremely important, if not central in an indispensable role.

Xerox made its mark in automated production in both commercial and packaging printing, as well as within the range of XMPie in cross-media approach. Particularly impressive at Xerox was the way it has created a way of bridging the gap from print to social media and cloud printing. Many others can also be named, and what could be seen with other exhibitors such as Canon, Konica Minolta, Ricoh, and Xeikon. Xeikon just stunned with its never-ending drive for innovation, which portrayed this relatively small player as an outstanding inventor. The drupa innovation park and lots of small ’Hot Shops’ impressed on around 130 stalls, with their innovations. My personal favorite – thanks to Bernd Zipper for the tip: cardolution from Vienna showed how it is able to integrate RFID chips into cardboard and offer NFC Business Cards for everyone. The chip transmits the address information from printed business cards correctly onto smartphones.

In this sense, drupa 2012 was a great success, marked by a few dozen prominent exhibitors who could prove that print has an unbroken power of innovation. Small drawback: The papermakers were barely visible. This is a shame. Sappi was as a premium brand, for example, represented by three smaller stands, but it was not clear what Sappi’s added-value drupa message was. The same goes for digital printing paper market leader Mondi. There was a presence at drupa, but probably more devoted to the contact to technology developers instead to the market of buyers. The exception was UPM in Hall 6, which focused its presentations and displays on both commercial and newspaper customers, as well as the end-user with a very strong environmental message added.

Spot 2

Change in Business Communication approach — Consolidation amongst media professionals

It is amazing and worthy of consideration, because this has been at drupa on this scale never before: The number of members of the press has declined by about 3,000 from 84 countries in the year 2008 to 2,400 from 75 countries in 2012. This is followed by the number of members of the press exactly the trend of sharp decline in visitors (minus 20 percent compared to 2008). Regardless of whether the media coverage of drupa 2012, quantitatively or qualitatively, have been better or worse, the reason should be scrutinized. Because traditionally it was always important for a drupa, to include professional competence as a media partner. It appeared however that press tasks are redefined, and in fact the view of many exhibitors will be to use trade magazines only to serve as a PR platform for exhibitors and their trade fair offers. Journalists are in short supply and tend to be stylized as claqueurs.

The trade fair Drupa Daily newspaper also reflects this again, because as of Haymarket on behalf of Messe Düsseldorf in the circadian rhythm-driven, advertising-funded print and online project, everything was worked up, that happened during the drupa 2012. But what could be the added value if the day’s events have been rumoured — and nothing more? In addition, all that was relevant was made via Twitter and / or YouTube by major exhibitors and analysts immediately publicize themselves. And of course, concise comments. For visitors and decision makers this could offer enormous advantages, since one could learn just about Twitter quickly and concisely in a direct digital path. Provided you know how it works! Talking digital: The drupa app for smartphones and iPad by Messe Düsseldorf disappointed, because only simple queries were possible, and it delivered no added value compared to the printed exhibition catalogue. That could have been done much better with a little extra effort.

Spot 3

A great step forward — Technology vendors are publishers and broadcasters in one!

A new feature with signal effect: Canon Switzerland produced on behalf of Canon Europe, a whole series of world-class professional interviews, created in high-quality TV style of its own Canon web-TV team. Very well done! Compliment! HP, Konica Minolta, Xerox, and Landa, newcomers, as well as many other smaller exhibitors demonstrated as well, their social media power. A visit to press conferences at drupa was thus in principle obsolete. What was presented at a conference for the representatives of the press was, at the same moment of the conference, published by the press conference organizers themselves on the web. To attend press conferences is only worthwhile, therefore, if you made a point to be entertained in an intelligent way, such as EFI CEO Guy Gecht did, or wondering / annoyed by Kodak CEO Antonio Perez, whose arrogant appearance, where self-perception and reality seems to collide with his company.

An inevitable effect: Those drupa exhibitors who publish multimedia self-invest none or hardly any money in professional advertising. The advertising revenues presented have so far been the main source of of income for specialist media publishers. This may explain why the number of press representatives declined so much. Many print journalists are really annoyed about the digital competition and keep Twitter & Co. for the devil. And drupa exhibitors have (still) not demonstrated that they can use social media effectively in the interests of customers and prospects. Too many use Twitter, for example, to take over their PR agencies, the ghost-writing on Twitter. The result is product-related communications push content. But Twitter users are interested in smart conversations — they don‘t like push-PR messages very much.

Spot 4

Print trade shows in trouble — Missing the end customers (print buyers)

Unexpectedly, was not the sharp drop in visitors and media representatives at drupa 2012. Messe Düsseldorf had indicated in advance that around 350,000 and is no longer, as once expected, the nearly 400,000 visitors. And it was hoped that from the Far East, and especially from China, that many new visitors would come from this region but there were “only” just over 310,000 visitors (the exhibitor staff, journalists, VIP’s not included). Many exhibitors were upset. They said that a record number of visitors is less important. More important is to get the right visitors to come, i.e. the decision makers and prospective buyers from the graphic arts markets. This has worked. Sales exceeded some expectations. All in all, sales revenues in the region of 2 to 2.5 billion EURO are likely to be implemented at, or immediately following drupa 2012.

drupa Was the drupa 2012 a success or not? The answer is yes and no at the same time! Yes, because it was found that innovation lies in the printing and paper technology development. No, because the efficacy was limited to the drupa industry insider. For more than a decade it has become clear that the fate of the printing and paper industry is no longer decided by printing and paper specialists, but by their customers and the market players in the online world. If they lock them out at drupa, the pace of innovation and adaptation in the communications market will weigh too rapidly from print. A look at the bigger picture beyond would have been useful — but remained well below or were not properly pursued. This show other important German trade fairs such as the automotive mega-show, IAA, or the Frankfurt Book Fair on exactly how to permanently overtakes success: The industry participants are always there together: from makers, to visitors and customers of all kinds. This is exactly what was needed, but was omitted from the drupa 2012 in Dusseldorf. Too bad!

Spot 5

WANTED! — Link to the communication specialists in the market

It is regrettable, however, that the drupa 2012 was unable to fully exploit its potential. For many years drupa does not adequately represent important groups of visitors, especially the so-called “print buyers”, the principal of printers from agencies and enterprises / brands. Drupa 2012 should have been able to inspire and motivate a lot of print buyers, more than ever before. Documents can be this simple: I myself had a few dozen print buyers and decision makers come from agencies and businesses to drupa 2012 – for example, in cooperation with the GWA. GWA drupa special interest day on 9 May 2012. GWA is the leading agency association in Germany. Through the Bank’s enthusiasm for present agency employees was huge when they are properly involved. To get the right knowledge, what is at stake, and how to profit from technological innovations in the communications business.

The exhibitors visited by GWA — Heidelberg, HP, Xerox and exhibitors and i. e. map specialist locr in the drupa innovation park   had been well prepared and adjusted to the print buyer. HP GSB‘s global marketing director Francois Martin, it could be, for example, do not take to prove with facts and creative prime examples of how the marketing and brand benefits from digital printing productions. For example, when BBDO individualized for the client Smart in Paris, an out-of-home campaign with 2092 posters, it scored much attention and in less than 14 days had produced posters in the main streets of Paris.

How can the fact matter that drupa 2012 was not an attraction point for agency and brand representatives on its own? The drupa cube was made by Messe Duesseldorf with daily events to major application issues. But the total of 1,000 participants or so in 13 days, presented in terms of the size of the communications industries employ was only a drop in the ocean. In Germany alone, nearly 800,000 professionals work as communications professionals. In this respect the drupa participation was in vanishingly small per thousand range.

In addition, the carrier of drupa, led by the German Engineering Federation VDMA and the German print association groups have a very narrow focus: They address only techies and printers out of their memberships. They are not linked to the communication specialists in the market. Say the established contact structures are directed to those target groups, offering the classic technologies of printing and paper sector or common printing services.

drupa Analyse Visuals ENG.001

Value Talk by Andreas Weber,
CEO Value Communication AG, Mainz
Photo/Graphics by Messe Düsseldorf
Painting of Johannes Gutenberg: Ying Lin-Sill, Mainz/Beijing

 

This report is important for you because it deals with crucial issues:

  • How to recognize relevant trends and developments at an early stage
  • How to change the public reception of the printing industry
  • How to move from old to new 

 

Introduction

In an email written on 24 October, 2010, Steve Jobs, legendary Apple CEO, put his finger on a crucial problem when he identified what he called the “innovation dilemma” and stated that adhering to old paradigms for too long can jeopardize entire companies. What does this imply for the traditional printing industry?  How can it make the leap from its established market into the new (digital) world? An exciting starting point for a new take on the next drupa trade show.

The dilemma: high innovative speed – middling adaptation rate

The innovation dilemma that bothered Steve Jobs at a time when Apple became one of the most valuable brands in the world, is already affecting the print industry – and its markets. Major flagship fairs such as the Print in Chicago and the IPEX, now in London, have fallen upon hard times. Fewer exhibitors, fewer visitors, less relevant public potential — despite the high innovative speed of the producers. The printing market and its customers seem reluctant to respond. Sluggish replacement investment and a general scepticism among German customers towards innovative products.  Messe Düsseldorf has therefore decided to explore new avenues in order to establish the drupa as the flagship fair for the global printing and paper industry. All the more reason to have a Value Talk in the interval between drupa 2012 and drupa 2016. Central question: Quo vadis, drupa?

“In turbulent times, a flagship fair like the drupa takes on a key role,“ Sabine Geldmann points out right at the start of our Value Talk. She was appointed drupa Director of Messe Düsseldorf at the beginning of 2012 and is responsible for the “Olympic Games of the printing and paper industry”. Her focus is not only on organising trade fairs, a skill which she learned from the bottom up. She also mines global visitor contacts and profiles for valuable market information. Since the beginning of 2014, information on global trends and intelligence on the industry are being documented by studies/reports. About 4,900 participants from three segments (Print Service Provider, Print Buyers, Suppliers) were selected, 2,600 of which are key executives from printing works, which is the main target group for now. The representative panel is comprised of members from 119 countries.

 

Bildschirmfoto 2014-04-16 um 16.46.46

 

Innovation is the key…
…and an important benefit for drupa preparations.

“As organisers of the drupa fair, our focus is on spotting new trends in order to identify solid quality developments on a global scale,“ Sabine Geldermann explains. The objective is not just to find a drupa concept and position that suits the market, but also to provide manufacturers with solid, topical facts, whether they attend as exhibitors or as visitors. The preliminaries were established in February 2014, when the drupa Global Trend Report was issued. Updates will be carried out at the end of every year until 2016. The Special Topical Focus will appear in the drupa Global Insights at six-monthly intervals. The results of these analyses will be widely distributed via digital channels such as social media, press mailing lists/specialist media, PDF summaries as web downloads and of course through word of mouth.

These trend studies and analyses are innovative because “by providing information they also allow additional in-depth analyses”, Sabine Geldermann explains. This is possible because of the unique data structures that distinguish different regions, countries, specific target group profiles, market segments and many more from each other.“ The main focus is on the situation in printing works.  Market trends can be identified and analysed with a quasi-microscopic view. National developments can be analysed in an international context – a major benefit as there are vast differences in the print business.

As expected, the results of the baseline measurement issued in the 1st drupa Global Trend Report are far from spectacular – apart from the prognosis that investments are on the increase. Many findings confirmed what was known already, be it from media reports or from several individual studies. However, Sabine Geldermann and her team are more interested in creating a complete picture from individual pieces of the puzzle and systematically updating this picture at regular intervals. With its sixty-year old tradition, the drupa provides sufficient material to act as a reliable market, economic and investment barometer – and deliver the latest trends in technology and application.

The agenda and activities of the drupa 2016 will be inspired by this exclusive compilation of market intelligence. “Because of structural changes and the ongoing market consolidation, we need to address not only our regular drupa audience but also find new target groups “, Sabine Geldermann explains. We need to act as a seismograph for these changes. In addition to printed publications, the digital communication channels provided by Messe Düsseldorf are of major importance for our publication efforts. The focus is on comprehensive interaction that yields measurable results after valid analysis. Because “we cannot know what we do not know”, the drupa needs to identify new target groups which are not or not fully informed about the technical benefits of current printing technology.

 

Bildschirmfoto 2014-04-16 um 16.46.03

 

The printing industry is facing one major challenge:
Lack of information 

Because the vast potential of printing technology is not known among key executives, it is not part of their “relevant set of options”. In fact, they often perceive the printing industry and printing works as anachronistic. There is a significant lack of knowledge among buyers and key executives from the marketing communication segment about the perfect interaction between printing, IT and web technology, (for example: the automated production of printed books from social media platforms). Only few people know that social media contents and printed media can be combined to create communication campaigns by means of digital printing.

Sabine Geldermann wants to change this by publicizing the relevant technical information in the drupa Global Insights Reports. Innovative application options for printed material in inter-media scenarios must be published and made popular in an informative manner: “There is a vast potential for innovation in printed communication. With new insights and information, we can determine how the printing segment is perceived“, Sabine Geldermann points out. These preliminary measures to make the drupa more relevant by inciting a cross-segmental discussion of new issues “beyond print” will substantially enhance to position of the drupa as an international flagship fair that acts as a beacon for the global market. Sabine Geldermann puts it in a nutshell: “We present the new technical options provided by the printing industry to a wider audience. There are so many innovative and important applications that involve printing technology which need to be pushed onto the international stage.”

 

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Exploring new avenues:
Communication on printing technology is as important as communication via print.

Would it not make sense to host a virtual drupa as an internet communication and market platform in addition to the real event? This question is of particular interest as every segment of the industry will benefit from innovations in the printing industry? There is much potential for optimisation in the printing industry and room for more communication – this is an excellent opportunity for the drupa! [See ValueCheck: Communication as a driving force for new business models].

Sabine Geldermann sees a special advantage in the fact that the products of the printing industry are widely used but also require a lot of information: printing works have an extremely heterogeneous customer base with very different target group profiles. The same applies to the service portfolio of printing works, which has to be highly innovative and specialised. The products of the printing industry will always be an indispensible and elementary part of our communication requirements, but printing service providers are no longer mere producers of printed matter, however they need to acquire better consultancy skills. Potential solutions include workflow architectures, variable data printing, finishing services, freight management/supply-chain services, response analysis and many more.

 

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The incredible service variety offered by the printing industry provides
major potential for the future!

Sabine Geldermann is not worried by the increasingly exacting requirements faced by her customers: “Promoting the variety of the printing industry provides an exciting range of options: there is an incredible range of communication services provided to all industrial segments by the printing industry, even beyond its value-added chain. The printing industry is by no means finished or one-dimensional; it is expanding into all different levels of day-to-day life and business.“ Messe Düsseldorf’s preparatory work in the run-up to the drupa 2016 focuses on relevant facts and information which will promote the industry and its services and improve its presence in the virtual market so that it can be found easily – everywhere in the world.

Sabine Geldermann explains the main objective of the drupa 2016 preparations: “We want to create publicity on the web by using devices such as blogs and effective tagging. This is the only way to draw the attention of new target groups to the important innovations provided by our exhibitors and their customers.“ A growing number of drupa exhibitors supports this approach to promote the awareness of the services provided by printing works among its customers. Agencies, marketing experts and brand companies are actually an important driving force and have to be involved more strongly. This means that all printing service providers that offer market-oriented, modern and networkable printing communication solutions must be easily found using Google. Descriptions and sampling of innovative applications during face-to-face presentations alone are not longer sufficient; the industry has to present or better still, permanently stage value enhancing factors and verifiable results in the media.

 

Our opinion 

Messe Düsseldorf has chosen a successful course which also benefits the printing industry: as flagship fair for the printing and paper industry, the drupa can only be successful and have a global effect if the issues and the exhibition agenda are perfectly synchronized with the specific situation of the visitors (and the exhibitors’ customers). The new trend analyses are an ideal communication tool for sustaining a qualified dialogue with market partners. Not only during the drupa but also in the run-up and in the wake of this major event!

One exciting challenge for the drupa 2016 is certainly its approach to the vast and ongoing structural changes in the printing market. After an extended pit stop, market leader Heidelberger Druckmaschinen will now present its new digital strategy. This will benefit the entire industry. [See Value Analysis on Heidelberg Digital Sneak Peek, April 2014]

The printing industry has to think far outside the box. Many new businesses and companies that moved into the field from a different segment, e.g. those who deal with high-performance inkjet and/or variable data printing for industrial production, with organics or 3D/4D printing, cannot be counted as part of the printing segment in the strictest sense. But it is important to note: Effective communication about printing issues is necessary and the innovation-driven business of printing service providers must be publicized in order to create sufficient demand.

 

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At a glance:
drupa Global Trends – Results from February 2014

Despite national differences, the “drupa Global Trends Report” reveals substantial – and sometimes even surprising – trends and insights, which affect all economic regions and printing-related segments (publishing, packaging, commercial). As expected, the report confirmed the presumption that the global printing industry is still undergoing structural changes, which is documented by rising costs, price deterioration and shrinking margins. But even more significant are the study’s three central findings:

  • There are clear signals for an economic upturn: over the next twelve months, all areas of the global printing industry, be it commercial, publishing or packaging, will make substantial investments. In the industrialized nations, the driving factors for this investment are the need for more efficiency and the introduction of new services. In this area, the US printing industry seems to have a certain leadership role or acts as a model. In emerging nations however, the investments are driven by the order volume.
  • The printing industry is changing from a product- or technology-driven to a service-driven industry. The latest trends are new solutions and business models that accommodate customer requirements.
  • As expected, digital printing plays a major role in the technology mix that is used by the printing industry. A total of 65 % of all printing service providers operate conventional as well as digital production. More than 30 % of commercial printers generate one fourth of their profit margin with digital printing services. But conventional printing (especially sheet offset) remains to be an important cornerstone for the industry. This is reflected by the reported investment intentions: in 2014, a total of 29% of all printing service providers want to invest in the area of sheet offset.

Source and more information